Turner Collection
Tate Britain: Display
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Tate Britain houses the world’s largest collection of Turner’s work which can be seen in changing displays in the Clore Gallery

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  • Joseph Mallord William Turner, 'Norham Castle, Sunrise' circa 1845

    Joseph Mallord William Turner
    Norham Castle, Sunrise circa 1845
    Oil on canvas
    support: 908 x 1219 mm frame: 1060 x 1370 x 70 mm
    Accepted by the nation as part of the Turner Bequest 1856

    View the main page for this artwork

  • Joseph Mallord William Turner, 'Snow Storm - Steam-Boat off a Harbour's Mouth' exhibited 1842

    Joseph Mallord William Turner
    Snow Storm - Steam-Boat off a Harbour's Mouth exhibited 1842
    Oil on canvas
    support: 914 x 1219 mm frame: 1233 x 1535 x 145 mm
    Accepted by the nation as part of the Turner Bequest 1856

    View the main page for this artwork

  • Joseph Mallord William Turner, 'The Burning of the Houses of Parliament' ?1834-5

    Joseph Mallord William Turner
    The Burning of the Houses of Parliament ?1834-5
    Watercolour and gouache on paper
    support: 302 x 444 mm
    Accepted by the nation as part of the Turner Bequest 1856

    View the main page for this artwork

  • Joseph Mallord William Turner, 'The Bay of Baiae, with Apollo and the Sibyl' exhibited 1823

    Joseph Mallord William Turner
    The Bay of Baiae, with Apollo and the Sibyl exhibited 1823
    Oil on canvas
    support: 1454 x 2375 mm frame: 1718 x 2630 x 138 mm
    Accepted by the nation as part of the Turner Bequest 1856

    View the main page for this artwork

Tate Britain houses the world’s largest collection of Turner’s work. It is home to the Turner Bequest, comprising 300 oil paintings and many thousands of sketches and watercolours (including 300 sketchbooks). The Bequest, including all works left behind in Turner’s studio at his death in 1851, forms the vast majority of the Turner collection at Tate.

The paintings showcase the breadth of Turner’s output in oils and contain many celebrated works. They range from his early experiments in the medium such as Moonlight, a study at Millbank exhibited 1797, through to large-scale exhibition pieces including Rome, from the Vatican, and later, more impressionistic works such as Snow Storm – Steam-Boat off a Harbour’s Mouth exhibited in 1842.

Providing an insight into Turner’s methods, the drawings, watercolours and sketchbooks allow us to track the development of Turner’s ideas and to document his travels around the UK and Europe. In the watercolours we see Turner evolve from boyhood (Folly Bridge from Bacon’s Tower 1787 for example) to mature master and one of the greatest artists Britain has ever known, in works such as The Blue Rigi, Sunrise 1842.

The Changing displays of Turner’s work can be seen in the Clore Gallery and accessed via the Clore Gallery Entrance to the east of the building or via the Clore link from the Duveen Galleries.