Making Traces

  • Tate Modern : Display
    Magda Cordell and Lee Bul

    Open daily

    Magda Cordell and Lee Bul each find different ways of investigating the trace of the body. Cordell opens the body to energetic scrutiny, where Bul’s constructed wearable sculpture takes the body to new and fantastical extremes

  • Tate Modern : Display
    Trace

    Open daily

    This display explores traces of the body through the concern of being an existential ‘being in the world’, a heightened awareness of the separateness of experience. Some artists express the physical action of traces through leaving marks on the canvas as a sign of the artist’s presence

  • Tate Modern : Display
    Piero Manzoni, 'Achrome' 1958
    Monochromes

    Open daily

    This room brings together abstract paintings from the mid to late 1950s, in which the use of a single colour allows a greater emphasis on the physical process of making

  • Tate Modern : Display
    Mark Rothko, 'Black on Maroon' 1958
    Mark Rothko

    Open daily

    Mark Rothko saw the Seagram series as objects of contemplation. They are installed in the space as the artist intended, in reduced light and in a compact space, the subtlety of the layered surfaces slowly emerges, revealing their solemn and meditative character

  • Tate Modern : Display
    Rebecca Horn, 'Cockfeather Mask' 1973
    Rebecca Horn

    Open daily

    Rebecca Horn’s early work focussed on the limits and possibilities of human anatomy. She has returned to the subject in a recent series of drawings whose mark-making echoes the scale and movements of her own body

  • Tate Modern : Display
    Albert Oehlen, 'Loa' 2007
    Painting after Technology

    Open daily

    This display brings together a selection of paintings from the last decade or so, reflecting on the process of mark-making in a period of radical technological change. Many of these artists are also concerned with working within or against the established traditions of abstraction

  • Tate Modern : Display
    Jacques Mahé de la Villeglé, 'Jazzmen' 1961
    Torn Papers and Walls Paper

    Open daily

    This room brings together three approaches to abstract art that draw upon the material traces of the modern city. The artists in this display have all embedded their art in the materials and structures of the city, an urban fabric of rips, gouges and ruins

  • Tate Modern : Display
    Sam Francis, 'Around the Blues' 1957/62
    Sam Francis and Brett Weston

    Open daily

    Two American artists working in different media, painter Sam Francis and photographer Brett Weston each explored the relationship between landscape and abstraction. Weston looked for abstraction in the everyday landscape, whereas Francis explored colour and mark-making on a large scale

  • Tate Modern : Display
    Gerhard Richter

    Open daily

    The six paintings in this room were conceived by Gerhard Richter as a coherent group, named after the American avant-garde composer John Cage. Like his earlier squeegee abstractions, the Cage paintings are the outcome of several layers of painting and erasure

Citizens and States

Material Worlds

  • Tate Modern : Display
    El Anatsui and Richard Deacon

    Open daily

    The Material Worlds display looks at the inventive ways in which artists around the world use diverse materials. The works in this room include El Anatsui’s Ink Splash II 2012 and Richard Deacon’s Art For Other People #14 1984

  • Tate Modern : Display
    Magdalena Abakanowicz, 'Embryology' 1978-80
    Magdalena Abakanowicz

    Open daily

    Magdalena Abakanowicz’s cocoon-like objects reflect her interest in biological systems, organic matter and regeneration, topics she discussed with scientists in her native Poland

  • Tate Modern : Display
    Kurt Schwitters, 'Picture of Spatial Growths - Picture with Two Small Dogs' 1920-39
    Assemblage

    Open daily

    The technique of combining different materials for decorative or artistic purposes was adapted by twentieth-century artists to encompass the discarded and overlooked by-products of industrial society. This display references assemblages within cubism and surrealism

  • Tate Modern : Display
    Marcel Duchamp, 'Fountain' 1917, replica 1964
    Fountain 1917 Marcel Duchamp

    Open daily

    Fountain is the most famous of Marcel Duchamp’s so-called ‘readymades’ – an ordinary manufactured object that has been designated by the artist as a work of art. Find out why this is one of the most influential works of the twentieth centry and visit this display

  • Tate Modern : Display
    Jiro Takamatsu 'Oneness of Cedar' 1970
    Between man and matter

    Open daily

    This room looks at the affinities between artists working in Japan, Europe, and the United States, many of whom took part in the 1970 Tokyo Biennale

  • Tate Modern : Display
    Sheela Gowda

    Open daily

    This display of Sheela Gowda’s large-scale installation Behold consists of two contrasting materials, steel car bumpers and knotted human hair

  • Tate Modern : Display
    Louise Nevelson, 'Black Wall' 1959
    Louise Nevelson

    Open daily

    Made from packing crates, old furniture and scrap timber, these intricate constructions exemplify the assemblage techniques of sculptor Louise Nevelson

  • Tate Modern : Display
    Gustav Metzger, 'Liquid Crystal Environment' 1965, remade 2005
    Gustav Metzger

    Open daily

    This display looks at the work of Gustav Metzger, who uses unstable materials and chemical reactions to create artworks that embody processes of change, destruction and renewal

  • Tate Modern : Display
    Frank Bowling, 'Spreadout Ron Kitaj' 1984-6
    Expanded Painting

    Open daily

    This display explores how artists brought about radical approaches to painting following the Second World War, including Niki de Saint Phalle who shoot at canvases embedded with paint-filled balloons

Media Networks

  • Tate Modern : Display
    Umberto Boccioni, 'Unique Forms of Continuity in Space' 1913, cast 1972
    Modern Times

    Open daily

    The works in this room reflect the excitement and anxiety of modern urban life. In 1909, the futurist poet F.T. Marinetti urged artists and writers to celebrate technology’s transformation of the world

  • Tate Modern : Display
    Boris Orlov, 'Bouquet in Imperial Style' 1988
    Pop Myths

    Open daily

    This room brings together Pop artists from across the world who borrow images from the mass media to reflect on social and political issues

  • Tate Modern : Display
    Anna Bella Geiger 'Our Daily Bread' 1978
    Systems and Communication

    Open daily

    This room brings together a number of artists who explore ideas around organisational systems, communications and mass media.The artists included have all been associated with the Centre of Art and Communication (Centro de Arte y Comunicación or CAyC) in Buenos Aires

  • Tate Modern : Display
    Hito Steyerl

    Open daily

    Hito Steyerl’s installation explores today’s ‘world made of pictures’, and how and why we might hide within it. Steyerl works across video and installation, as well as delivering performative lectures

  • Tate Modern : Display
    Nam June Paik

    Open daily

    This display presents works by a pioneer of media art, Nam June Paik. Paik used television as an artistic medium from the early 1960s and developed a unique style of video art based on technological innovation and creative experimentation

  • Tate Modern : Display
    Marlene Dumas, 'Stern' 2004
    Painting and Mass Media

    Open daily

    This display features painters working today who use images from the mass media as a source of inspiration, including Marlene Dumas and Luc Tuymans

  • Tate Modern : Display
    Cildo Meireles

    Open daily

    Cildo Meireles’ Babel 2001, a tower of radios playing at once, addresses ideas of information overload and failed or thwarted communication