TM 2016: Expanded Painting

Tate Modern (London, UK) from 11 Jan 2016 until 08 Jul 2019.

Kazuo Shiraga
(1924-2008)

Kazuo Shiraga, Tenkosei Kaosho, 1962

X67329
Tenkosei Kaosho

1962
painting
Oil on canvas
support: 1820 x 2730 mm
The George Economou Collection
Provenance:
The Artist;
From whom acquired by Private Collection, 1962;
By whom sold at Christie’s, Paris, 28 May 2008, lot 16;
From which sale acquired by Private Collection, Paris, 2008;
From whom acquired by Dominique Levy Galley, New York, 2015;
From whom acquired by The George Economou Collection, 2015, current owner.

Nationality of artist: Japanese
Identifying marks: Signed and dated bottom left
Place of Manufacture: Not Recorded

Pablo Picasso 1932

Tate Modern (London, UK) from 08 Mar 2018 until 09 Sep 2018.

Pablo Picasso
(1881-1973, born: Málaga, died: Mougins)

Pablo Picasso, Self-portrait, 1901

X60654
Self-portrait

[Autoportrait] 1901
painting
Oil paint on canvas
support: 810 x 600 mm frame: 970 x 760 x 90 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP4
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1895 à 1906, vol. 1, 2 ed., Paris, Éditions Cahiers d’Art, 1932, no. 91
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings
Markings on verso:
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Portrait of Olga in an Armchair, 1918

X60662
Portrait of Olga in an Armchair

[Portrait d'Olga dans un fauteuil] 1918
painting
Oil paint on canvas
support: 1300 x 888 mm frame: 1440 x 1030 x 90 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP55
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1917 à 1919, vol. 3, Paris, Éditions Cahiers d’Art, 1949, no. 83
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings
Place of manufacture: Montrouge, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Paulo as a Harlequin, 1924

X60663
Paulo as a Harlequin

[Paulo en arlequin] 1924
painting
Oil paint on canvas
support: 1300 x 975 mm frame: 1510 x 1180 x 680 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP83
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Christian Zervos, Pablo Picasso. vol.V, Oeuvres de 1923 à 1925, Paris 1952, no., 178
Nationality of Artist: Spanish
Place of manufacture: Montrouge, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Woman in the Garden, 1929-1930

X64214
Woman in the Garden

[La Femme au jardin] 1929-1930
sculpture
Welded iron painted white
object: 2060 x 1170 x 850 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP267
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Spies 72.I
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Sculptor, 1931

X60668
The Sculptor

[Le Sculpteur] 1931
painting
Oil paint on plywood
support: 1285 x 960 mm frame: 1440 x 1120 x 90 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP135
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 346
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings: dated on the strectcher 7-Décembre / M.CM.XXXI
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Woman with Dagger, 1931

X64209
Woman with Dagger

[La Femme au stylet] 1931
painting
Oil paint on canvas
support: 465 x 615 mm frame: 1380 x 735 x 75 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP136
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Not in Zervos
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings: dated on the strectcher ‘25 Décembre XXXI 19-20 Décembre XXXI’
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Head of a Woman, 1931

X64292
Head of a Woman

[Tête de femme] 1931
sculpture
Plaster
object: 715 x 410 x 330 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP291
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Spies 110.I
Nationality of Artist: Spanish
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Seated Woman, 1931

X64293
Seated Woman

[Femme assise] 1931
sculpture
Plaster
object: 350 x 232 x 305 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP288
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Spies 105.I
Nationality of Artist: Spanish
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Bust of a Woman, 1931

X64295
Bust of a Woman

[Buste de femme] 1931
sculpture
Plaster
object: 625 x 280 x 415 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP293
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Spies 111.I
Nationality of Artist: Spanish
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Head of a Woman (Marie-Thérèse), 1931

X64296
Head of a Woman (Marie-Thérèse)

[Tête de femme de profil (Marie-Thérèse)] 1931
relief
Bronze. Unique cast
object: 685 x 600 x 90 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP297
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Spies 130.II
Nationality of Artist: Spanish
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Bust of a Woman, 1931

X64297
Bust of a Woman

[Buste de femme] 1931
sculpture
Cement
object: 780 x 445 x 500 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP299
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: S.131. III
Nationality of Artist: Spanish
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Bather, 1931

X64298
Bather

[Baigneuse] 1931
sculpture
Plaster
object: 405 x 132 x 315 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP303
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Spies 113.I
Nationality of Artist: Spanish
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Reading, 1932

X59341
Reading

[La Lecture] 1932
painting
Oil paint on canvas
support: 1300 x 975 mm frame: 1440 x 1120 x 90 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP137
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 356, p. 153, as La lecture
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings
Markings on verso: inscribed on the stretcher: 2 January 1932
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Woman in a Red Armchair, 1932

X59447
Woman in a Red Armchair

[Femme au fauteuil rouge] 1932
painting
Oil paint on canvas
support: 1302 x 970 mm frame: 1440 x 1120 x 90 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP138
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 330, p. 135 as Figure (1931)
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Still Life: Bust, Cup and Palette, 1932

X59451
Still Life: Bust, Cup and Palette

[Nature morte: buste, coupe et palette] 1932
painting
Oil paint on canvas
support: 1305 x 975 mm frame: 1460 x 1120 x 90 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP140
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Not in Zervos
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings: dated on the strectcher 3 Mars XXXII
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Reclining Nude Sunbathing on the Beach, 1932

X59456
Reclining Nude Sunbathing on the Beach

[Femme étendue au soleil sur la plage] 1932
on paper, unique
Oil and charcoal on tracing paper
support: 244 x 352 mm frame: 460 x 585 x 30 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP1069
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 356
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings: Dated on the upper left corner: 25 mars XXXII Place of manufacture: Boisgeloup, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Boisgeloup in the Rain, 1932

X59472
Boisgeloup in the Rain

[Boisgeloup sous la pluie] 1932
painting
Oil paint on fabric
support: 475 x 830 mm frame: 970 x 620 x 90 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP141
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 332
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings: dated on the strectcher Boisgeloup 4 avril M.C.M. XXXII
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Reclining Nude, 1932

X59473
Reclining Nude

[Nu couché] 1932
painting
Oil paint on canvas
support: 1300 x 1617 mm frame: 1440 x 1755 x 850 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP142
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 332
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings: dated on the strectcher Boisgeloup 4 avril M.C.M. XXXII
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Reclining Nude, 1932

X59474
Reclining Nude

[Nu couché] 1932
on paper, unique
Oil paint on paper
support: 265 x 316 mm frame: 460 x 585 x 30 mm
Musée national Picasso-Paris. Dation Pablo Picasso, 1979. MP1070
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 386
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings: dated Boisgeloup 19 juin XXXII
Place of manufacture: Boisgeloup, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Flute Player and Reclining Nude, 1932

X59484
Flute Player and Reclining Nude

[Joueur de flûte et nu allongé] 1932
on paper, unique
Graphite on paper
support: 252 x 372 mm frame: 460 x 585 x 30 mm
Musée national Picasso–Paris. Dation Pablo Picasso, 1979. MP1084
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1932 à 1937, vol. 8, Paris, Éditions Cahiers d’Art, 1957, no. 38
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings: dated on the right hand corner Boisgeloup 8 octobre XXXII
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Flute Player and Three Female Nudes, 1932

X59578
Flute Player and Three Female Nudes

[Flûtiste et trois femmes nues] 1932
on paper, print
Drypoint on paper
support: 456 x 579 mm unconfirmed, frame: 660 x 800 x 30 mm
Musée national – Picasso, Paris. Dation Pablo Picasso, 1979. MP2481
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Bernard Geiser and Brigitte Baer, Picasso: Peintre-graveur. Catalogue raisonné de l’oeuvre grave et des monotypes. vol.II, 1932–34, Bern 1992, no. G/B 258.A
Nationality of Artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Crucifixion, 1932

X59589
The Crucifixion

[La Crucifixion] 1932
on paper, unique
Ink on paper
support: 345 x 515 mm frame: 660 x 800 x 30 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP1073
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1932 à 1937, vol. 8, Paris, Éditions Cahiers d’Art, 1957, no. 49
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Crucifixion, 1932

X59590
The Crucifixion

[La Crucifixion] 1932
on paper, unique
Ink on paper
support: 345 x 515 mm frame: 660 x 800 x 30 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP1071
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1932 à 1937, vol. 8, Paris, Éditions Cahiers d’Art, 1957, no. 52
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Crucifixion, 1932

X59591
The Crucifixion

[La Crucifixion] 1932
on paper, unique
Ink on paper
support: 345 x 515 mm frame: 660 x 800 x 30 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP1072
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1932 à 1937, vol. 8, Paris, Éditions Cahiers d’Art, 1957, no. 51
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Crucifixion, 1932

X59592
The Crucifixion

[La Crucifixion] 1932
on paper, unique
Ink on paper
support: 345 x 515 mm frame: 660 x 800 x 30 mm
Muse´e national Picasso – Paris Dation Pablo Picasso, 1979. MP1074
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Not in Zervos
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris,

Pablo Picasso, The Crucifixion, 1932

X59593
The Crucifixion

[La Crucifixion] 1932
on paper, unique
Ink on paper
support: 345 x 515 mm frame: 660 x 800 x 30 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP1075
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1932 à 1937, vol. 8, Paris, Éditions Cahiers d’Art, 1957, no. 55
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Crucifixion, 1932

X59629
The Crucifixion

[La Crucifixion] 1932
on paper, unique
Ink on paper
support: 345 x 515 mm frame: 660 x 800 x 30 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP1076
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Not in Zervos
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Flute Player and Seated Nude, 1932

X59630
Flute Player and Seated Nude

[Deux femmes nues dont l'une jouant de la diaule] 1932
on paper, unique
Oil paint and ink on paper
support: 345 x 510 mm frame: 660 x 800 x 30 mm
Musée national Picasso – Paris. Dation Pablo Picasso, 1979. MP1077
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1932 à 1937, vol. 8, Paris, Éditions Cahiers d’Art, 1957, no. 43
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings: inscribed on the lower left corner ‘Boisgeloup 4 octobre XXXII’
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Crucifixion, 1932

X59632
The Crucifixion

[La Crucifixion] 1932
on paper, unique
Ink on paper
support: 340 x 510 mm frame: 660 x 800 x 30 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP1079
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1932 à 1937, vol. 8, Paris, Éditions Cahiers d’Art, 1957, no. 50
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Crucifixion, 1932

X59633
The Crucifixion

[La Crucifixion] 1932
on paper, unique
Ink on paper
support: 340 x 510 mm frame: 660 x 800 x 30 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP 1078
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1932 à 1937, vol. 8, Paris, Éditions Cahiers d’Art, 1957, no. 56
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Crucifixion, 1932

X59634
The Crucifixion

[La Crucifixion] 1932
on paper, unique
Ink on paper
support: 255 x 330 mm frame: 660 x 800 x 30 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP1085
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1932 à 1937, vol. 8, Paris, Éditions Cahiers d’Art, 1957, no. 54
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Crucifixion, 1932

X59635
The Crucifixion

[La Crucifixion] 1932
on paper, unique
Ink on paper
support: 345 x 510 mm frame: 660 x 800 x 30 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP 1081
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1932 à 1937, vol. 8, Paris, Éditions Cahiers d’Art, 1957, no. 53
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Crucifixion, 1932

X59636
The Crucifixion

[La Crucifixion] 1932
on paper, unique
Ink on paper
support: 345 x 510 mm frame: 660 x 800 x 30 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP1080
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Not in Zervos
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Crucifixion, 1932

X59637
The Crucifixion

[La Crucifixion] 1932
on paper, unique
Ink on paper
support: 345 x 515 mm frame: 660 x 800 x 30 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP1082
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Not in Zervos
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Crucifixion: Studies of Details, 1932

X59638
The Crucifixion: Studies of Details

[La Crucifixion: Etude de détails] 1932
on paper, unique
Ink on paper
support: 345 x 515 mm frame: 660 x 800 x 30 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP1083
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Not in Zervos
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Rape, 1932

X59646
The Rape

[Le Viol] 1932
on paper, print
Etching on paper
support: 176 x 127 mm frame: 585 x 460 x 30 mm
Musée national Picasso – Paris. Dation Pablo Picasso, 1979. MP2204
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Bernard Geiser and Brigitte Baer, Picasso: Peintre-graveur. Catalogue raisonné de l’oeuvre grave et des monotypes. vol.II, 1932–34, Bern 1992, no. 264/A.a
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings: annotated "planche gravée à Paris- 21 novembre XXXII"
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Girl before a Mirror, 1932

X59651
Girl before a Mirror

[Jeune Fille devant un miroir] 1932
painting
Oil paint on canvas
support: 1623 x 1302 mm
The Museum of Modern Art, New York. Gift of Mrs. Simon Guggenheim, 1937
Provenance:
March 1932 - at least March 1934, Pablo Picasso, Paris.
By March 1936 - December 1937, Paul Rosenberg, Paris, acquired from the artist.
December 1937, The Museum of Modern Art, New York, purchased from Paul Rosenberg through Valentine Gallery (no. 1320C), New York.
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 379, p. 167.

Nationality of artist: Spanish
Signatures, Inscriptions, and Markings: Markings on recto: signed and dated 'Picasso XXXII.' (upper left)
Place of manufacture: Paris, France  
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Lender’s address: The Museum of Modern Art, New York 11 W 53rd St, New York, NY 10019, USA

Pablo Picasso, The Rescue, 1932

X59660
The Rescue

[Le Sauvetage] 1932
painting
Oil paint on canvas
support: 1300 x 975 x 25 mm frame: 1445 x 1122 x 77 mm
Fondation Beyeler, Riehen/Basel, Sammlung Beyeler
Provenance:
The artist, Paris and elsewhere (1932 – at least until November 1935) and Mougins, France until 1966;
Acquired directly from the artist in 1966 Mougins, by Ernst Beyeler through Galerie Louise Leiris;
Collection Ernst Beyeler, Basel (1966 – 1991);
Fondation Beyeler, Riehen
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1932 à 1937, vol. 8, Paris, Éditions Cahiers d’Art, 1957, no. 66, p. 29, as Le Sauvetage. [Paris, décembre 1932]
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings
Markings on recto: signed on the upper right in red color: Picasso
Markings on verso: dated on the back center left on stretcher on pencil on a white color: Paris 20 novembre XXXII; "9 PP"in pencil on the back upper right on canvas
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address:Fondation Beyeler, Baselstrasse 101, 4125 Basel, Switzerland

Pablo Picasso, Sculpture of a Head, 1932

X59662
Sculpture of a Head

1932
painting
Charcoal on prepared fabric
support: 920 x 730 x 25 mm frame: 1130 x 940 x 65 mm
Fondation Beyeler, Riehen/Basel, Sammlung Beyeler
Provenance:
The artist, Paris and elsewhere (1932 – 1937);
Galerie Pierre (Pierre Loeb), Paris, at least since 1937;
George David Thompson, Pittsburgh (d. 1965) (1957 –1964);
Acquired from the above by Galerie Beyeler, Basel, 1960 (1960 - 1964);
Acquired from the above by Morris J. Pinto, Paris, 1964 (1964 – 1966);
Acquired from the above by Galerie Beyeler, Basel, 1966;
Acquired from the above by Josef Steegmann, Cologne/Vaduz, 1966 (1966 – 1973);
Collection Ernst Beyeler, Basel (1973 – 1991);
Fondation Beyeler, Riehen
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings
Markings on recto: signed bottom right: Picasso
Place of manufacture: France
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking.
Lender’s address:Fondation Beyeler, Baselstrasse 101, 4125 Basel, Switzerland

Pablo Picasso, The Yellow Belt, 1932

X59691
The Yellow Belt

[La Ceinture jaune] 1932
painting
Oil paint on canvas
support: 1300 x 970 mm frame: 1360 x 1030 x 50 mm
Nahmad Collection, Monaco
Provenance:
The artist, Paris and elsewhere (1932–d. 1973);
By descent to his daughter, Paloma Picasso, Paris, 1973 – 1990;
Sale Nouveau Drouot Paris, 25 November 1990, lot 63 where purchased by Dittmer, Chicago;
Mr. and Mrs. Thomas Dittmer, Chicago;
Mr. and Mrs. Klaus Günther Perls, New York;
Sale Sotheby’s, New York, Sale property from the Collection of Mr. & Mrs. Klaus Perls, 1 May 1996, lot 46 where purchased by the present owner
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 357, p. 152, as La ceinture jaune
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings: dated 6 Janvier M. CM.XXXII on the stretcher
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Sleeping Woman by a Mirror, 1932

X59692
Sleeping Woman by a Mirror

[La Dormeuse au miroir] 1932
painting
Oil paint on panel
support: 1300 x 970 mm frame: 1450 x 1120 x 60 mm
Nahmad Collection, Monaco
Provenance:
The artist, Paris and elsewhere (1932 – 1965);
Galerie Louise Leiris, Paris (acquired directly from the artist in 1965);
Saidenberg Gallery, New York;
Perls Galleries (Klaus Günther Perls), New York;
Private Collection
Sale Christie’s, New York, 14 November 1990, lot 46 where acquired by the present owner
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 360, p. 155, as La dormeuse au miroir
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings: signed upper left 'Picasso', dated on the reverse '14 - janvier M.CM.XXXII'
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Fruit Bowl and Guitar, 1932

X59693
Fruit Bowl and Guitar

[Compotier et guitare] 1932
painting
Oil paint on canvas
support: 970 x 1300 mm frame: 1100 x 1430 x 50 mm
Nahmad Collection, Monaco
Provenance:
The artist, Paris and elsewhere;
Galerie Simon, Paris;
Galerie Louise Leiris, Paris;
Mme. Bourdon Collection, Paris;
Sale Nouveau Drouot, Paris, Sale Collection de Mme Bourdon, 25 March 1990 where acquired by the present owner
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 354, p. 150 as Compotier et guitare
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings: signed upper right 'Picasso', dated on the reverse 'Fevrier XXXII'
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Reading, 1932

X59694
Reading

[La lecture] 1932
painting
Oil paint on wood
object: 655 x 510 mm
Private Collection
Provenance:
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings
signed Picasso (upper right)
Place of manufacture: France
Catalogue raisonné
Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 363, p. 158, as La lecture (with incorrect medium and measurements and as dating from January 1932)
Provenance
The artist, Paris and elsewhere (1932);
Possibly Paul Rosenberg & Co, Paris and New York;
Valentine Dudensing Gallery, New York (acquired by 1940);
Keith Warner (d. 1959), Fort Lauderdale & New York (c. 1940 – until at least 1959);
Paul Rosenberg & Co., New York (acquired from the estate of the above in 1963) (1963 – January 1964);
Mr & Mrs David Llyos Kreeger, Washington, D.C. (acquired from the above on January 1964) (1964 – until at least 1976);
Mr & Mrs James W. Aldsdorf, Chicago (acquired by 1980) (1980 – May 1989);
Sale Habsburg-Feldman, New York, 8 May 1989, lot 57;
Acquired from the above by a private collection (1989 – 1996);
Acquired from the above by an American private collection in 1996;
Sale Sotheby's, Impressionist & Modern Art Evening Sale, London, 8 February 2011, lot 08;
Acquired from the above sale by the present owner
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, The Dream, 1932

X59739
The Dream

[Le Rêve] 1932
painting
Oil paint on canvas
support: 1299 x 968 mm frame: 1397 x 1086 x 57 mm
Private Collection
Provenance:
The artist, Paris (1932 – circa 1936; by March 1936 to Rosenberg);
Paul Rosenberg and Co, Paris and New York (acquired from the artist by March 1936 – 1943 (sold to Mary (Meric) Callery);
Acquired from the above by Mary (Meric) Callery, New York, (circa 1943 – circa 1953);
Victor and Sally Ganz, New York (at least by January 1953 – 1997);
Sale Christie’s, The Collection of Victor and Sally Ganz, New York, 10 November 1997, lot 43;
Purchased at the above sale by Wolfgang Flöttl, (1997 – 2001);
Steve and Elaine Wynn Collection, Las Vegas, Nevada
Acquired from the above by the present owner
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 364, p. 159 as Le Rêve
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings: Signed lower left "Picasso XXXII"
Place of manufacture: France
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, The Diver, 1932

X59775
The Diver

[La Plongeuse] 1932
on paper, print
Etching on paper
support: 170 x 128 mm frame: 585 x 460 x 30 mm
Musée national Picasso–Paris. Dation Pablo Picasso, 1979. MP2247
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Bernard Geiser and Brigitte Baer, Picasso: Peintre-graveur. Catalogue raisonné de l’oeuvre grave et des monotypes. vol.II, 1932–34, Bern 1992, no. 277/A.a
Nationality of Artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Diver, 1932

X59829
The Diver

[La Plongeuse] 1932
on paper, print
Etching on paper
support: 194 x 148 mm frame: 585 x 460 x 30 mm
Musée national Picasso – Paris. Dation Pablo Picasso, 1979. MP2249
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Bernard Geiser and Brigitte Baer, Picasso: Peintre-graveur. Catalogue raisonné de l’oeuvre grave et des monotypes. vol.II, 1932–34, Bern 1992, no. 277/A.c
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings:
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Diver, 1932

X59830
The Diver

[La Plongeuse] 1932
on paper, print
Etching on paper
support: 329 x 218 mm frame: 585 x 460 x 30 mm
Musée national Picasso–Paris. Dation Pablo Picasso, 1979. MP2250
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Bernard Geiser and Brigitte Baer, Picasso: Peintre-graveur. Catalogue raisonné de l’oeuvre grave et des monotypes. vol.II, 1932–34, Bern 1992, no. 277/B.a
Nationality of Artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Still Life with Tulips, 1932

X59912
Still Life with Tulips

[Nature morte aux tulipes] 1932
painting
Oil paint on canvas
object: 1300 x 985 mm
Private Collection
Provenance:
Nationality of Artist: Spanish
Place of manufacture: France
Catalogue raisonné
Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 376, p. 64, as Nature morte aux tulipes.
Provenance
The artist, Paris and elsewhere (1932 – until at least c. 1936);
Paul Rosenberg, Paris
Albert Bellanger, Paris (by 1939 – 1956);
Paul Rosenberg & Co., New York (acquired from the above on October 5, 1956);
Private Collection, Europe (acquired from the above on April 26, 1957);
Sale Christie's, New York, May 9, 2000, lot 520;
Private Collection (acquired at the above sale);
Acquavella Galleries, New York;
Acquired from the above;
Sale Sotheby’s Impressionist & Modern Art Evening Sale, New York, 8 November 2012, lot 09;
Acquired from the above by the present owner
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern


Pablo Picasso, The Mirror, 1932

X59913
The Mirror

[Le Miroir] 1932
painting
Oil paint on canvas
support: 1302 x 968 mm
Private Collection
Provenance:
The artist, Paris and elsewhere (1932 – until at least 1958) (on extended loan at the Museum of Modern Art, New York from 1939 to May 1957);
Acquired directly from the artist by Galerie Louise Leiris, Paris (Daniel-Henry Kahnweiler), 1958; by whom sold to the Gustav Stern Foundation, Inc., New York by July 1960;
The Gustav Stern Foundation, Inc., New York, by July 1960 – 1989;
Sale Sotheby’s, New York, Impressionist and Modern Paintings and Sculpture (Part I), 15 November 1989, lot 52;
Purchased from the above sale by a private collection;
Sale Christie’s, New York, Impressionist and Modern Paintings, Drawings and Sculpture (Part I), 7 November 1995, lot 45;
Acquired from the above sale by the present owner.
Catalogue Raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 378, p. 166, as Le Miroir.

