This work exemplifies Lanyon’s idea of the ‘experiential landscape’, which involved approaching a place from different positions and combining these views with allusions to geology, history, culture and myth. Here he depicts the fishing port of Porthleven from several perspectives, revealing its two harbours and clock tower. Lanyon later identified a human presence in the work, reading the shape on the left as a fisherman with lamp and his wife wrapped in a shawl on the right. Influenced by the Swiss psychiatrist Carl Jung and his theories of the unconscious, the artist saw these as figures embodying the cultural identity of his home.