Tate Modern (London, UK) from 02 Oct 2024 until 09 Mar 2025.
1977
sculpture
Enamel paint on metal and wood
object: 736.6 × 552.5 × 76.2 mm
Mike Kelley Foundation for the Arts
Provenance:
X85916
Mike Kelley, Last Tool in Use
1977
Enamel paint on metal and wood
object: 737 × 553 × 76 mm
Mike Kelley Foundation for the Arts, Los Angeles, United States of America
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1978
on paper, unique
Ink/graphite on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X81977
Mike Kelley, My Space
1978
Ink on board
object: 254 × 152 mm
Mike Kelley Foundation for the Arts, Los Angeles, United States of America
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1978
sculpture
Paint on wood, plexiglas
object: 480 × 330 × 355 mm
Kourosh Larizadeh and Luis Pardo collection
Provenance:
X87704
Mike Kelley, Gothic Birdhouse
1978
Paint on wood, plexiglas
Object: 480 × 330 × 355 mm
Provenance:
The artist
Purchased from the above by Private Collection
Purchased from the above by Patrick Painter Gallery, Los Angeles
Purchased from the above by present owners Kourosh Larizadeh and Luis Pardo 2000
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1978
on paper, print
Ink on lined paper
object: 613 × 387 mm
Mike Kelley Foundation for the Arts
Provenance:
X89014
Mike Kelley, Drawing for Assuming That a Bird is A Symbolf of The Soul...
1978
Ink on lined paper
Object: 613 × 387 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1978
on paper, print
Ink on lined paper
object: 241 × 152 mm
Mike Kelley Foundation for the Arts
Provenance:
X89015
Mike Kelley, Drawing for a Spirit Collector
1978
Ink on lined paper
Object: 613 × 387 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1981–82
supporting material
Cotton, linen and plastic rings
Hat: 190.5 mm.; shirt and pants: men’s small
Mike Kelley Foundation for the Arts
Provenance:
X81949
Mike Kelley, Banana Man Costume
1981–82
Cotton, linen and plastic rings
Hat diam.: 19; shirt and pants: men’s small
Mike Kelley Foundation for the Arts, Los Angeles, United States of America
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1982
on paper, unique
Acrylic paint on graph paper
object: 572 × 724 mm
Private collection
Provenance:
X82085
Mike Kelley, Personality Crisis (Untitled #1–3)
1982
3 parts: Acrylic paint on graph paper
572 × 724 mm
Provenance:
Collection Arnold Forde, Los Angeles
Hauser & Wirth, 2005
Private Collection, 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1982
on paper, unique
Acrylic paint on brown paper
object (1st object): 2184 × 2299 × 127 mm
object (2nd object): 394 × 375 × 127 mm
Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82102
Mike Kelley, Expansions
1982
2 parts: acrylic paint on brown paper
Object: 2184 × 2299 × 127 mm; 394 × 375 × 127 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1981–82
relief
Acrylic paint on sheetmetal over wood
object: 432 × 699 × 165 mm
The Museum of Contemporary Art, Los Angeles. Gift of Lannan Foundation
Provenance:
X82375
Mike Kelley, Insect Face
1981–82
Acrylic paint on sheetmetal over wood
Object: 432 × 699 × 165 mm
Provenance:
Metro Pictures, New York
Purchased from the above by Lannan Foundation Florida & Los Angeles, 1983
Gifted by the above to The Museum of Contemporary Art, Los Angeles 1997
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1981–82
relief
Acrylic paint on sheet metal over wood
object: 432 × 699 × 165 mm
The Museum of Contemporary Art, Los Angeles. Gift of Lannan Foundation
Provenance:
X82391
Mike Kelley, Two Islands
1981–82
Acrylic paint on sheetmetal over wood
Object: 432 × 699 × 165 mm
Provenance:
Metro Pictures, New York
Purchased from the above by Lannan Foundation Florida & Los Angeles, 1983
Gifted by the above to The Museum of Contemporary Art, Los Angeles 1997
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1982–83
on paper, print
Photograph; black and white
object: 279 × 356 mm
Kourosh Larizadeh and Luis Pardo collection
Provenance:
X82094
Mike Kelley, Monkey Island (Los Angeles Zoo #1)
1982–83
Photograph; print on paper
Object: 279 × 356 mm
Provenance:
The artist
Rosamund Felsen Gallery, Los Angeles
Purchased from the above by present owners Kourosh Larizadeh and Luis Pardo 1994
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1982–83
on paper, unique
Acrylic paint on paper
object: 1422 × 1073 mm
Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82096
Mike Kelley, The Tiny Insect Magnified Becomes It's Own Farm
1982–83
Acrylic paint on paper
Object: 1422 × 1073 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1982–83
on paper, unique
Acrylic paint on paper
object: 597 × 1969 mm
The Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82097
Mike Kelley, The Bells
1982–83
Acrylic paint on paper
Object: 597 × 1969 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1982–83
on paper, unique
Acrylic paint on foam core
Four objects, each: 1092 × 4064 mm
The Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82098
Mike Kelley, Infinite Multiplication
1982–83
Acrylic paint on foam core
Object: 1092 × 4064 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1982–83
on paper, unique
8 parts: Acrylic paint on paper
object, each: 457 × 610 mm
The Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82099
Mike Kelley, Symmetrical Sets: Splitting All, Two Buttocks, Ass Insect, Two Hemispheres, Two Mounds, Compound Eye, Two Tents, Red Reefs
1982–83
8 parts: acrylic paint on paper
Object: 457 × 610 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1982–83
on paper, unique
Acrylic paint and mercurochrome on paper
Four objects: 61 × 48.3; 121.3 × 95.3; 121.3 × 95.3; 121.3 × 95.3
Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82100
Mike Kelley, Shock
1982–83
Acrylic paint and mercurochrome on paper
Object: 61 × 48.3; 121.3 × 95.3; 121.3 × 95.3; 121.3 × 95.3 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1982–83
on paper, unique
Acrylic paint on paper
image: 333 × 1349 mm
Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82101
Mike Kelley, The Bug Eye
1982–83
Acrylic paint on paper
Object: 333 × 1349 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
X82100
1982–83
on paper, unique
Acrylic paint on foam core
object, each: 765 × 508 mm
overall: 3048 × 1524 mm
Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82103
Mike Kelley, Choreographic Figure
1981–82
Acrylic paint on foam core
Object: 765 × 508 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1982–83
on paper, unique
Acrylic paint on posterboard
Four object: each 965 × 622 mm
The Museum of Modern Art, New York. The Judith Rothschild Foundation Contemporary Drawings Collection Gift
Provenance:
X82132
Mike Kelley, Creationism
1982–83
Acrylic paint on posterboard
Four objects: each 965 × 622 mm
Provenance:
Metro Pictures, New York
Purchased from the above by The Judith Rothschild Foundation, 2003
Gifted from the above to the The Museum of Modern Art, New York, 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1982–83
sculpture
Paint on wood
object: 711 × 279 × 254 mm
Kourosh Larizadeh and Luis Pardo collection
Provenance:
X82155
Mike Kelley, Perspectaphone
1982–83
Paint on wood
Object: 711 × 279 × 254 mm
Provenance:
The artist
Patrick Painter Gallery, Los Angeles
Purchased from the above by present owners Kourosh Larizadeh and Luis Pardo 1999
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45
1982–83
sculpture
Acrylic paint on wood, metal
object: 702 × 940 × 286 mm
Private collection
Provenance:
X82156
Mike Kelley, Birdhouse for a Bird that is Near and a Bird That is Far
1982–83
Acrylic paint on wood, metal
702 × 940 × 286 mm
Provenance:
Collection Arnold Forde, Los Angeles
Hauser & Wirth, 2005
Private Collection, 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1982–83
relief
Acrylic paint on cloth
object: 1829 × 3886 mm
Mike Kelley Foundation for the Arts
Provenance:
X82197
Mike Kelley, Intestinal Garland
1982–83
Acrylic paint on cloth
Dimensions variable
Mike Kelley Foundation for the Arts, Los Angeles, United States of America
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1981–82
relief
Acrylic paint on sheet metal over wood
object: 432 × 699 × 165 mm
The Museum of Contemporary Art, Los Angeles. Gift of Lannan Foundation
Provenance:
X82390
Mike Kelley, Monkey's Ass
1981–82
Acrylic paint on sheetmetal over wood
Object: 432 × 699 × 165 mm
Provenance:
Metro Pictures, New York
Purchased from the above by Lannan Foundation Florida & Los Angeles, 1983
Gifted by the above to The Museum of Contemporary Art, Los Angeles 1997
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1982–1983
relief
Acrylic paint on sheetmetal over wood
object: 431.8 × 698.5 × 165.1 mm
The Museum of Contemporary Art, Los Angeles. Gift of Lannan Foundation
Provenance:
X82392
Mike Kelley, Cell Dividing
1982–83
Acrylic paint on sheetmetal over wood
Object: 431.8 × 698.5 × 165.1 mm
Provenance:
Metro Pictures, New York
Purchased from the above by Lannan Foundation Florida & Los Angeles, 1983
Gifted by the above to The Museum of Contemporary Art, Los Angeles 1997
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1983
sculpture
Paint on wood, wire, plastic and yarn
object: 1194 × 1067 × 762 mm
Kourosh Larizadeh and Luis Pardo collection
Provenance:
X87705
Mike Kelley, Fallopian Tube
1983
Paint on wood, wire, plastic and yarn
Object: 1194 × 1067 × 762 mm
Provenance:
The artist
Rosamund Felsen Gallery, Los Angeles
Purchased from the above by Private Collection
Purchased from Christie's New York, Wednesday 23 September, 2009, Lot 84, by present owners Kourosh Larizadeh and Luis Pardo
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1982-83
installation
Acrylic paint on two canvases, graphite on paper, paint on bell
Four objects: overall: 838 × 1956 × 381 mm
Kourosh Larizadeh and Luis Pardo collection
Provenance:
X87706
Mike Kelley, Landscape, Sign, Wave and Bell
1982
Acrylic paint on wood, acrylic paint on canvas, ink on paper, painted papier mâché bell, tennis ball and wood stand
Object: 8.8 × 1956 × 381 mm
Provenance:
Metro Pictures, New York
Purchased from the above by Private Collection
Purchased from Sotheby’s, New York 1999, by present owners Kourosh Larizadeh and Luis Pardo
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
[BGV1]Sotheby's New York: Wednesday, February 17, 1999 [Lot 00282] BOUGHT IN?