Nationality of artist: Spanish
Identifying marks: Signed bottom left Picasso, dated on the stretcher 12 Mars XXXII
Place of manufacture: France
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Lender's address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Bathers with Beach Ball, 1932

X59933
Bathers with Beach Ball

[Baigneuses au ballon] 1932
painting
Oil paint on canvas
support: 810 x 1000 mm frame: 950 x 1120 x 90 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP143
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Not in Zervos
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Nude before a Mirror, 1932

X59935
Nude before a Mirror

[Nu devant la glace] 1932
painting
Oil paint on canvas
support: 270 x 350 mm frame: 414 x 495 x 48 mm
Bettina and Donald L. Bryant, Jr
Provenance:
The artist, Paris, (1932 – circa 1936; by March 1936 to Rosenberg);
[Paul Rosenberg, Paris and Rosenberg and Helft, London, by March 1936 – at least April 1937]; (sold to Henry Ford, Detroit);
Henry II Ford, Detroit (purchased through Paul Rosenberg and Co., New York);
Bernice McIlhenny Wintersteen, Villanova (PA, USA) (purchased through M. Knoedler and Co., Knoedler Gallery on 16 June 1964);
Mitchell – Innes and Nash, New York;
Acquired from the above by the present owner in 2001
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 388, p. 171, as Nu devant la glace.
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings
Markings on recto: dated at the upper left
Place of manufacture: France
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, The Rescue of the Drowned Woman I, 1932

X59936
The Rescue of the Drowned Woman I

[Le Sauvetage de la noyée I] 1932
on paper, print
Etching on paper
support: 342 x 240 mm frame: 585 x 460 x 30 mm
Musée national Picasso – Paris. Dation Pablo Picasso, 1979. MP2226
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Bernard Geiser and Brigitte Baer, Picasso: Peintre-graveur. Catalogue raisonné de l’oeuvre grave et des monotypes. vol.II, 1932–34, Bern 1992, no. G/B 272 A./a
Nationality of Artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Rescue of the Drowned Woman II, 1932

X59964
The Rescue of the Drowned Woman II

[Le Sauvetage de la noyée II] 1932
on paper, print
Etching on paper
support: 257 x 342 mm
Musée national Picasso – Paris. Dation Pablo Picasso, 1979. MP2232
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Bernard Geiser and Brigitte Baer, Picasso: Peintre-graveur. Catalogue raisonné de l’oeuvre grave et des monotypes. vol.II, 1932–34, Bern 1992, no. 273/A.a
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings:
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Rescue of the Drowned Woman III, 1932

X59979
The Rescue of the Drowned Woman III

[Le Sauvetage de la noyée III] 1932
on paper, print
Etching on paper
support: 258 x 351 mm frame: 460 x 585 x 30 mm
Musée national Picasso–Paris. Dation Pablo Picasso, 1979. MP2238
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Bernard Geiser and Brigitte Baer, Picasso: Peintre-graveur. Catalogue raisonné de l’oeuvre grave et des monotypes. vol.II, 1932–34, Bern 1992, no. 274/A.a
Nationality of Artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Seated Woman in a Red Armchair, 1932

X59989
Seated Woman in a Red Armchair

[Femme assise dans un fauteuil rouge] 1932
painting
Oil paint on canvas
support: 1300 x 975 mm frame: 1430 x 1110 x 80 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP139
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Not in Zervos
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Composition with Butterfly, 1932

X60004
Composition with Butterfly

[Composition au papillon] 1932
relief
Cloth, wood, plants, string, bug, butterfly and oil paint on canvas
support: 160 x 215 x 25 mm frame: 230 x 285 x 42 mm
Musée national Picasso – Paris. Achat 1982. MP1982-169
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Dora Maar (1973 - 1982);
Purchase by the government of France in 1982 (Arrêté n°46 du 29/11/1982) and deposited at the Musée national Picasso-Paris in 1985
Catalogue raisonné: Spies 116
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings: Dated at top Boisgeloup, left 15, right septembre XXXII
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Rest, 1932

X60025
Rest

[Le Repos] 1932
painting
Oil paint on canvas
support: 1619 x 1302 mm frame: 1676 x 1359 x 64 mm
Private Collection
Provenance:
The artist, Paris and elsewhere (1932–d. 1973);
The artist’s estate, Paris, 1973 – 1978;
By descent to a private collection, France, 1975;
Sale Christie's New York, 2 May 2006, lot 43;
Acquired from the above sale by the present owner
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 361, p. 156, as Le Repos
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings: dated '22 -1 -XXXII' (on the reverse)
Place of manufacture: France
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Nude in a Black Armchair, 1932

X60027
Nude in a Black Armchair

[Nu au fauteuil noir] 1932
painting
Oil paint on canvas
support: 1613 x 1295 mm frame: 2032 x 1714 x 63 mm
Private Collection, USA
Provenance:
The artist, Paris and elsewhere (1932 – circa 1936; by March 1936 to Paul Rosenberg);
Galerie Paul Rosenberg, Paris and Rosenberg and Co, New York, March 1936 – circa 1939; sold to Mary (Meric) Callery;
Purchased by 1939 by Mary (Meric) Callery, New York, (by November 1939 when lent to MoMa, New York – until at least 1958);
Galerie Louise Leiris, Paris;
Saidenberg Gallery, New York ;
Purchased 1969 by Madeleine Haas Russell, San Francisco (1969 – 1999);
Sale Christie's, New York, 9 November 1999, lot. 507; purchased by Richard Gray Gallery, Chicago;
Acquired in 1999 from the above by the present owner
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings: signed and dated ‘Picasso 9 mars XXXII’ (lower left)
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Reclining Woman and Flute Player, 1932

X60039
Reclining Woman and Flute Player

[Femme allongée, joueur de flûte] 1932
on paper, unique
Graphite on paper
support: 245 x 325 mm frame: 570 x 648 x 35 mm
Private Collection
Provenance:
The artist, Boisegeloup, France;
Alfred Réty, Boisgeloup (gift of the artist) (1932 – [circa 1935]);
Madame Lebreton, La Ferté-Gaucher, France (by descent);
Matignon Fine Art, Paris (purchased from the above circa 1982 – 1983);
Private Collection (purchased from the above circa 2000);
Sale Christie’s, Art Impressionniste et Moderne, Paris, 3 December 2007, lot 119;
Acquired from the above by the present owner
Catalogue raisonné: Not in Zervos
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings: Markings on verso: signed, dated and inscribed 'Boisgeloup 9 octobre XXXII' (lower left)
Place of manufacture: Boisgeloup, France
This work was produced before the operative period 1933–45 and has a complete provenance.

Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Seated Woman by a Window. Marie-Thérèse, 1932

X60048
Seated Woman by a Window. Marie-Thérèse

[Femme assise près d'une fenêtre. Marie-Thérèse] 1932
painting
Oil paint on canvas
support: 1460 x 1139 mm frame: 1690 x 1377 x 80 mm
Earth Light Foundation, Vaduz
Provenance:
The artist, Paris and elsewhere (1932 – until d. 1973);
The artist’s estate, Paris, 1973 – 1978 (by descent to his son Paulo Ruiz Picasso;
By descent to his granddaughter, Marina Ruiz Picasso, France, 1975;
Jan Krugier, Fine Art, New York (sold to Stephen Hahn, New York, 1985);
Stephen Hahn, New York (acquired from the above in 1985)
Sale Christie’s, New York, 14 May 1997, lot 50 where purchased by private collector;
Sale Sotheby’s, London, Impressionist and Modern Art Evening Sale, 5 February 2013, lot 12 where acquired by the present owner.
Nationality of artist: Spanish
Identifying marks: Dated Boisgeloup 30 Octobre XXXII on a piece of the original stretcher affixed to the stretcher
Place of manufacture: Boisgeloup, France
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Reclining nude, 1932

X60053
Reclining nude

[Femme nue couchée] 1932
painting
Oil paint on canvas
support: 1295 x 1626 mm frame: 1410 x 1727 x 64 mm
Private Collection
Provenance:
The artist, Paris and elsewhere (1932–d. 1973);
The artist’s estate, Paris, 1973 – 1978
Purchased from the above by the present owner, by 2007
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 331, p. 136 as Nu couché, 1931
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings: Dated on the back on the stretcher: "Boisgeloup-2 avril XXXII"
Place of manufacture: Boisgeloup, France
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Head of a Woman, 1932

X60085
Head of a Woman

[Tête de femme] 1932
relief
Plaster
object: 650 x 430 x 250 mm
Musée national Picasso–Paris. Dation Pablo Picasso, 1979. MP295
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Spies 120.I
Nationality of Artist: Spanish
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Three Bathers, 1932

X61799
The Three Bathers

[Les Trois baigneuses] 1932
painting
Oil paint on canvas
support: 270 x 410 mm frame: 310 x 450 x 40 mm
Nahmad Collection, Monaco
Provenance:
The artist, Paris and elsewhere (1932 – d. 1973);
The artist’s estate, Paris, 1973 – 1978;
Perls Galleries (Klaus G. Perls), New York;
Richard A. Loeb, Clinton, New Jersey;
By whom sale Sotheby's, New York, 9 May 1989, lot 52;
Constance W. Stafford, [Philadelphia];
Sale Sotheby's, New York, 13 May 1997, lot 47;
Private Collection, California;
By whom sale Sotheby's, New York, 9 May 2001, lot 474;
Acquired from the above by the present owner
Catalogue raisonné: Not in Zervos
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings: signed and dated lower right Picasso, Boisgeloup 15 Septembre, XXXII
Place of manufacture: Boisgeloup, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, The Clarinet Player, 1932

X61800
The Clarinet Player

[Le Joueur de clarinette] 1932
on paper, unique
Ink and wash on paper
support: 285 x 330 mm frame: 445 x 545 x 25 mm
Nahmad Collection, Monaco
Provenance:
The artist, Paris and elsewhere;
André Level (d. 1946), Paris;
By descent to private collection, France (1946 – 2010);
Their sale Sotheby’s, Paris, 3 June 2010, lot 7;
Acquired from the above by the present owner
Catalogue raisonné: Not in Zervos
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings: signed and dated lower left 'PARIS 13 octobre 17 novembre XXXII. Picasso'
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern
 

Pablo Picasso, Sleeping Nude with Blonde Hair, 1932

X61801
Sleeping Nude with Blonde Hair

[Femme couchée à la mêche blonde] 1932
painting
Oil paint on canvas
support: 1300 x 1620 mm frame: 1390 x 1700 x 65 mm
Nahmad Collection, Monaco
Provenance:
The artist, Paris and elsewhere;
Galerie Louise Leiris, Paris;
Galerie Beyeler, Basel by 1984 (1984 – 1994);
Sale Christie’s, New York, 10 May 1994, lot 21;
Meshlam Riklis, New York (acquired from the above sale) (1994 – 2004);
Sale Sotheby’s, London, Impressionist and Modern Art Evening, 21 June 2004, lot 50; Acquired from the above by the present owner
Catalogue raisonné: Not in Zervos
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings: signed upper left 'Picasso', dated on the stretcher 21 Decembre M.CM.XXXII
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Reclining Woman on the Beach, 1932

X61969
Reclining Woman on the Beach

1932
painting
Oil paint on canvas
support: 220 x 270 mm
Private Collection
Provenance:
The artist, Paris and elsewhere (1932–d. 1973);
The artist’s estate, Paris (1973 – 1979);
By descent to private collection, France
Catalogue raisonné: Not in Zervos
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings
Dated and inscribed on the back: 26 mars XXXIII Boisgeloup – II
Place of manufacture: Boisgeloup, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Reclining Woman on the Beach, 1932

X63675
Reclining Woman on the Beach

[Femme étendue sur la plage au soleil] 1932
painting
Oil and charcoal on canvas
support: 1300 x 1620 mm
Private Collection
Provenance:
The artist, Paris and elsewhere (1932–d. 1973);
The artist’s estate, Paris (1973 – 1979);
By descent to private collection, France
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1926 à 1932, vol. 7, Paris, Éditions Cahiers d’Art, 1955, no. 355, as Femme nue couchée sur la plage
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings
Dated and inscribed on on the stretcher: 25 mars XXXII, Boisgeloup
Place of manufacture: Boisgeloup, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Flute Player and Reclining Nude, 1932

X63677
Flute Player and Reclining Nude

[Joueur de flûte et nu couché] 1932
on paper, unique
Ink, gouache and oil paint on paper
support: 345 x 505 mm
Private Collection
Provenance:
The artist, Paris and elsewhere (1932–d. 1973);
The artist’s estate, Paris (1973 – 1979);
By descent to private collection, France
Catalogue raisonné: Zervos, Christian, Pablo Picasso: oeuvres de 1932 à 1937, Vol. 8, Paris, Éditions Cahiers d’Art, 1957, no. 39, page 18, as Joueur de flute et nu couché
Nationality of artist: Spanish
Signatures, Inscriptions, and Markings
Markings on recto: Daté en bas à droite: Boisgeloup 1er septembre XXXII
Place of manufacture: Boisgeloup, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Women Playing with a Ball on the Beach, 1932

X63684
Women Playing with a Ball on the Beach

[Femmes jouant au ballon sur la plage] 1932
painting
Oil paint on canvas
support: 190 x 240 mm
Private Collection
Provenance:
The artist, Paris and elsewhere (1932–d. 1973);
The artist’s estate, Paris (1973 – 1979);
By descent to private collection, France
Catalogue raisonné: Not in Zervos
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Women Playing with a Ball on the Beach, 1932

X64013
Women Playing with a Ball on the Beach

[Femmes jouant à la balle sur la plage] 1932
painting
Oil paint on canvas
support: 810 x 1000 mm
Private Collection
Provenance:
The artist, Paris and elsewhere (1932–d. 1973);
The artist’s estate, Paris (1973 – 1979);
By descent to private collection, France
Catalogue raisonné: Not in Zervos
Nationality of artist: Spanish
Place of manufacture: France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Pablo Picasso, Hand, 1932

X64291
Hand

[Main] 1932
sculpture
Plaster
object: 370 x 195 x 110 mm
Musée national Picasso – Paris Dation Pablo Picasso, 1979. MP323
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: Spies 222
Nationality of Artist: Spanish
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, Head of a Woman, 1931-1932

X64300
Head of a Woman

[Tête de femme] 1931-1932
sculpture
Bronze
object: 1285 x 545 x 625 mm
Musée national Picasso – Paris. Dation Pablo Picasso, 1979. MP302
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1979;
Given by the Estate in lieu of inheritance taxes to the government of France in 1979 (Dation Pablo Picasso) and deposited at the Musée national Picasso–Paris in 1985
Catalogue raisonné: S.133. II
Nationality of Artist: Spanish
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

Pablo Picasso, The Rescue, 1933

X63993
The Rescue

[Le Sauvetage] 1933
painting
Oil paint on canvas
support: 728 x 922 mm frame: 925 x 1220 mm
Fondation Jean et Suzanne Planque, en dépôt au Musée Granet (Aix-en-Provence)
Provenance:
The artist, Paris and elsewhere (1932 – until at least 1946) (on deposit at the Museum of Modern Art, New York from 1939 to 1957);
Galerie Louise Leiris, Paris (until at least September 1967);
Jean and Suzanne Planque, Lausanne;
Fondation Jean et Suzanne Planque, Lausanne;
On deposit at the Musée Granet, Aix-en-Provence, France since 2011
Catalogue raisonné: Not in Zervos
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings: Markings on recto: signed in pencil on lower left Picassso and dated on back II.I.1933
Place of manufacture: France
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Lender’s address: Musée Granet, 18 rue Roux Alphéran 13100 Aix-en-Provence France

Pablo Picasso, Sketchbook no.40, 1932

X64854
Sketchbook no.40

[Carnet no.40] 1932
on paper, unique
Ink and graphite on 38 sheets of paper
object: 290 x 270 x 10 mm
Musée national Picasso–Paris. Dation Jacqueline Picasso, 1990. MP1990-110
Provenance:
The artist (d. 1973), Paris and elsewhere (1932 – 1973);
Estate of the artist 1973 – 1990
Given by the Estate in lieu of inheritance taxes to the government of France in 1990 (Dation Jacqueline Picasso) and deposited at the Musée national Picasso-Paris in 1985
Nationality of Artist: Spanish
Signatures, Inscriptions, and Markings: inscribed “Paris-25 janvier/M.C.M.XXXII. Annoted in pencil 1975
Place of manufacture: Paris, France
This work was produced before the operative period 1933–45 and has a complete provenance.
Lender’s address: Musée national Picasso–Paris, 5 rue de Thorigny 75003 Paris, France

All Too Human: Bacon, Freud and a Century of Painting Life

Tate Britain (London, UK) from 28 Feb 2018 until 27 Aug 2018.

Francis Bacon
(1909-1992, born: Dublin, died: Madrid)

Francis Bacon, Study of a Baboon, 1953

X18668
Study of a Baboon

1953
painting
Oil paint on canvas
support: 1983 x 1373 mm frame: 2058 x 1444 mm
The Museum of Modern Art, New York. James Thrall Soby Bequest, 1979
Provenance:
Hanover Gallery, London;
George Dix and Durlacher Brothers, New York, half share in the painting, acquired from the above 6 October 1953;
James Thrall Soby, New Canaan, Connecticut, acquired from the above 10 July 1953;
Museum of Modern art, New York, acquired from the above by bequest 1979.

Nationality of Artist: British
Identifying marks: none or not recorded
Place of Manufacture: not recorded
Catalogue Raisonné: Martin Harrison, Francis Bacon: catalogue raisonné, The Estate of Francis Bacon, London, 2016, no.53-17
This work was made after the operative period 1933-45

Francis Bacon, Portrait, 1962

X67814
Portrait

1962
painting
Oil paint on canvas
support: 1980 x 1415 mm frame: 2115 x 1545 x 85 mm
Museum für Gegenwartskunst Siegen. The Lambrecht-Schadeberg Collection/Winners of the Rubens Prize of the City of Siegen
Provenance:
Marlborough Fine Art Ltd., London; Michelangelo Antonioni, Rome; Private Collection, Venice; Galerie Beyeler, Basel; Private Collection, London, acquired from the above 1984; acquired by The Lambrecht-Schadeberg Collection at Museum für Gegenwartskunst Siegen through Sotheby’s, New York, 11 November 2015
Nationality of artist: British
Identifying marks: None
Place of Manufacture: Not recorded
Catalogue Raisonné: Martin Harrison, Francis Bacon: catalogue raisonné, The Estate of Francis Bacon, London, 2016, no.62-01
This work was made after the operative period 1933-45

Francis Bacon, Study for Portrait of Lucian Freud, 1964

X69490
Study for Portrait of Lucian Freud

1964
painting
Oil paint on canvas
support: 1980 x 1476 mm frame: 2110 x 1608 x 130 mm
The Lewis Collection
Provenance:
Marlborough Fine Art Ltd, London; Private collection, Paris; Purchased by The Lewis Collection through Christie’s, New York, 9 November, 1993
Nationality of artist: British
Identifying marks: None
Place of Manufacture: Not recorded
Catalogue Raisonné: Martin Harrison, Francis Bacon: catalogue raisonné, The Estate of Francis Bacon, London, 2016, no.64-05
This work was made after the operative period 1933-45

Francis Bacon, Triptych 1974-77, 1974-1977

X69487
Triptych 1974-77

1974-1977
painting
Oil paint, pastel and dry transfer lettering on canvas
support, each: 1980 x 1475 mm frame: 2107 x 4552 x 127 mm
The Lewis Collection
Provenance:
Private collection; Private collection; Purchased by The Lewis Collection through Christie’s, London, 6 February 2008
Nationality of artist: British
Identifying marks: None
Place of Manufacture: Not recorded
Catalogue Raisonné: Martin Harrison, Francis Bacon: catalogue raisonné, The Estate of Francis Bacon, London, 2016, no.77-05
This work was made after the operative period 1933-45

Lucian Freud
(1922-2011, born: Berlin, died: London)

Lucian Freud, The Big Man, 1976-7

X67816
The Big Man

1976-7
painting
Oil paint on canvas
support: 914 x 914 mm frame: 1190 x 1084 x 65 mm
Private Collection, on loan to the Irish Museum of Modern Art
Provenance:
Purchased from the artist by a private collector, 1977; acquired by descent within the family to current owner
Nationality of artist: British
Identifying marks: None
Place of Manufacture: Not recorded
This work was made after the operative period 1933-45

Lucian Freud, Two Women, 1992

X67780
Two Women

1992
painting
Oil paint on canvas
support: 1530 x 2140 mm, 43 kg frame: 1657 x 2267 x 160 mm, 48.4 kg
The Lewis Collection
Provenance:
Purchased from the artist by Acquavella Contemporary Art, New York, and sold to a private collection, USA, 1992; Acquired by Asya Chorley Ltd, Nineteenth and Twentieth Century Fine Art, London, and sold to the current owner, The Lewis Collection, 26 June 1995.
Nationality of artist: British
Identifying marks: None
Place of Manufacture: Not recorded
This work was made after the operative period 1933-45

Lucian Freud, Sleeping by the Lion Carpet, 1996

X01179
Sleeping by the Lion Carpet

1996
painting
Oil paint on canvas
support: 2271 x 1200 x 154 mm frame: 2398 x 1327 x 279 mm
The Lewis Collection
Provenance:
Purchased from the artist through Acquavella Contemporary Art by the current owner, The Lewis Collection, July 22, 1996
Nationality of artist: British
Identifying marks: None
Place of Manufacture: Not recorded
This work was made after the operative period 1933-45

Shape of Light: 100 Years of Photography and Abstract Art

Tate Modern (London, UK) from 02 May 2018 until 14 Oct 2018.

