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Tate Etc

'You look charming. You look enchanting. You look dazzling. You look breathtaking. You look unique. But you don't make an evening.: Art & theatre

‘Since visual art practice has so decisively repudiated, problematised, complicated the whole business of pretending’, says Nicholas Ridout, ‘it's hardly ...

Tate Etc

Voice of the invisible: Doris Salcedo

The social, historical and political landscape of Colombia and beyond has deeply informed the work of the artist who is ...

Tate Etc

Play on: The World as a Stage

To coincide with the forthcoming The World as a Stage exhibition at Tate Modern, Marie de Brugerolle explores how contemporary ...

Tate Etc

Figure it out: Tate Liverpool Rehang

Jonathan Harris interprets Tate Liverpool’s comprehensive rehang, and how it shows many of the works in the collection in ...

Tate Etc

Other worlds: William Blake

William Blake famously declared: “I must create a system or be enslaved by another man’s.” His visionary work is ...

Tate Etc

The great collaborator: Dalí

In 1976 Salvador Dalí made a film with José Montes Baquer called Impressions of Upper Mongolia, Hommage to Raymond Roussel ...

Tate Etc

The performance years: Salvador Dalí II

To coincide with Tate Modern’s exhibition exploring his work as a film-maker, Jonas Mekas remembers the Dalí happenings.

Tate Etc

MicroTate 10

MicroTate 10; Nick Rosen, Peter Newman, Peter Peri and Tom Hodgkinson reflect on a work in the Tate collection
Tate Etc

Inner visions: Interiors

Professor Beate Söntgen explores artists' historical interest in interiors
Tate Paper

Josef Albers, Eva Hesse, and the Imperative of Teaching

This paper examines affinities between the Bauhaus-indebted instructional methods and practices of Josef Albers and the sculpture of Eva Hesse ...

Tate Etc

We are here: Photographing Britain

To coincide with Tate Britain’s photographic survey of Britain’s social history, Tate Etc. asked a selection of writers, curators and ...

Tate Etc

Living colour: Hélio Oiticica

Hélio Oiticica’s Brazilian arts flourished in the 1950s, originating with the Modernist movement of the 1920s, and Oiticica became ...

Tate Etc

Lights, camera, ...metamorphosis: Salvador Dalí

Salvador Dalí as filmmaker? A strange idea to those who think he was little more than a one-time collaborator with ...

Tate Paper

Historically Accurate Reconstructions of Artists’ Oil Painting Materials

This paper describes a four-year project (2002 to 2006) funded by the Netherlands Organisation for Scientific Research entitled Historically Accurate ...

Tate Etc

‘Be an outlaw... Be a hero’: Hélio Oiticica III

Artists and curators celebrate the influence of the Brazilian artist on their work

Tate Etc

Dancing the white darkness: Maya Deren

Maya Deren (1917–1961) is regarded as one of the first important American experimental filmmakers. To coincide with a series ...

Tate Etc

Excremental value: Piero Manzoni's 'Merda d'artista'

‘Your work is shit’ – the Italian artist Piero Manzoni was allegedly told by his father. In response to this slur ...

Tate Etc

Warhol stumbled across 'The Real America' in the pantry of a woman who never adapted to the American way of life: Gilda Williams on Andy Warhol's Mother

Gilda Williams looks at the most influential person in Andy Warhol's life – his mother Julia Warhola.

Tate Etc

The master chameleon: Water

In the small town of Stykkishólmur, Iceland, Roni Horn has created a community centre that houses two installations, the second ...

Tate Etc

Hélio and I: Hélio Oiticica in London

Hélio Oiticica’s The Body of Colour comes to Tate Modern in June. Brazilian arts flourished in the 1950s, originating ...