1984
sculpture
Felt on felt and wood
object: 1245 × 305 × 51 mm
The Museum of Contemporary Art, Los Angeles. Gift of Councilman Joel Wachs, in honor of Ann Goldstein and Philippe Vergne
Provenance:
X82370
Mike Kelley, Janitorial Banner
1984
Felt on felt and wood
Object: 1245 × 305 × 51 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles
Joel Wachs by 1993
Gifted by the above to The Museum of Contemporary Art, Los Angeles 2014
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Bibliography: Mike Kelley: Catholic Tastes, exh. cat., Whitney Museum of Modern Art, New York 1993
This work was produced after the operative period 1933 - 45.
1985
painting
Acrylic paint on canvas
object: 781 × 629 mm
Collection of Beth Rudin DeWoody
Provenance:
X82170
Mike Kelley, The Power of The Unconscious
1985
Acrylic paint on canvas
Object: 781 × 629 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles
Acquired from the above by Karen Comegys-Wortz
Acquired from above by present owner Beth Rudin DeWoody 2014
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1987
relief
Glued felt
object: 2388 × 1511 mm
Collection of Eileen and Michael Cohen
Provenance:
X82002
Mike Kelley, Three Point Program / Four Eyes
1987
Felt on felt
Object: 2388 × 1511 mm
Provenance:
Metro Pictures, New York 1987
Acquired from the above by present owners Eileen and Michael Cohen 1987
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1987
installation
Found handmade stuffed animals and afghans on canvas with dried corn, wax candles on wood and metal base
object (1st object): 2438 × 3226 × 150 mm
object (2nd object): 1321 × 584 × 584 mm
Whitney Museum of American Art, New York. Purchase, with funds from the Painting and Sculpture Committee
Provenance:
X82013
Mike Kelley, More Love Hours than Can Ever Be Repaid and The Wages of Sin
1987
Found handmade stuffed toy animals and afghans on canvas with dried corn (More Love Hours...); wax candles on wood and metal base (The Wages of Sin. Exhibition copy, 2019: thermosetting resins, paint and metal)
Two objects: 2438 × 3226 × 150; 1321 × 584 × 584 mm
Provenance:
The artist
Acquired via Metro Pictures, New York by the Whitney Museum of American Art, New York 1989
Exhibition copy of Wages of Sin produced by the Whitney Museum of American Art, New York 2019
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1988
on paper, unique
Acrylic paint on paper
object: 298 × 502 mm
Mike Kelley Foundation for the Arts
Provenance:
X81986
Mike Kelley, Garbage Drawing #5
1988
Acrylic paint on paper
Object: 298 × 502 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Bibliography: Mike Kelley: Catholic Tastes, exh. cat., Whitney Museum of Modern Art, New York 1993
This work was produced after the operative period 1933 - 45.
1988
on paper, unique
Acrylic paint on paper
image: 330 × 813 mm
The Museum of Modern Art, New York. The Judith Rothschild Foundation Contemporary Drawings Collection Gift
Provenance:
X82401
Mike Kelley, Garbage Drawing #14
1988
Acrylic paint on paper
Object: 330 × 813 mm
Provenance:
The artist
Metro Pictures, New York, by 1993
Livet Reichard Company, New York
Kenneth L. Freed
Purchased from Christies, New York, September 23, 2003, Sale 1269, Lot 81
by The Judith Rothschild Foundation
Gifted from the above to The Museum of Modern Art, New York, 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Bibliography: Mike Kelley: Catholic Tastes, exh. cat., Whitney Museum of Modern Art, New York 1993
This work was produced after the operative period 1933 - 45.
1988
on paper, unique
Acrylic paint on paper
object: 454 × 577.8 mm
frame: 514.3 × 631.8 × 45.3 mm
The Museum of Contemporary Art, Los Angeles. Gift of Alan N. Kleinman from the Estate of Marsha Kleinman
Provenance:
X82403
Mike Kelley, Garbage Drawing #34
1988
Acrylic paint on paper
Object: 454 × 577.8 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles
Purchased from the above by Estate of Marsha Kleinman by 1993
Donated by the above to The Museum of Contemporary Art, Los Angeles 1999
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Bibliography: Mike Kelley: Catholic Tastes, exh. cat., Whitney Museum of Modern Art, New York 1993
This work was produced after the operative period 1933 - 45.
1988
on paper, unique
Acrylic on paper
object: 762 × 1066.8 mm
Collection of Mandy and Cliff Einstein
Provenance:
X88385
Mike Kelley, Garbage Drawing #58
1988
Acrylic paint on paper
Object: 762 × 1067 mm
Provenance:
Rosamund Felsen Gallery 1988
Acquired from the above by present owners Mandy and Cliff Einstein 1990
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Bibliography: Mike Kelley: Catholic Tastes, exh. cat., Whitney Museum of Modern Art, New York 1993
This work was produced after the operative period 1933 - 45.
1989
on paper, print
Ink on paper
object: 254 × 136.5 × 15.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X81983
Mike Kelley, Why I Got into Art (Vaseline Muses)
1989
Artist book, ink on paper
Object: 254 × 203 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
sculpture
Found stuffed animals
object: 1816 × 2527 × 4216 mm
The Art Institute of Chicago, Gift of Lannan Foundation, 1997
Provenance:
X81996
Mike Kelley, Eviscerated Corpse
1989
Found stuffed toys
Object: 1816 × 2527 × 4216 mm
Provenance:
The artist
Rosamund Felsen Gallery, Los Angeles
Acquired from the above by Lannan Foundation, Los Angeles, 7 April, 1989
Gifted from the above to the Art Institute of Chicago, 14 April 1997
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
on paper, print
Photograph on paper
object: 200 × 250 mm
Mike Kelley Foundation for the Arts
Provenance:
X89321
Mike Kelley, Reconstructed History: China Relief Expedition
1989
Photograph on paper
Object: 200 × 250 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
on paper, print
Photograph on paper
object: 200 × 250 mm
Mike Kelley Foundation for the Arts
Provenance:
X89322
Mike Kelley, Reconstructed History: The Boston Massacre
1989
Photograph on paper
Object: 200 × 250 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, USA [no date]
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
on paper, print
Photograph on paper
object: 200 × 250 mm
Mike Kelley Foundation for the Arts
Provenance:
X89323
Mike Kelley, Reconstructed History: Jackson Tells a Group of Southern Congressmen that He will not Accept the Nullification Idea
1989
Photograph on paper
Object: 200 × 250 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
on paper, print
Photograph on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X89324
Mike Kelley, Reconstructed History: Already
1989
Photograph on paper
Object: 254 × 203 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
on paper, print
Photograph on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X89325
Mike Kelley, Reconstructed History: Discovery
1989
Photograph on paper
Object: 254 × 203 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
on paper, print
Photograph on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X89326
Mike Kelley, Reconstructed History: Expansion
1989
Photograph on paper
Object: 254 × 203 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
on paper, print
Photograph on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X89327
Mike Kelley, Reconstructed History: The Capitol Building
1989
Photograph on paper
Object: 254 × 203 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
on paper, print
Photograph on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X89328
Mike Kelley, Reconstructed History: Magellan Taking Possession of The Philippines
1989
Photograph on paper
Object: 254 × 203 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
on paper, print
Photograph on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X89329
Mike Kelley, Reconstructed History: The Lincoln Memorial
1989
Photograph on paper
Object: 254 × 203 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
on paper, print
Photographs on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X89392
Mike Kelley, Reconstructed History: The Gateway to Freedom
1989
Photograph on paper
Object: 254 × 203 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90373
Mike Kelley, Blood and Soil (Potato Print) [part ogf Pansy Metal / Clovered Hoof, AP 5 of 10]
1989
Screenprint on silk
Object: 1350 × 960 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90375
Mike Kelley, Country Cousin [part of Pansy Metal / Clovered Hoof, AP 5 of 10]
1989
Screenprint on silk
Object: 1350 × 960 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90381
Mike Kelley, Emerald Eyehole [part of Pansy Metal / Clovered Hoof, AP 5 of 10]
1989
Screenprint on silk
Object: 1350 × 960 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90390
Mike Kelley, Hangin' Heavy Hairy Horny [part of Pansy Metal / Clovered Hoof, AP 5 of 10] (exhibition copy)
1989
Screenprint on silk
Object: 1350 × 960 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90394
Mike Kelley, Peat Spade [part of Pansy Metal / Clovered Hoof, AP 5 of 10
1989
Screenprint on silk
Object: 1350 × 960 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90396
Mike Kelley, Satan's Nostrils [part of Pansy Metal / Clovered Hoof, AP 5 of 10]
1989
Screenprint on silk
Object: 1350 × 960 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90398
Mike Kelley, The Orange and Green [part of Pansy Metal / Clovered Hoof, AP 5 of 10]
1989
Screenprint on silk
Object: 1350 × 960 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90402
Mike Kelley, Unlucky Clover [part of Pansy Metal / Clovered Hoof, AP 5 of 10]
1989
Screenprint on silk
Object: 1350 × 960 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1990
sculpture
Stuffed toy animals on afghan
object: 292 × 3124 × 813 mm
Janelle Reiring and Helene Winer
Provenance:
X82000
Mike Kelley, Arena #10 (Dogs)
1990
Stuffed toy animals on afghan
Object: 292 × 3124 × 813mm
Provenance:
The artist
Metro Pictures, New York
Purchased by present owners Janelle Reiring and Helene Winer 1990
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Bibliography: Mike Kelley: Catholic Tastes, exh. cat., Whitney Museum of Modern Art, New York 1993
This work was produced after the operative period 1933 - 45.
