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Issue 7

With the dubious British summer drawing to a close, it seemed appropriate to invite Gavin Pretor-Pinney, founder of the Cloud Appreciation Society, to muse on the role of clouds in art. Meanwhile Antony Gormley, whose magical cloud in a glass room has been stunning visitors at the Hayward, invited us to tour his studio. We also feature highlights from a conversation between Peter Blake and Tracey Emin, and find out why Blur's Alex James thinks Ellsworth Kelly rocks.
Jane Burton, Editor, TateShots. 3 September 2007.
Feedback to tateshots@tate.org.uk

In the Studio

Antony Gormley’s cutting-edge workspace

Antony Gormley’s cutting-edge workspace

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Meet the Artist

Peter Blake talks to Tracey Emin

Peter Blake talks to Tracey Emin

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Work in Focus

Alex James on White Curve 1974

Alex James on Ellsworth Kelly

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In the Frame

A cloud-spotter's guide to art

A cloud-spotter's guide to art

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