Nauman has explained that these Studies for Holograms grew out of his performance works: 'The idea of making faces had to do with thinking about the body as something you can manipulate. I had done some performance pieces - rigorous works dealing with standing, leaning, bending - and as they were performed, some of them seemed to carry a large emotional impact. I was very interested in that: if you perform a bunch of arbitrary operations, some people will make very strong connections with them and others won't.'