1990
sculpture
Stuffed toy animals under afghan
object: 229 × 1346 × 1702 mm
Museum Abteiberg Monchengladbach, donation Sammlung Hoffmann
Provenance:
X82175
Mike Kelley, Arena #4 (Zen Garden)
1990
Stuffed toy animals under afghan
Object: 229 × 1346 × 1702 mm
Provenance:
The artist
Sammlung Hoffmann, Berlin
Gift by the above to Museum Abteiberg Monchengladbach 2019
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1990
on paper, unique
Acrylic paint on poster board
support: 508 × 381 mm
The Museum of Modern Art, New York. Gift of the artist.
Provenance:
X85922
Mike Kelley, Jesse Helms Protest Sign
1990
Acrylic paint on poster board
Object: 508 × 381 mm
Provenance:
The artist
Gifted from the above to The Museum of Modern Art, 2009
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1990
sculpture
Afghan, kitty litter tray, double cat food dish and three cat toys
overall: 114 × 902 × 1041 mm
The Museum of Contemporary Art, Los Angeles. Gift of the artist
Provenance:
X86891
Mike Kelley, Ouiga
1990
Afghan, kitty-litter tray, double cat-food dish and 3 cat toys
Object: 114 × 902 × 1041 mm
Provenance:
Gifted by the artist to the Museum of Contemporary Art, Los Angeles 1993
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1990
sculpture
Afghan, pillow, double cat food dish and four cat toys
overall: 114.3 × 965.2 × 914.4 mm
The Museum of Contemporary Art, Los Angeles. Gift of the artist
Provenance:
X86893
Mike Kelley, Mooner
1990
Afghan, pillow, double cat-food dish and 4 cat toys
Object: 114.3 × 965.2 × 914.4 mm
Provenance:
Gifted by the artist to the Museum of Contemporary Art, Los Angeles 1993
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1990
supporting material
Photograph on paper
object: 305 × 241 × 25.4 mm
Mike Kelley Foundation for the Arts
Provenance:
X89335
Mike Kelley, Reconstructed History
1990
Ink on paper
Object: 305 × 241 × 25.4 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1990
supporting material
Ink on paper
object: 305 × 241 × 25.4 mm
Mike Kelley Foundation for the Arts
Provenance:
X89336
Mike Kelley, Reconstructed History
1990
Ink on paper
Object: 305 × 241 × 25.4 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1990
supporting material
Ink on paper
object: 305 × 241 × 25.4 mm
Mike Kelley Foundation for the Arts
Provenance:
X89337
Mike Kelley, Reconstructed History
1990
Ink on paper
Object: 305 × 241 × 25.4 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1992
sculpture
Wood, buckets, knife and plastic pillow
object: 927 × 2438 × 1219 mm
Los Angeles County Museum of Art. Gift of Per J. Skarstedt
Provenance:
X82210
Mike Kelley, Torture Table
1992
Wood, buckets, knife and plastic pillow
Object: 927 × 2438 × 1219 mm
Provenance:
The artist
Metro Pictures, New York, July 1992
Sold from the above to Reinhard Onnasch, Berlin by 1993
Sold from the above to Private Collection, Chicago
Sold from the above to Skarstedt Gallery, New York (owned by Per J. Skarstedt, Chicago)
Gifted by Per J. Skarstedt, New York to LACMA, Los Angeles, 2013
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Bibliography: Mike Kelley: Catholic Tastes, exh. cat., Whitney Museum of Modern Art, New York 1993
This work was produced after the operative period 1933 - 45.
1994
installation
Aluminum foil, polyurethane foam, wood, chicken wire, speakers, four boom boxes, space blanket, three baskets, artificial fruit and audio
Two objects: 147 × 147 × 135 (ball); 208 × 119 (blanket area)
The Museum of Contemporary Art, Los Angeles. Gift of Blake Byrne.
Provenance:
X85924
Mike Kelley, Silver Ball
1994
Aluminum foil, polyurethane foam, wood, chicken wire, speakers, four boom boxes, space blanket, three baskets, artificial fruit, and audio
Object: 147 × 147 × 135 (ball); 208 × 119 (blanket area)
Provenance:
Rosamund Felsen Gallery, Los Angeles
Estate of Blake Byrne [no date]
Gifted by the above to The Museum of Contemporary Art, Los Angeles 2004
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1995
on paper, print
Photographs; black and white mounted on museum board
Fifteen objects: 787 × 610 mm each
Mike Kelley Foundation for the Arts
Provenance:
X81984
Mike Kelley, Timeless/Authorless
1995
Edition no. 1 of 5
Photographs mounted on museum board
Fifteen objects: each 787 × 610 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1995
on paper, unique
Collage on paper
object: 356 × 270 mm
Mike Kelley Foundation for the Arts
Provenance:
X81985
Mike Kelley, Options of Coupledom
1995
Paper on paper
356 × 270 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1998
installation
Plywood, resin, car jacks, steel
unconfirmed: 2149 × 8239 × 5918 mm
Collection of Eric Decelle, Brussels
Provenance:
X82019
Mike Kelley, Sublevel
1998
Plywood, resin, car jacks, steel
Object: 2149 × 8239 × 5918 mm
Provenance:
Jablonka Gallery, Cologne 1998
Acquired from above by present owner Eric Decelle 2002
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2001
on paper, print
Photographs; gelatin silver prints on paper
Twenty-six objects: each 310 x 480 mm
Pinault Collection, Paris
Provenance:
X82018
Mike Kelley, Photo Show Portrays the Familiar 1–25
2001
Mixed media with video projection and photographs
Object: 3150 × 4801 × 4877 mm
Provenance:
The artist
Art & Public Gallery, Geneva
Acquired from the above by Pinault Collection, Paris 2002
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2001
sculpture
Mixed media on wood panel
object: 2295 × 3185 × 140 mm
Pinault Collection, Paris
Provenance:
X85939
Mike Kelley, Memory Ware Flat #17
2001
Plastic, wood, metal, shells, glass marbles in synthetic clay on wood
Object: 2295 × 3185 × 140 mm
Provenance:
Jablonka Gallery, Cologne, 2001
Purchased from the above by Pinault Collection, Paris 2002
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2002
on paper, unique
Mixed media on butcher paper mounted on rag paper
object: 890 × 1283 mm
Mike Kelley Foundation for the Arts
Provenance:
X89172
Mike Kelley, Drawing for for Repressed Spatial Relationships Rendered as Fluid No. 1: Martian School (Work Site)
2002
Mixed media on butcher paper mounted on rag pape
Object: 890 × 1280 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2002
sculpture
Aluminum, steel, and lead
object: 1070 × 1370 × 1370 mm
Mike Kelley Foundation for the Arts
Provenance:
X89173
Mike Kelley, Repressed Spatial Relationships Rendered as Fluid # 1: Martian School (Work Site)
2002
Aluminum, steel, and lead
Object: 1070 × 1370 × 1370 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2002
sculpture
Aluminum, steel, ceramic and cloth
object: 1067 × 1600 × 1067 mm
Maurice Marciano / Maurice and Paul Marciano Art Foundation
Provenance:
X89285
Mike Kelley, Repressed Spatial Relationships Rendered as Fluid No. 3: Reconfiguration of Wayne High School into the Ritual Presentation Arena of the Educational Complex
2002
Aluminium, steel, ceramic and cloth
Object: 1067 × 1600 × 1067 mm
Provenance:
Metro Pictures, New York
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2002
on paper, unique
Mixed media on butcher paper mounted on rag paper
object: 1238 × 1721 mm
Maurice Marciano / Maurice and Paul Marciano Art Foundation
Provenance:
X89286
Mike Kelley, Drawing for Repressed Spatial Relationships Rendered as Fluid No. 3: Reconfiguration of Wayne High School into the Ritual Presentation Arena of the Educational Complex
2002
Ink, graphite and other materials on paper mounted on paper
Object: 1238 × 1721 mm
Provenance:
Metro Pictures, New York
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 894 mm
Mike Kelley Foundation for the Arts
Provenance:
X85947
Mike Kelley, Extracurricular Activity Projective Reconstruction #8 (Singles' Mixer)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1867 × 895mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004
relief
Two color silkscreen on white baked aluminum panel with three puncture holes
object: 381 × 610 mm
Mike Kelley Foundation for the Arts
Provenance:
X90072
Mike Kelley, Street Sign
2004
Artist proof no. 1 of 10, from an edition of 10
Screenprint on white-baked aluminium panel with 3 puncture holes
Object: 381 × 610 × 6 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–05
installation
Mixed media with video projection and photographs
unconfirmed: 3150 × 4801 × 4877 mm
duration (Exotic Dancer video): 6min, 54sec
Pinault Collection, Paris
Provenance:
X82018
Mike Kelley, Extracurricular Activity Projective Reconstruction #26A (Pink Curtain)