Alfred Stieglitz
(1864-1946)

Alfred Stieglitz, Equivalents, 1927

X71603
Equivalents

1927
on paper, print
Photograph, gelatin silver print on paper
image: 91 x 118 mm
The Museum of Modern Art, New York. Alfred Stieglitz Collection. Gift of Georgia O'Keeffe
Provenance:
The artist;
By descent to Stieglitz’s widow, Georgia O’Keeffe
Gift to the Museum by Georgia O’Keeffe in 1949. [1]

1] January 5, 1950 Acquisition Meeting. Detailed correspondence about the gift can be found in the MoMA Department of Photography Correspondence Files under ‘O’Keeffe-Stieglitz’

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture:

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Equivalents, 1927

X71604
Equivalents

1927
on paper, print
Photograph, gelatin silver print on paper
image: 92 x 118 mm
The Museum of Modern Art, New York. Alfred Stieglitz Collection. Gift of Georgia O'Keeffe
Provenance:
The artist;
By descent to Stieglitz’s widow, Georgia O’Keeffe
Gift to the Museum by Georgia O’Keeffe in 1949. [1]

[1] January 5, 1950 Acquisition Meeting. Detailed correspondence about the gift can be found in the MoMA Department of Photography Correspondence Files under ‘O’Keeffe-Stieglitz’.
Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Equivalent, 1929

X71605
Equivalent

1929
on paper, print
Photograph, gelatin silver print on paper
image: 119 x 93 mm
The Museum of Modern Art, New York. Alfred Stieglitz Collection. Gift of Georgia O'Keeffe
Provenance:
The artist;
By descent to Stieglitz’s widow, Georgia O’Keeffe
Gift to the Museum by Georgia O’Keeffe in 1949. [1]

[1] January 5, 1950 Acquisition Meeting. Detailed correspondence about the gift can be found in the MoMA Department of Photography Correspondence Files under ‘O’Keeffe-Stieglitz’.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Equivalent, 1931

X71606
Equivalent

1931
on paper, print
Photograph, gelatin silver print on paper
image: 118 x 92 mm
The Museum of Modern Art, New York. Alfred Stieglitz Collection. Gift of Georgia O'Keeffe
Provenance:
The artist;
By descent to Stieglitz’s widow, Georgia O’Keeffe
Gift to the Museum by Georgia O’Keeffe in 1949. [1]

[1] January 5, 1950 Acquisition Meeting. Detailed correspondence about the gift can be found in the MoMA Department of Photography Correspondence Files under ‘O’Keeffe-Stieglitz’

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture:

This work was produced before the operative period 1933–45 and has a complete provenance.

Martha Boto
(1925 - 2004)

Martha Boto, Perpetual motion, 1965

X69477
Perpetual motion

[Mouvement perpetual] 1965
sculpture
Plywood, metal, acrylic sheet and lamps
object: 650 x 650 x 450 mm
Musée d'Art Moderne de la Ville de Paris Purchased, 1966 (AMS 718)
Provenance:
The artist;
By sale to Musée d'Art moderne de la Ville de Paris in 1966

Lenders address: 9 rue Gaston de Saint-Paul 75116, Paris, France

Nationality of artist: Argentinian
Identifying marks:
Place of manufacture:

This work was produced after the operative period 1933-45.

Brassaï
(1899-1984, born: Brasov, died: Beaulieu)

Brassaï, Nude, c.1933

X68131
Nude

c.1933
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 480 x 405 mm
Musée d'Art Moderne de la Ville de Paris Purchased, 2006 (AMVP 3209)
Provenance:
The artist;
by succession to the artist’s widow, Gilberte Brassaï (by 1984),
by sale at public auction to Millon & Associes (2005),
by sale to Musee d'Art, moderne de la Ville de Paris [1]

[1] DROUOT Montaigne, 15 avenue Montaigne, Paris (France), October 02nd/03rd 2006. 'EXCEPTIONELLE VENTE DANS LE CADRE DE LA SECCESSION BRASSAI'

Lenders address: 9 rue Gaston de Saint-Paul 75116, Paris, France

Nationality of artist: French-Hungarian

This work was produced during the operative period 1933–45 and has as full provenance.

Francis Bruguiere
(1879-1945, born: San Francisco, died: London)

Francis Bruguiere, Untitled, c.1925

X68461
Untitled

c.1925
on paper, print
Photograph, gelatin silver print on paper
image: 240 x 189 mm frame: 533.4 x 431.8 mm
Courtesy of the George Eastman Museum
Provenance:
The artist until his death in 1945;
Inherited by the artists widow, Rosalind Fuller (b.1892 – d.1982);
To George Eastman House (as custodian) 1953;
By donation to George Eastman Museum, 1975
Lenders address: 900 East Ave, Rochester, NY 14607, USA
This work was made before the operative period 1933-45 and has a complete provenance.

Francis Bruguiere, Untitled, c.1927

X67874
Untitled

c.1927
on paper, print
Photograph, gelatin silver print on paper
image: 335 x 260 mm frame: 584.2 x 482.6 mm
Courtesy of the George Eastman Museum
Provenance:
The artist until his death in 1945;
Inherited by the artists widow, Rosalind Fuller (b.1892 – d.1982);
To George Eastman House (as custodian) 1953;
By donation to George Eastman Museum, 1975

Lenders address: 900 East Ave, Rochester, NY 14607, USA

This work was made before the operative period 1933-45 and has a complete provenance.

Francis Bruguiere, Untitled, c.1930

X68462
Untitled

c.1930
on paper, print
Photograph, gelatin silver print on paper
image: 187 x 241 mm frame: 431.8 x 533.4 mm
Courtesy of the George Eastman Museum
Provenance:
The artist until his death in 1945;
Inherited by the artists widow, Rosalind Fuller (b.1892 – d.1982);
To George Eastman House (as custodian) 1953;
By donation to George Eastman Museum, 1975

Lenders address: 900 East Ave, Rochester, NY 14607, USA

This work was made before the operative period 1933-45 and has a complete provenance.

Francis Bruguiere, Untitled, c.1932

X67892
Untitled

c.1932
on paper, print
Photograph, gelatin silver print on paper
image: 202 x 233 mm mount: 322 x 331 mm
Courtesy of the George Eastman Museum
Provenance:
The artist until his death in 1945;
Inherited by the artists widow, Rosalind Fuller (b.1892 – d.1982);
To George Eastman House (as custodian) 1953;
By donation to George Eastman Museum, 1975

Lenders address: 900 East Ave, Rochester, NY 14607, USA

This work was made before the operative period 1933-45 and has a complete provenance.

Francis Bruguiere, Untitled, c.1932

X67893
Untitled

c.1932
on paper, print
Photograph, gelatin silver print on paper
image: 236 x 194 mm frame: 533.4 x 431.8 mm
Courtesy of the George Eastman Museum
Provenance:
The artist until his death in 1945;
Inherited by the artists widow, Rosalind Fuller (b.1892 – d.1982);
To George Eastman House (as custodian) 1953;
By donation to George Eastman Museum, 1975

Lenders address: 900 East Ave, Rochester, NY 14607, USA

This work was made before the operative period 1933-45 and has a complete provenance.

Alvin Langdon Coburn
(1882-1966, born: Boston, died: Wales)

Alvin Langdon Coburn, Vortograph, 1917

X36702
Vortograph

1917
on paper, print
Photograph, gelatin silver print on paper
image: 283 x 214 mm frame: 584.2 x 482.6 mm
Courtesy of the George Eastman Museum
Provenance:
The artist until his death in 1966;
Bequeathed to George Eastman Museum

Lenders address: 900 East Ave, Rochester, NY 14607, USA

This work was made before the operative period 1933-45 and has a complete provenance

Alvin Langdon Coburn, Vortograph, 1917

X36703
Vortograph

1917
on paper, print
Photograph, gelatin silver print on paper
image: 208 x 159 mm
Courtesy of the George Eastman Museum
Provenance:
Bequeathed by Alvin Langdon Coburn to George Eastman House, 1967

Place of Manufacture: London
Indentifying marks: not recorded
Nationality of Artist: American

Alvin Langdon Coburn, Vortograph, 1917

X36703
Vortograph

1917
on paper, print
Photograph, gelatin silver print on paper
image: 208 x 159 mm
Courtesy of the George Eastman Museum
Provenance:
The artist until his death in 1966;
Bequeathed to George Eastman Museum
Lenders address: 900 East Ave, Rochester, NY 14607, USA
This work was made before the operative period 1933-45 and has a complete provenance

Alvin Langdon Coburn, Vortograph, 1917

X36706
Vortograph

1917
on paper, print
Photograph, gelatin silver print on paper
image: 276 x 207 mm frame: 584.2 x 482.6 mm
Courtesy of the George Eastman Museum
Provenance:
The artist until his death in 1966;
Bequeathed to George Eastman Museum
Lenders address: 900 East Ave, Rochester, NY 14607, USA
This work was made before the operative period 1933-45 and has a complete provenance

Alvin Langdon Coburn, Vortograph, 1917

X36707
Vortograph

1917
on paper, print
Photograph, gelatin silver print on paper
image: 266 x 204 mm frame: 584.2 x 482.6 mm
Courtesy of the George Eastman Museum
Provenance:
The artist until his death in 1966;
Bequeathed to George Eastman Museum

Lenders address: 900 East Ave, Rochester, NY 14607, USA

This work was made before the operative period 1933-45 and has a complete provenance

Jean Dieuzaide
(1921 - 2003)

Jean Dieuzaide, Brai Landscape, 1960

X67929
Brai Landscape

[Paysage du Brai] 1960
on paper, print
Photograph, gelatin silver print on paper
image: 90 x 65 mm
Musée d'Art Moderne de la Ville de Paris Purchased, 1971 (AMPH 1835)
Provenance:
The artist;
Purchased by Musée d'Art moderne de la Ville de Paris, 1971

Lenders address: 9 rue Gaston de Saint-Paul 75116, Paris, France

Nationality of artist: French
Identifying marks:
Place of manufacture:

This work was produced after the operative period 1933–45.

Jaromir Funke
(1896-1945)

Jaromir Funke, Abstraction, c.1924-27

X67877
Abstraction

c.1924-27
on paper, print
Photograph, gelatin silver print on paper
image: 111 x 143 mm
Lent by The Metropolitan Museum of Art, Gilman Collection, Purchase, Denise and Andrew Saul Gift, 2005 (2005.100.509)
Provenance:
The artist;
Galerie Schurmann & Kicken, Köln;
Sold to Gilman Paper Company, New York, July 27, 1979;
Gifted to the Metropolitan Museum of Art, 2005

Lender’s address: 1000 5th Ave, New York, NY 10028, USA

Nationality of artist: Czech
Identifying marks: Reproduction markings on verso

This work was made before the operative period 1933-45. Its provenance during these years is not fully documented, however consultation and research gives no evidence of wrongful taking.

Marta Hoepffner
(1912 - 2000)

Marta Hoepffner, Homage to Kandinsky, 1937

X69465
Homage to Kandinsky

[Hommage à Kandinsky] 1937
on paper, print
Photograph, gelatin silver print on paper
image: 395 x 293 mm frame: 625 x 525 mm
Stadtmuseum Hofheim am Taunus
Provenance:
The artist;
By descent to the estate of the artist, 2000;
By donation to Stadtmuseum Hofheim am Taunus, 2006
Nationality of the artist: German
Lenders address: Burgstraße 11 Hofheim am Taunus 65719 Germany
This work was produced during the operative period 1933-45 and has a complete provenance.

Marta Hoepffner, Homage to de Falla, 1937

X70358
Homage to de Falla

[Hommage à de Falla] 1937
on paper, print
Photograph, gelatin silver print on paper
image: 387 x 278 mm frame: 625 x 525 mm
Stadtmuseum Hofheim am Taunus
Provenance:
The artist;
By sale to Stadtmuseum Hofheim am Taunus, 31 July 1997

Nationality of the artist: German
Lenders address: Burgstraße 11 Hofheim am Taunus 65719 Germany
This work was produced during the operative period 1933-45 and has a complete provenance.

Marta Hoepffner, Firebird, 1940

X70820
Firebird

[Feuervogel] 1940
on paper, print
Photograph, gelatin silver print on paper
image: 385 x 285 mm
Stadtmuseum Hofheim am Taunus
Provenance:
The artist;
By sale to Stadtmuseum Hofheim am Taunus, 14 October 1994

Nationality of the artist: German

Lenders address: Burgstraße 11 Hofheim am Taunus 65719 Germany

This work was produced during the operative period 1933-45 and has a complete provenance.

Gottfried Jäger
(born 1937)

Gottfried Jäger, Lochblendenstrukturen (Pinhole Structures), From the Series 3.8.14, 1967
, 1967

X68532
Lochblendenstrukturen (Pinhole Structures), From the Series 3.8.14, 1967

1967
on paper, print
11 Photographs, 4 gelatin silver print on paper and 7 digital C-print on paper
image, each: 500 x 500 mm frame: 510 x 510 x 30 mm
Gottfried Jäger, courtesy Photo Edition Berlin
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern.
This work was made after the operative period 1933-45 and is in the possession of the artist.

Ellsworth Kelly
(1923-2015, born: Newburgh, active: Spencertown)

Ellsworth Kelly, Wall, Majorca, 1967

X70197
Wall, Majorca

1967
on paper, print
Photograph, gelatin silver print on paper
image: 220 x 330 mm frame: 410 x 510 x 25.4 mm
Estate of Ellsworth Kelly, Courtesy Matthew Marks Gallery
Provenance:
The artist;
Matthew Marks Gallery, New York, USA

Lender’s address: 523 West 24th Street, New York, 10011, USA

Nationality of artist: American
Identifying marks:
Place of manufacture:
Selected literature:

Goossen, E.C. Ellsworth Kelly. New York: The Museum of Modern Art, 1973, p. 110, fig. 33, ill.

Kelly, Ellsworth. Ellsworth Kelly Photographs. New York: Matthew Marks Gallery and
Aperture, 2016, p. 25, ill.

This work was made after the operative period 1933-45

Ellsworth Kelly, Sidewalk, New York City, 1970

X70198
Sidewalk, New York City

1970
on paper, print
Photograph, gelatin silver print on paper
image: 220 x 330 mm frame: 410 x 511 x 25 mm
Estate of Ellsworth Kelly, Courtesy Matthew Marks Gallery
Provenance:
The artist;
Matthew Marks Gallery, New York, USA

Lender’s address: 523 West 24th Street, New York, 10011, USA

Nationality of artist: American
Identifying marks:
Place of manufacture:
Exhibition history:
The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut. A Second Talent: Painters and Sculptors Who Are Also Photographers. September 22 - December 29, 1985.

Fort Worth Art Museum, Ellsworth Kelly: Works on Paper, September 13 - October 25, 1987.

Museum of Fine Arts, Boston, Ellsworth Kelly: Works on Paper, December 2, 1987 - January 31, 1988

The ArtGallery of Ontario, Toronto, Ellsworth Kelly: Works on Paper, March 5 - May 15, 1988

Baltimore Museum of Art, Ellsworth Kelly: Works on Paper, May 29 – July 24, 1988

San Francisco Museum of Modern Art, Ellsworth Kelly: Works on Paper, August 11 - September 25, 1988

Nelson- Atkins Museum of Art, Kansas City, Ellsworth Kelly: Works on Paper, October 22 - December 31, 1988

Selected literature:
Baker, Elizabeth C. Ellsworth Kelly: Recent Paintings and Sculptures. New York: The
Metropolitan Museum of Art, 1979, fig. 5, p. 8, ill.

A Second Talent: Painters and Sculptors Who Are Also Photographers. Ridgefield, CT: The
Aldrich Museum of Contemporary Art, 1985.

Upright, Diane and Fort Worth Art Museum. Ellsworth Kelly: Works on Paper. New York:
Harry N. Abrams, 1987, p. 29, cat. no. 159, ill.

Cohn, Terri. "Abstraction’s Creative Sources." Artweek Vol. 19, No. 30, September 17, 1988, p.3.

Gladysz, Thomas. "Exploring the elements of Ellsworth Kelly." Tribune: Bay City News Service, August 26, 1988.

Gladysz, Thomas. "Kelly exhibit subtle, satisfying." Piedmonter, September 6, 1988.
Hindry, Ann, et al. Artstudio: Spécial Ellsworth Kelly 24, Spring 1992, p. 160, ill.

de Vries, Peter Yvon. "Ellsworth Kelly Kijkt Aandachig om Zich Heen - de Vorm niet het Verhaal." De Tijd, June 30, 1989, p. 26.

Waldman, Diane. Ellsworth Kelly: A Retrospective. New York: Solomon R. Guggenheim Museum, 1996, p. 334, cat. no. 163.

Waldman, Diane. Ellsworth Kelly: Drawings, Collages, Prints. Greenwich, CT: New York Graphic Society, 1971, p. 33, fig. 20, ill

Wilmes, Ulrich, ed., et al. Ellsworth Kelly Black & White. Munich: Haus der Kunst; Ostfildern: Hatje Cantz, 2011, cat. no. 81, p. 173, ill

Kelly, Ellsworth. Ellsworth Kelly Photographs. New York: Matthew Marks Gallery and Aperture, 2016, p. 41, ill.

This work was made after the operative period 1933-45

Ellsworth Kelly, Highway Marker, Husdon, 1972

X70199
Highway Marker, Husdon

1972
on paper, print
Photograph, gelatin silver print on paper
image: 220 x 330 mm frame: 413 x 512 x 25 mm
Estate of Ellsworth Kelly, Courtesy Matthew Marks Gallery
Provenance:
The artist;
Matthew Marks Gallery, New York, USA
Lender’s address: 523 West 24th Street, New York, 10011, USA

Nationality of artist: American
Identifying marks:
Place of manufacture:

Exhibition history:
Minneapolis, Walker Art Center, Ellsworth Kelly: The Process of Seeing, October 1, 1994 -
February 5, 1995 (another example exhibited)

Curt Marcus Gallery, New York, In Process: Photographs from the 1960s and 1970, October 20 - November 25, 2000 (another example exhibited)

Munich, Haus der Kunst, Ellsworth Kelly Black & White, October 7, 2011 - January 22, 2012.
Traveled to Museum Wiesbaden, March 1 - June 24, 2012 (another example exhibited).

New York, Matthew Marks Gallery, Ellsworth Kelly Photographs, February 26 - April 30, 2016 (another example exhibited)

Selected literature:

Wilmes, Ulrich, ed., et al. Ellsworth Kelly Black & White. Munich: Haus der Kunst; Ostfildern:
Hatje Cantz, 2011, p. 176, cat. no. 84, ill.

Kelly, Ellsworth. Ellsworth Kelly Photographs. New York: Matthew Marks Gallery and
Aperture, 2016, p. 51, ill.

This work was made after the operative period 1933-45

Ellsworth Kelly, Doorway Shadow, Spencertown, 1977

X70200
Doorway Shadow, Spencertown

1977
on paper, print
Photograph, gelatin silver print on paper
image: 220 x 330 mm frame: 413 x 514 x 25 mm
Estate of Ellsworth Kelly, Courtesy Matthew Marks Gallery
Provenance:
The artist;
Matthew Marks Gallery, New York, USA
Lender’s address: 523 West 24th Street, New York, 10011, USA

Nationality of artist: American
Identifying marks:
Place of manufacture:

Exhibition history:
Fort Worth Art Museum, Ellsworth Kelly: Works on Paper, September 13 - October 25, 1987.

Museum of Fine Arts, Boston, Ellsworth Kelly: Works on Paper, December 2, 1987 - January 31, 1988

The Art Gallery of Ontario, Toronto, Ellsworth Kelly: Works on Paper, March 5 - May 15, 1988

Baltimore Museum of Art, Ellsworth Kelly: Works on Paper, May 29 – July 24, 1988

San Francisco Museum of Modern Art, Ellsworth Kelly: Works on Paper, August 11 - September 25, 1988

Nelson- Atkins Museum of Art, Kansas City, Ellsworth Kelly: Works on Paper, October 22 - December 31, 1988;


Selected literature:

Hagen, Charles. "The Shape of Seeing: Ellsworth Kelly's Photographs." Aperture: The
Encompassing Eye: Photography as Drawing 125, Fall 1991, p. 47, ill. (as Porch Shadow,
Spencertown)

Upright, Diane and Fort Worth Art Museum. Ellsworth Kelly: Works on Paper. New York:
Harry N. Abrams, 1987, p. 29, cat. no. 161, ill.

Wilmes, Ulrich, ed., et al. Ellsworth Kelly Black & White. Munich: Haus der Kunst; Ostfildern:
Hatje Cantz, 2011, cat. 87, p. 179, ill.
Kelly, Ellsworth. Ellsworth Kelly Photographs. New York: Matthew Marks Gallery and
Aperture, 2016, p. 71, ill.

This work was made after the operative period 1933-45

Ellsworth Kelly, Sidewalk, Los Angeles, 1978

X70201
Sidewalk, Los Angeles

1978
on paper, print
Photograph, gelatin silver print on paper
image: 220 x 330 mm frame: 413 x 508 x 25 mm
Estate of Ellsworth Kelly, Courtesy Matthew Marks Gallery
Provenance:
The artist;
Matthew Marks Gallery, New York, USA
Lender’s address: 523 West 24th Street, New York, 10011, USA
Nationality of artist: American
Identifying marks:
Place of manufacture:

Exhibition history:
Fort Worth Art Museum, Ellsworth Kelly: Works on Paper, September 13 - October 25, 1987.

Museum of Fine Arts, Boston, December 2, 1987 - January 31, 1988

The Art Gallery of Ontario, Toronto, March 5 - May 15, 1988

Baltimore Museum of Art, May 29 – July 24, 1988

San Francisco Museum of Modern Art, August 11 - September 25, 1988

Nelson- Atkins Museum of Art, Kansas City, October 22 - December 31, 1988

Munich, Haus der Kunst, Ellsworth Kelly Black & White, October 7, 2011 - January 22, 2012.

Selected Literature:

Hagen, Charles. "The Shape of Seeing: Ellsworth Kelly's Photographs." Aperture: The
Encompassing Eye: Photography as Drawing 125, Fall 1991, p. 46, ill.

Upright, Diane and Fort Worth Art Museum. Ellsworth Kelly: Works on Paper. New York:
Harry N. Abrams, 1987, p. 29, cat. no. 163, ill.

Cohn, Terri. "Abstraction’s Creative Sources." Artweek Vol. 19, No. 30, September 17, 1988, p.3.

Gladysz, Thomas. "Kelly exhibit subtle, satisfying." Piedmonter, September 6, 1988.
Gladysz, Thomas. "Exploring the elements of Ellsworth Kelly." Tribune: Bay City News Service, August 26, 1988.

Wilmes, Ulrich, ed., et al. Ellsworth Kelly Black & White. Munich: Haus der Kunst; Ostfildern:
Hatje Cantz, 2011, p. 192, cat. 90, ill.

Kelly, Ellsworth. Ellsworth Kelly Photographs. New York: Matthew Marks Gallery and
Aperture, 2016, p. 85, ill.

This work was made after the operative period 1933-45

Ellsworth Kelly, Movie Screen, Waterbury, 1982

X70202
Movie Screen, Waterbury

1982
on paper, print
Photograph, gelatin silver print on paper
image: 220 x 330 mm frame: 410 x 514 x 25 mm
Estate of Ellsworth Kelly, Courtesy Matthew Marks Gallery
Provenance:
The artist;
Matthew Marks Gallery, New York, USA
Lender’s address: 523 West 24th Street, New York, 10011, USA
Nationality of artist: American
Identifying marks:
Place of manufacture:

Selected Literature:

Kelly, Ellsworth. Ellsworth Kelly Photographs. New York: Matthew Marks Gallery and
Aperture, 2016, p. 89, ill.

