Focus: John Michael Wright
Tate Britain: Display
Until 23 September 2012
Free
John Michael Wright, 'Sir Neil O'Neill' 1680

John Michael Wright
Sir Neil O'Neill 1680
Oil on canvas
support: 2327 x 1632 mm frame: 2517 x 1832 x 112 mm
Purchased with assistance from the Art Fund 1957

View the main page for this artwork

Although one of the most significant, and individual, painters in seventeenth-century Britain, Wright never achieved as much success as the Dutch incomer Sir Peter Lely.

Born in London in 1617, Wright trained in Edinburgh with the Scot George Jamesone. When civil war broke out, Wright went to Rome, joining the artists’ Academy there in 1648 (the only British artist so to do). In Rome he accumulated a collection of art works and books, later working in the Netherlands as an antiquary for Archduke Leopold Wilhelm of Austria. Returning to London in 1656, Wright was employed by both Royalists and Parliamentarians. After the Restoration in 1660, Wright painted Charles II  – who appointed him his ‘Picture Drawer’ in 1673 – and other members of the royal family. Little is known of his workshop or presumed assistants.

Wright was a Catholic, like many of his sitters, including O’Neill. When, following the ‘Popish Plot’, Catholics were exiled from London, Wright travelled to Ireland in 1679, where he worked for at least four years. After Charles II’s death in 1685, the patronage of James II enabled Wright to accompany a 1686 embassy to Pope Innocent XI in Rome. Wright was buried at St Martin-in-the-Fields in 1694.