2004–05
Gelatin silver prints on paper
Object (each): 310 x 480 mm
Provenance:
The artist
Gagosian Gallery, New York 2005
Purchased from the above by Pinault Collection, Paris 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 723.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X85941
Mike Kelley, Extracurricular Activity Projective Reconstruction #2 (Train Dance)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1867 × 724 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
X85942
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 787.4 × 1866.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X85942
Mike Kelley, Extracurricular Activity Projective Reconstruction #3 (Co-Workers)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 787 × 1867 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
X85943
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 863.6 mm
Mike Kelley Foundation for the Arts
Provenance:
X85943
Mike Kelley, Extracurricular Activity Projective Reconstruction #4 (Vampire Boss)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1866.9 × 863.6 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1016 × 1605.6 mm
Mike Kelley Foundation for the Arts
Provenance:
X85944
Mike Kelley, Extracurricular Activity Projective Reconstruction #5 (Sick Vampire )
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1016 × 1607 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1536.7 × 1016 mm
Mike Kelley Foundation for the Arts
Provenance:
X85946
Mike Kelley, Extracurricular Activity Projective Reconstruction #7 (Woods Group)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1537 × 1016 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1016 × 1358.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X85948
Mike Kelley, Reconstruction Extracurricular Activity Projective Reconstruction #9 (Farm Girl)
2004–5
C-prints and Piezo prints on paper
1016 × 1358.9 mm
Provenance:
Gagosian Gallery, New York 2005
Acquired from the above by Rubell Museum 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 857.3 × 1866.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X85950
Mike Kelley, Extracurricular Activity Projective Reconstruction #11 (Catholic Girl)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 857 × 1867 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 660.4 mm
Mike Kelley Foundation for the Arts
Provenance:
X85953
Mike Kelley, Extracurricular Activity Projective Reconstruction #14 (Modern Dance)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1867 × 660 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 679.5 mm
Mike Kelley Foundation for the Arts
Provenance:
X85957
Mike Kelley, Extracurricular Activity Projective Reconstruction #18 (Morose Ghoul)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1867 × 680 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 730.3 mm
Mike Kelley Foundation for the Arts
Provenance:
X85958
Mike Kelley, Extracurricular Activity Projective Reconstruction #19 (Shy Satanist)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1867 × 730 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1695.5 × 1016 mm
Mike Kelley Foundation for the Arts
Provenance:
X85961
Mike Kelley, Extracurricular Activity Projective Reconstruction #22 (Picking A Mary)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1696 × 1016 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 914.4 × 1866.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X85962
Mike Kelley, Extracurricular Activity Projective Reconstruction #23 (Joseph Supplicates)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 914 × 1867 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 870 mm
Mike Kelley Foundation for the Arts
Provenance:
X85964
Mike Kelley, Extracurricular Activity Projective Reconstruction #25 (Devil: Master of Ceremonies)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1867 × 870 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1016 × 1790.7 mm
Mike Kelley Foundation for the Arts
Provenance:
X85965
Mike Kelley, Extracurricular Activity Projective Reconstruction #26 (Exotic Dancer)
2004–05
C-prints and Piezo prints on paper
Object: 1016 × 1790.7 mm
Provenance:
The artist
Gagosian Gallery, New York 2005
Purchased from the above by Pinault Collection, Paris 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1206.5 × 1016 mm
Mike Kelley Foundation for the Arts
Provenance:
X85966
Mike Kelley, Extracurricular Activity Projective Reconstruction #27 (Gospel Dance)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1207 × 1016 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 838.2 × 1866.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X85967
Mike Kelley, Extracurricular Activity Projective Reconstruction #28 (Nativity Play)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 838 × 1867 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 768.4 mm
Mike Kelley Foundation for the Arts
Provenance:
X85970
Mike Kelley, Extracurricular Activity Projective Reconstruction #31 (Mary Processional)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1867 × 768 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1143 × 1016 mm
Mike Kelley Foundation for the Arts
Provenance:
X85971
Mike Kelley, Extracurricular Activity Projective Reconstruction #32 (Horse Dance of the False Virgin)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1143 × 1016 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
installation
Mixed media with three video projections
overall: 1879.6 × 4216.4 × 1016 mm
duration (Mary left): 1min, 8sec
duration (Mary right): 1min, 8sec
duration (May crowning/Hag Mary): 5min, 10sec
Stedelijk Museum Amsterdam
Provenance:
X85972
Mike Kelley, Switching Marys
2004–05
Mixed media with video projections
Object: 1879.6 × 4216.4 × 1016 mm
Provenance:
Gagosian Gallery, New York 2005
Purchased from the above by Stedelijk Museum, Amsterdam 2006
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–2005
installation
Mixed media with video on monitor, video projected, audio and photographs
overall: 2286 × 4876.8 × 4470.4 mm
duration (Farm Girl video): 4min, 22sec
duration (Bray's Burgers video): 1min, 33sec
duration (Arbor Day audio): 58min
Rubell Museum, Miami and Washington DC
Provenance:
X85973
Mike Kelley, Extracurricular Activity Projective Reconstruction #9 (Fresno)
2004–5
Mixed media with video on monitor, video projection, audio and photographs
Dimensions variable
Provenance:
Gagosian Gallery, New York 2005
Acquired from the above by Rubell Museum 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2004–05
installation
Mixed media with video projection and photographs
object: 2845 × 7620 × 4293 mm
Courtesy The Brant Foundation, Greenwich, Conneticut, USA
Provenance:
X90606
Mike Kelley, Extracurricular Activity Projective Reconstruction #8 (Singles' Mixer)
2004–05
Mixed media with video projection and photographs
Object: 2845 × 7620 × 4293 mm
Provenance:
Gagosian Gallery, New York 2005
Purchased from the above by present owner Peter Brant 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2007
installation
Mixed media with video projection, sound
object (Sculpture): 2743 × 1549 × 1353 mm
object (Tank): 1524 × 229 mm
Mike Kelley Foundation for the Arts
Provenance:
X81991
Mike Kelley, Kandor 17
2007
Mixed media with high-definition video, colour and sound, projected
Dimensions variable
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2007
on paper, unique
Lenticular panel, light box
object: 1550 × 970 × 90 mm
Mike Kelley Foundation for the Arts
Provenance:
X89174
Mike Kelley, Lenticular No.14
2007
Lenticular panel, light box
Object: 1549 × 934 × 105 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2007
on paper, unique
Lenticular panel, light box
object: 960 × 1270 × 90 mm
Mike Kelley Foundation for the Arts
Provenance:
X89175
Mike Kelley, Lenticular No.18
2007
Edition no. 2 of 5
Lenticular panel, light box
Object: 934 × 1245 × 105 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2007
on paper, unique
Lenticular panel, light box
object: 1149 × 753 × 89 mm
Provenance:
X89176
Mike Kelley, Lenticular No.1
2007
Artist proof no. 1 of 2, from an edition of 5
Lenticular panel, light box
Object: 1149 × 753 × 89 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1991–2008
on paper, print
Set of eight pigment prints
object, each: 498 × 327 mm
Mike Kelley Foundation for the Arts
Provenance:
X81980
Mike Kelley, Ahh...Youth!