This work was made after the operative period 1933-45

Willy Kessels
(1898 - 1974)

Willy Kessels, Spiraling Coil, 1930s

X67926
Spiraling Coil

1930s
on paper, print
Photograph, gelatin silver print on paper
image: 290 x 226 mm
Lent by The Metropolitan Museum of Art, Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987 (1987.1100.324)
Provenance:
The artist;
Yves Gevaert, Brussels;
Sale to Prakapas Gallery, Bronxville, New York;
Sale to John C. Waddell, New York January 8, 1983;
Gift of Ford Motor Company and John C. Waddell, 1987;
Metropolitan Museum of Art, New York

Lender’s address: 1000 5th Ave, New York, NY 10028, USA

Nationality of artist: Belgian

Identifying marks: Embossed on print, recto, LL: "WILLY KESSELS"; photographer's stamp in blue on print, verso, LC: "Willy KESSELS // PHOTOGRAPHIE // Tous droits réservés // BRUSELLES - Tél. 17.05.03"; photographer's stamp in blue on mount, verso, LC: [same stamp as before]; inscribed in pencil on mount, verso, LL; LR: "9 [encircled] A-P"; "46 [in triangle]"

Selected literature:

Meyer, Richard. "Richard Meyer on "Reimagining Modernism" at the Met." Artforum (November 2015). p. 144.


This work was produced during the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking.

William Klein
(born 1928)

William Klein, Untitled (Rotating Painted Panels), Milan, 1952

X67934
Untitled (Rotating Painted Panels), Milan

1952
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 230 x 160 mm mount: 600 x 444.5 mm
Artworkers Retirement Society
Provenance:
The artist;
Howard Greenberg Gallery, New York;
By sale to Private collection

Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Nationality of artist: American

This work was made after the operative period 1933-45.

Nathan Lerner
(1913 - 1997)

Nathan Lerner, Lightbox Experiment 6 (Eggs & String), 1938

X67870
Lightbox Experiment 6 (Eggs & String)

1938
on paper, print
Photograph, gelatin silver print on paper
image: 406 x 499 mm
Musée d'Art Moderne de la Ville de Paris Gift of Mrs Kiyoko Lerner, 2014 (AMVP 4155)
Provenance:
The artist;
By succession to the artist’s widow, Mme Kiyoko Lerner (by 1997);
Donation to Musée d'Art moderne de la Ville de Paris, 2014

Lenders address: 9 rue Gaston de Saint-Paul 75116, Paris, France

Nationality of artist: American
Identifying marks:
Place of manufacture:

This work was produced during the operative period 1933–45 and has a complete provenance.

Nathan Lerner, Paper on string, 1938

X67872
Paper on string

1938
on paper, print
Photograph, gelatin silver print on paper
image: 405 x 505 mm
Musée d'Art Moderne de la Ville de Paris Gift of Mrs Kiyoko Lerner, 2014 (AMVP 3966)
Provenance:
The artist;
By succession to the artist’s widow, Mme Kiyoko Lerner (by 1997);
Donation to Musée d'Art moderne de la Ville de Paris, 2014

Lenders address: 9 rue Gaston de Saint-Paul 75116, Paris, France

Nationality of artist: American
Identifying marks:
Place of manufacture:

This work was produced during the operative period 1933–45 and has a complete provenance.

Nathan Lerner, Car Light Study - Japanese Landscape, 1938

X67925
Car Light Study - Japanese Landscape

1938
on paper, print
Photograph, gelatin silver print on paper
image: 404 x 509 mm
Musée d'Art Moderne de la Ville de Paris Gift of Mrs Kiyoko Lerner, 2014 (AMVP 4154)
Provenance:
The artist;
By succession to the artist’s widow, Mme Kiyoko Lerner (by 1997);
Donation to Musée d'Art moderne de la Ville de Paris, 2014

Lenders address: 9 rue Gaston de Saint-Paul 75116, Paris, France

Nationality of artist: American
Identifying marks:
Place of manufacture:

This work was produced during the operative period 1933–45 and has a complete provenance.

Nathan Lerner, Light Tapestry, 1939

X67924
Light Tapestry

1939
on paper, print
Photograph, gelatin silver print on paper
image: 401 x 504 mm
Musée d'Art Moderne de la Ville de Paris Gift of Mrs Kiyoko Lerner, 2014 (AMVP 4153)
Provenance:
The artist;
By succession to the artist’s widow, Mme Kiyoko Lerner (by 1997);
Donation to Musée d'Art moderne de la Ville de Paris, 2014

Lenders address: 9 rue Gaston de Saint-Paul 75116, Paris, France

Nationality of artist: American
Identifying marks:
Place of manufacture:

This work was produced during the operative period 1933–45 and has a complete provenance.

Man Ray
(1890-1976, born: Philadelphia, died: Paris)

Man Ray, Untitled, 1927

X70497
Untitled

1927
on paper, print
Photograph, gelatin silver print on paper
image: 252 x 302 mm frame: 575 x 422 x 35 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The artist;
By sale to Arnold Crane (1932-2014) before 1973;
By sale to the J. Paul Getty Museum, 1984 [1]

[1] The Getty’s photographs collection began in 1984 with a series of major acquisitions, including from Arnold Crane, one of the most notable American collectors of his time http://www.getty.edu/news/press/center/collection.html

Nationality of the artist: American

Lender’s address: 1200 Getty Center Dr, Los Angeles, CA 90049, USA
Nationality of artist: American

Exhibition history:

Milwaukee Art Center, "Man Ray Photographics", 1973.

This work was produced before the operative period 1933–45 and has a complete provenance.

Man Ray, Untitled, 1927

X70498
Untitled

1927
on paper, print
Photograph, gelatin silver print on paper
image: 300 x 251 mm frame: 575 x 422 x 35 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The artist;
By sale to Arnold Crane (1932-2014) before 1973;
By sale to the J. Paul Getty Museum, 1984 [1]

[1] The Getty’s photographs collection began in 1984 with a series of major acquisitions, including from Arnold Crane, one of the most notable American collectors of his time http://www.getty.edu/news/press/center/collection.html

Nationality of the artist: American

Lender’s address: 1200 Getty Center Dr, Los Angeles, CA 90049, USA
Nationality of artist: American

Exhibition history:

Milwaukee Art Center, "Man Ray Photographics", 1973.

This work was produced before the operative period 1933–45 and has a complete provenance.

Man Ray, Untitled, 1927

X70499
Untitled

1927
on paper, print
Photograph, gelatin silver print on paper
image: 302 x 249 mm frame: 575 x 422 x 35 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The artist;
By sale to Arnold Crane (1932-2014) before 1973;
By sale to the J. Paul Getty Museum, 1984 [1]

[1] The Getty’s photographs collection began in 1984 with a series of major acquisitions, including from Arnold Crane, one of the most notable American collectors of his time http://www.getty.edu/news/press/center/collection.html

Nationality of the artist: American

Lender’s address: 1200 Getty Center Dr, Los Angeles, CA 90049, USA
Nationality of artist: American

Exhibition history:

Milwaukee Art Center, "Man Ray Photographics", 1973.

This work was produced before the operative period 1933–45 and has a complete provenance.

Man Ray, Unconcerned Photograph, 1959

X67158
Unconcerned Photograph

1959
on paper, print
Photograph, gelatin silver print on paper mounted on board
image: 274 x 278 mm
The Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960. Printed by Rolf Petersen for the exhibition 'The Sense of Abstraction'.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45.

Man Ray, Unconcerned Photograph, 1959

X71395
Unconcerned Photograph

1959
on paper, print
Photograph, Polaroid print
image: 97 x 73 mm
The Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45

Man Ray, Unconcerned Photograph, 1959

X71667
Unconcerned Photograph

1959
on paper, print
Photograph, Polaroid print
image: 97 x 73 mm
The Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960

Lender’s address: 11 W 53rd St, New York, NY 10019, USA
Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45.

Man Ray, Unconcerned Photograph, 1959

X71668
Unconcerned Photograph

1959
on paper, print
Photograph, Polaroid print
image: 97 x 73 mm
The Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960

Lender’s address: 11 W 53rd St, New York, NY 10019, USA
Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45.

Man Ray, Unconcerned Photograph, 1959

X71669
Unconcerned Photograph

1959
on paper, print
Photograph, Polaroid print
image: 97 x 73 mm
The Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960

Lender’s address: 11 W 53rd St, New York, NY 10019, USA
Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45.

Man Ray, Unconcerned Photograph, 1959

X71670
Unconcerned Photograph

1959
on paper, print
Photograph, Polaroid print
image: 97 x 73 mm
The Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960

Lender’s address: 11 W 53rd St, New York, NY 10019, USA
Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45.

Man Ray, Unconcerned Photographs, 1959

X71671
Unconcerned Photographs

1959
on paper, print
Photograph, Polaroid print
image: 97 x 73 mm
The Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960

Lender’s address: 11 W 53rd St, New York, NY 10019, USA
Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45.

Man Ray, Unconcerned Photograph, 1959

X71672
Unconcerned Photograph

1959
on paper, print
Photograph, Polaroid print
image: 97 x 73 mm
The Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960

Lender’s address: 11 W 53rd St, New York, NY 10019, USA
Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45.

Man Ray, Unconcerned Photograph, 1959

X71673
Unconcerned Photograph

1959
on paper, print
Photograph, Polaroid print
image: 97 x 73 mm
The Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45.

Man Ray, Unconcerned Photograph, 1959

X71674
Unconcerned Photograph

1959
on paper, print
Photograph, gelatin silver print on paper mounted on board
image: 327 x 270 mm
Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960. Printed by Rolf Petersen for the exhibition 'The Sense of Abstraction'.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45.

Man Ray, Unconcerned Photograph, 1959

X71675
Unconcerned Photograph

1959
on paper, print
Photograph, gelatin silver print on paper mounted on board
image: 346 x 272 mm
Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960. Printed by Rolf Petersen for the exhibition 'The Sense of Abstraction'.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45.

Man Ray, Unconcerned Photograph, 1959

X71676
Unconcerned Photograph

1959
on paper, print
Photograph, gelatin silver print on paper mounted on board
image: 345 x 260 mm
Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960. Printed by Rolf Petersen for the exhibition 'The Sense of Abstraction'.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45.

Man Ray, Unconcerned Photograph, 1959

X71677
Unconcerned Photograph

1959
on paper, print
Photograph, gelatin silver print on paper mounted on board
image: 310 x 270 mm
Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960. Printed by Rolf Petersen for the exhibition 'The Sense of Abstraction'.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45.

Man Ray, Unconcerned Photograph, 1959

X71678
Unconcerned Photograph

1959
on paper, print
Photograph, gelatin silver print on paper mounted on board
image: 255 x 345 mm
Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960. Printed by Rolf Petersen for the exhibition 'The Sense of Abstraction'.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45.

Man Ray, Unconcerned Photograph, 1959

X71679
Unconcerned Photograph

1959
on paper, print
Photograph, gelatin silver print on paper mounted on board
image: 345 x 260 mm
Museum of Modern Art, New York. Gift of the artist
Provenance:
Gift of the artist, 1960. Printed by Rolf Petersen for the exhibition 'The Sense of Abstraction'.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture: Paris, France

This work was made after the operative period 1933-45.

Ira Martin
(1886-1960)

Ira Martin, Abstraction #1, 1921

X67159
Abstraction #1

1921
on paper, print
Photograph, gelatin silver print on paper
image: 162 x 120 mm
The Museum of Modern Art, New York. Purchase
Provenance:
Purchased from the photographer, 1958.


Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture:

This work was produced before the operative period 1933–45 and has a complete provenance.

Ira Martin, Abstraction #2, 1921

X67160
Abstraction #2

1921
on paper, print
Photograph, gelatin silver print on paper
image: 164 x 119 mm
The Museum of Modern Art, New York. Purchase
Provenance:
Purchased from the artist, 1958.


Lender’s address: 11 W 53rd St, New York, NY 10019, USA
Nationality of artist: American
Identifying marks:
Place of manufacture:


This work was produced before the operative period 1933–45 and has a complete provenance

László Moholy-Nagy
(1895-1946, born: Hungary, died: Chicago, active: Vienna, Germany, London, Chicago)

László Moholy-Nagy, From the Radio Tower, Berlin, 1928

X67742
From the Radio Tower, Berlin

1928
on paper, print
Photograph, gelatin silver print on paper
image: 282 x 213 mm
The Museum of Modern Art, New York. Anonymous gift
Provenance:
Gift of an anonymous donor, 1939.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA
Nationality of artist: Hungarian
Identifying marks:
Place of manufacture:



This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking.

Sigmar Polke
(1941-2010, born: Niederschlesien, died: Cologne)

Sigmar Polke, Untitled (Uranium Green), 1992

X68595
Untitled (Uranium Green)

1992
on paper, print
10 Photographs, C-print on paper
image, each: 610 x 508 mm frame: 730 x 625 x 40 mm
The Estate of Sigmar Polke / VG Bild-Kunst Bonn 2017
Provenance:
The Artist;
By sale to Anthony d'Offay Gallery, London until 1998,
By sale to Private Collection, San Francisco,
By sale to Kicken Berlin, Linienstraße 161A, 10115 Berlin, Germany,
By sale to a Private Collection

Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Exhibition history:
London, Anthony d’Offay Gallery, Sigmar Polke: Painting, Drawing and Sculpture, 1994.
Los Angeles, The Museum of Contemporary Art, Sigmar Polke Photoworks: When Pictures Vanish, 1995-1996. (By transfer to Santa Fe, SITE Santa Fe and Washington D.C., Corcoran Gallery of Art).

This work was made after the operative period 1933-45.

Maya Rochat
(born 1985)

Maya Rochat, A Rock is a River (META RIVER), 2017

X68611
A Rock is a River (META RIVER)

2017
on paper, print
Photograph, Digital print on Ferrari mesh banner
Dimensions variable
Courtesy Lily Robert
Provenance:

Nationality of artist: Swiss

Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Maya Rochat, A Rock is a River (META CARROTS), 2017

X71664
A Rock is a River (META CARROTS)

2017
on paper, print
Photograph, Digital print on Ferrari mesh banner
Dimensions variable
Courtesy Lily Robert
Provenance:
Nationality of artist: Swiss

Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Aleksandr Rodchenko
(1891-1956, born: Saint Petersburg, died: Moscow, active: Moscow)

Aleksandr Rodchenko, Lumber, 1930

X67161
Lumber

1930
on paper, print
Photograph, gelatin silver print on paper
image: 231 x 293 mm
The Museum of Modern Art, New York. Gift of the photographer
Provenance:
Gift of the artist. Former study collection, promoted to museum collection 1971.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA
Nationality of artist: Russian
Identifying marks:
Place of manufacture:


This work was produced before the operative period 1933–45 and has a complete provenance.

Jaroslav Rossler
(1902 - 1990)

Jaroslav Rossler, NEG 71, 1930s

X67944
NEG 71

1930s
on paper, print
Photograph, gelatin silver print on paper
image: 306 x 188 mm
Lent by The Metropolitan Museum of Art, Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987 (1987.1100.287)
Provenance:
Edwynn Houk Gallery;
Sale to John C. Waddell, April 7, 1984;
Gift of Ford Motor Company and John C. Waddell, 1987;
Metropolitan Museum of Art, New York

Lender’s address: 1000 5th Ave, New York, NY 10028, USA
Nationality of artist: Czech

Identifying marks: Titled and signed in ink on print, recto LL, LR [below image]: "NEG 71", "Rössler [underlined]"; photographer's stamp on print, verso, C [upside down, on slant]: "JAROSLAV // RöSSLER // PRAHA 3 // KONEVOVA 181"

This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking.

Jaroslav Rossler, NEG 71, 1930s

X67945
NEG 71

1930s
on paper, print
Photograph, gelatin silver print on paper
image: 292 x 182 mm
Lent by The Metropolitan Museum of Art, Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987 (1987.1100.288)
Provenance:
Edwynn Houk Gallery;
Sale to John C. Waddell, April 7, 1984;
Gift of Ford Motor Company and John C. Waddell, 1987;
Metropolitan Museum of Art, New York

Lender’s address: 1000 5th Ave, New York, NY 10028, USA

Nationality of artist: Czech

Identifying marks: Titled and signed in ink on print, recto, LL, LR [below image]: "NEG 71 [with line above 71]", "Rössler"; photographer's stamp on print, verso, C [sideways]: "JAROSLAV // RöSSLER // PRAHA 3 // KONEVOVA 181"

This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking.

Edward Ruscha
(born 1937, born: Omaha, active: Los Angeles)

Edward Ruscha, State Dept. of Employment, 14400 Sherman Way, Van Nuys, 1967, printed 2013

X70302
State Dept. of Employment, 14400 Sherman Way, Van Nuys

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Lockheed Air Terminal, 2627 N. Hollywood Way, Burbank, 1967, printed 2013

X70292
Lockheed Air Terminal, 2627 N. Hollywood Way, Burbank

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:

Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Hollywood Bowl, 2301 N. Highland, 1967, printed 2013

X70293
Hollywood Bowl, 2301 N. Highland

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:

Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern


This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Rocketdyne, Canoga Park, 1967, printed 2013

X70300
Rocketdyne, Canoga Park

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Dodgers Stadium - 1000 Elysian Park Ave., 1967, printed 2013

X70301
Dodgers Stadium - 1000 Elysian Park Ave.

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Zurich-American Insurance - 4465 Wilshire Blvd., 1967, printed 2013

X70303
Zurich-American Insurance - 4465 Wilshire Blvd.

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Gilmore Drive-In Theater - 6201 W. Third St., 1967, printed 2013

X70304
Gilmore Drive-In Theater - 6201 W. Third St.

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Litton Industries, 5500 Canoga, Woodland Hills, 1967, printed 2013

X70305
Litton Industries, 5500 Canoga, Woodland Hills

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Universal Studios, Universal City, 1967, printed 2013

X70306
Universal Studios, Universal City

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern.

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, State Board of Equalization, 14601 Sherman Way, Van Nuys, 1967, printed 2013

X70307
State Board of Equalization, 14601 Sherman Way, Van Nuys

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Century City, 1800 Avenue of the Stars, 1967, printed 2013

X70308
Century City, 1800 Avenue of the Stars

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Century City, 1800 Avenue of the Stars, 1967, printed 2013

X70309
Century City, 1800 Avenue of the Stars

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Fashion Square, Sherman Oaks, 1967, printed 2013

X70310
Fashion Square, Sherman Oaks

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, May Company, 6067 Wilshire Blvd., 1967, printed 2013

X70311
May Company, 6067 Wilshire Blvd.

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Pierce College, Woodland Hills, 1967, printed 2013

X70312
Pierce College, Woodland Hills

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Pierce College, Woodland Hills, 1967, printed 2013

X70314
Pierce College, Woodland Hills

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Federal, County & Police Building Lots, Van Nuys, 1967, printed 2013

X70315
Federal, County & Police Building Lots, Van Nuys

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Edward Ruscha, Intersections of Wilshire and Santa Monica Blvds., 1967, printed 2013

X70316
Intersections of Wilshire and Santa Monica Blvds.

1967, printed 2013
on paper, print
Photograph, gelatin silver print on paper
image: 356 x 280 mm frame: 400 x 384 x 25.4 mm
©Ed Ruscha, courtesy of the artist and Gagosian
Provenance:
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

This work was made after the operative period 1933-45 and is in the possession of the artist.

Bronislaw Schlabs
(1920-2009)

Bronislaw Schlabs, Untitled, 1957

X67165
Untitled

1957
on paper, print
Photograph, gelatin silver print on paper
image: 180 x 130 mm
The Museum of Modern Art, New York. Purchase
Provenance:
Purchase from the artist 1960 for the study collection, promoted to the museum collection 2014.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA
Nationality of artist: Polish
Identifying marks:
Place of manufacture:

This work was made after the operative period 1933-45.

Bronislaw Schlabs, Untitled, 1957

X67166
Untitled

1957
on paper, print
Photograph, gelatin silver print on paper
image: 180 x 130 mm
The Museum of Modern Art, New York. Gift of the artist
Provenance:
Purchase from the artist 1960 for the study collection, promoted to the museum collection 2014.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: Polish
Identifying marks:
Place of manufacture:

This work was made after the operative period 1933-45

Aaron Siskind
(1903-1991, born: New York City, died: Providence)

Aaron Siskind, New York, 1946

X67168
New York

1946
on paper, print
Photograph, gelatin silver print on paper
image: 265 x 341 mm
The Museum of Modern Art, New York. Gift of Robert and Joyce Menschel
Provenance:
Gift of Robert and Joyce Menschel, 1979.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture:

This work was produced after the operative period 1933–45.

Aaron Siskind, Jerome 2, 1949

X67170
Jerome 2

1949
on paper, print
Photograph, gelatin silver print on paper
image: 170 x 119 mm
The Museum of Modern Art, New York. Gift of Robert and Joyce Menschel
Provenance:
Gift of Robert and Joyce Menschel, 1979.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture:
This work was produced after the operative period 1933–45.

Aaron Siskind, Peeling Paint, c.1950

X67169
Peeling Paint

c.1950
on paper, print
Photograph, gelatin silver print on paper mounted on board
image: 325 x 482 mm
The Museum of Modern Art, New York. Gift of the photographer
Provenance:
Gift of the photographer, 1953.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA
Nationality of artist: American
Identifying marks:
Place of manufacture:

This work was made after the operative period 1933-45.

Aaron Siskind, Martha's Vineyard 108, 1954

X67744
Martha's Vineyard 108

1954
on paper, print
Photograph, gelatin silver print on paper
image: 316 x 419 mm
The Museum of Modern Art, New York. Purchase
Provenance:
Purchased from the photographer, 1959.


Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture:


This work was made after the operative period 1933-45.

Frederick Sommer
(1905-1999)

Frederick Sommer, Found Painting, 1949

X67171
Found Painting

1949
on paper, print
Photograph, gelatin silver print on paper
image: 127 x 240 mm
The Museum of Modern Art, New York. Gift of the photographer
Provenance:
Purchased from the artist, 1969.
Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: Italian
Identifying marks:
Place of manufacture:

This work was made after the operative period 1933-45

Frederick Sommer, Configurations on Black 7, 1957

X67745
Configurations on Black 7

1957
on paper, print
Photograph, gelatin silver print on paper
image: 339 x 266 mm
The Museum of Modern Art, New York. Purchase
Provenance:
Purchased from the artist, 1960.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: Italian
Identifying marks:
Place of manufacture:

This work was made after the operative period 1933-45

Edward Steichen
(1879 - 1973)

Edward Steichen, Between the Walls, New York, c.1922

X67838
Between the Walls, New York

c.1922
on paper, print
Photograph, palladium print on paper
image: 245 x 194 mm
Lent by The Metropolitan Museum of Art, Gift of Grace M. Mayer, 1991 (1991.1310)
Provenance:
The artist;
Gifted from the artist to Grace M. Mayer; [1]
Gift of Grace M. Mayer to Metropolitan Museum of Art 1991

[1] Grace M. Mayer was Curator of Photography (1964-1968) and Curator of the Edward Steichen Archive (1968-1996) at The Museum of Modern Art. (ref. https://www.moma.org/learn/resources/archives/EAD/Mayerf)

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American

Identifying marks: Inscribed in pencil in unknown hand, verso UL: " "Brick walls" "; inscribed in pencil in artist's hand, verso UL: "Palladium Print"; inscribed in unknown hand, perhaps the artist's?, in pencil, verso CR sideways: "between the walls"; inscribed in pencil in unknown hand, verso LR, upside down: "Bricks"; inscribed in unknown MoMA hand, verso LL corner: "70.352"


Exhibition history:
Museum of Modern Art, New York. "Photo Eye of the 20s," June 1, 1970–September 1, 1970.

