Past Event Tate Britain Exhibition

The EY Exhibition: Late Turner – Painting Set Free

10 September 2014 – 25 January 2015
Joseph Mallord William Turner, 'Ancient Rome; Agrippina Landing with the Ashes of Germanicus' exhibited 1839
Joseph Mallord William Turner
Ancient Rome; Agrippina Landing with the Ashes of Germanicus exhibited 1839
Joseph Mallord William Turner, 'Returning from the Ball (St Martha)' exhibited 1846
Joseph Mallord William Turner
Returning from the Ball (St Martha) exhibited 1846
Joseph Mallord William Turner, 'Goldau, with the Lake of Zug in the Distance: Sample Study' c.1842-3
Joseph Mallord William Turner
Goldau, with the Lake of Zug in the Distance: Sample Study c.1842-3
Joseph Mallord William Turner, 'Fishermen on the Lagoon, Moonlight' 1840
Joseph Mallord William Turner
Fishermen on the Lagoon, Moonlight 1840
Joseph Mallord William Turner, 'Regulus' 1828, reworked 1837
Joseph Mallord William Turner
Regulus 1828, reworked 1837
Joseph Mallord William Turner, 'Peace - Burial at Sea' exhibited 1842
Joseph Mallord William Turner
Peace - Burial at Sea exhibited 1842
Joseph Mallord William Turner, 'The Departure of the Fleet' exhibited 1850
Joseph Mallord William Turner
The Departure of the Fleet exhibited 1850
Joseph Mallord William Turner, 'The Visit to the Tomb' exhibited 1850
Joseph Mallord William Turner
The Visit to the Tomb exhibited 1850
Joseph Mallord William Turner, 'The Blue Rigi, Sunrise' 1842
Joseph Mallord William Turner
The Blue Rigi, Sunrise 1842

The EY Exhibition: Late Turner – Painting Set Free is the first exhibition devoted to the extraordinary work J.M.W. Turner created between 1835 and his death in 1851. Bringing together spectacular works from the UK and abroad, this exhibition celebrates Turner’s astonishing creative flowering in these later years when he produced many of his finest pictures but was also controversial and unjustly misunderstood.

Highlights of the exhibition include such important pictures as Ancient Rome; Agrippina Landing with the Ashes of Germanicus and Modern Rome – Campo Vaccino, rarely reunited since first exhibited together in 1839; The Wreck Buoy 1849; and magnificent watercolours like Heidelberg: Sunset c.1840 and the seldom-seen Bamburgh Castle, Northumberland c.1837.

The show also brings together major series of works including a group of unusual square pictures, casting a light on Turner’s innovative techniques. Newly identified watercolours of a fire at the Tower of London in 1841 are shown with the spectacular painting Burning of the Houses of Lords and Commons 1835 and the exhibition concludes with Turner’s last exhibited pictures from 1850, depicting the classical lovers Dido and Aeneas. It is a panoramic survey of a bountiful and significant period of exceptional energy and vigour, maintained despite failing health.

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First Look: The EY Exhibition: Late Turner

By taking a fresh look at Turner’s late works, the exhibition sheds new light on his life and art. Challenging the myths, assumptions and interpretations that have grown around his later work, it reveals a painter as distinguished by the broad scope of his knowledge and imagination as he was by his radical and exploratory techniques, processes and use of materials. As much as he brought renewed energy to the exploration of the social, technological and scientific developments of modern life, in such icons of the machine age as Rain, Steam, and Speed – The Great Western Railway 1844, he remained as deeply engaged with the religious, historical or mythological themes that linked him to the cultural traditions of his era.

John Ruskin’s description of Turner as ‘the greatest of the age’ is brought to life amongst the many large-scale oil paintings, drawings, prints and watercolours on display at The EY Exhibition: Late Turner – Painting Set Free, an unmissable exhibition that will redefine ideas of one of Britain’s greatest and best-loved painters.

Here at last is the Turner who matters – the man who invented modern painting.Jonathan Jones, The Guardian
This is sensational, the best of the very many Turner shows I’ve seen.Ben Luke, Evening Standard
A wonderful show.The Independent
Glorious.Peter Conrad, The Observer
*****Time Out
*****The Guardian

Curated by Sam Smiles, Professor of Art History and Visual Culture, Exeter University, with David Blayney Brown, Manton Curator of British Art 1790–1850, Tate Britain and Amy Concannon, Assistant Curator 1790–1850, Tate Britain.

Tate Britain Display

Turner Collection

See the world’s largest collection of Turner’s work in changing displays in the Clore Gallery

Venue

Tate Britain
Millbank
London
SW1P 4RG
Plan your visit

Dates

10 September 2014 – 25 January 2015