Room 1: Innocence

Fairy on a Leaf circa 1909
Pen and ink on paper 41.5 x 32
Stanley Spencer Gallery, Cookham

Two Girls and a Beehive 1910
Oil on canvas 48 x 48 (19 x 19)
Collection: Lord and Lady Irvine

Man Goeth to his Long Home 1911
43.2 x 31.8
Tate; Purchased 1945

John Donne Arriving in Heaven 1911
Oil on canvas 37 x 40.5 (14 1/2 x 16)
Owner anonymous

Sketch for Joachim among the shepherds c1912
Oil on paper (9 x 6 1/2)
Private Collection

Study for ‘Joachim among the Shepherds’ 1912
40.6 x 371
Presented by the Trustees of the Chantrey Bequest

The Nativity 1912
Oil on canvas stuck to board 102.9 x 152.4 (40 1/2 x 60)
College Art Collections, University College London

Study for ‘The Apple Gatherers’ circa 1912
27x32
Tate; Bequeathed by Sir Edward Marsh through the Contemporary Art Society, 1954

Apple Gatherers 1912 -13
Oil on Canvas 71.4 x 92.4
Tate; Presented by Sir Edward Marsh, 1946

Study for The Visitation 1912
Pen and wash on paper
Collection: Lord and Lady Irvine

Self Portrait 1913
Brown ink, red chalk on paper (13 3/8 x 8 1/4 x 1 3/8)
Private Collection

Self Portrait 1913
Pen and Ink on Paper
Collection: Lord and Lady Irvine

Self-Portrait 1914
Oil on Canvas 62.9 x 508
Tate; Bequeathed by Sir Edward Marsh through the Contemporary Art Society , 1953

Zacharias and Elizabeth 1913-14
Oil on Canvas 140x 140
Tate; Purchased jointly with Sheffield Galleries & Museum’s Trust with assistance from the National Lottery through the Heritage Lottery Fund, the National Art Collections Fund, the Friends of the Tate Gallery, Howard and Roberta Ahmanson and private benefactors 1999

The Centurion’s Servant 1914
Oil on Canvas 114.3 x 114.3
Tate; Presented by the Trustees of the Chantrey Bequest, 1960

Cookham 1914
Oil on canvas 45.1 x 54.6 (17 3/4 x 21 1/2)
Tullie House Museum and Art Gallery

Mending Cowls, Cookham 1915
Oil on Canvas 109.2 x 109.2
Tate; Presented by the Trustees of the Chantrey Bequest, 1962

Swan Upping at Cookham 1915-19
Oil on Paper 148x116.2
Tate; Presented by the Friends of the Tate Gallery, 1962

Read the Exhibition Guide text for Room 1

Room 2: War and its aftermath

Travoys passing up Sedomli ravine on the way to Le Naze
Pencil and wash 21.5 x 25.4
Imperial War Museum, London

Stretcher bearers, Macedonia
pencil and wash 21.5 x 14.6
Imperial War Museum, London

Travoys arriving with wounded at a dressing station at SMOL,
Macedonia, September, 1916
1919
Oil on canvas 183 x 218.5 (72 x 868 1/2)
Imperial War Museum, London

Study for the Last Supper 1919
Pencil and brown wash on paper 53.3 x 73.7 (21 x 29)
Private Collection, London

Study for ‘The Bridge’ and other works 1912-20
35.6 x 50.8
Tate; Presented anonymously 1947

Carrying Mattresses 1920-1
Oil on paper laid on board (12 x 16.5)
Collection of David Bowie

The Paralytic being let into the top of the house on his bed c.1920
Oil on canvas 30x33 (11 1/2 x 13 1/2)
Spink-Leger, London

Study for Christ Carrying the Cross 1920
44.1 x 35.6
Tate; Presented by Nancy Carline in memory of her husband Richard Carline, 1982

Christ Carrying the Cross 1920
Oil on Paper 153 x 142.9
Tate; Presented by the Contemporary Art Society, 1925

Durweston Landscape, 1920
Oil on canvas, 50.8 x 61
Private Collection courtesy of Austin Desmond Fine Art

The Sword of the Lord and of Gideon 1921
Oil on Paper 62.2 x 55.9
Tate; Presented by the Contemporary Art Society, 1942