The Metropolitan Museum of Art. "Charles Sheeler's Contemporaries," June 3, 2003–August 17, 2003.

The Metropolitan Museum of Art. "Stieglitz, Steichen, Strand," November 8, 2010–April 10, 2011.

This work was made before the operative period 1933-45 and has a full provenance.

Paul Strand
(1890-1976, born: New York, died: Orgeval, active: New York, Georgetown, New Mexico, Colorado, México, Orgeval)

Paul Strand, Abstraction, 1916

X67172
Abstraction

1916
on paper, print
Photo-etching on paper
image: 226 x 166 mm
The Museum of Modern Art, New York. Anonymous gift
Provenance:
Anonymous gift, 1966
Lender’s address: 11 W 53rd St, New York, NY 10019, USA
Nationality of artist: American
Identifying marks:
Place of manufacture:

This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking.

Paul Strand, Abstraction, Porch Shadows, Connecticut, 1916

X67173
Abstraction, Porch Shadows, Connecticut

1916
on paper, print
Photograph, gelatin silver print on paper
image: 333 x 230 mm
The Museum of Modern Art, New York. Gift of Arthur M. Bullowa
Provenance:
Gift of Arhur M. Bullowa, 1978.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA
Nationality of artist: American
Identifying marks:
Place of manufacture:

This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking.

Gregorio Vardanega
(1923 - 2007)

Gregorio Vardanega, Circular Chromatic Spaces, 1967

X69478
Circular Chromatic Spaces

[Espaces chromatiques circulaires] 1967
sculpture
Light panel
unconfirmed: 1000 x 1000 x 450 mm
Musée d'Art Moderne de la Ville de Paris Purchased, 1968 (AMS 717)
Provenance:
The artist;
By sale to Musée d'Art moderne de la Ville de Paris in 1968

Lenders address: 9 rue Gaston de Saint-Paul 75116, Paris, France

Nationality of artist: Italian
Identifying marks:
Place of manufacture:

This work was produced after the operative period 1933-45

Alexandre Vitkine
(1910 - 2014)

Alexandre Vitkine, Untitled, c.1960

X68678
Untitled

c.1960
on paper, print
Photograph, gelatin silver print on paper
image: 180 x 240 mm
Musée d'Art Moderne de la Ville de Paris Gift of Robert and Marc Vitkine, 2017 (AMVP-2017-111)
Provenance:
The artist;
By succession to Robert and Marc Vitkine (by 2014);
Donation to Musée d'Art moderne de la Ville de Paris, 2017

Lenders address: 9 rue Gaston de Saint-Paul 75116, Paris, France

Nationality of artist: German
Identifying marks:
Place of manufacture:

This work was produced after the operative period 1933–45.

Alexandre Vitkine, Untitled, c.1960

X68680
Untitled

c.1960
on paper, print
Photograph, gelatin silver print on paper
image: 180 x 240 mm
Musée d'Art Moderne de la Ville de Paris Gift of Robert and Marc Vitkine, 2017 (AMVP-2017-103)
Provenance:
The artist;
By succession to Robert and Marc Vitkine (by 2014);
Donation to Musée d'Art moderne de la Ville de Paris, 2017

Lenders address: 9 rue Gaston de Saint-Paul 75116, Paris, France

Nationality of artist: German
Identifying marks:
Place of manufacture:

This work was produced after the operative period 1933–45.

Alexandre Vitkine, Untitled, c.1960

X68681
Untitled

c.1960
on paper, print
Photograph, gelatin silver print on paper
image: 180 x 240 mm
Musée d'Art Moderne de la Ville de Paris Gift of Robert and Marc Vitkine, 2017 (AMVP-2017-104)
Provenance:
The artist;
By succession to Robert and Marc Vitkine (by 2014);
Donation to Musée d'Art moderne de la Ville de Paris, 2017

Lenders address: 9 rue Gaston de Saint-Paul 75116, Paris, France

Nationality of artist: German
Identifying marks:
Place of manufacture:

This work was produced after the operative period 1933–45.

Alexandre Vitkine, Untitled, c.1960

X70044
Untitled

c.1960
on paper, print
Photograph, gelatin silver print on paper
image: 180 x 240 mm
Musée d'Art Moderne de la Ville de Paris Gift of Robert and Marc Vitkine, 2017 (AMVP-2017-99)
Provenance:
The artist;
By succession to Robert and Marc Vitkine (by 2014);
Donation to Musée d'Art moderne de la Ville de Paris, 2017

Lenders address: 9 rue Gaston de Saint-Paul 75116, Paris, France

Nationality of artist: German
Identifying marks:
Place of manufacture:

This work was produced after the operative period 1933–45.

Alexandre Vitkine, Untitled, c.1960

X70045
Untitled

c.1960
on paper, print
Photograph, gelatin silver print on paper
image: 180 x 240 mm
Musée d'Art Moderne de la Ville de Paris Gift of Robert and Marc Vitkine, 2017 (AMVP-2017-108)
Provenance:
The artist;
By succession to Robert and Marc Vitkine (by 2014);
Donation to Musée d'Art moderne de la Ville de Paris, 2017

Lenders address: 9 rue Gaston de Saint-Paul 75116, Paris, France

Nationality of artist: German
Identifying marks:
Place of manufacture:

This work was produced after the operative period 1933–45.

Alexandre Vitkine, Untitled, c.1960

X70046
Untitled

c.1960
on paper, print
Photograph, gelatin silver print on paper
image: 180 x 240 mm
Musée d'Art Moderne de la Ville de Paris Gift of Robert and Marc Vitkine, 2017 (AMVP-2017-109)
Provenance:
The artist;
By succession to Robert and Marc Vitkine (by 2014);
Donation to Musée d'Art moderne de la Ville de Paris, 2017

Lenders address: 9 rue Gaston de Saint-Paul 75116, Paris, France

Nationality of artist: German
Identifying marks:
Place of manufacture:

This work was produced after the operative period 1933–45.

Minor White
(1908-1976)

Minor White, Frost Forms: Sound of One Hand, 1959

X67746
Frost Forms: Sound of One Hand

1959
on paper, print
Photograph, gelatin silver print on paper
image: 332 x 235 mm
The Museum of Modern Art, New York. Purchase
Provenance:
Purchased from the artist, 1967.

Lender’s address: 11 W 53rd St, New York, NY 10019, USA

Nationality of artist: American
Identifying marks:
Place of manufacture:

This work was made after the operative period 1933-45

Life in Motion: Egon Schiele/Francesca Woodman

Tate Liverpool (Liverpool, UK) from 24 May 2018 until 23 Sep 2018.

Egon Schiele
(1890-1918)

Egon Schiele, Nude Self with Decorative Draping, 1909

X70422
Nude Self with Decorative Draping

[Selbstakt mit dekorativem Umhang] 1909
on paper, unique
Pencil, colored crayon on paper
unconfirmed: 396 x 295 mm
Leopold Museum, Vienna
Provenance:
X70422
Egon Schiele 1890-1918
Nude self with decorative draping/Standing Male Nude Facing Right, with Cloth across Back, Lower Arm, and Legs
[Nach rechts stehender männlicher Akt mit Tuch über Rücken, Unterarm, und Beinen] 1909
Graphite and coloured crayon on paper
396 x 295 mm
Leopold Museum Privatstiftung (Vienna, Austria)
Accession Number: LM 2368
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Initialed, lower right.
Catalogue raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D341, p. 386.
Provenance
Rudolf Staechelin’sche Familienstiftung, Basel, Inv. no. 303;
1977 - Galerie Beyeler, Basel
Privatsammlung Rudolf Leopold, Wien, 1977
1994 Leopold Museum (Stiftung) (LM Inv no. 2368).
Exhibition History
Lucerne, 1974, no.206.; Munch Museet, 18 April - 17 June 2007 (ill. p. 51)
Publication History
Rudolf Leopold, Egon Schiele. Painting Watercolours Drawings, Salzburg 1972, page 68
Rudolf Leopold, Egon Schiele, Die Sammlung Leopold, Vienna 1995
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking. An Art Loss Register certificate has been obtained for this work.

Egon Schiele, Seated Girl, 1910

X67116
Seated Girl

1910
on paper, unique
Graphite, watercolour and white heightening on paper
support: 448 x 295 mm
Szépmuvészeti Múzeum/Museum of Fine Arts, Budapest
Provenance:
X67116
Egon Schiele 1890-1918
Seated Girl
[Sitzendes Mädchen] 1910
Graphite, watercolour and white heightening on paper
448 x 295 mm
Szépmüvészeti Múseum (Budapest, Hungary)
Accession Number: K.56.2
Nationality of artist: Austrian
Catalogue raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D402, p. 394.
Provenance
Purchased from Pál Bratmann, 1956
 
Exhibition History
‘1900 The turn of the century: European prints and drawings’. Szépművészeti Múzeum Budapest (2001). no. 123.
‘Egon Schiele: Self-portraits and portraits’. Belvedere, Vienna (2011), no. 35.
‘Egon Schiele and his age’. Szépművészeti Múzeum, Budapest (2013), no. 4.
‘Da Raffaello a Schiele’. Palazzo Reale, Milano (2015), (out of Cat.)
Publication History
Zsuzsa Gonda. 1900 The turn of the century: European prints and drawings. Budapest: Szépművészeti Múzeum, 2001. p.85.
Agnes Husslein-Arco, Jane Kallir, et al. Egon Schiele: Self-portraits and portraits. Münich: Prestel, 2011. p.86.
Kata Bodor, et al. Egon Schiele and his age. Budapest: Szépművészeti Múzeum, 2013. p.129.
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking. An Art Loss Register certificate has been obtained for this work.

Egon Schiele, Nude Girl with Arms Outstretched, 1911

X67027
Nude Girl with Arms Outstretched

1911
on paper, unique
Watercolour, gouache and pencil on paper
support: 480 x 315 mm
Museo Thyssen-Bornemisza, Madrid
Provenance:
X67027
Egon Schiele 1890-1918
Nude Girl with Arms Outstretched
[Stehender weiblicher Akt] 1911
Watercolour, gouache and pencil on paper
480 x 315 mm
Museo Thyssen-Bornemisza (Madrid, Spain)
Accession Number: 738 (1977.11)
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Signed and dated, centre-right
Catalogue raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D778, p. 437.
Provenance
La Boétie Inc., New York, prior to 1970
1977 - Thyssen-Bornemisza Collection, Lugano
1992 - On loan at the Museo Thyssen-Bornemisza, Madrid
1993 - Museo Thyssen-Bornemisza, Madrid
Exhibition History
1969 Selection of Major 20th Century Paintings, Sculpture and Drawings, New
York, La Boétie, no. 81.
1971 Egon Schiele and his Circle, New York, La Boétie, no. 24.
1993 - 1994 Del impresionismo a las vanguardias: Obras sobre papel, Madrid, Museo
Thyssen-Bornemisza, p. 134, ill. p. 135.
2000 Del postimpresionismo a las vanguardias: Obras sobre papel del Museo
Thyssen-Bornemisza, Valencia, Bancaixa.
2007 El espejo y la máscara. El retrato en el siglo de Picasso, Madrid, Museo
Thyssen-Bornemisza - Fundación Caja Madrid; Fort Worth (TX), Kimbell Art
Museum, not in catalogue, (shown only at Madrid).
Publication History
Comini, Alessandra: Schiele in Prison. Greenwich, New York Graphic Society, 1973, fig. 21.
Malafarina, Gianfranco: L'opera di Schiele. Milán, Rizzoli, 1982.
Classici dell'arte; vol. 105, no. 54, p. 72.
Álvarez Lopera, José: Maestros modernos del Museo Thyssen-Bornemisza. Madrid,
Fundación Colección Thyssen-Bornemisza, 1992. [Ed. ing.], no. 738, pp. 220, 616, ill.
Vergo, Peter: Twentieth-century German Painting: the Thyssen-Bornemisza Collection.
Londres, Sotheby's Publications, 1992, no. 98, p. 352, ill. p. 353. Bozal, Valeriano: Del Impresionismo a las Vanguardias. Obras sobre papel. Álvarez
Lopera, José y Vela, Concha (entries). Madrid, Museo Thyssen-Bornemisza, 1993, p.
134, lám. p. 135. [entry by C. Vela].
Kalllir, Jane: Egon Schiele. Drawings and Watercolours. Vartanian, Ivan (ed.).
Londres-New York, Thames and Hudson, 2005, pp. 139. 140, 141, 142, ill. p. 173 [as
''Standing Female Nude''].
Alarcó, Paloma: Museo Thyssen-Bornemisza. Pintura Moderna. Madrid, Museo
Thyssen-Bornemisza, 2009, p. 156, lám.
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking. An Art Loss Register certificate has been obtained for this work.

Egon Schiele, Female nude, 1911

X67101
Female nude

1911
on paper, unique
Gouache and graphite on paper
unconfirmed: 448 x 301 mm
Moravská galerie v Brne / Moravian Gallery in Brno
Provenance:
X67101
Egon Schiele 1890-1918
Female nude
[Weiblicher Akt] 1911
Gouache and graphite on paper
44,8 x 30,1 cm
Moravská galerie v Brně / Moravian Gallery in Brno
Accession Number: SDK 64
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Initialed and dated lower right (ES / 1911).
Catalogue raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D837, p. 443.
Provenance
Neue Galerie, Vienna (Kallir Nierenstein);
Julius Leisching
Dr. G. Procházka
1945 – Moravian Gallery, Acquisition in 1945, transfer
Exhibition History
'Rakouská secesní kresba a grafika', Moravská Galerie, Brno (Feb 9-March 30, 1984), no.64, ill.
2004/2005 - Egon Schiele Art Centrum, Czech Rep. - Egon Schiele
2010 - Egon Schiele Art Centrum, Czech Rep. - Schiele 120
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking. An Art Loss Register Certificate was obtained for this work.

Egon Schiele, Self-Portrait in Black Cloak, Masturbating, 1911

X71634
Self-Portrait in Black Cloak, Masturbating

[Selbstbildnis als Halbakt in schwarzer Jacke] 1911
on paper, unique
Gouache, watercolour and graphite on paper
support: 479 x 321 mm
Albertina, Wien
Provenance:
X71634
Egon Schiele 1890-1918
Self-Portrait in Black Cloak, Masturbating 1911
Selbstbildnis als Halbakt in schwarzer Jacke
Gouache, watercolour and graphite on paper
479 x 321 mm
Albertina Museum (Vienna, Austria)
Accession Number: 31159
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Signed and dated, centre right.
Catalogue Raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D946, p.455.
Provenance
1951, Albertina Museum, acquired from the Estate of Heinrich Benesch
Heinrich Benesch (by descent),
Otto Benesch, acquired from the artist
Egon Schiele,
Exhibition History
Albertina, Vienna, 1948, no.88; 'Neuerwerbungen moderner Meister 1950-1959', Albertina, Vienna (Autumn 1959), no.52.
Städtische Galerie Im Lenbachhaus Und Kunstbau München, Egon Schiele Das Unrettbare Ich. Kunstbau 3 December 2011 to 4. March 2012.
Guggenheim Bilbao, October 2, 2012 — January 6, 2013
Publication History
AK Albertina 1948, Nr. 88; AK Albertina 1959 a, Nr. 52; Comini 1974, Tafel 73 (1976, Tafel 12); Wilson 1980, Tafel 23; Whitford 1981, Abb. 85; Malafarina 1982, Tafel XII Nr. D 38; Arnold 1984, S. 56; Avedon 1987, S. 59; Gordon 1987, fig 140; Hobhouse 1988, Abb. 46; AK Albertina 1990, Nr. 80, Abb.; Steiner 1991, S. 15; Fischer 1994, S. 162; Schröder 1995, S. 92; AK Wien 1996–1998 ohne Nr.; AK London 2001 a, ohne Nr.; AK Amsterdam 2005, S. 65, Abb.; Klaus Albrecht Schröder (Autor und Hg.), Egon Schiele (Kat. Ausst., Albertina, Wien 2005/2006), München, Berlin, London, New York 2005, Nr. 75; Helmut Friedel und Helena Pereña (Hg.), Egon Schiele "Das unrettbare Ich". Werke aus der Albertina, Ausst.- Kat. Städtische Galerie im Lenbachhaus München, Köln 2011, Nr. 105
This work was produced before the operative period 1933–45 and has a complete provenance. An Art Loss Register certificate was obtained for this work.

Egon Schiele, Sleeping woman, 1911

X71637
Sleeping woman

[Schlafende] 1911
on paper, unique
Watercolour and graphite on paper
unconfirmed: 448 x 315 mm
Albertina, Wien
Provenance:
X71637
Egon Schiele 1890-1918
Sleeping woman 1911
Schlafende
Watercolour and graphite on paper
448 x 315 mm
Albertina Museum (Vienna, Austria)
Accession Number: DL95
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: top right "EGON / SCHIELE / 1911."
Catalogue Raisonné
Kallir Drawings 1990/1998, 867a
Provenance
Museum Folkwang, Essen
Collection Sofie and Emanuel Fohn; Albertina, Vienna
Albertina (on permanent loan from the Österreichischen Ludwig Stiftun gfür Kunst und Wissenschaft since 1996), Vienna

Exhibition History
Städtische Galerie Im Lenbachhaus Und Kunstbau München, Egon Schiele Das Unrettbare Ich. Kunstbau 3 December 2011 to 4. March 2012.
Guggenheim Bilbao, October 2, 2012 — January 6, 2013
Publication History
Kallir Drawings 1990/1998, 867a; Marietta Mautner Markhof, Expressionism from the Sofie Collection and Emanuel Fohn. New acquisitions of the Austrian Ludwig Foundation for the Albertina 2nd part (cat. Ausst., Albertina, Vienna 1998), Vienna 1998, no. 51, p.108-109; Klaus Albrecht Schröder (Author and Hg.), Egon Schiele (Cat. Ausst., Albertina, Vienna 2005/2006), Munich, Berlin, London, New York 2005, No. 100; Helmut Friedel and Helena Pereña (ed.), Egon Schiele "The Unretrievable Self". Works from the Albertina, cat.-no. Municipal Gallery in Lenbachhaus Munich, Cologne 2011, no. 53; Klaus Albrecht Schröder, in: Museo Guggenheim Bilbao (ed.), Egon Schiele. Obras del Albertina Museum, Viena, (Cat. Ausst., Museo Guggenheim Bilbao, Bilbao 2012/2013), Bilbao 2012, pp. 94-95 (in Spanish)
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking. An Art Loss Register certificate has been obtained for this work.

Egon Schiele, Reclining Couple, 1912

X68382
Reclining Couple

[Sich zurücklehnendes Paar] 1912
on paper, unique
Watercolor, gouache and pencil on paper
support: 305 x 445 mm
Belvedere, Vienna, on permanent loan from a private collection
Provenance:
X68382
Egon Schiele 1890-1918
Reclining Couple
[Sich zurücklehnendes Paar] 1912
Watercolour, gouache and pencil on paper
305 x 445 mm
Österreichische Galerie Belvedere (Vienna, Austria), permanent loan from a private collection
Accession Number: Inv.-Nr. Lg 1794
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Signed and dated, centre right.
Catalogue raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D1123, p. 477.
Provenance
Galerie Welz, Salzburg
Private collection
2016 - Permanent loan at the Belvedere from a private collection
Exhibition History
"Klimt/Schiele/Kokoschka und die Frauen", 22. Oktober 2015 – 28. February 2016, Lower Belvedere
Publication History
The Women of Klimt, Schiele and Kokoschka, exhibition catalogue, Belvedere, Vienna, from October 22, 2015 to February 28, 2016. ill. P. 158, cat. 96
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking. An Art Loss Register certificate has been obtained for this work.

Egon Schiele, Self-portrait in dramatic pose, 1914

X66648
Self-portrait in dramatic pose

1914
on paper, unique
Graphite on paper
support: 467 x 308 mm
Leopold Museum, Vienna
Provenance:
X66648
Egon Schiele 1890-1918
Self-portrait in dramatic pose/ Self-portrait with Raised Arm
[Selbstbildnis in dramatischer Pose] [Selbstbildnis mit erhobenen arm], 1914
Graphite on paper
47.7 x 31 cm
Leopold Museum Privatstiftung (Vienna, Austria).
Accession Number: LM Inv. Nr. 1430
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: signed and dated, lower right.
Catalogue raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D1660, p. 542.
Provenance
1994 Leopold Museum (Stiftung), Vienna
Before 1972 Private collection Rudolf Leopold, Vienna;
1919 Melanie Schuster, born Schiele (1886 – 1974)
(Sister of Egon Schiele) (estate stamp) Vienna
1919 Estate of Egon Schiele, Vienna;
Exhibition History
Amsterdam, 1956, no.234, ill.; Munich, 1975, no.206, ill; Tokyo 1991; Tubingen 1995: October 12, 1997-January 4, 1998 Museum of Modern Art New York - Egon Schiele: The Leopold Collection Vienna
Publication History
Breicha / Fritsch, 1964, p. 134; Peter Weiermair, ed., 'Egon Schiele: Schriften und Zeichnungen' (Innsbruck, 1968), p.4; Leopold, 1972, pl.153; Barbara Leuner, 'Psychoanalyse und Kunst' (Cologne, 1976), fig.63.
Magdalena Dabrowski and Rudolf Leopold, Egon Schiele : the Leopold collection, Vienna, 1997, DuMont Buchverlag in association with The Museum of Modern Art, New York, (MoMA), p. 251
This work was produced before the operative period 1933–45 and has a complete provenance.

