28 January
–
7 May 2006
Room 2: From Landscape to Art
Sketchbooks
This style of drawing is more meticulous than many of Turner's pencil sketches. The fact that he took such pains suggests that he may have intended to produce a watercolour of St Ives for the Southern Coast, although no such watercolour was in fact made.
Plymouth, Hamoaze Sketchbook
c.1812–3
open at f.30: Mount Batten with the Catwater in the distance and fortifications
Tate
Collection
open at f.30: Mount Batten with the Catwater in the distance and fortifications
Compare this sketch with the two views of Plymouth, also display in this room. Turner also sketched this view in 1811, in the Ivy Bridge to Penzance sketchbook.
Compare this drawing with the colour sketch of the same subject, also on display in this room.


