The Storyteller 1986

The image of the storyteller – the woman at the bottom left-hand corner – is one that Wall has said can express the historical crisis of the Native peoples of Canada, whose traditions of oral history have been eroded by modern life. Though social commentary clearly features in the work, the image remains open to interpretation: ‘I like the fact that when you really look at the world, conceptual oppositions collapse, or become much more complex. You realise that the concrete overpasses are neither majestic sculptures nor hideous, oppressive monoliths. They’re just spaces that we experience in different ways,’ he has said.

Jeff Wall The Storyteller 1986

Jeff Wall
The Storyteller
1986
Transparency in lightbox 2290 x 4370 mm
Cinematographic photograph

Museum für Moderne Kunst, Frankfurt am Main
© The artist

In this, one of his most iconic works, Wall poses a group of people in a place that is normally overlooked. The composition evokes Manet’s Déjeuner sur l’herbe 1863, in which Manet depicts a group of Parisians picnicking in a leafy glade, an image that, with its portrayal of a naked woman sitting with two fully clothed men in modern dress, was at the time deeply shocking. Like Manet, Wall takes on the role of the observer of modern life with a radical reinterpretation of the classical pastoral scene.

Jeff Wall The Crooked Path 1991

Jeff Wall
The Crooked Path
1991
Transparency in lightbox 1190 x 1490 mm
Documentary photograph

Collection Zellweger Luwa AG
© The artist