Egon Schiele, Standing Nude Girl, 1914

X67036
Standing Nude Girl

1914
on paper, unique
Graphite on paper
frame: 653 x 495 x 32 mm unconfirmed: 484 x 324 mm
Germanisches Nationalmuseum Nurnberg
Provenance:
X67036
Egon Schiele 1890-1918
Standing Nude Girl
[Weiblicher Akt mit Strümpfen] 1914
Gaphite on paper
484 x 324 mm
Germanisches Nationalmuseum (Nuremberg, Germany)
Accession Number: Hz 3532 (Kapsel 1549)
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Signed and dated, lower left
Catalogue raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D1489, p. 522.
Provenance
Gift from the artist to Germanisches Nationalmuseum, 1914.
Exhibition History
Nuremberg, 1914.
'Meisterwerke aus dem Kupferstichkabinett', Germanisches Nationalmuseum Nuremberg (May 21 - October 2 1977), no 70, ill.
Albertina, Vienna, 2005
'Egon Schiele - The Radical Nude’, London, Courtauld Gallery, 2014-2015
This work was produced before the operative period 1933-1945 and has complete provenance

Egon Schiele, Standing male figure (self-portrait), 1914

X67111
Standing male figure (self-portrait)

1914
on paper, unique
Gouache and graphite on paper
unconfirmed: 460 x 305 mm
National Gallery in Prague
Provenance:
X67111
Egon Schiele 1890-1918
Standing Male Figure (self-portrait)
[Stehende männlicher Figure (Selbstbildnis)] 1914
Gouache and graphite on paper
460 x 305 mm
National Gallery (Prague, Czech Republic)
Accession Number: K 17865
Nationality of artist: Austrian
Catalogue raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D1649, p. 540.
Provenance
9.1.1930 - Kunsthandlung Würthe u. Sohn; Lea Bondi, Wien I., Weihburggasse 9
Moderní galerie Prague from Kunsthandlung Würthe u. Sohn
1949 - Natrionala Gallery in Prague
Exhibition History
1968, Albertina, Vienna - Gustav Klimt & Egon Schiele Art Exhibit
1974, Beograd - Češki i evropski crtež XX veka iz zbirke Narodne galerije u Pragu
1974, Prague - Česká a evropská kresba 20. století Národní galerie
1977, Dresden - Meisterzeichnungen der Nationalgalerie Prag
1981, Florence - Arte maestra da Monet a Picasso
1984, Tokyo - Exhibition of European Art from the Collection of the National Gallery in Prague (Tokyo, Yamaguchi, Matsumoto, Nagoya, Osaka, Utsunomiya, 1984)
1986, Berlin - Nationalgalerie Berlin, September 1986, no. 252, ill. Expresionismus – die avantgrade in deutschland 1905 - 1920
1988, Ingelheim am Rhein - 'Vonder Gotik bis zur klassischen Moderne', Ingelheim am Rhein (May 1 - June 14, 1988), no. 58 ill.
1989, Prague - Rakouská kresba (National Gallery in Prague,1989)
1990, Bologna - Impressionismo in Europa: origini, sviluppi, influenze: capolavori dalle collezioni della Galleria nazionale di Praga.
1998, Prague - Evropská kresba (National Gallery in Prague, 1998)
2005, Vienna - Egon Schiele (Albertina, Wien, 2005)
2015, Prague - Umělci a proroci / Artisis and prophets: Kupka, Schiele, Beuys, Hundertwasser a další (National Gallery in Prague, 2015)
Publication History
Malafarina, 1982. no. D68
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking. An Art Loss Register certificate has been obtained for this work.

Egon Schiele, Seated Woman with Yellow-Red Chemise, 1914

X71631
Seated Woman with Yellow-Red Chemise

[Sitzende Frau mit hochgeschobenem Kleid] 1914
on paper, unique
Watercolour and graphite on paper
unconfirmed: 478 x 315 mm
Albertina, Wien
Provenance:
X71631
Egon Schiele 1890-1918
Seated Woman with Yellow-Red Chemise 1914
Sitzende Frau mit hochgeschobenem Kleid
Watercolour and graphite on paper
478 x 315 mm
Albertina Museum (Vienna, Austria)
Accession Number: 29765
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Signed and dated, lower right.
Catalogue Raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D1491, p.522.
Provenance
Acquired in 1943

Exhibition History
Städtische Galerie Im Lenbachhaus Und Kunstbau München, Egon Schiele Das Unrettbare Ich. Kunstbau 3 December 2011 to 4. March 2012; Egon Schiele, Österreich / Wien: Albertina, 22.2. – 18.6.2017
Publication History
Whitford 1981, Abb. 109; AK Albertina 1990, Nr.116; Klaus Albrecht Schröder (Autor und Hg.), Egon Schiele (Kat. Ausst., Albertina, Wien 2005/2006), München, Berlin, London, New York 2005, Nr. 150; Helmut Friedel und Helena Pereña (Hg.), Egon Schiele "Das unrettbare Ich". Werke aus der Albertina, Ausst.- Kat. Städtische Galerie im Lenbachhaus München, Köln 2011, Nr. 107
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking. An Art Loss Register certificate has been obtained for this work.

Egon Schiele, Squatting Girl, 1917

X67037
Squatting Girl

1917
on paper, unique
Gouache and crayon on paper
unconfirmed: 460 x 288 mm
Staatliche Graphische Sammlung München
Provenance:
X67037
Egon Schiele 1890-1918
Squatting Girl
[Hockendes Mädchen] 1917
Gouache and crayon on paper
460 x 288 mm
Staatliche Graphische Sammlung München
Accession Number: 1965:70 Z
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Signed and dated, lower right.
Catalogue raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D1941, p. 576.
Provenance
Staatliche Graphische Sammlung Munich (Museum purchase), 1965.
Mr. and Mrs. Hildegard Beyerlen, Munich;
Exhibition History
Paris 2001: "La verité nue" at the Fondation Dina Vierny – Musee Maillol (19.01.-23.04.2001)
Vienna 2005/06: "Egon Schiele" at the Albertina (06.12.2005 – 19.03.2006)
Egon Schiele - The Radical Nude", London, Courtauld Gallery, 2014-2015
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking.

Egon Schiele, Female Nude, Back View, 1917

X67038
Female Nude, Back View

1917
on paper, unique
Gouache and crayon on paper
unconfirmed: 460 x 295 mm
Staatliche Graphische Sammlung München
Provenance:
X67038
Egon Schiele 1890-1918
Female nude, back view
[Weiblicher Rückenakt] 1917
Gouache and crayon on paper
460 x 295 mm
Staatliche Graphische Sammlung München
Accession Number: 1965:79 Z
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Signed and dated, lower right.
Catalogue raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D1966, p. 578.
Provenance
Staatliche Graphische Sammlung Munich (Museum purchase), 1965.
Mr. and Mrs. Hildegard Beyerlen, Munich;
Exhibition History
'Österreichische Zeichnungen', Stadthalle, Freiburg (April 20-May 12, 1968), no.10, ill.
Vienna 2005/06: "Egon Schiele" at the Albertina (06.12.2005 – 19.03.2006)
'Egon Schiele - The Radical Nude", London, Courtauld Gallery, 2014-2015
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking.

Egon Schiele, Female nude, 1917

X67113
Female nude

1917
on paper, unique
Crayon on paper
unconfirmed: 459 x 296 mm
National Gallery in Prague
Provenance:
X67113
Egon Schiele 1890-1918
Female nude 1917
Crayon on paper
459 x 296 mm
National Gallery (Prague, Czech Republic)
Accession Number: K-17862
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Signed and dated, centre right.
Catalogue raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D1980, p. 580.
Provenance
1930 - Kunsthandlung Würthe u. Sohn; Lea Bondi, Wien I., Weihburggasse 9; (9. 1. 1930)
Moderní galerie Prague from Kunsthandlung Würthe u. Sohn
1949 - Natrionala Gallery in Prague (1949)
Exhibition History
Meisterzeichnungen der Nationalgalerie Prag (Dresden, 1977)
XIX. És XX. Szádadi európai és czech rajzek (Budapest, 1986)
Vienne, Naissance d'un siècle, 1880 – 1938 (Centre Pompidou, 1986)
Rakouská kresba (National Gallery in Prague, 1989)
Egon Schiele (Washington, DC: National Gallery of Art, 1994)
Egon Schiele (Albertina, Wien, 2005)
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking. An Art Loss Register certificate has been obtained for this work.

Egon Schiele, Nude Woman Kneeling, 1917

X67115
Nude Woman Kneeling

1917
on paper, unique
Crayon on paper
support: 448 x 295 mm
Szépmuvészeti Múzeum/Museum of Fine Arts, Budapest
Provenance:
X67115
Egon Schiele 1890-1918
Nude woman kneeling
[Kniender Frauenakt] 1917
Crayon on paper
448 x 295 mm
Szépmüvészeti Múseum (Budapest, Hungary)
Accession Number: 1935-2985
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Signed and dated, lower left.
Catalogue raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D1932, p. 575.
Provenance
Gift of Viktor Bélányi, 1935
Exhibition History
'Europská kresba 19. a 20. stoleti ze sbirek Múzea krásnych umeni v. Budapesti', Národní Galerie, Prague (1978), no.90.
’Egon Schiele and his age’. Szépművészeti Múzeum, Budapest (2013), no.54.
Publication History
Kata Bodor, et al. Egon Schiele and his age. Budapest: Szépművészeti Múzeum, 2013. p. 128.
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking. An Art Loss Register certificate has been obtained for this work.

Egon Schiele, Reclining Woman with Green Slippers, 1917

X71220
Reclining Woman with Green Slippers

[Liegende Frau mit grünen Hausschuhen] 1917
on paper, unique
gouache, watercolour and black crayon on paper
unconfirmed: 297 x 458 mm
Private collection
Provenance:
X71220
Egon Schiele 1890-1918
Reclining Woman with Green Slippers 1917
Liegende Frau mit grünen Hausschuhen
Gouache, watercolour and black crayon on paper
297 x 458 mm
Private Collector

Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Signed and dated.
Markings on verso: Austrian export stamp
Catalogue Raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D1925, p. 574.
Provenance
2008 - Christie's, Sale 7599: Impressionist and Modern Art Evening Sale
24 June 2008, London. Lot 61. Acquired at this sale by the current owner
Private collection, acquired in 1998
Galerie St. Etienne, New York.
Private collection, New York
1982 - Anonymous sale, Galerie Kornfeld, Bern, 25 June 1982, lot 828.
Otto Manley, Vienna and New York.


Exhibition History
New York, Galerie St. Etienne, Egon Schiele (1890-1918): Watercolours and Drawings, Memorial Exhibition, October - December 1968, no. 65 (illustrated p. 145, as vertical). Seen in installation shot on p. 480 of 'The Ronald S. Lauderand Serge Sabarsky Collections (horizontal)
Washington D.C., National Gallery of Art, Egon Schiele, February - April 1994 (illustrated pl. 79, as vertical); this exhibition later travelled to Indianapolis, Museum of Art, May - August 1994 and San Diego, Museum of Art, August - October 1994.
New York, Galerie St. Etienne, Recent Acquisitions, June - September 1998.
Rome, Complesso del Vittoriano, Klimt, Kokoschka, Schiele: dall'art nouveau all'espressionismo, October - February 2002, no. 111.
Publication History
G. Malafarina, L'opera di Egon Schiele, Milan, 1982, no. D94, p. 116 (illustrated p. 117, titled 'Donna supina').
J. Kallir, Egon Schiele: The Complete Works, London, 1990, no. 1925 (illustrated p. 574, as vertical).
J. Kallir, Egon Schiele: Drawings and Watercolours, London, 2003 (illustrated p. 412, as vertical).
Exh. cat., Egon Schiele: The Ronald S. Lauder and Serge Sabarsky Collections, Neue Galerie, New York, 2005 (illustrated in photograph p. 480).
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking. An Art Loss Register certificate has been obtained for this work.

Egon Schiele, Reclining Female Nude with Long Hair, 1918

X70944
Reclining Female Nude with Long Hair

1918
on paper, unique
Black chalk on paper
unconfirmed: 285 x 457 mm
Leopold Museum, Vienna
Provenance:
X70944
Egon Schiele 1890-1918
Reclining Female Nude with Long Hair 1918
Sich aufstutzender weiblicher Akt mit langem Haar
Black chalk on paper
285 x 457 mm
Leopold Museum Privatstiftung (Vienna, Austria)
Accession Number: 2384
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Signed and dated, lower right.
Catalogue Raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D2406, p. 629.
Provenance
Estate of Egon Schiele, Vienna;
1919 Melanie Schuster, born Schiele (sister of Egon Schiele)
Arthur Stemmer, Vienna, then London
1954 Private collection of Rudolf Leopold, Wien
1994 Leopold Museum (Stiftung), Wien. (LM Inv. Nr. 2384)
Exhibition History
London 1964; Kunsthalle Tubingen 2 September to 10 December 1995: Kunstsammlung Nordrhein-Westfalen, Dusseldorf 21 December 1995 to 10 March 1996; Hamburger Kunsthalle 22 March to 16 June 1996; October 12, 1997-January 4, 1998 Museum of Modern Art New York - Egon Schiele: The Leopold Collection Vienna
Publication History
Leopold 1972, pi. 217; K 2406.; ‘Egon Schiele - Die Sammlung Leopold', exhibition catalogue, 1995, ill. 146, p. 303; ‘Egon Schiele: the Leopold collection,
Vienna’ by Magdalena Dabrowski and Rudolf Leopold. (MoMA), p. 330
Meisterwerke aus der Sammlung Leopold, 2000, ill. P. 168
This work was produced before the operative period 1933–45 and has a complete provenance. An Art Loss Register certificate was obtained for this work.

Egon Schiele, Seated Model with Raised Left Knee, 1918

X71029
Seated Model with Raised Left Knee

1918
on paper, unique
Black crayon on paper
unconfirmed: 460 x 297 mm
Johan H. Andresen
Provenance:
X71029
Egon Schiele 1890-1918
Seated Model with Raised Left Knee 1918
Black crayon on paper
460 x 297 mm
Johan H Andresen
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Signed and dated, lower right.
Catalogue Raisonné
Jane Kallir, Egon Schiele: The Complete Works, New York, Harry N Abrams Inc., 1990, D2414, p. 630.
Provenance
2017 - Christie’s, sale 13756: The Collection of the Late Lord Weidenfeld GBE: A Life of Ideals and Ideas, 18 May 2017, London. Lot 512. Acquired at this sale by the current owner.
1960s - Acquired by Lord Weidenfeld
Exhibition History
Edinburgh, National Museum of Antiquities of Scotland, Vienna 1900: Vienna, Scotland, and the European Avant-Garde, August - September 1983, no. 3.56, p. 68.
Publication History
Arthur Roessler, Erinnerungen an Egon Schiele, Wiener Volksbuchverlag, ill.
G. Newberry, 'Riverside Apartments for Lord Weidenfeld', Geoffrey Bennison: Master Decorator, New York, 2015, p. 93 (illustrated).
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking. An Art Loss Register certificate has been obtained for this work.

Egon Schiele, Portrait of August Lederer, 1918

X71459
Portrait of August Lederer

1918
on paper, unique
Charcoal on paper
unconfirmed: 464 x 292 mm
Le Claire Kunst, Hamburg
Provenance:
X71459
Egon Schiele 1890-1918
Portrait of August Lederer 1918
Charcoal on paper
445 x 292 mm
Le Claire Kunst, Hamburg
Nationality of artist: Austrian
Signatures, Inscriptions, and Markings
Markings on recto: Signed and dated 'Egon Schiele 1918', lower left.
Place of manufacture: Vienna, Austria
Catalogue Raisonné
Jane Kallir has confirmed the authenticity of the drawing and has assigned it the archive number D2455a
Provenance
Le Claire kunst, Hamburg
Private collection
Ronald S. Lauder, New York, by whom acquired in 1999.
Elisabeth Lederer, Geneva, by descent
Erich Lederer, Vienna & Geneva, by descent
August Lederer, Vienna, acquired directly from the artist.

Exhibition History
New York, Neue Galerie, New Worlds, German and Austrian Art 1890-1940, November 2001 - February 2002 & June - September 2002.
New York, Neue Galerie, Egon Schiele, The Ronald S. Lauder & Serge Sabarsky Collections, October 2005 - February 2006, no. D158, p. 316 (illustrated).
Publication History
Agnes Husslein-Arco and Jane Kallir, ed., exhib. cat., Egon Schiele – Self-portraits and Portraits, Belvedere, Vienna 2011, p. 201, no. 89, repr.
Renée Price (ed.), Egon Schiele – The Ronald S. Lauder and Serge Sabarsky Collections, Neue Galerie, New York 2005-6, p. 316, no. D 158, repr.
This work was produced before the operative period 1933–45 and has a complete provenance.

Aftermath: Art in the Wake of World War One

Tate Britain (London, UK) from 05 Jun 2018 until 23 Sep 2018.

Otto Dix
(1891-1969)

Otto Dix, War Cripples, 1920

X71453
War Cripples

[Kriegskrüppel] 1920
on paper, print
Drypoint on paper
unconfirmed: 254 x 369 mm unconfirmed, frame: 324 x 474 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (from 1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: signed "Dix" (lower right), inscribed "Kaltnadel 1/15" (lower left) and titled "Kriegskrüppel" (bottom middle)
Place of Manufacture: Published by Heinar Schilling, Dresden (two editions of 15 and 20, both on copperplate paper)
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.6.
This work has a complete provenance for the period 1933-45.

Otto Dix, Match-Seller, 1920

X71454
Match-Seller

[Streichholzhändler] 1920
on paper, print
Drypoint and etching on paper
unconfirmed: 259 x 300 mm unconfirmed, frame: 384 x 429 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (from 1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: signed "Dix" (lower right) and inscribed "Probedruck" (lower left)
Place of Manufacture: Published by Heinar Schilling, Dresden
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.11/II.
This work has a complete provenance for the period 1933-45.

Otto Dix, Card Players, 1920

X71455
Card Players

[Kartenspieler] 1920
on paper, print
Drypoint on paper
unconfirmed: 330 x 284 mm unconfirmed, frame: 660 x 462 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (from 1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: signed "Dix" (lower right) and inscribed "Probedruck" (lower left)
Place of Manufacture: A few unnumbered prints and edition of ten numbered prints
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.16.
This work has a complete provenance for the period 1933-45.

Otto Dix, War: Wounded Man (Spring 1916, Bapaume), 1924

X71435
War: Wounded Man (Spring 1916, Bapaume)

[Verwundeter (Herbst 1916, Bapaume)] 1924
on paper, print
Etching and aquatint on paper
unconfirmed: 197 x 290 mm unconfirmed, frame: 336 x 429 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (from 1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: signed "Dix 24" (lower right) and inscribed "II Probe" (lower left) and "Verwundeter (Herbst 1917)" (lower left of sheet)
Place of Manufacture: Published by Karl Nierendorf, Berlin (edition of 70)
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.75.
This work has a complete provenance for the period 1933-45.

Otto Dix, War: Foxhole (Shelter), 1924

X71436
War: Foxhole (Shelter)

[Unterstand] 1924
on paper, print
Etching, aquatint and drypoint on paper
unconfirmed: 198 x 290 mm unconfirmed, frame: 352 x 477 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (from 1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: signed "Dix" (lower right of sheet) and inscribed "I Probe" (lower left) and "Unterstand" (lower right)
Place of Manufacture: Published by Karl Nierendorf, Berlin (edition of 70)
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.114
This work has a complete provenance for the period 1933-45.

Otto Dix, War: Mealtime in the Trench (Loretto Heights), 1924

X71438
War: Mealtime in the Trench (Loretto Heights)

[Mahlzeit in der Sappe (Lorettohöhe)] 1924
on paper, print
Etching and aquatint on paper
unconfirmed: 196 x 290 mm unconfirmed, each: 337 x 429 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (from 1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: signed "Dix 24" (lower right) and inscribed "II Probe" (lower left)
Place of Manufacture: Published by Karl Nierendorf, Berlin (edition of 70)
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.82.
This work has a complete provenance for the period 1933-45.

Otto Dix, War: Ration Carriers at Pilkem, 1924

X71443
War: Ration Carriers at Pilkem

[Essenholer bei Pilkem] 1924
on paper, print
Etching and aquatint on paper
unconfirmed: 245 x 298 mm unconfirmed, frame: 350 x 468 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (from 1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: signed "Dix" (lower right of sheet) and inscribed "III Probe" (lower left) and "Essenholder bei Pilkem" (lower right)
Place of Manufacture: Published by Karl Nierendorf, Berlin (edition of 70)
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.112.
This work has a complete provenance for the period 1933-45.

Otto Dix, War: Evening on the Wijtschaete Plain (Nov 1917), 1924

X71444
War: Evening on the Wijtschaete Plain (Nov 1917)

[Abend in der Wijtschaete-Ebene (Nov. 1917)] 1924
on paper, print
Etching and aquatint on paper
unconfirmed: 246 x 300 mm unconfirmed, frame: 337 x 428 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (from 1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: signed "Dix 24" (lower right) and inscribed "II Probe" (lower left)
Place of Manufacture: Published by Karl Nierendorf, Berlin (edition of 70)
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.96.
This work has a complete provenance for the period 1933-45.

Otto Dix, War: Crater Field near Dontrien, Lit by Flares, 1924

X71445
War: Crater Field near Dontrien, Lit by Flares

[Trichterfeld bei Dontrien, von Leuchtkugeln erhellt] 1924
on paper, print
Aquatint on paper
unconfirmed: 195 x 260 mm unconfirmed, frame: 336 x 429 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (from 1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: Second trial proof
Place of Manufacture: Published by Karl Nierendorf, Berlin (edition of 70)
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.73.
This work has a complete provenance for the period 1933-45.

Otto Dix, War: Nocturnal Encounter with a Lunatic, 1924

X71446
War: Nocturnal Encounter with a Lunatic

[Nächtliche Begegnung mit einem Irrsinnigen] 1924
on paper, print
Etching, aquatint and drypoint on paper
unconfirmed: 262 x 197 mm unconfirmed, frame: 427 x 338 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: Inscribed "Dix 24" lower right and "II Probe" lower left
Place of Manufacture: Published by Karl Nierendorf, Berlin (edition of 70)
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.91.
This work has a complete provenance for the period 1933-45.

Otto Dix, War: Lens Being Bombed, 1924

X71447
War: Lens Being Bombed

[Lens wird mit Bomben belegt] 1924
on paper, print
Etching and drypoint on paper
unconfirmed: 298 x 246 mm unconfirmed, each: 465 x 352 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (from 1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: signed "Dix" (lower right of sheet) and inscribed "II Probe" (lower left) and "Lens wird mit Bomben belegt" (lower right)
Place of Manufacture: Published by Karl Nierendorf, Berlin (edition of 70)
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.102.
This work has a complete provenance for the period 1933-45.

Otto Dix, War: Shock Troops Advance under Gas, 1924

X71448
War: Shock Troops Advance under Gas

[Sturmtruppe geht unter Gas vor] 1924
on paper, print
Etching, aquatint and drypoint on paper
unconfirmed: 196 x 291 mm unconfirmed, frame: 335 x 426 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (from 1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks:
Place of Manufacture: Published by Karl Nierendorf, Berlin (edition of 70)
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.81.
This work has a complete provenance for the period 1933-45.

Otto Dix, War: Skull, 1924

X71449
War: Skull

[Schädel] 1924
on paper, print
Etching on paper
unconfirmed: 257 x 195 mm unconfirmed, frame: 459 x 352 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (from 1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: Inscribed "II Probe" (lower left) and "Schaedel" lower right
Place of Manufacture: Published by Karl Nierendorf, Berlin (edition of 70)
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.100

Otto Dix, War: Dead Man (St. Clément), 1924

X71450
War: Dead Man (St. Clément)

[Toter (St. Clément)] 1924
on paper, print
Etching, aquatint and drypoint on paper
unconfirmed: 299 x 259 mm unconfirmed, frame: 470 x 350 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (from 1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: signed "Dix" (lower right of sheet) and inscribed "I Probe" (lower left) and "Toter (St. Clement)" (lower right)
Place of Manufacture: Published by Karl Nierendorf, Berlin (multiple versions)
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.111/IV.
This work has a complete provenance for the period 1933-45.