1991–2008
C-prints on paper
Eight objects: each 498 × 327 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2008
sculpture
Tinted urethane resin on illuminated base
object: 298.5 × 450.9 mm
overall: 1448 × 559 mm
Pinault Collection, Paris
Provenance:
X85978
Mike Kelley, City 5
2008
Tinted urethane resin on illuminated base
Object: 1448 × 559 mm
Provenance:
The artist
West of Rome Inc, Pasadena
Acquired from the above by Pinault Collection, 2008
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2010
sculpture
Mixed media
243.8 x 100.3 x 113 cm
Mike Kelley Foundation for the Arts
Provenance:
X89020
Mike Kelley, Kandor 16B
2007
Mixed media
Object: 2438 x 1003 x 1130 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
2011
sculpture
Tinted urethane resin on illuminated base
object: 374.7 × 517.5 mm
plinth: 1146.2 × 600.1 mm
overall: 1565.3 × 600.1 mm
Mike Kelley Foundation for the Arts
Provenance:
X85977
Mike Kelley, City 13 (AP 1)
2011
Tinted urethane resin on illuminated base
Object: 1565 × 600 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
ca 2011
on paper, unique
8 Photocopies with marker and colored pencil on paper
image: 279.4 × 215.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X91559
Mike Kelley, Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais)
c.2011
8 Photocopies with marker and colored pencil on paper
Object: 279.4 × 215.9 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
ca 2011
on paper, unique
8 Photocopies with marker and colored pencil on paper
image: 279.4 × 215.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X91560
Mike Kelley, Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais)
c.2011
8 Photocopies with marker and colored pencil on paper
Object: 279.4 × 215.9 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45
ca 2011
on paper, unique
8 Photocopies with marker and colored pencil on paper
image: 279.4 × 215.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X91562
Mike Kelley, Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais)
c.2011
8 Photocopies with marker and colored pencil on paper
Object: 279.4 × 215.9 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
ca 2011
on paper, unique
8 Photocopies with marker and colored pencil on paper
image: 279.4 × 215.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X91563
Mike Kelley, Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais)
c.2011
8 Photocopies with marker and colored pencil on paper
Object: 279.4 × 215.9 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1990
on paper, print
Print on paper
object: 356 × 279 mm
Mike Kelley Foundation for the Arts
Provenance:
X81981
Mike Kelley, Manipulating Mass Produced Idealized Objects
1990
Print on paper
Object: 356 × 279 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
1990
on paper, print
Print on paper
object: 356 × 279 mm
Mike Kelley Foundation for the Arts
Provenance:
X81982
Mike Kelley, Nostalgic Depiction of the Innocence of Childhood
1990
Print on paper
Object: 356 × 279 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
Tate Modern (London, UK) from 25 Apr 2024 until 20 Oct 2024.
circa 1800
painting
Reverse glass painting
support: 292 × 200 mm
frame: 340 × 253 × 15 mm
Schloßmuseum Murnau, Collection Udo and Hedi Dammert, Inv. 4171
Provenance:
The artist;
Collection of Udo and Hedi Dammert, until 1993;
Acquired from the above by Schloßmuseum Murnau, 1993.
Nationality of artist: India
Place of Manufacture: Rajasthan, India
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Adeliger auf Tigerjagd Nordindien/Rajasthan] 19th C
painting
Reverse glass painting
support: 362 × 257 mm
frame: 395 × 290 × 28 mm
Schloßmuseum Murnau, Collection Udo and Hedi Dammert, Inv. 4250
Provenance:
The artist;
Collection of Udo and Hedi Dammert, until 1993;
Acquired from the above by Schloßmuseum Murnau, 16 June 1963.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.
[Unfall mit einem Fuhrwerk] 1842
sculpture
Votive panel. Oil paint and/or tempera on wood
support: 300 × 152 mm
Lenbachhaus Munich, on permanent loan from The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Acquired by Wassily Kandinsky (1866-1944) and Gabriele Münter (1877–1962), c.1911-1926:
Settled on Gabriele Münter, Murnau, 1926;
Gabriele Münter's estate, 1966;
Gabriele Münter and Johannes Eichner Foundation, Munich, 1966.
Nationality of artist: N/A
Identifying marks:
Place of Manufacture: N/A
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Devotionalkopie des Mariengnadenbildes von Ettal] early 19th century
sculpture
Paint on carved wood
object: 423 × 160 × 80 mm
The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Wassily Kandinsky (1866-1944) and Gabriele Münter (1877–1962) from c.1911-1926;
Settled on Gabriele Münter, Murnau, 1926;
Gabriele Münter's estate, 1966;
Gabriele Münter and Johannes Eichner Foundation, Munich, 1966.
Nationality of artist: N/A
Identifying marks:
Place of Manufacture: N/A
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Heilig-Geist-Taube] mid 19th century
sculpture
Paint on wood
object: 360 × 80 mm
The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Wassily Kandinsky (1866-1944) and Gabriele Münter (1877–1962) until 1926;
Settled on Gabriele Münter, Murnau, 1926;
Gabriele Münter's estate, 1966;
Gabriele Münter and Johannes Eichner Foundation, Munich, 1966.
Nationality of artist: N/A
Identifying marks:
Place of Manufacture: N/A
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Boxkampf] 1912–1913
painting
Oil paint on canvas
support: 1000 × 635 mm
frame: 1101 × 736 × 72 mm
Lenbachhaus Munich
Provenance:
The artist;
Collection Arthur Jerome Eddy (1859-1920), Chicago, 1915-1920;
probably Richard Feigen Gallery, Chicago, 1961/1962;
Acquired by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1966.
Nationality of artist: American
Identifying marks: N/A
Place of Manufacture: Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.
[Begräbnis] 1914
painting
Oil paint on canvas
support: 706 × 1002 × 22 mm
frame: 790 × 1087 × 75 mm
Lenbachhaus Munich
Provenance:
The artist;
Arthur Jerome Eddy (1859-1920) Collection, Chicago, 1916- 1920;
probably Richard Feigen Gallery, Chicago, 1961/1962;
Acquired by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1966.
Nationality of artist: American
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.
[Zirkus] 1909
painting
Oil paint on card
support: 640 × 790 mm
frame: 930 × 1080 × 73 mm
Lenbachhaus Munich, on permanent loan from The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Acquired by Paula Schuchard (1882–1975), from 1910;
Adolf Erbslöh Collection (1881-1947), Irschenhausen, until 1947;
Inherited from the above by Inge Erbslöh, 1947;
On permanent loan to the Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1977;
Acquired by Gabriele Münter and Johannes Eichner Foundation, on permanent loan to the Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 2004.
Nationality of artist: Austro-Hungarian/Italian
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Bildnis Marianne Werefkin] circa 1910
painting
Oil paint on card
support: 716 × 580 mm
frame: 800 × 661 × 60 mm
Lenbachhaus Munich, on permanent loan from The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Collection Adolf Erbslöh (1881-1947), Irschenhausen, until 1947;
Franz Resch (1902-1982), Gauting, until 1969;
Acquired from Franz Resch, Gauting by Gabriele Münter and Johannes Eichner Foundation, Munich, 1969.
Nationality of artist: Austro-Hungarian/Italian
Identifying marks: N/A
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.
It was checked with the Lenbachhaus who confirmed the work was passed directly to Adolf Erbslöh from Erma Bossi.
[Tänzerin] circa 1910
painting
Oil paint on canvas
support: 1000 × 610 mm
frame: 1116 × 731 × 74 mm
Lenbachhaus Munich
Provenance:
The artist;
Acquired by Konstantin Garneff (1894-1966), until 1958;
Acquired by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1958.
Nationality of artist: Russian Empire, now Ukraine
Identifying marks:
Place of Manufacture: Russian Empire
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Die Bäume] 1911
painting
Oil paint on canvas
support: 640 × 840 mm
frame: 748 × 910 × 65 mm
Lenbachhaus Munich, on permanent loan from The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Gifted by the above to Franz Marc (1880–1916), Munich, 1911;
Inherited by Maria Franck-Marc (1876–1955), Ried, 1916;
Acquired by Otto Stangl (1915–1990), Munich, Franz Marc’s estate manager, 1955;
Acquired by Gabriele Münter and Johannes Eichner Foundation, Munich, 1980.
Nationality of artist: Russian Empire, now Ukraine
Identifying marks: N/A
Place of Manufacture: Russian Empire
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
1913
painting
Oil paint on canvas
support: 650 × 540 mm
frame: 828 × 718 × 65 mm
Lenbachhaus Munich and Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Acquired by Galerie Bing, Paris, 1952;
Acquired by Galerie Beyeler, Basel, 1957;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich and Gabriele Münter and Johannes Eichner Foundation, Munich, 1986.
Nationality of artist: French
Identifying marks:
Place of Manufacture: France
Catalogue Raisonné: Francastel, Pierre., Du cubisme à l'art abstrait, Paris, S. E. V. P. E. N., 1957, p.271
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.
[Selbstporträt] 1911
painting
Oil paint on card
object: 677 × 520 mm
frame: 856 × 702 × 60 mm
Lenbachhaus Munich, on permanent loan from The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Galerie Georges Moos (1912-1984), Geneva, executor of Elisabeth Epstein's estate in the 1960s;
Acquired by Jerome Pustilnik (1928-2017), New York City, 2017;
Inherited by the heiress to Jerome Pustilnik, New York City, until 2019;
Acquired by the above by Gabriele Münter and Johannes Eichner Foundation, 2019.
Nationality of artist: Russian Empire, now Ukraine/Swiss
Identifying marks:
Place of Manufacture: France
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Heilige 3 Könige] circa 1911
painting
Oil paint on canvas
object: 784 × 882 × 23 mm
frame: 978 × 1071 × 60 mm
Lenbachhaus Munich
Provenance:
The artist;
And by descent in the family, 1955;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 2017.
Nationality of artist: German
Identifying marks: N/A
Place of Manufacture: Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Zwei Kinder zwischen Blumen] circa 1912
painting
Oil paint on canvas
support: 550 × 700 mm
Courtesy Galerie Thomas, Munich
Provenance:
The artist;
Estate of the artist;
On consignment to Galerie Thomas, 1955.
