The EY Exhibition: Paukl Klee banner
The EY Exhibition: Paul Klee – Making Visible
Tate Modern: Exhibition
16 October 20139 March 2014

Adult £16.50 (without donation £15.00)
Concession £14.50 (without donation £13.10)
Help Tate by including the voluntary donation to enable Gift Aid
Additional booking fee of £1.75 (£2 via telephone) per transaction applies

Special final night opening until 20.00 on Sunday 9 March

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  • Paul Klee Fire at Full Moon 1933

    Paul Klee, Fire at Full Moon 1933

    Museum Folkwang (Essen, Germany)

  • Paul Klee Redgreen and Violet-Yellow Rhythms

    Paul Klee Redgreen and Violet-Yellow Rhythms 1920

    Lent by The Metropolitan Museum of Art, The Berggruen Klee Collection, 1984 (1984.315.19) Image
    © The Metropolitan Museum of Art / Source: Art Resource/Scala Photo Archives

  • Paul Klee Remembrance Sheet of a Conception

    Paul Klee
    Remembrance Sheet of a Conception 1918

    Norton Simon Museum (Pasadena, USA)

  • Paul Klee, 'Comedy' 1921

    Paul Klee
    Comedy 1921
    Watercolour and oil on paper
    support: 305 x 454 mm
    Purchased 1946 DACS, 2002

    View the main page for this artwork

  • Paul Klee, 'A Young Lady's Adventure' 1922

    Paul Klee
    A Young Lady's Adventure 1922
    Watercolour on paper
    support: 625 x 480 mm frame: 686 x 510 x 20 mm
    Purchased 1946 DACS, 2002

    View the main page for this artwork

  • Paul Klee Fire in the Evening

    Paul Klee
    Fire in the Evening 1929

    © 2013 Digital Image, the Museum of Modern Art, New York/ Scala. Florence

  • Paul Klee Steps 1929

    Paul Klee
    Steps 1929

    Moderna Museet (Stockholm, Sweden)

Paul Klee is a giant of twentieth-century art and one of the great creative innovators of the time.

Witty, inventive, magical, his exquisite paintings resist easy classification. He is mentioned in the same breath as Matisse, Picasso and his Bauhaus contemporary Kandinsky. He cuts a radical figure in European modernism. His influence on abstraction can be seen in the works of Rothko, Miró and beyond. And yet, for an artist of such stature, there is still so much to discover about him.

At Tate Modern this autumn, you can rediscover Klee’s extraordinary body of work and see it in a new light. Paintings, drawings and watercolours from collections around the world will be reunited and displayed alongside each other as the artist originally intended, often for the first time since Klee exhibited them himself.

The EY Exhibition: Paul Klee – Making Visible begins with the artist’s breakthrough during the First World War, when he first developed his individual abstract patchworks of colour that later became characteristic of his ‘magic square’ paintings.

The heart of the exhibition will focus on the decade Klee spent teaching and working at the Bauhaus, the hotbed of modernist design. The abstract canvases he produced there, such as the rhythmical composition Fire in the Evening 1929, took his reputation to new international heights.

The 1930s then brought about radical changes. Having moved to Düsseldorf, Klee was dismissed from his new teaching position by the Nazis and took refuge in Switzerland with his family, while his works were removed from collections and labelled ‘degenerate art’ in Germany. Despite the political turmoil, financial insecurity and his declining health, he nevertheless became even more prolific.

Small, expressive canvases, rich with meaning and grouped as Klee himself grouped them: seeing Paul Klee at Tate Modern is your opportunity to understand Klee’s art as he intended and to appreciate the impact of this fascinating artist. The EY Exhibition: Paul Klee presents a revelatory experience of the work of this modern master.

Although Klee saw his art as a process of spontaneous creativity and natural growth, exemplified by his famous description of drawing as ‘taking a line for a walk’, he actually worked with great rigour. The exhibition will challenge Klee’s reputation as a solitary dreamer, revealing the innovation and rigour with which Klee created his work and presented it to the public.
Matthew Gale, Curator

Klee’s works, presented in a symphony of yellow, blue and red, create an inexplicable impression of joy, of music and of freedom. Art, artifice or magic?

Tate Modern has given us the definitive Klee exhibition
Waldemar Januszczak, The Sunday Times

Paul Klee at Tate Modern brims with elation
Laura Cumming, The Observer

One visit to the Tate’s new show will never be enough
Adrian Searle, The Guardian

The most beautiful installation of this elusive artist’s work any of us are ever likely to see
Richard Dorment, The Daily Telegraph

You’ll spend ages peering at and poring over the witty, joyful masterpieces in this career-spanning retrospective *****
Time Out

The sheer graphic zip and register of Paul Klee’s art makes for exhilaration all the way in this beautifully presented show. His visions scintillate on the walls, alive with generosity and spirit.
Laura Cumming, The Observer