Otto Dix, War: Dance of Death Year 1917 (Dead Man Heights), 1924

X71451
War: Dance of Death Year 1917 (Dead Man Heights)

[Totentanz anno 17 (Höhe Toter Mann)] 1924
on paper, print
Etching, acquatint and drypoint on paper
unconfirmed: 245 x 300 mm unconfirmed, frame: 338 x 426 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (from 1920s to 2010); Galerie Ritthaler, Hamburg; acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: signed "Dix 24" (lower right) and inscribed "II Probe" (lower left); title inscribed lower left of sheet
Place of Manufacture: Published by Karl Nierendorf, Berlin (edition of 70)
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.88.
This work has a complete provenance for the period 1933-45.

Otto Dix, War: Skin Graft, 1924

X71795
War: Skin Graft

[Transplantation] 1924
on paper, print
Etching, aquatint and drypoint on paper
unconfirmed: 477 x 361 mm
The George Economou Collection
Provenance:
Galerie Nierendorf, Berlin (until 2010); Galerie Ritthaler, Hamburg;
acquired directly from the above (2010)
Nationality of artist: German
Identifying marks: Second trial proof
Place of Manufacture: Published by Karl Nierendorf, Berlin (edition of 70)
Catalogue Raisonné: Florian Karsch (ed.), Otto Dix : Das Graphische Werk, Fackelträger-Verlag, Schmidt-Küster GmbH, Hanover, 1970, no.109/III.
This work has a complete provenance for the period 1933-45.

George Grosz
(1893-1959, born: Berlin, died: Berlin)

George Grosz, "Daum" marries her pedantic automaton "George" in May 1920, John Heartfield is very glad of it (Meta-mech. constr. after Prof. R. Hausmann), 1920

X68935
"Daum" marries her pedantic automaton "George" in May 1920, John Heartfield is very glad of it (Meta-mech. constr. after Prof. R. Hausmann)

1920
on paper, unique
Watercolour, graphite, ink and collage on cardboard
unconfirmed: 420 x 302 mm unconfirmed, frame: 830 x 630 x 40 mm
Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur
Provenance:
From artist, until 1959; by descent, the artist’s estate, until 1962; acquired, Galerie Neirendorf, Berlin, until 1995; purchased, Berlinische Galerie, Berlin, with funds of the DKLB Foundation, Berlin
Nationality of artist: German
Identifying marks: Signed and dated, verso ‘George Grosz 1920 Berlin/ Berlin, Galerie Nierendorf’
Place of Manufacture:
Catalogue Raisonné: Peter-Klaus Schuster (ed.), George Grosz: Berlin – New York, exh. cat. Berlin, Neue Nationalgalerie (21 December 1994 – 17 April 1995) and Dusseldorf, Kunstsammlung Nordrhein-Westfalen (6 May – 30 July 1995), cat. X.78, ill. p.419.
This work has a complete provenance for the period 1933-45.

George Grosz, Grey Day, 1921

X68971
Grey Day

[Grauer Tag] 1921
painting
Oil paint on canvas
unconfirmed: 1150 x 800 mm
Staatliche Museen zu Berlin, Nationalgalerie. 1954 erworben durch das Land Berlin
Provenance:
From artist; purchased 1954 from the artist, Huntington, New York, by the federal state of Berlin.
Nationality of artist: Germany
Identifying marks: Inscribed "Grosz 1921 Juni" on reverse
Place of manufacture: Germany
Catalogue raisonné: Peter-Klaus Schuster, George Grosz: Berlin – New York, Berlin and Dusseldorf 1994-5, no. IX.21
This work has a complete provenance for the period 1933-45.

George Grosz
(1893-1959, born: Berlin, died: Berlin)
Michael Sellmann
John Heartfield
(1891-1968)

George Grosz, Michael Sellmann and John Heartfield, The Petit-Bourgeois Philistine Heartfield Gone Wild (Electro-Mechanical Tatlin Sculpture), 1920, reconstructed 1988

X68936
The Petit-Bourgeois Philistine Heartfield Gone Wild (Electro-Mechanical Tatlin Sculpture)

1920, reconstructed 1988
sculpture
Tailor's dummy, revolver, bell, knife and fork, letter "C", number "27", dentures, black eagle medal, EK II, Osram bulb
unconfirmed: 1300 x 450 x 450 mm plinth: 900 x 450 x 450 mm
Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur
Provenance:
Purchased from fabricator 1988, Berlinische Galerie, Berlin, with project funds of the Senator for Cultural Affairs, Berlin
Nationality of artist: German
Identifying marks: n/a (reconstruction)
Place of Manufacture: n/a (reconstruction)
Catalogue Raisonné: n/a (reconstruction)
This reconstruction was made after the operative period 1933-45.

Kurt Günther
(1893 - 1955)

Kurt Günther, The Radionist, 1927

X69496
The Radionist

[Der Radionist] 1927
painting
Tempera on wood
unconfirmed: 550 x 490 mm
Staatliche Museen zu Berlin, Nationalgalerie
Provenance:
From the artist (1927-55); passed to Maria Günther, Gera, Thuringia (the artist’s widow) (1955 - 11.12.1967); purchased by current owner 11.12.1967.
Nationality of artist: German
Identifying marks: -
Place of manufacture: Active in Dresden, Germany
Catalogue raisonné: -, included in Twilight over Berlin: Masterworks from the Nationalgalerie 1905-1945, The Israel Museum, Jerusalem, 2015-6, p.89.
This work has a complete provenance for the period 1933-45.

Hannah Höch
(1889-1978)

Hannah Höch, Dada-Rundschau, 1919

X68937
Dada-Rundschau

1919
on paper, unique
Collage, gouache and watercolour on cardboard
unconfirmed: 437 x 346 mm unconfirmed, frame: 840 x 640 x 43 mm
Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur
Provenance:
From artist, until 1978; by descent, the artist’s estate, until 1986; acquired, Berlinische Galerie, Berlin, with funds from "Der Tagesspiegel" Foundation, Berlin
Nationality of artist: German
Identifying marks:
Place of Manufacture:
Catalogue Raisonné: None
This work has a complete provenance for the period 1933-45.

Heinrich Hoerle
(1895 - 1936)

Heinrich Hoerle, Cripple Portfolio, plate 4: The Unemployed, 1920

X70625
Cripple Portfolio, plate 4: The Unemployed

[IV. Der Erwebslose] 1920
on paper, print
Lithograph on paper
unconfirmed: 640 x 510 mm
August Sander Stiftung, Cologne
Provenance:
From artist; acquired Buchhandlung Walther König, Cologne; acquired, Galerie Rolf Funken – Rheinische Kunst, until 21 November 1995; acquired, Gerhard Sander, Cologne; passed to August Sander Stiftung, Cologne.
Nationality of artist: German
Identifying marks: None, self-published as series of 12 lithographs in 2 editions of 250
Place of manufacture: Cologne, Germany
Catalogue Raisonné: None

Heinrich Hoerle, Cripple Portfolio, plate 12: At the End of the Road, 1920

X70626
Cripple Portfolio, plate 12: At the End of the Road

[XII. Am Wegende] 1920
on paper, print
Lithograph on paper
unconfirmed: 640 x 510 mm
August Sander Stiftung, Cologne
Provenance:
From artist; acquired Buchhandlung Walther König, Cologne; acquired, Galerie Rolf Funken – Rheinische Kunst, until 21 November 1995; acquired, Gerhard Sander, Cologne; passed to August Sander Stiftung, Cologne.
Nationality of artist: German
Identifying marks: None, self-published as series of 12 lithographs in 2 editions of 250
Place of manufacture: Cologne, Germany
Catalogue Raisonné: None

Heinrich Hoerle, Cripple Portfolio, plate 7: The Man with the Wooden Leg Dreams, 1920

X70627
Cripple Portfolio, plate 7: The Man with the Wooden Leg Dreams

[VII. Der Mann mit dem Holzbein träumt] 1920
on paper, print
Lithograph on paper
unconfirmed: 640 x 510 mm
August Sander Stiftung, Cologne
Provenance:
From artist; acquired Buchhandlung Walther König, Cologne; acquired, Galerie Rolf Funken – Rheinische Kunst, until 21 November 1995; acquired, Gerhard Sander, Cologne; passed to August Sander Stiftung, Cologne.
Nationality of artist: German
Identifying marks: None, self-published as series of 12 lithographs in 2 editions of 250
Place of manufacture: Cologne, Germany
Catalogue Raisonné: None

Heinrich Hoerle, Cripple Portfolio, plate 8: Friendly Dream, 1920

X70628
Cripple Portfolio, plate 8: Friendly Dream

[VIII. Freundlicher Traum] 1920
on paper, print
Lithograph on paper
unconfirmed: 640 x 510 mm
August Sander Stiftung, Cologne
Provenance:
From artist; acquired Buchhandlung Walther König, Cologne; acquired, Galerie Rolf Funken – Rheinische Kunst, until 21 November 1995; acquired, Gerhard Sander, Cologne; passed to August Sander Stiftung, Cologne.
Nationality of artist: German
Identifying marks: None, self-published as series of 12 lithographs in 2 editions of 250
Place of manufacture: Cologne, Germany
Catalogue Raisonné: None

Heinrich Hoerle, Factory Worker, c.1925

X71434
Factory Worker

c.1925
painting
Oil paint, charcoal and crayon on vellum on wood
unconfirmed: 395 x 255 mm unconfirmed, frame: 505 x 465 mm
The George Economou Collection
Provenance:
Location unknown in 1991; private collection in Nordrhein-Westfalen (dates unknown); sold at auction, Van Ham, Cologne, 2 December 2010, lot 75; purchased by current owner in 2010 at this auction.
Nationality of artist: German
Identifying marks: monogrammed 'h' (upper right); stamp from the colour and canvas factory Dr. Fr. Schoenfeld & Co.Düsseldorf, inscribed on the wood 'Fabrikarbeiterin, Oel 1926' and artist's address stamp (verso)
Place of Manufacture: Cologne
Catalogue Raisonné/Literature:
Richmod Galerie, Cologne 1926, no pagination, cat. ill. (here dated 1926)
Das elegante Köln. Halbmonatsschrift für Mode, Kunst, Kultur. 1928, No.1, p. 4 ill.
Hans Schmitt-Rost: Heinrich Hoerle - Monographie zur Rheinisch-Westfälischen Kunst der Gegenwart, vol. 29, Recklinghausen 1965, p. 41
Dirk Backes: Heinrich Hoerle, Leben und Werk, 1895-1936, Cologne/Bonn 1991, catalogue raisonné part I, oil painting, No. 24, here it is listed as "verschollen" (disappeared)
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking. Significant provenance research has been undertaken previously, including checks by the Art Loss Register.

Wilhelm Lachnit

Wilhelm Lachnit, Worker with Machine, 1924-8

X68973
Worker with Machine

[Arbeiter mit Maschine] 1924-8
painting
Oil paint on wood
unconfirmed: 500 x 520 mm unconfirmed, frame: 630 x 645 x 30 mm
Staatliche Museen zu Berlin, Nationalgalerie
Provenance:
Max Lachnit (the artist’s brother, presumed inherited from artist); purchased 1964 directly by current owner.
Nationality of artist: German
Identifying marks: -
Place of manufacture: Active in Dresden, Germany
Catalogue raisonné: -
This work has a complete provenance for the period 1933-45.

Franz Lenk
(1898 - 1968)

Franz Lenk, Old Military, 1930

X71432
Old Military

1930
painting
Oil paint on canvas on wood
unconfirmed: 1140 x 945 mm unconfirmed, frame: 1250 x 1050 mm
The George Economou Collection
Provenance:
Sold at Villa Grisebach, Berlin, auction 8, lot 43, 1991; purchased by private collector in southern Germany (d.2011), from this auction; sold at Villa Grisebach, Berlin, 26 November 2010, lot 45; purchased by current owner at this auction.
Nationality of artist: German
Identifying marks: dated and signed (joined) '1930 F.Lenk' (lower left)
Place of Manufacture: Active in Berlin 1930
Catalogue Raisonné/Literature:
Amtlicher Katalog der I. Abteilung. Berlin, Schloss Bellevue, 1930, cat. no. 251
Abercron, Wiko von: Franz Lenk. 1898-1968. Retrospektive und Dokumentation. Köln : Galerie von Abercron, 1976, cat. no D-30-4
Susanne Thesing: Franz Lenk Recklinghausen, Verlag Aurel Bongers, 1986, full-page illustration p. 90
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented, however consultation with the relevant sources and experts gives no evidence of wrongful taking. Significant provenance research has been undertaken previously, including checks by the Art Loss Register.

Jeanne Mammen
(1890 - 1976)

Jeanne Mammen, Valeska Gert, 1928/9

X68938
Valeska Gert

1928/9
painting
Oil paint on canvas
unconfirmed: 600 x 440 mm unconfirmed, frame: 740 x 585 x 60 mm
Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur
Provenance:
From artist, until 1976; by descent, Jeanne Mammen Gesellschaft, until 1977; purchased, Berlinische Galerie, Berlin, with funds of the DKLB Foundation, Berlin
Nationality of artist: German
Identifying marks: none
Place of manufacture: unknown
Catalogue Raisonné: Merkert, Jörn, Marga Döpping, Lothar Klünner, et al. (authors), Jeanne Mammen 1890-1976. Monographie und Werkverzeichnis, Wienand Verlag, Köln, 1997.
This work has a complete provenance for the period 1933-45.

Oskar Nerlinger
(1893 - 1969)

Oskar Nerlinger, Radio Tower and Elevated Railway, 1929

X68977
Radio Tower and Elevated Railway

[Funkturm und Hochbahn] 1929
painting
Casein tempera on canvas
unconfirmed: 1050 x 800 mm
Staatliche Museen zu Berlin, Nationalgalerie
Provenance:
From the artist; purchased 1967 from the artist, Berlin, by current owner with funding from the ‘Kulturfonds der DDR’.
Nationality of artist: German
Identifying marks: Signed lower left
Place of manufacture: Germany
Catalogue raisonné: -
This work has a complete provenance for the period 1933-45.

Curt Querner
(1904 - 1976)

Curt Querner, Demonstration, 1930

X68975
Demonstration

[Demonstration] 1930
painting
Oil paint on canvas
unconfirmed: 870 x 660 mm unconfirmed, frame: 945 x 750 x 70 mm
Staatliche Museen zu Berlin, Nationalgalerie
Provenance:
From the artist; purchased 1965 from the artist, Börnchen, Saxony, by current owner with funding from the ‘Kulturfonds der DDR’.
Nationality of artist: German
Identifying marks:-
Place of manufacture: Active in Dresden, Germany
Catalogue raisonné/literature: Gert Claussnitzer, Curt Querner. Berlin 1979, no. 4, ill.
This work has a complete provenance for the period 1933-45.

Franz Radziwill
(1895 - 1983)

Franz Radziwill, Morning at the Cemetary Wall, 1927

X68943
Morning at the Cemetary Wall

1927
painting
Mixed media on canvas
unconfirmed: 800 x 990 mm unconfirmed, frame: 995 x 1185 x 102 mm
Kunsthalle Mannheim
Provenance:
From the artist; purchased by the current owner, 1927.
Nationality of artist: German
Identifying marks: Signed "F.Radziwill" lower left.
Place of manufacture: Germany
Catalogue Raisonné: Firmenich, Schulze 1995, no.282, p.351.
This work has a complete provenance for the period 1933-45.

Georges Rouault
(1871-1958, born: Paris, died: Paris)

Georges Rouault, Misere et Guerre, plate 34: "Even the ruins have been destroyed", 1926, published 1948

X71363
Misere et Guerre, plate 34: "Even the ruins have been destroyed"

1926, published 1948
on paper, print
Photo-etching, aquatint and drypoint on paper
unconfirmed, frame: 800 x 630 x 30 mm unconfirmed: 575 x 445 mm
Fondation Georges Rouault
Provenance:
Collection of the artist (until 1958); passed directly to the artist’s estate.
Nationality of artist: French
Identifying marks: Dated 1926 and signed lower left.
Place of manufacture: Published in Paris by L’Étoile filante, 1948.
Catalogue raisonné/literature: Rouault : oeuvre graveì / texte de François Chapon ; catalogue eìtabli par Isabelle Rouault, avec la collaboration d'Olivier Nouaille Rouault, Monte-Carlo : A. Sauret 1978, 87 c.
This work was made after the operative period 1933-45.

Georges Rouault, Miserere et Guerre, plate 40: "Face to face", 1926, published 1948

X71365
Miserere et Guerre, plate 40: "Face to face"

1926, published 1948
on paper, print
Photo-etching, aquatint and drypoint on paper
unconfirmed, frame: 800 x 630 x 30 mm unconfirmed: 575 x 435 mm
Fondation Georges Rouault
Provenance:
Collection of the artist (until 1958); passed directly to the artist’s estate.
Nationality of artist: French
Identifying marks: Dated 1926 and signed lower left.
Place of manufacture: Published in Paris by L’Étoile filante, 1948.
Catalogue raisonné/literature: Rouault : oeuvre graveì / texte de François Chapon ; catalogue eìtabli par Isabelle Rouault, avec la collaboration d'Olivier Nouaille Rouault, Monte-Carlo : A. Sauret 1978, 93 c.
This work was made after the operative period 1933-45.

Georges Rouault, Miserere et Guerre, plate 57: "Obedient unto death and to death on the cross", 1926, published 1948

X71368
Miserere et Guerre, plate 57: "Obedient unto death and to death on the cross"

1926, published 1948
on paper, print
Photo-etching, aquatint and drypoint on paper
unconfirmed, frame: 800 x 630 x 30 mm unconfirmed: 580 x 420 mm
Fondation Georges Rouault
Provenance:
Collection of the artist (until 1958); passed directly to the artist’s estate.
Nationality of artist: French
Identifying marks: Dated 1926 and signed lower left.
Place of manufacture: Published in Paris by L’Étoile filante, 1948.
Catalogue raisonné/literature: Rouault : oeuvre graveì / texte de François Chapon ; catalogue eìtabli par Isabelle Rouault, avec la collaboration d'Olivier Nouaille Rouault, Monte-Carlo : A. Sauret 1978, 110 b.
This work was made after the operative period 1933-45.

Georges Rouault, Miserere et Guerre, plate 42: "War, hated by mothers", 1927, published 1948

X71366
Miserere et Guerre, plate 42: "War, hated by mothers"

1927, published 1948
on paper, print
Photo-etching, aquatint and drypoint on paper
unconfirmed, frame: 800 x 630 x 30 mm unconfirmed: 584 x 440 mm
Fondation Georges Rouault
Provenance:
Collection of the artist (until 1958); passed directly to the artist’s estate.
Nationality of artist: French
Identifying marks: Dated 1927 and signed lower left.
Place of manufacture: Published in Paris by L’Étoile filante, 1948.
Catalogue raisonné/literature: Rouault : oeuvre graveì / texte de François Chapon ; catalogue eìtabli par Isabelle Rouault, avec la collaboration d'Olivier Nouaille Rouault, Monte-Carlo : A. Sauret 1978, 95 e.
This work was made after the operative period 1933-45.

Georges Rouault, Miserere et Guerre, plate 54: "Arise, you dead!", 1927, published 1948

X71367
Miserere et Guerre, plate 54: "Arise, you dead!"

1927, published 1948
on paper, print
Photo-etching, aquatint and drypoint on paper
unconfirmed, frame: 800 x 630 x 30 mm unconfirmed: 588 x 444 mm
Fondation Georges Rouault
Provenance:
Collection of the artist (until 1958); passed directly to the artist’s estate.
Nationality of artist: French
Identifying marks: -
Place of manufacture: Published in Paris by L’Étoile filante, 1948.
Catalogue raisonné/literature: Rouault : oeuvre graveì / texte de François Chapon ; catalogue eìtabli par Isabelle Rouault, avec la collaboration d'Olivier Nouaille Rouault, Monte-Carlo : A. Sauret 1978, 107 b.
This work was made after the operative period 1933-45.

Georg Schrimpf
(1889-1938)

Georg Schrimpf, Swineherd, 1923

X68967
Swineherd

1923
painting
Oil paint on canvas
unconfirmed: 495 x 600 mm

Provenance:
The artist; private collection of Franz Nienhaus; Private collection of Josef Haubrich, acquired 1924, remained in collection until 1946; Wallraf-Richartz-Museum & Fondation Corboud, acquired 1946; Museum Ludwig, Cologne, acquired from the above 1976.
Nationality of artist: German
Place of manufacture: not recorded
Identifying marks: Signed "G. Schrimpf 23" lower right
Catalogue raisonné/Literature:
Köln ML, Bestandskatalog II, 1986, S. 234, Abbildung S. 234
Valori Plastici, Rom 1998-99, S. 706.707 & Farbabbildung S. 706
Köln WRM, Gemälde des 20. Jhs., 1974, S. 167 & Abbildung Nr. 266
Dialog der Kreaturen, Paderborn-Selm, 1997-98, S. 82, 200 & Farbabb. Nr. 53 & Kat-Nr. 53
New Objectivity: Modern German Art, Los Angeles 2015, Farbabb. S. 198
This work has a complete provenance for the period 1933-45.

Paul Segieth

Paul Segieth, Fort Douaumont under French Fire, c.1916/18

X68939
Fort Douaumont under French Fire

[Sperrfeuer auf Douaumont] c.1916/18
painting
Oil paint on canvas
unconfirmed: 925 x 1250 mm
Bayerisches Armeemuseum
Provenance:
Gift from the artist to the current owner, 1928.
Nationality of artist: German
Identifying marks: Signed "Segieth Sept. 1916" lower right
Place of manufacture: Germany
Catalogue Raisonné: -
This work has a complete provenance for the period 1933-45.

Magic Realism

Tate Modern (London, UK) from 30 Jul 2018 until 14 Jul 2019.

Max Beckmann
(1884-1950, born: Leipzig, died: New York, active: Frankfurt, Berlin, Amsterdam, Saint Louis, New York)

Max Beckmann, Frau Ullstein (Portrait of a Woman), 1920

X68291
Frau Ullstein (Portrait of a Woman)

[Frau Ullstein (Porträt eine Frau)] 1920
on paper, unique
Graphite on paper
support: 330 x 238 mm
The George Economou Collection
Provenance:
The artist;
Hauswedell & Nolte, 27 May 1997, lot 743;
Sammlung Wolf Uecker;
Villa Grisebach, 27 May 2000, lot 172;
Private collection, New York;
Gagosian Gallery, New York;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated in pencil, ‘Beckmann 27.6.20’ (lower left); inscribed (by another hand?) ‘For Frau Ullstein’ on the reverse.
Place of manufacture: ?Frankfurt/Berlin

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Max Beckmann, Anni (Girl with Fan), 1942

X68323
Anni (Girl with Fan)

[Anni (Mädchen mit Fächer)] 1942
painting
Oil paint on canvas
support: 846 x 445 mm
The George Economou Collection
Provenance:
The artist’s studio, Amsterdam;
Galerie Buccholz (according to the artist’s list 1942);
Galerie Otto Stangl, Munich;
Langen Collection, Germany (c.1954);
Villa Grisebach, 2005;
Private collection, southern Germany;
Galerie Thomas, Munich;
From whom acquired by the present owner in 2013.