Nationality of artist: German
Identifying marks: N/A
Place of Manufacture: Bavaria, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Mädchen mit Kleinkind] circa 1913
painting
Oil paint on canvas
object: 780 × 880 mm
frame: 881 × 990 × 65 mm
Lenbachhaus Munich
Provenance:
The artist;
And by descent in the family, 1955;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 2019.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Kallmünz – Gabriele Münter beim Malen II] 1903
painting
Oil paint on canvas
object: 585 × 585 × 25 mm
frame: 758 × 746 × 94 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted from Gabriele Münter to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: On the reverse [in Munter’s writing]: Kandinsky – in Kallmünz 1903
Place of Manufacture: Kallmünz, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.121
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Reitendes Paar] 1906-1907
painting
Oil paint on canvas
support: 550 × 505 mm
frame: 765 × 716 × 73 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Murnau, 1926;
Gifted from Gabriele Münter to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/France
Identifying marks: Signed on reverse: Kandinsky - (Esquisse)
On the reverse of the original frame: Reitendes Paar
Place of Manufacture: not known
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.186
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Murnau – Johannisstrasse vom Fenster des Griesbräu] 1908
painting
Oil paint on cardboard
support: 498 × 696 mm
frame: 710 × 916 × 53 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Murnau, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: (unsigned)
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.201
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[München – Vor der Stadt] 1908
on paper, unique
Oil paint on card on board
support: 688 × 490 mm
frame: 792 × 588 × 72 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Signed 1.1.: Kandinsky / 1908
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.243
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Murnau - Ansicht mit Eisenbahn und Schloss] 1909
painting
Oil paint on card
support: 361 × 492 mm
frame: 483 × 610 × 52 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Murnau, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/France
Identifying marks: On the reverse [in Münter’s writing]
Kandinsky. [in another writing] : 1909
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.285
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Murnau – Fußweg und Häuser] 1909
painting
Oil paint on card
support: 327 × 445 mm
frame: 453 × 572 × 61 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Murnau, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Signed 1.1: Kandinsky
On the reverse [in Münter’s writing]
Kandinsky Murnau Häuser 1909
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.297
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Interieur (Mein Esszimmer)] 1909
painting
Oil paint on card
support: 500 × 650 mm
frame: 629 × 778 × 76 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Signed l.r. : Kandinsky
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.253
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Schlafzimmer in der Ainmillerstrasse] 1909
painting
Oil paint on card
support: 485 × 695 mm
frame: 625 × 836 × 66 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist Russian Empire/Soviet Union/French
Identifying marks: Signed 1.1 : Kandinsky
On the reverse [in Münter’s writing]
Kandinsky / Schlafzimmer
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.300
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Reiter] circa 1909
painting
Oil paint on wood
support: 290 × 250 × 35 mm
Lenbachhaus Munich, on permanent loan from The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Settled on Gabriele Münter (1877-1962), Germany, 1926;
Gabriele Münter's estate, 1962;
Gabriele Münter and Johannes Eichner Foundation, Munic h, 1966.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks:
Place of Manufacture: Germany
Catalogue Raisonné:
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented
[Mit Gelbem Pferd] 1909
painting
Oil paint on glass in painted frame
frame: 179 × 310 × 12 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Unsigned
On the reverse [in Münter’s writing]: Kandinsky, erstes Glasbild
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings – Volume One 1900-1915, Ithaca: Cornell University Press, 1982-1984, p.302
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Murnau mit Kirche I] 1910
painting
Oil paint on card
support: 647 × 502 mm
frame: 796 × 650 × 60 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Murnau, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/France
Identifying marks: Signed l.l : Kandinsky
On the reverse [in Eichner’s writing]:
Kandinsky Berglandschaft mit Kirche 1910
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.325
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Murnau – Garten I] 1910
painting
Oil paint on canvas
support: 660 × 820 mm
frame: 834 × 991 × 75 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Signed l.l. : Kandinsky 1910
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.319
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Die Kuh] 1910
painting
Oil paint on canvas
support: 955 × 1050 mm
frame: 1110 × 1200 × 83 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/France
Identifying marks: Signed l.l.: Kandinsky 1910
On the reverse: Kandinsky Die Kuh
(1910)
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.345
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[St Georg III] 1911
painting
Oil paint on canvas
support: 975 × 1075 mm
frame: 1116 × 1215 × 80 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Signed l.l.: Kandinsky 1911
On the reverse: Kandinsky St Georg No.3
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.376
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Impression III (Konzert)] 1911
painting
Oil paint on canvas
support: 775 × 1000 mm
frame: 935 × 1150 × 82 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Signed l.r.: Kandinsky 1911
On the reverse: Impression Concert 1911
No 116
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.354
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Allerheiligen I] 1911
painting
Oil paint on card
support: 500 × 645 mm
frame: 627 × 776 × 54 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Signed l.l. with monogram:
On the reverse: Kandinsky
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.393
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Impression VI (Sonntag)] 1911
painting
Oil paint on canvas
support: 1075 × 950 mm
frame: 1245 × 1125 × 80 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Unsigned
On the reverse: Kandinsky Impression
(Sonntag)
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.375
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Heiliger Georg I] 1911
painting
Ink, oil paint and metal foil on glass in painted frame
frame: 229 × 235 × 12 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Murnau, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Unsigned
On the reverse [in Münter’s writing]: Kandinsky/gemalt im Juni 1911/in Murnau. Frame painted by Kandinsky.
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings – Volume One 1900-1915, Ithaca: Cornell University Press, 1982-1984, p.402
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Dame in Moskau] 1912
painting
Oil paint on canvas
support: 1088 × 1088 mm
frame: 1230 × 1233 × 110 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: On the reverse : Kandinsky – Dame in Moskau
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.424
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[3 Holzschnitte auf Vorder- und Rückseite von Blatt 1 in Der Sturm, Berlin, Okt. 1912, Nr. 129] 1912
on paper, print
Print on paper
support: 388 × 300 mm
frame: 647 × 508 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Murnau, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks:
Place of Manufacture: Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Studie zur Komposition VII] 1913
painting
Oil paint and tempera on canvas
object: 787 × 1004 mm
frame: 877 × 1095 × 81 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: verso : KANDINSKY study (for Composition VII) 1913 No. 183
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Klänge] 1913
on paper, unique
Book
object: 285 × 285 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gabriele Münter, Murnau, until 1957;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian/Soviet Union/French
Identifying marks:
Place of Manufacture: Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Improvisation Sintflut] 1913
painting
Oil paint on canvas
support: 900 × 1500 mm
frame: 1085 × 1645 × 125 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Unsigned
On the reverse : Kandinsky 1913 Sintflut
Improvisation
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.456
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Improvisation Klamm] 1914
painting
Oil paint on canvas
support: 1100 × 1100 mm
frame: 1235 × 1240 × 128 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: On the reverse [in Munter’s writing] : Kandinsky 1914 (Klamm)
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.508
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Unbenanntes Bild (Sintflut)] 1913–1914
painting
Oil paint on canvas
object: 1091 × 1403 × 36 mm
frame: 1190 × 1502 × 88 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Unsigned
On the reverse [in Münter’s writing]: Kandinsky, 1914 Unbenanntes Bild/zur Sintflut
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.480
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Kakteen] circa 1912
painting
Oil paint on card
support: 520 × 415 mm
frame: 775 × 660 × 50 mm
Lenbachhaus Munich
Provenance:
The artist;
Inherited by Mathilde Klee (1876-1953);
Acquired by Marietta Rougemont, 1953;
Acquired from Marietta Rougemont via the Klipstein and Kornfeld Auction sale, Bern, by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 8 June, 1961.
Nationality of artist: Swiss-German
Identifying marks: verso Olfarbe auf Grundierung /
Verso oil paint on primer
Place of Manufacture: Germany
Catalogue Raisonné: Edited by The Paul Klee Foundation, Museum of Fine Arts, Berne., Paul Klee Catalogue Raisonné - Volume 1 1883-1912, Thames and Hudson, p.488
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Sumpflegende] 1919
painting
Oil paint on card
support: 470 × 408 mm
frame: 633 × 569 × 54 mm
Lenbachhaus Munich and The Gabriele Münter and Johannes Eichner Foundation, Munich; Settled in 2017 with the heirs of the former owner Sophie Lissitzky-Küppers, with generous financial support of the Kulturstiftung der Länder and the Ernst von Siemens Kunststiftung
Provenance:
The artist;
Acquired by Paul Erich Küppers (1889–1922), Hanover, 1922;
Inherited by Sophie Lissitzky-Küppers (1891–1978), Hanover, 1926;
Loaned to the Provincial Museum, Hanover, 1937;
Confiscated by the German Reich/Reich Ministry for Public Enlightenment and Propaganda, Berlin as “degenerate art” from the Provincial Museum, Hanover, 1937-1941;
Acquired from the Reich Ministry for Public Enlightenment and Propaganda, Berlin by Hildebrand Gurlitt (1895–1956), Düsseldorf/Hamburg, until 1941(?);
Acquired by Dr. Hans Peters (1906–1962), Bad Honnef, 1941(?);
Consigned by Dr. Peter's family after his death in Bad Honnef to Kunsthaus Lempertz, Cologne, auction, 7 December 1962;
Acquired via Kunsthaus Lempertz Auction, Cologne, by Galerie Beyeler, Basel, 1963;
Acquired by Dr. Josef Steegmann (1903–1988), Cologne/Vaduz, 1973;
Acquired in exchange for another picture from Dr. Josef Steegmann, Cologne/Vaduz by Galerie Rosengart, Lucerne, 1982;
Acquired from Galerie Rosengart by Municipal Gallery in the Lenbachhaus and Kunstbau Munich and Gabriele Münter and Johannes Eichner Foundation, 1982;
Settlement with the heirs of the former owner Sophie Lissitzky-Küppers by Municipal Gallery in the Lenbachhaus and Kunstbau Munich and Gabriele Münter and Johannes Eichner Foundation, with generous financial support from the Cultural Foundation of the States and the Ernst von Siemens Art Foundation, 2017.
