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Paul Klee is a giant of twentieth-century art and one of the great creative innovators of the time.
Witty, inventive, magical, his exquisite paintings resist easy classification. He is mentioned in the same breath as Matisse, Picasso and his Bauhaus contemporary Kandinsky. He cuts a radical figure in European modernism. His influence on abstraction can be seen in the works of Rothko, Miró and beyond. And yet, for an artist of such stature, there is still so much to discover about him.
At Tate Modern this autumn, you can rediscover Klee’s extraordinary body of work and see it in a new light. Paintings, drawings and watercolours from collections around the world will be reunited and displayed alongside each other as the artist originally intended, often for the first time since Klee exhibited them himself.
The EY Exhibition: Paul Klee – Making Visible begins with the artists breakthrough during the First World War, when he first developed his individual abstract patchworks of colour that later became characteristic of his magic square paintings.
The heart of the exhibition will focus on the decade Klee spent teaching and working at the Bauhaus, the hotbed of modernist design. The abstract canvases he produced there, such as the rhythmical composition Fire in the Evening 1929, took his reputation to new international heights.
The 1930s then brought about radical changes. Having moved to Düsseldorf, Klee was dismissed from his new teaching position by the Nazis and took refuge in Switzerland with his family, while his works were removed from collections and labelled degenerate art in Germany. Despite the political turmoil, financial insecurity and his declining health, he nevertheless became even more prolific.
Small, expressive canvases, rich with meaning and grouped as Klee himself grouped them: seeing Paul Klee at Tate Modern is your opportunity to understand Klees art as he intended and to appreciate the impact of this fascinating artist. The EY Exhibition: Paul Klee presents a revelatory experience of the work of this modern master.
Although Klee saw his art as a process of spontaneous creativity and natural growth, exemplified by his famous description of drawing as taking a line for a walk, he actually worked with great rigour. The exhibition will challenge Klees reputation as a solitary dreamer, revealing the innovation and rigour with which Klee created his work and presented it to the public.
Matthew Gale, Curator
Klees works, presented in a symphony of yellow, blue and red, create an inexplicable impression of joy, of music and of freedom. Art, artifice or magic?
Tate Modern has given us the definitive Klee exhibition
Waldemar Januszczak, The Sunday Times
Paul Klee at Tate Modern brims with elation
Laura Cumming, The Observer
One visit to the Tate’s new show will never be enough
Adrian Searle, The Guardian
The most beautiful installation of this elusive artist’s work any of us are ever likely to see
Richard Dorment, The Daily Telegraph
You’ll spend ages peering at and poring over the witty, joyful masterpieces in this career-spanning retrospective *****
The sheer graphic zip and register of Paul Klee’s art makes for exhilaration all the way in this beautifully presented show. His visions scintillate on the walls, alive with generosity and spirit.
Laura Cumming, The Observer