Issue 11 / Autumn 2007
Content:
- Editors' Note
- Massimiliano Gioni on Animals
- Carter Ratcliff on Barnett Newman
- Antonia Fraser on Nicholas Hillard's 'Queen Elizabeth I'
- Madeleine Grynsztejn on Doris Salcedo
- Nancy Spero and Helmut Lang on Louise Bourgeois
- Elaine Showalter on Louise Bourgeois at Tate Modern
- Denyse Bertoni on Louise Bourgeois
- Alessandra Galasso on Norma Jeane
- Marie de Brugerolle on The World as a Stage
- The Co-curators on The World as a Stage
- Katharine Stout on William Blake
- Martin Herbert on the Turner Prize
- Bernard Marcadé on René Magritte
- Edward Platt on Millais
- Kathleen Jamie on Millais' 'Chill October'
- Jonathan Harris on Tate Liverpool Rehang
- MicroTate
- Nicholas Ridout on Art & Theatre
- George Shaw on Henry Lamb's 'Death of a Peasant'
- Iain Sinclair in the Tate Archive
Elaine Showalter on Louise Bourgeois at Tate Modern
Tate Modern presents the first major survey of the work of Louise Bourgeois since 1995. Elaine Showalter explores her life and work from early childhood.
Louise Bourgeois
Arch of Hysteria 1993
Courtesy Cheim and Reid, Galerie Karsten Greve and Galerie Hauser and Wirth © the artist. Photo: Allen Finkelman
Polished Bronze
83.8x101.6x58.4cm
Massimiliano Gioni on Animals
When Chinese artist Huang Yong Ping was forced to expel the beasties that inhabited his Theater of the World he complained that “animal rights were violently interfering with the rights of an artwork to be freely exhibited.” Massimiliano Gioni investigates.
Madeleine Grynsztejn on Doris Salcedo
Madeleine Grynsztejn on Doris Salcedo’s commission for the Tate Modern, and the social, historical and political landscape of Columbia which informed it.