Nationality of artist: Swiss-German
Identifying marks: Signed lower right: Klee
Inscribed lower right: 1919, 163 – verso
Swamp Legend Klee sells owner Dr. Küppers
Place of Manufacture: Germany
Catalogue Raisonné: Edited by The Paul Klee Foundation, Museum of Fine Arts, Berne., Paul Klee Catalogue Raisonné - Volume 3 1883-1912, Thames and Hudson, p.144
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Porträt mit Äpfeln (Elisabeth mit Äpfeln)] 1909
painting
Oil paint on canvas
support: 660 × 595 mm
frame: 841 × 772 × 72 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Bernhard Koehler Sr. (1849–1927), Berlin, by 1914;
Inherited by Elly and Bernhard Koehler Jr. (1882-1964), Berlin/Gauting, 1927;
Donated by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Gustav Vriesen, August Macke, [Stuttgart]: W. Kohlhammer, 1953, p.273
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Begrüßung] 1912
on paper, print
Woodcut on paper
support: 243 × 197 mm
frame: 662 × 522 × 30 mm
Lenbachhaus Munich
Provenance:
The artist;
Bequeathed after the death of the above to Elisabeth Macke;
Stuttgart Art Cabinet R. N. Ketterer, Stuttgart, until 1959;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1959.
Nationality of artist: German
Identifying marks: verso : August Macke: Greeting /confirmed
Place of Manufacture: Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Promenade] 1913
painting
Oil paint on card
support: 510 × 570 mm
frame: 725 × 782 × 66 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Bernhard Koehler Sr. (1849–1927), Berlin, 1913;
Inherited by Elly and Bernhard Koehler Jr. (1882-1964), Berlin/Gauting, 1927;
Donated from the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Gustav Vriesen, August Macke, [Stuttgart]: W. Kohlhammer, 1953, p.291
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Spaziergang auf der Brücke] 1913
painting
Oil paint on cardboard
support: 247 × 302 mm
frame: 367 × 419 × 33 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Bernhard Koehler Sr. (1849–1927), Berlin, c.1914-1927;
Inherited by Elly and Bernhard Koehler Jr. (1882–1964), Berlin/Gauting, 1927;
Donated by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Gustav Vriesen, August Macke, [Stuttgart]: W. Kohlhammer, 1953, p.291
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Hutladen] 1913
painting
Oil paint on canvas
support: 545 × 440 mm
frame: 735 × 635 × 80 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Acquired by Bernhard Koehler Sr. (1849–1927), Berlin, c.1914-1927;
Inherited by Elly and Bernhard Koehler Jr. (1882–1964), Berlin/Gauting, 1927;
Donated by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Gustav Vriesen, August Macke, [Stuttgart]: W. Kohlhammer, 1953, p.290
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Bildnis Maria Franck mit Palette (Maria Franck beim Malen im Schnee)] 1906
painting
Oil paint on canvas
support: 565 × 410 mm
frame: 651 × 503 × 48 mm
Lenbachhaus Munich
Provenance:
The artist;
Inherited from Franz Marc by Maria Franck-Marc (1876–1955), 1916;
Gifted to Margarethe Macke, 1951;
Acquired from the above by Art Cabinet Dr. Hans Hellmut Klihm, Munich, until 1962;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1962.
Nationality of artist: German
Identifying marks: Inscribed on the reverse: ‘Portrait einer Malerin (Maria Marc) von Franz Marc 1906’, ‘Für Margarethe Macke, Maria Marc Januar 1951 Reid’
Place of Manufacture: Kochel, Germany
Catalogue Raisonné: Hoberg, A., and Jansen, I., Franz Marc The Complete Works – Volume I: The Oil Paintings, Philip Wilson Publishers, 2004, p.75
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Rehe im Schnee II] 1911
painting
Oil paint on canvas
support: 847 × 845 mm
frame: 1005 × 1005 × 90 mm
Lenbachhaus Munich, Donation of Elly Koehler
Provenance:
The artist;
Bernhard Koehler Sr. (1849–1927), Berlin, any time before 1916;
Inherited by Elly and Bernhard Koehler Jr. (1882–1964), Berlin/Gauting, 1927;
On permanent loan to the Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1963;
Gifted by Elly Koehler to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1971.
Nationality of artist: German
Identifying marks: n/a
Place of Manufacture: Sindelsdorf, Germany
Catalogue Raisonné: Hoberg, A., and Jansen, I., Franz Marc: The Complete Works – Volume I: The Oil Paintings, Philip Wilson Publishers, 2004, p.150
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Kühe, Rot, Grün, Gelb] 1911
painting
Oil paint on canvas
support: 620 × 875 mm
frame: 867 × 1130 × 85 mm
Lenbachhaus Munich
Provenance:
The artist;
Alfred (1879-1931) and Thekla Hess (1884-1968), Erfurt via Galerie Goltz, Munich or Galerie Der Sturm, Berlin, 1916;
Acquired from Thekla Hess, Erfurt by Galerie Ferdinand Möller, Cologne, 1953;
Acquired by Hanna Bekker vom Rath (1893–1983), Hofheim/Taunus, 1956;
Acquired by Galerie Günther Franke, Munich until 1960;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1960.
Nationality of artist: German
Identifying marks: Signed l.r: ‘Marc’ - Inscribed on the reverse: ‘Marc’
Place of Manufacture: Sindelsdorf, Germany
Catalogue Raisonné: Hoberg, A., and Jansen, I., Franz Marc The Complete Works – Volume I: The Oil Paintings, Philip Wilson Publishers, 2004, p.176
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Tiger] 1912
painting
Oil paint on canvas
support: 1117 × 1018 mm
frame: 1408 × 1315 × 77 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Bernhard Koehler Sr. (1849–1927), Berlin, 1913;
Inherited by Elly and Bernhard Koehler Jr. (1882–1964), Berlin/Gauting, 1927;
Gifted from the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.
Nationality of artist: German
Identifying marks: inscribed on the reverse: ‘Fz. Marc/12’
Place of Manufacture: Sindelsdorf, Germany
Catalogue Raisonné: Hoberg, A., and Jansen, I., Franz Marc The Complete Works – Volume I: The Oil Paintings, Philip Wilson Publishers, 2004, p.184
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Reh im Walde II] 1912
painting
Oil paint on canvas
support: 1100 × 810 mm
frame: 1312 × 1017 × 105 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Acquired by Bernhard Koehler Sr. (1849–1927), Berlin, 1912;
Inherited by Elly and Bernhard Koehler Jr. (1882–1964), Berlin/Gauting, 1927;
Bequeathed by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.
Nationality of artist: German
Identifying marks: Signed l.r.: ‘Marc’
Place of Manufacture: Germany
Catalogue Raisonné: Hoberg, A., and Jansen, I., Franz Marc The Complete Works – Volume I: The Oil Paintings, Philip Wilson Publishers, 2004, p.190
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Im Regen] 1912
painting
Oil paint on canvas
support: 810 × 1055 mm
frame: 1030 × 1274 × 100 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Bernhard Koehler Sr. (1849–1927), Berlin, 1913;
Inherited by Elly and Bernhard Koehler Jr. (1882–1964), Berlin/Gauting, 1927;
Bequeathed by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.
Nationality of artist: German
Identifying marks: signed u.r: ‘F.M.’
Place of Manufacture: Bavaria, Germany
Catalogue Raisonné: Hoberg, A., and Jansen, I., Franz Marc The Complete Works – Volume I: The Oil Paintings, Philip Wilson Publishers, 2004, p.224
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Reh im Klostergarten] 1912
painting
Oil paint on canvas
support: 757 × 1010 mm
frame: 970 × 1219 × 100 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Bernhard Koehler Sr. (1849–1927), 1913;
Inherited by Elly and Bernhard Koehler Jr. (1882–1964), Berlin/Gauting, 1927;
Bequeathed by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.
Nationality of artist: German
Identifying marks: Inscribed on the reverse: ‘Marc Sindelsdorf’
Place of Manufacture: Sindelsdorf, Germany
Catalogue Raisonné: Hoberg, A., and Jansen, I., Franz Marc The Complete Works – Volume I: The Oil Paintings, Philip Wilson Publishers, 2004, p.205
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Hirtin] 1912
on paper, print
Woodcut on paper
support: 222 × 73 mm
frame: 662 × 522 × 30 mm
Lenbachhaus Munich
Provenance:
The artist;
August Macke (1887-1914), 1914;
August Macke estate, until 1981;
Acquired from Gisela Macke by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1981.
Nationality of artist: German
Identifying marks: Inscribed in the block: ‘M’ (u.l.)
Place of Manufacture: Germany
Catalogue Raisonné: Hoberg, Annegret; Jansen, Isabelle, Franz Marc: The Complete Works – Sketchbooks and Prints, Philip Wilson Publishers, 2011, p.356
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Trinkendes Pferd] 1912
on paper, print
Woodcut on paper
support: 220 × 84 mm
frame: 662 × 522 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gabriele Münter, Murnau, until 1957;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks: Inscribed in the block: ‘M’ (m.l.)