The Crucifixion 1921
Oil on paper laid on canvas 70.7 x 116.6
Aberdeen Art Gallery and Museums

Study for a Religious Subject 1920-1
Drawing 27 x 20
Tate Gallery Archive

The Betrayal 1922-3
Oil on canvas 122.7 x 137.2 (48 1/4 x 54)
Trustees Museums and Galleries of Northern Ireland

The Resurrection, Cookham 1920-1
Oil on canvas 31 x 44.5 (12 1/4 x 17 1/4)
Private Collection

Bond’s Steamlaunch 1920
Oil on hardboard 35 x 54 (13 3/4 x 21 1/4)
Private Collection

The Resurrection, Cookham 1924-7
Oil on Canvas 274.3 x 548.6
Tate; Presented by Lord Duveen, 1927

Making a Red Cross 1919
Oil on canvas 17.8 x 23 (7 x 9)
Private Collection

Soldiers Washing 1927
Oil on canvas 67 x 44.5 (26 1/2 x 17 1/4)
Whitworth Art Gallery, The University of Manchester

Camouflaged Grenadier. Verso: Two Composition Studies for Burghclere
Chapel
1922 -3
50.5 x 37.1
Tate; Purchased 1927

Study for the Resurrection of Soldiers: Burghclere Chapel 1927-8
30.4 x 23
Tate; Presented by the American Fund for the Tate Gallery, Courtesy of Robert Littman, in honour of the Director 1989

Study for Burghclere Resurrection 1927
Oil and pencil on paper 28.5 x 49 (12 x 20)
Private Collection

The Garage 1929
Oil on canvas 101.6 x 152.4 (40 x 60)
The Andrew Lloyd Webber Art Foundation

Read the Exhibition Guide text for Room 2

Room 3: Forsaking the vision

The Blacksmith’s Yard 1932
Oil on canvas 70 x 76.2 (27 1/2 x 30)
Private Collection

The Jubilee Tree, Cookham 1936
oil on canvas 91.4 x 75.6 (36 x 30)
Collection, Art Gallery of Ontario. Toronto, 1936

Gardens in the Pound, Cookham 1936
Oil on canvas 91.5 x 76.2 (36 x 30)
Leeds Museums and Galleries (City Art Gallery)

Boatbuilder’s Yard, Cookham 1936
Oil on canvas 88 x 71 (33 3/4 x 28)
Manchester City Art Galleries

From the Artist’s Studio 1938
Oil on canvas 50.8 x 76.3 (20 x 30)
The Hayward Bequest, Carrick Hill Trust, Adelaide, South Australia

Cookham Rise 1938
Oil on canvas 45.7 x 70 (10 x 27 1/2)
Leamington Spa Art Gallery and Museum (Warwick District Council)

Cookham from Cookham Dene 1938
Oil on Canvas 66 x 117 (26 x 46)
Bradford Art Galleries and Museums

Portrait of Hilda 1931
Pencil on paper 50.8 x 35.2
Scottish National Gallery of Modern Art, Edinburgh

Hilda with Hair Down 1931
78.8 x 6281
Tate; Lent by Francis Carline and Hermione Hunter 1983

Hilda with Beads 1931
Pencil on paper 70 x 55 (27 1/2 x 21 3/4)
Private Collection

Portrait of Patricia Preece 1933
Oil on canvas 84 x 74 (33 x 29)
Southampton City Art Gallery

Nude Portrait of Patricia Preece c. 1935
Oil on canvas 76.2 x 50.8 (30 x 20)
Ferens Art Gallery: Kingston upon Hull City Museums and Art Galleries

Nude (Girl Resting) 1936
Oil on Canvas 61 x 91.5 (24 x 36)
Private Collection; courtesy Ivor Braka Ltd, London

Self-Portrait with Patricia 1936
Oil on canvas 61 x 91.5 (24 x 36)
Lent by the Syndics of the Fitzwilliam Museum, Cambridge

Study for Double Nude Portrait: the Artist and his Second Wife circa
1937
17.5 x 22.9
Tate; Presented by the American Fund for the Tate Gallery, courtesy of
Robert Littman, in honour of the Director, 1989