Nationality of the artist: German
Identifying marks: signed and dated ‘A 42’ (upper right); with the artist’s name stamp on the reverse.
Place of manufacture: Amsterdam, the Netherlands
Max Beckmann catalogue raisonné number 597

This work has a complete provenance for the period 1933-45.

Richard Biringer
(1877 - 1947)

Richard Biringer, Krupp Works, Engers am Rhein, 1925

X68301
Krupp Works, Engers am Rhein

[Krupp-Werke Engers am Rhein] 1925
painting
Oil paint on canvas
support: 675 x 495 mm
The George Economou Collection
Provenance:
the artist;
Private collection, south Germany;
Ketterer, Munich, 3 December 2008, lot 8;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed ‘R. Biringer’ (lower middle); titled and inscribed by hand ‘F. Biringer Ffm Höchst’ on the stretcher.
Place of manufacture: Engers/Frankfurt, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Albert Birkle
(1900 - 1986)

Albert Birkle, The Acrobat Schulz V, 1921

X68292
The Acrobat Schulz V

[Der Akrobat Schulz V] 1921
painting
Tempera and chalk on paper mounted on cardboard
support: 704 x 500 mm
The George Economou Collection
Provenance:
The artist;
Neue Münchner Galerie;
Private collection, USA;
Ketterer, Munich, 5 December 2006, lot 146;
From whom acquired by the present owner.

Nationality of the artist: German-Austrian
Identifying marks: signed ‘A. Birkle’ and dated ‘1921’ (upper right), signed ‘A. Birkle’ lower left; inscribed probably by the artist ‘Albert Birkle Der Akrobat Schulz 1921’ on the reverse.
Place of manufacture: Berlin, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Albert Birkle, The Hermit, 1921

X68324
The Hermit

[Die Eremit] 1921
painting
Oil paint on canvas laid on plate
support: 910 x 605 mm
The George Economou Collection
Provenance:
The artist;
Private collection, Austria;
Im Kinsky, Vienna, 14 October 2008, lot 379;
From which acquired by the present owner.

Nationality of the artist: German-Austrian
Identifying marks: none
Place of manufacture: Berlin, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Albert Birkle, Crucifixion, 1921

X68325
Crucifixion

[Kreuzigung] 1921
painting
Oil paint on board
support: 920 x 607 mm frame: 1130 x 810 mm
The George Economou Collection
Provenance:
The artist until 1977;
Collection Joseph Hierling, Tutzing, Germany;
Sold Im Kinsky, Vienna, 9 November 2010, lot 63;
From whom acquired by the present owner.

Nationality of the artist: German-Austrian
Identifying marks: signed ‘A. Birkle’ and dated ‘1921’ with two stamps from the estate of Joseph Hierling, inscribed ‘JOSEPH HIERLING / 8000 MÜNCHEN 40. GEORGENSTR. 62A’ and a label inscribed ‘Albert Birkle (1900 - 1986) / Kreuzigung 1921 / Öl / Platte 90 x 59 cm / SAMMLUNG JOSEPH HIERLING TUTZING’ on the reverse.
Place of manufacture: Berlin, Germany

This work has a complete provenance for the period 1933-45.

Albert Birkle, Passau, 1925

X68300
Passau

1925
painting
Oil paint on hardboard
support: 510 x 710 mm
The George Economou Collection
Provenance:
The artist;
Kunsthaus Lempertz, 1 June 1996, lot 585;
Private collection, Upper Austria;
Sold Im Kinsky, Vienna, 20 November 2007, lot 168;
From whom acquired by the present owner.

Nationality of the artist: German-Austrian
Identifying marks: signed ‘A. Birkle’ (lower left)
Place of manufacture: Berlin, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Heinrich Maria Davringhausen
(1894 - 1970)

Heinrich Maria Davringhausen, The Poet Däubler, 1917

X68262
The Poet Däubler

[Der Dichter Däubler] 1917
painting
Oil paint on canvas
support: 1810 x 1603 mm
The George Economou Collection
Provenance:
The artist’s family, and thence by descent to the previous owner;
Sold Christie’s London, 6 February 2007, lot 79;
From whom acquired by the present owner.

Nationality of artist: German
Identifying marks: signed ‘H.M.D.’ and dated ‘Berlin Januar 17’ on the reverse.
Place of Manufacture: Berlin, Germany

This work has a complete provenance for the period 1933-45.

Prosper de Troyer
(1880 - 1961)

Prosper de Troyer, Erik Satie (The Prelude), 1925

X68318
Erik Satie (The Prelude)

[Erik Satie (Le prélude)] 1925
painting
Oil paint on canvas
support: 2100 x 1450 mm
The George Economou Collection
Provenance:
Private collection of the De Troyer family, Uytterhoeven;
Art trade South Germany (1999);
Private collection, Spain;
Ketterer, Munich, 19 June 2009, lot 272;
From which acquired by the present owner.

Nationality of the artist: Belgian
Identifying marks: signed ‘P. de TROYER’ and dated ‘1925’ (lower left)
Place of manufacture: Belgium

This work has a complete provenance for the period 1933-45.

Harry Heinrich Deierling
(1894-1989)

Harry Heinrich Deierling, The Gardener, 1920

X68265
The Gardener

[Der Gärtner] 1920
painting
Oil paint on canvas
support: 1870 x 1195 mm
The George Economou Collection
Provenance:
The artist;
Estate of Peter Hopf, Berlin;
Villa Grisebach, Berlin, 1 December 2006, lot 1642;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated ‘H. Deierling / 20’ (lower right); signed, located and titled with black pencil ‘Deierling, Berlin (Der Gärtner)’ on the reverse.
Place of manufacture: Berlin, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Otto Dix
(1891-1969)

Otto Dix, Butcher Shop, 1920

X68268
Butcher Shop

[Fleischerladen] 1920
on paper, print
Etching, drypoint on paper
support: 495 x 338 mm plate: 295 x 258 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated 'Dix 20' (lower right) and titled 'Fleischerladen' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Billiard Players, 1920

X68273
Billiard Players

[Billardspieler] 1920
on paper, print
Etching, drypoint on paper
support: 340 x 488 mm plate: 225 x 333 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '10/20' (lower left) and titled 'Billiardspieler' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Sailor and Girl, 1920

X68274
Sailor and Girl

[Matrose und Mädchen] 1920
on paper, print
Etching, drypoint on paper
support: 487 x 342 mm plate: 300 x 248 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '10/20' (lower left) and titled 'Matrose und Mädchen' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Lust Murderer, 1920

X68275
Lust Murderer

[Lustmörder] 1920
on paper, print
Etching on paper
support: 490 x 341 mm plate: 300 x 257 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed 10/10' (lower left) and titled 'Lustmörder' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Sketch, 1922

X68278
Sketch

1922
on paper, print
Etching, drypoint on paper
support: 497 x 429 mm plate: 394 x 297 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Sketch' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Balancing Act, 1922

X68279
Balancing Act

[Balanceakt] 1922
on paper, print
Etching, drypoint on paper
support: 496 x 429 mm plate: 299 x 197 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Balanceakt' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Maud Arizona (Suleika, The Tattooed Wonder), 1922

X68280
Maud Arizona (Suleika, The Tattooed Wonder)

[Maud Arizona (Suleika, das tätowierte Wunder)] 1922
on paper, print
Etching, drypoint on paper
support: 498 x 428 mm plate: 299 x 198 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: title, date, edition number and signature on lower edge.
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, International Riding Act, 1922

X68281
International Riding Act

[Internationaler Reitakt] 1922
on paper, print
Etching, drypoint on paper
support: 496 x 431 mm plate: 399 x 298 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix 22' (lower right), inscribed '20/50' (lower left) and titled 'Internationaler Reitakt' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, American Riding Act, 1922

X68282
American Riding Act

[Amerikanischer Reitakt] 1922
on paper, print
Etching, drypoint on paper
support: 497 x 429 mm plate: 347 x 309 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Amerikanischer Reitakt' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Technical Personnel, 1922

X68283
Technical Personnel

[Technisches Personal] 1922
on paper, print
Etching, drypoint on paper
support: 497 x 426 mm plate: 300 x 198 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Technisches Personnel' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Lili, The Queen of the Air, 1922

X68284
Lili, The Queen of the Air

[Lili, die Königin der Luft] 1922
on paper, print
Etching, drypoint on paper
support: 497 x 428 mm plate: 299 x 198 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix 22' (lower right), inscribed '20/50' (lower left) and titled 'Lili' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Tamer, 1922

X68285
Tamer

[Dompteuse] 1922
on paper, print
Etching, drypoint on paper
support: 496 x 429 mm plate: 399 x 297 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix 22' (lower right), inscribed '20/50' (lower left) and titled 'Dompteuse' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Performers, 1922

X68286
Performers

[Artisten] 1922
on paper, print
Etching, drypoint on paper
support: 492 x 340 mm plate: 299 x 258 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right) and titled (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Lust Murder, 1922

X68293
Lust Murder

[Lustmord] 1922
on paper, unique
Watercolour, ink and graphite on paper
support: 485 x 365 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed 10/10' (lower left) and titled 'Lustmörder' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Scorners of Death, 1922

X71345
Scorners of Death

[Die Verächter des Todes] 1922
on paper, print
Etching, drypoint on paper
support: 497 x 428 mm plate: 347 x 277 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '6/50' (lower left) and titled 'Verächter des Todes' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Illusion Act, 1922

X71346
Illusion Act

[Illusionsakt] 1922
on paper, print
Etching, drypoint on paper
support: 495 x 429 mm plate: 300 x 257 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Illusionsakt' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Conrad Felixmüller
(1897 - 1977)

Conrad Felixmüller, The Beggar of Prachatice, 1924

X68299
The Beggar of Prachatice

[Der Bettler von Prachatitz] 1924
on paper, unique
Watercolour, gouache and graphite on paper
support: 500 x 645 mm
The George Economou Collection
Provenance:
The artist;
Dr Heinrich Scherlag, Dresden (acquired directly from the artist);
Alice Hagängen, Sweden;
Ketterer, Munich, 4 December 2010, lot 68;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated (upper right); signed, dated, titled and inscribed ‘Neumann & Nierendorf’ on the reverse.
Place of manufacture: ?Prachatice/Berlin


This work has a complete provenance for the period 1933-45.

Otto Griebel
(1895 - 1972)

Otto Griebel, Two Women, 1924

X68317
Two Women

[Zwei Frauen] 1924
on paper, unique
Watercolour on cardboard
support: 638 x 450 mm
The George Economou Collection
Provenance:
The artist;
Gallery Köhl, Dresden;
Acquired from the above by a private collection, Wiesbaden, 1960s;
Ketterer, Munich, 24 April 2010, lot 434;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed ‘Otto Griebl’, dated ‘1924’, titled ‘Zwei Frauen’ (lower right) and with inscription ‘1920’ (lower right corner); with another inscription ‘GLA 73006’ on the reverse.
Place of manufacture: ?Dresden

Authenticity confirmed by Matthias Griebel, letter dated 11 February 2010 (information provided by present owner)
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

George Grosz
(1893-1959, born: Berlin, died: Berlin)

George Grosz, Self-Portrait with Model in the Studio, 1930-1937

X68296
Self-Portrait with Model in the Studio

[Selbstbildnis mit Modell im Atelier] 1930-1937
on paper, unique
Watercolour, gouache, pen and ink on paper
support: 505 x 440 mm frame: 800 x 730 mm
The George Economou Collection
Provenance:
Studio of the artist, Berlin, in 1930;
Studio of the artist, Douglaston, Long Island, in 1937;
Private collection, New York;
Galerie Thomas, Munich;
From whom acquired by the present owner in 2009.

Nationality of the artist: German-American
Identifying marks: signed twice ‘GROSZ’ and dated ‘30’ and ‘37’ (lower right).
Place of manufacture: Berlin, Germany.

To be included in the forthcoming catalogue raisonné of Grosz’s works on paper, prepared by Ralph Jentsch, administrator for the artist’s Estate.
This work has a complete provenance for the period 1933-45.

Hans Grundig
(1901 - 1958)

Hans Grundig, Girl with Pink Hat, 1925

X68303
Girl with Pink Hat

[Mädchen mit rosa Hut] 1925
painting
Oil paint on cardboard
support: 704 x 500 mm
The George Economou Collection
Provenance:
Lea Grundig, Dresden, by descent circa 1972;
Villa Grisebach, Berlin, 27 November 2009, lot 26;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated 'GRUNDIG 25' (lower left)
Place of manufacture: ?Dresden
This work has a complete provenance for the period 1933-45.

Lea Grundig
(1906 - 1977)

Lea Grundig, Into the Abyss, 1943

X68328
Into the Abyss

[In den Abgrund] 1943
on paper, unique
Pen and ink on cardboard
support: 440 x 560 mm frame: 713 x 818 mm
The George Economou Collection
Provenance:
The artist;
Private Collection John Phillips, photo journalist for Life Magazine, during the 1940s, he spent a longer period of time in Palestine as a war correspondent;
Galerie St. Etienne, New York;
Ketterer, Munich, 22 October 2010, lot 15;
Acquired from the above by the present owner.

Nationality of the artist: German
Identifying marks: signed 'LEA GRUNDIG', dated '1943' (lower right) and barely legibly inscribed (middle right).
Place of manufacture: Israel

This work has a complete provenance for the period 1933-45.

Herbert Gurschner
(1901-1975, born: Innsbruck)

Herbert Gurschner, Bean Ingram, 1928

X68306
Bean Ingram

1928
painting
Oil paint on canvas
support: 1070 x 675 mm
The George Economou Collection
Provenance:
The artist;
Bonhams, London, 29 November 1995, lot 106;
Im Kinsky, Vienna, 16 May 2006, lot 117
Acquired directly from the above

Nationality of the artist: Austrian-British
Identifying marks: signed 'Herbert Gurschner' and inscribed 'Bean Ingram habe ich gemalt 1928 mit einer Maske weil das leben verlangt Masken' (lower right); with a label 'Herbert Gurschner Tyrol 43' on the reverse

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Herbert Gurschner, Japanese Lady, 1932

X68310
Japanese Lady

[Japanische Dame] 1932
painting
Oil paint on canvas
support: 870 x 610 mm
The George Economou Collection
Provenance:
The estate of the artist
Kunsthandel Widder, Vienna
Acquired directly from the above in 2006

Nationality of the artist: Austrian-British
Identifying marks: signed 'Gurschner' (lower left)

This work has a complete provenance for the period 1933-45.

Karl Otto Hy
(1904 - 1992)

Karl Otto Hy, Anna, 1932

X68311
Anna

1932
painting
Oil paint on canvas
support: 950 x 675 mm
The George Economou Collection
Provenance:
The artist;
Private Collection, Hesse;
Ketterer, Munich, 3 December 2008, lot 43;
Acquired directly from the above.

Nationality of the artist: German
Identifying marks: signed 'K.O. HY' and dated '32' (lower right); titled on the reverse; signed, inscribed and with the address on the stretcher.
Place of manufacture: Wiesbaden, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Alexander Kanoldt
(1881 - 1939)

Alexander Kanoldt, Monastery Chapel of Säben, 1920

X70056
Monastery Chapel of Säben

[Kapelle in Südtirol] 1920
painting
Oil paint on canvas
support: 350 x 290 mm
The George Economou Collection
Provenance:
The artist;
Collection Franz Friedrich Kästner, Erfurt
Private Collection, South Germany
Ketterer, Munich, 28 April 2009, lot 441
Acquired directly from the above.

Nationality of the artist: German
Identifying marks: signed 'Kanoldt', dated '1920' (lower right); signed, dated and inscribed 'XXI No. 137' on the stretcher.
Place of manufacture: ?Munich

To be included in forthcoming catalogue raisonné, compiled by Dr Michael Koch.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Jeanne Mammen
(1890 - 1976)

Jeanne Mammen, Boring Dolls, 1929

X68320
Boring Dolls

[Langweilige Puppen] 1929
on paper, unique
Watercolour and graphite on paper mounted on cardboard
support: 384 x 286 mm
The George Economou Collection
Provenance:
The artist;
Galerie Brockstedt, Hamburg
Gallery La Boétie, New York
Hauswedell and Nolte, Hamburg
Marvin and Janet Fishman Collection, Milwaukee
Private collection, Spain
Villa Grisebach, Berlin, 27 November 2009, lot 28
Acquired directly from the above

Nationality of the artist: German
Identifying marks: signed 'J. Mammen' (upper left), titled 'Langweilige Puppen' (on the cardboard lower left); several exhibition labels on the reverse.
Place of manufacture: Berlin
This work has a complete provenance for the period 1933-45.

Jeanne Mammen, At the Shooting Gallery, 1929

X68321
At the Shooting Gallery

[An der Schießbude] 1929
on paper, unique
Watercolour and graphite on vellum
support: 445 x 360 mm
The George Economou Collection
Provenance:
The artist;
Galerie Brockstedt, Hamburg
Private Collection, Munich
Ketterer Kunst, Auktion 207, Munich 4 December 1995, Lot 89
Marvin and Janet Fishman Collection, Milwaukee
Karl & Faber, Munich, 28 October 2010, lot 101
Acquired directly from the above

Nationality of the artist: German
Identifying marks: signed 'J. Mammen' (upper left)
Place of manufacture: Berlin

This work has a complete provenance for the period 1933-45.

Jeanne Mammen, Brüderstrasse (Free Room), 1930

X68322
Brüderstrasse (Free Room)

[Brüderstrasse (Zimmer frei)] 1930
on paper, unique
Watercolour, ink and graphite on vellum
support: 475 x 345 mm frame: 835 x 635 mm
The George Economou Collection
Provenance:
The artist;
Galerie Brockstedt, Hamburg
La Boetie Inc. (Helen Serger), New York
Christie´s London, Auktion 19 October 1997, Lot 239
Marvin and Janet Fishman Collection, Milwaukee
Karl & Faber, Munich, 28 October 2010, lot 102
Acquired directly from the above

Nationality of the artist: German
Identifying marks: signed 'J. Mammen' (lower right)
Place of manufacture: Berlin

This work has a complete provenance for the period 1933-45.

Carlo Mense
(1886 - 1965)

Carlo Mense, Portrait of Don Domenico, 1924

X68298
Portrait of Don Domenico

[Bildnis Don Domenico] 1924
painting
Oil paint on cardboard
support: 536 x 420 mm
The George Economou Collection
Provenance:
The artist;
Private Collection, South Germany;
Ketterer, Munich, 19 June 2009, lot 268;
Acquired directly from the above.

Nationality of the artist: German
Identifying marks: signed 'C. MENSE' (lower right); signed, dated and titled 'Don Domenicho' on the reverse.
Place of manufacture: Munich, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Richard Müller
(1874 - 1954)

Richard Müller, At the Studio, 1926

X68304
At the Studio

[Im Atelier] 1926
painting
Oil paint on canvas
support: 1070 x 755 mm frame: 1250 x 940 mm
The George Economou Collection
Provenance:
Probably the estate of the artist
Private Collection, South Germany
Fischer, Lucerne, 15 June 2009, lot 46
Acquired directly from the above

Nationality of the artist: Austrian
Identifying marks: monogrammed 'R.M.' and dated '1926' (upper middle)
Place of manufacture: Dresden

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Sergius Pauser
(1896 - 1970)

Sergius Pauser, Self-Portrait with Mask, 1926

X68319
Self-Portrait with Mask

[Selbstbildnis mit Maske] 1926
painting
Oil paint on canvas
support: 600 x 730 mm
The George Economou Collection
Provenance:
Private property, USA
Private property, Schütz
Schütz, Vienna
Acquired directly from the above in 2008

Nationality of artist: Austrian
Identifying marks: signed 'Sergius Pauser' (lower left)
Place of manufacture: ?Waidhofen/Vienna

Pauser catalogue raisonné number 116
This work has a complete provenance for the period 1933-45.

Franz Radziwill
(1895 - 1983)

Franz Radziwill, Conversation About a Paragraph, 1929/1960

X68307
Conversation About a Paragraph

[Gespräch über einen Paragraphen] 1929/1960
painting
Oil paint on canvas laid on wood
support: 793 x 1010 mm
The George Economou Collection
Provenance:
The artist;
Galleria del Levante, Milan/Munich; [which seemed to be particularly active in 1960s?]
Private collection, Modena;
Ketterer, Munich, 4 June 2011, lot 62;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated ‘Fr. Radziwill 29’ (lower right); numbered ‘102’ on the reverse.
Place of manufacture: ?Berlin and Dangast

This work was completed after the operative period 1933-45.

Christian Schad
(1894-1982, born: Miesbach, died: Stuttgart)

Christian Schad, Prof. Holzmeister, 1926

X68295
Prof. Holzmeister

1926
on paper, unique
Charcoal on paper
support: 542 x 400 mm
The George Economou Collection
Provenance:
The artist;
Kunstkabinett G.A. Richter, Stuttgart, by 1974;
Dorotheum Vienna, 25 May 2000;
Christie’s London, 16 June 2007, lot 175
Im Kinsky, Vienna, 23 June 2009, lot 6;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed ‘SCHAD’ and dated ‘(19)26’ (lower right); titled ‘Prof. Holzmeister’ and dated ‘Wien 1926’ with pencil by the hand of the artist on the reverse.
Place of manufacture: Vienna, Austria.

Authenticated by G.A. Richter from the Christian Schad Archive


This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Josef Scharl
(1896 - 1954)

Josef Scharl, Conference / The Group, 1927

X68305
Conference / The Group

[Konferenz / Die Gruppe] 1927
painting
Oil paint on canvas
support: 810 x 645 mm
The George Economou Collection
Provenance:
The artist;
Galerie Nierendorf, Berlin, until at least 1964;
Villa Grisebach, Berlin, 29 November 2008, lot 213;
From whom acquired by the present owner.

Nationality of the artist: German-American
Identifying marks: signed and dated ‘Jos. Scharl 1927’
Place of manufacture: Munich [based on bio]
*Exhibited in monographic exhibition in the rooms of the German Artist Association, Munich, in 1929.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Werner Schramm
(1898 - 1970)

Werner Schramm, Portrait of a Lady in front of the Pont des Arts, 1930

X68309
Portrait of a Lady in front of the Pont des Arts

[Damenbildnis vor der Pont des Arts] 1930
painting
Oil paint on panel
support: 810 x 610 mm frame: 1025 x 825 mm
The George Economou Collection
Provenance:
[Estate of the artist] until at least 1980:
Remmert und Barth, Düsseldorf; [founded 1980; preceding sales must have been after this time]
Fine Art Trade, Berlin;
Private collection, Germany, before 1997;
Galerie Thomas Schneider, Munich; [founded 1997; preceding sales must have been after this time]
From whom acquired by the present owner in 2012.

Nationality of the artist: German
Identifying marks: monogrammed ‘SW’ and dated ‘1930’ (lower right)
Place of manufacture: Paris [based on artist bio; lived in Meudon between 1926-31]
This work has a complete provenance for the period 1933-45.