Issue 5 / Autumn 2005
Content:
- Editors' Note
- David Rimanelli on the history of the body
- Richard MacCormac on Anthony Caro
- Max Andrews on Roman Ondák
- Jad Adams on Degas, Sickert and Toulouse-Lautrec
- Barry Humphries on Degas, Sickert and Toulouse-Lautrec
- Daniel Baumann on Martin Kippenberger
- Simon Grant on Roger Fenton
- Mark Webber on Morgan Fisher
- Dalwood and Ireson on Henri Rousseau
- Kathleen Jamie's poem on Henri Rousseau
- Nicholas Blincoe on the Body
- Richard Hamblyn on Clouds
- A C Grayling on Sarah Lucas
- Hans Ulrich Obrist on The Museum
- Paul Moorhouse on John Latham
- Brian Dillon on Tacita Dean
- MicroTate
- Lawrence Norfolk in the Tate Archive
Kathleen Jamie writes a poem exclusively for TATE ETC. inspired by Rousseau's painting The Merry Jesters (1906)
Context:
'Henri Rousseau: Jungles in Paris' at Tate Modern 3 November 2005 - 5 February 2006Works by Henri Rousseau in the Tate CollectionMerry Jesters
Beneath not a forest
canopy, but calm
domestic skies,
grow myriad greens,
a fan of jagged black.
Here every leaf
must have its day: each
heart-shape or spear's
equal to every other -
for this is a jungle
republic, where naturalised
exotics flower
angelically bright,
and a placid bird presides.
But she whose wings
drape her like a vestment
merely observes
as half-a-dozen denizens
of the deeply municipal
conduct some ritual
or prank - which we
have interrupted, so the animals
(bar the sad excluded one)
are regarding us. But what
have we intruded upon?
What requires the red
funnel, the pallid stick,
the so-suburban milk bottle
stolen, one suspects,
from a polished step?
We can enquire, but not
one of them, not the bear,
or the frond-
obscured fugitive
by the bear's head,
the dog-faced monkeys,
or even that wise bird
will spill the beans,
and frankly, there's no good
reason why they should.