Study for Double Nude Portrait: the Artist and his Second Wife circa
1937
17.7 x 22.3
Tate; Presented by the American Fund for the Tate Gallery, courtesy of
Robert Littman, in honour of the Director, 1989

Double Nude Portrait: The Artist and his Second Wife 1937
Oil on Canvas 83.8 x 93.7
Tate; Purchased 1974

Self-Portrait 1936
Oil on canvas 61.6 x 45.7 (24.5 x 18)
Stedelijk Museum Amsterdam

Hilda, Unity and Dolls 1937
Oil on canvas 76.2 x 50.8
Leeds Museums and Galleries (City Art Gallery)

Helter Skelter, Hampstead Heath 1937
Oil on Canvas 91.5 x 58.5
Sheffield Galleries and Museums Trust

Read the Exhibition Guide text for Room 3

Room 4: Those Couple Things

Toasting 1937-8
Oil on canvas 76.2 x 50.8 (30 x 20)
Private Collection

Passion or Desire 1938
Oil on canvas 76 x 50 (30 x 19 3/4)
Private Collector c/o Alex Reid and Lefevre

Consciousness 1938
Oil on canvas 76.2 x 56 (30 x 22)
Private Collection

Knowing 1938
oil in canvas 66 x 56cm (22 x 22in)
Private Collection

Contemplation circa 1909
Oil on canvas (35 x 23 1/2)
Lent by the Stanley Spencer Gallery

Study for On the Tiger Rug 1934
Pencil on Buff Paper 40.2 x 27.4
Visitors of the Ashmolean Museum, Oxford Bequeathed by Mrs Ursula
Tyrwhitt, 1966

On the Tiger Rug 1940
Oil on canvas 91.5 x 61 (36 x 24)
Lord Lloyd-Webber

Untitled c. 1937-40
pencil on canvas 76.2 x 50.8 (30 x 20)
Private Collection, Courtesy of Ivor Braka Ltd, London

Trying on Stockings
Pencil on paper 12 3/16 x 12 5/16 (inches)
Mrs. Shirley Taliano, Canada

Breakfast in Bed c. 1939-1943
pencil on paper (16 x 11)
Private Collection

Lavatory 1 c. 1939-1943
pencil on paper (16 x 11)
Private Collection

Lavatory 2 c. 1939-1943
pencil on paper (16 x 11)
Private Collection

Fetching Shoes 1943-4
pencil on paper (16 x 11)
Private Owner; on loan to the Stanley Spencer Gallery

Naming Elephant
Pencil
Private Collection

Patricia and Gramophone c. 1943-4
pencil on paper (16 x 11)
Private Owner; on loan to the Stanley Spencer Gallery

Patricia Shopping c. 1939-1949
pencil on paper (16 x 11)
Private Owner; on loan to the Stanley Spencer Gallery

Read the Exhibition Guide text for Room 4.

Room 5: The Church of Me

The Dustman (or The Lovers) 1934
Oil on Canvas 115 x 123.5 (45 1/4 x 48 1/4)
Laing Art Gallery, Newcastle upon Tyne (Tyne and Wear Museums)

Study for ‘The Adoration of Old Men’ 1938
Pencil on paper 57 x 68cm (22 1/2 x 27)
Private Collection

Adoration of Old Men 1937
Oil on canvas 90.6 x 110.5 (36.5 x 44)
Leicester City Museums Service

The Turkish Window 1934
oil on canvas 61 x 76.8 (24 x 30 1/4)
J.M.R. Saunders Watson, Rockingham Castle

Love Among the Nations 1935
Oil on canvas 95.5 x 280 (37 5/8 x 110 1/4)
Lent by the Syndics of the Fitzwilliam Museum, Cambridge

Illustration for The Nursery 1927
Chatto & Windus Almanack
Tate Gallery Archive

Nursery 1936
Oil on canvas 76.2 x 91.8 (30 x 36 ¾)
The Museum of Modern Art, New York
Gift of the Contemporary Art Society, London, 1940

Christmas 1936
oil on canvas 91.5 x 91.5 (36 x 36)
Private Collection - Courtesy Massimo Martino Fine Arts & Projects, Mendrisio

