Nauman''s work often antagonises or disorients. The ''No'' of this lithograph is in keeping with his refusal to offer solace or affirmation to the viewer. Its immediacy also demonstrate Nauman''s ongoing commitment to making what he describes as ''art that was just there all at once. Like getting hit in the face with a baseball bat. Or better, like getting hit in the back of the neck. You never see it coming; it just knocks you down''.