Issue 13 / Summer 2008
Content:
- Editors' Note
- Brooks Adams on Boetti, Polke, Clemente and Taaffe
- Briony Llewellyn on British Orientalist Painting
- Max Kozloff on Street & Studio: An Urban History of Photography
- Four photographers on Street & Studio: An Urban History of Photography
- Sabine Rewald on Balthus
- Claire Daigle on Cy Twombly
- Herbert Lachmayer and Alfred Weidinger on Gustav Klimt
- Wilfried Dickhoff on Marcel Broodthaers
- John Onians and Eric Fernie on Neuroarthistory
- Christopher Miles on John Baldessari
- David Lewis on Ben Nicholson
- Pae White, Peter Schjeldahl, Vincent Katz and Mary Richards
- Hari Kunzru on King Mob
- ONLINE EXCLUSIVE: A History of the Vienna Secession
- BOOKS ETC. Claire Nichols on Lawrence Weiner
- ONLINE EXCLUSIVE: Balthus - A Personal View
- PODCAST: Richard Hamilton in conversation
- POEM OF THE MONTH

Henry Wallis
Chatterton 1856
© Tate Collection
Oil on canvas
support: 622 x 933 mm frame: 905 x 1205 x 132 mm
Each month, TATE ETC. publishes new poetry by leading poets such as John Burnside, Tishani Doshi, Adam Thorpe and David Harsent
who respond to works in the Tate Collection.
This September, Camellia Stafford presents her poem, based on Chatterton by Henry Wallis, currently on display at Tate Britain (Room 14: Pre-Raphaelites and Painters of the Ideal).
Context:
Listen to Camellia Stafford read her poemVisit Tate Collection for more than 65,000 works onlineHenry Wallis Chatterton in Tate CollectionChattertoniana
By his bed, a small leaded window
opens onto distant roofs. The drear spire
of a Shoreditch church perforates the sky.
Scant of nature, one potted plant on the sill
dwarves the buildings to a toy town.
Peaceful as he looks at rest on the bed
in trousers of lapis lazuli to the shin,
white stockings rippled, slightly soiled
from walks amid the toy town alleys,
I want to lift his hand that dangles
its last touch of the seen world,
from the floor of the tiny attic room.
Where his poison drowsy head slipped
from the yellowed bolster, I'd scoop it
upon my lap, nurse its artful contents there,
running my fingers through the flame
of his hair until I am seared by romance.
(c) Camellia Stafford