A Village in Heaven 1937
Oil on canvas 45.7 x 182.9 (18 x 72)
Manchester City Art Galleries

Promenade of Women 1938
Oil on canvas 45 x 229.8 (17 1/4 x 90 1/2)
Private Collection

Taking in Washing, Elsie 1943-4
pencil on paper (16 x 11)
Private Owner; on loan to the Stanley Spencer Gallery

Chopping Wood, Elsie c. 1939-1949
pencil on paper 40.5 x 28 (16 x 11 in)
Thomas H. Gibson

Me and Hilda c. 1939-1943
pencil on paper (16 x 11)
Private Collection

Flower Piece 1939
oil on canvas 76.2 x 56.8
Private Collection - Courtesy Massimo Martino Fine Arts & Projects, Mendrisio

Self-Portrait drawing c. 1938
213 x 53
Private Collection - Courtesy Massimo Martino Fine Arts & Projects, Mendrisio

Self Portrait 1939
Oil on canvas 76.2 x 50.8 (30 x 20)
Private Collection

The Foxes have Holes 1939
Oil on canvas 56 x 56 (22 x 22)
Collection, Art Gallery of Western Australia

The Scorpion 1939
Oil on canvas 56 x 56 (22 x 22)
Collection, Art Gallery of Western Australia

The Eagles 1943
Oil on canvas 56 x 56 (22 x 22)
Collection, Art Gallery of Western Australia

Read the Exhibition Guide text for Room 5.

Room 6: A Wonderful Desecration

Burners 1940
Oil on canvas(3 panels) 50.8x293.2 106.7 x 153.4 50.5x203.2
Imperial War Museum, London

Plumber, Carrying a Pipe
pencil 56.8 x 20.6
Imperial War Museum, London

Self as Welder
pencil 50 x 36
Imperial War Museum, London

Welders 1941
Oil on canvas 50.8 x 580.7 (20 x 228 1/2)
Imperial War Museum, London

Compositional sketch for ‘Furnaces’
pencil 49.7 x 35.5
Imperial War Museum, London

Lunch Break by a Propeller
pencil 55.0 x 75.5
Imperial War Museum, London

Cable on a Truck
Pencil 37.7 x 75.6
Imperial War Museum, London

The Raising of Jairus’s Daughter 1947
Oil on canvas 76.8x88.3, 2 sides each 76.8 x 51.5 (30 1/4x34 3/4,2
sides each 30 1/4x20 1/4)
Southampton City Art Gallery

The Scrap Heap 1944
oil on canvas 50.8 x 76.2 (20 x 30)
Collection: The Art Gallery of New South Wales - Gift of the
Contemporary Art Society Tate Gallery 1944

The Farm Gate 16th June 1946
pencil on paper (16 x 11)
Private Collection

Goose Run 1949
oil on canvas 75 x 50
Private Collection - Courtesy Massimo Martino Fine Arts & Projects, Mendrisio

Merville Garden Village Near Belfast 1951
Oil on Canvas 59.5 x 91
Collection of the Dunedin Public Art Gallery. Purchased 1952 with
funds from the Dunedin Public Art Gallery Society and the National
Arts Collection Fund

Love Letters 1950
Oil on canvas 86.5 x 117 (34 x 46)
Thyssen-Bornemisza Collection, Lugano

Self Portrait 1951
Oil on canvas 38 x 27 (15 x 10 1/2)
Private Collection, London

Hilda and I at Pond Street c. 1954
Oil on canvas 51.1 x 76.2 (20 1/8 x 30)
Collection Museum of Contemporary Art, Chicago, Promised gift of Mary
and Earle Ludgin Collection

The Scarecrow, Cookham 1934
Oil on canvas 70 x 75 (27 1/2 x 29 1/2)
Private Collection

Crucifixion, Cookham 1958
oil on canvas 216 x 216 (85 x 85)
Private Collection Australia, courtesy Richard Nagy, Dover St
Gallery, London

In Church 1958
oil on canvas 61 x 216
Private Collection Australia, courtesy Richard Nagy, Dover St
Gallery, London

Self Portrait 1959
Oil on Canvas 50.8 x 40.6
Tate
Presented by Friends of the Tate Gallery 1982

Read the Exhibition Guide text for Room 6