Issue 3 / Spring 2005
Content:
- Editors' Note
- Claire Bishop on Installation Art
- Clément Chéroux on August Strindberg
- Per Kirkeby on August Strindberg
- Anthony Caro talks to Norman Foster
- Charles Ray and Michael Fried on Anthony Caro
- Richard Wentworth on David Smith
- David Toop on Noise
- Francesco Bonami on Joseph Beuys
- Rebecca Horn's poem for Joseph Beuys
- Matt Watkins talks to Thomas Demand
- Vincent Pécoil on Salvador Dalí
- Diedrich Diederichsen on Salvador Dalí
- Jeff Koons on Salvador Dalí
- John House and Patrick Keiller on Turner Whistler Monet
- MicroTate
- Paul Farley in the Tate Archive
Anthony Caro talks to Norman Foster
Sculptors and architects both work with form in space, albeit on different scales and using varying methods. Anthony Caro, known for taking sculpture off the plinth, likes the idea that the art form “has another sort of life... that’s a bit closer to architecture”. On the eve of his retrospective at Tate Britain – its largest sculpture show to date – he shares some common ground with “gherkin” architect Norman Foster
Anthony Caro
Early One Morning 1962
Tate. Presented by the Contemporary Art Society 1965 © The artist, Barford Sculptures Ltd.
John House and Patrick Keiller on Turner Whistler Monet
John House in conversation with Patrick Keller on the River Thames and its role in the Turner Whistler Monet exhibition.
Claire Bishop on Installation Art
What does the term “installation art” mean? Does it apply to big dark rooms that you stumble into to watch videos? Or empty rooms in which the lights go on and off? By Claire Bishop.