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Greek painter, and , active in Italy. He studied in art college in Athens until 1956 and then went to Italy. From 1958 to 1960 he produced Alphabets, expanses of colour with letters, numbers, typographical symbols and road markings superimposed. Such works clearly demonstrated his aim of transcending the poetics of and pursuing a line of study characterised by contradictory concerns with, on the one hand, the symbols of mass urban and industrial civilisation, and on the other, , fundamental, individual values. These were frequently expressed by the artist's physical participation from 1960 in his own exhibitions at La Tartaruga, thus transforming them into performances.
Kounellis's work developed as a spectacular mixture of painting, and the staging of , ‘environments', performances and theatrical shows, designed to express the tensions and alienation of contemporary society, and the multiplicity, obscurity and fragmentation of its language. From 1967 he became associated with , and his work was characterised by the juxtaposition of objects, materials and actions that were both physically and culturally antithetical to one another. These included raw materials such as stone, cotton, wool and coal, and objets trouvés such as bed-frames, doors and, since 1969, shelves. He also used fire, soot and smoke in his installations and in 1969 brought live horses into the Galleria L'Attico in Rome, stressing the fragmentation of modern society by also introducing elements of traditional culture. His experimentation with unorthodox combinations of materials continued into the 1980s.
Bibliography
Kounellis (exh. cat., ed. S. Pagé; Paris, Mus. A. Mod. Ville Paris, 1980)
Jannis Kounellis (exh. cat., ed. G. Celant; Rimini, Mus. Com., 1983)
Jannis Kounellis (exh. cat., ed. M. J. Jacob; Chicago, IL, Mus. Contemp. A., 1986) ANTONELLO NEGRI
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