Place of Manufacture: Germany
Catalogue Raisonné: Hoberg, Annegret; Jansen, Isabelle, Franz Marc: The Complete Works – Sketchbooks and Prints, Philip Wilson Publishers, 2011, p.362
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Tiger] 1912
on paper, print
Woodcut on paper
support: 220 × 239 mm
frame: 522 × 662 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gabriele Münter, Murnau, until 1957:
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks: Inscribed in the block: ‘M’ (l.r.)
Place of Manufacture: Germany
Catalogue Raisonné: Hoberg, Annegret; Jansen, Isabelle, Franz Marc: The Complete Works – Sketchbooks and Prints, Philip Wilson Publishers, 2011, p.352
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Versöhnung] 1912
on paper, print
Woodcut on paper
support: 201 × 257 mm
frame: 522 × 662 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gabriele Münter, Murnau, until 1957;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks: Inscribed in the block: ‘M’ (l.l.)
Place of Manufacture: Germany
Catalogue Raisonné: Hoberg, Annegret; Jansen, Isabelle, Franz Marc: The Complete Works – Sketchbooks and Prints, Philip Wilson Publishers, 2011, p.348
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Tierlegende] 1912
on paper, print
Woodcut on paper
support: 200 × 240 mm
frame: 522 × 662 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gabriele Münter (1877–1962), Murnau, 1957;
Gifted by the above Städtische Galerie im Lenbachhaus und Kunstbau München, 1957.
Nationality of artist: German
Identifying marks: Inscribed in the block: ‘M’ (l.l.)
Place of Manufacture: Germany
Catalogue Raisonné: Hoberg, Annegret; Jansen, Isabelle, Franz Marc: The Complete Works – Sketchbooks and Prints, Philip Wilson Publishers, 2011, p.350
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Springende Pferdchen] 1912
on paper, unique
Woodcut on paper
support: 132 × 90 mm
frame: 662 × 522 × 30 mm
Lenbachhaus Munich
Provenance:
The artist;
Felix Stössinger, Berlin, until 1930;
Gifted by the above to Municipal Gallery in Lenbachaus and Kunstbau Munich, 1930.
Nationality of artist: German
Identifying marks: Inscribed in the block: ‘M’ (l.l.)
Place of Manufacture: Germany
Catalogue Raisonné: Hoberg, Annegret; Jansen, Isabelle, Franz Marc: The Complete Works – Sketchbooks and Prints, Philip Wilson Publishers, 2011, p.360
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Jawlensky und Werefkin] 1909
painting
Oil paint on card
support: 327 × 445 mm
frame: 460 × 578 × 57 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Bildnis Marianne Werefkin] 1909
painting
Oil paint on card
support: 810 × 550 mm
frame: 964 × 709 × 63 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Zuhören (Bildnis Jawlensky)] 1909
painting
Oil paint on card
support: 498 × 664 mm
frame: 639 × 803 × 70 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Holy Mary] 1908–1909
painting
Ink, oil paint and metal foil on glass in painted frame
frame: 237 × 185 × 15 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Olga von Hartmann] circa 1910
painting
Oil paint on canvas
support: 608 × 452 mm
frame: 737 × 588 × 83 mm
The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Estate of Gabriele Münter, 1962;
Gifted by the above to Gabriele Münter and Johannes Eichner Foundation, Munich, 1966.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Madonna mit Kind] 1909–1910
painting
Ink and oil paint on glass in painted frame
frame: 251 × 182 × 16 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Murnauer Bäuerin mit Kindern] 1909–1910
painting
Ink and oil paint on glass in painted frame
frame: 261 × 243 × 18 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957;
Leonhard Hutton Galleries, New York, 1967;
Acquired by American private collection, 1980;
Acquired by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, via Ketterer Kunst, Munich (40th auction from June 3, 1980, lot 1035), 1980.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Stillleben Grau] 1910
painting
Oil paint on card
support: 345 × 504 mm
frame: 488 × 645 × 55 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Dorfstraße im Winter] 1911
painting
Oil paint on card
support: 524 × 690 mm
frame: 670 × 841 × 70 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Mann am Tisch (Kandinsky)] 1911
painting
Oil paint on card
support: 508 × 685 mm
frame: 645 × 827 × 62 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Stillleben mit Heiligem Georg] 1911
painting
Oil paint on card
support: 511 × 680 mm
frame: 670 × 843 × 44 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Dunkles Stillleben (Geheimnis)] 1911
painting
Oil paint on canvas
support: 782 × 1009 mm
frame: 982 × 1200 × 92 mm
Lenbachhaus Munich, on permanent loan from The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Estate of Gabriele Münter, 1962;
Gifted by the above to Gabriele Münter and Johannes Eichner Foundation, Munich, 1966.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Bauarbeit] 1912
on paper, print
Woodcut on paper
support: 169 × 292 mm
frame: 647 × 508 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Blumengießen] 1912
on paper, print
Woodcut on paper
support: 337 × 247 mm
frame: 647 × 508 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Blumengießen (Titel nicht original)] 1912
on paper, print
Print on paper
support: 420 × 312 mm
frame: 647 × 508 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Kandinsky und Erma Bossi am Tisch] 1912
painting
Oil paint on canvas
support: 955 × 1255 mm
frame: 1025 × 1330 × 65 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.
[Bauernfamilie (Titel nicht original)] 1912–1913
on paper, print
Woodcut on paper
support: 175 × 262 mm
frame: 647 × 508 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Habsburgerplatz] 1912–1913
on paper, print
Woodcut on paper
image: 169 × 219 mm
support: 244 × 344 mm
frame: 647 × 508 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Neujahrswunsch 1913] 1913
on paper, print
Woodcut on paper
support: 206 × 267 mm
frame: 647 × 508 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Madonna mit Poinsettia] circa 1911
painting
Oil paint on canvas
support: 925 × 705 mm
frame: 1090 × 885 × 76 mm
Lenbachhaus Munich, Donation of Gabriele Münter
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: German
Identifying marks: N/A
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Murnauer Landschaft] 1909
painting
Oil paint on card
object: 505 × 545 × 5 mm
frame: 617 × 655 × 83 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gabriele Münter (1877–1962), Murnau, until 1957;
Donated by Gabriele Münter (1877-1962) to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.
Nationality of artist: Russian Empire/German
Identifying marks:
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: Jawlensky, Maria, Alexej von Jawlensky – Catalogue Raisonné of the Oil Paintings Vol. 1, London: Sotheby's Publications, 1998, p.237
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.
[Spanierin] 1913
painting
Oil paint on card
object: 683 × 496 × 4 mm
frame: 955 × 775 × 64 mm
Lenbachhaus Munich
Provenance:
The artist;
Galerie Beyeler, Basel, until 1959;
Acquired from the above by Stuttgart Art Cabinet R. N. Ketterer, Stuttgart, 1959;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1959.
Nationality of artist: Russian Empire/German
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: Jawlensky, Maria, Alexej von Jawlensky – Catalogue Raisonné of the Oil Paintings Vol. 1, London: Sotheby's Publications, 1998, p.437
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.
It was checked with Galerie Beyeler, Basel and confirmed with Lenbachhaus there was no evidence of theft or the work being stolen.
It was checked with Galerie Beyeler's archive team. There is no evidence of the artwork beign stolen or missing.
on paper, unique
Mixed technique on paper
object: 142 × 92 mm
displayed: 142 × 182 mm
Fondazione Marianne Werefkin,
Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.
Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
on paper, unique
Mixed technique on paper
object: 109 × 179 mm
displayed: 109 × 358 mm
Fondazione Marianne Werefkin,
Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.
Nationality of artist: Russin Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
on paper, unique
Mixed technique on paper
object: 217 × 178 mm
displayed: 217 × 356 mm
Fondazione Marianne Werefkin,
Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.
Nationality of artist: Russin Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
supporting material
Mixed media on paper
object: 125 × 180 mm
displayed: 125 × 360 mm
Fondazione Marianne Werefkin, Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.
Nationality of artist: Russin Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[La Tempesta] circa 1907
painting
Tempera on paper on cardboard
support: 570 × 760 mm
frame: 643 × 840 × 45 mm
Fondazione Marianne Werefkin,
Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.
Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Die Tänzer, Alexander Sacharoff] 1909
painting
Tempera on paper on board
support: 735 × 550 mm
frame: 925 × 740 × 37 mm
Fondazione Marianne Werefkin,
Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.
Nationality of artist: Russian Empire/Stateless Person
Identifying marks: Verso: ‘Portrait, A. Sacharoff’
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Rosalia Leiß] 1908–1909
painting
Tempera on cardboard
support: 640 × 500 mm
frame: 745 × 602 × 30 mm
On loan from the PSM Privatstiftung Schloßmuseum Murnau at the Schloßmuseum Murnau, Inv. PSM 55/12355
Provenance:
The artist;
Private Collection, Germany, unknown date;
Private collection Germany, on loan to the Schlossmuseum Murnau, 1993;
Acquired by PSM Privatstiftung Schlossmuseum Murnau and others via Auction House Lempertz, 2 December 2016.
Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Murnau, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.
[In die Nacht hinein] 1910
on paper, unique
Tempera on paper on board
support: 740 × 1010 × 40 mm
frame: 951 × 1222 × 75 mm
Collection of the Friends of Lenbachhaus
Provenance:
The artist;
Artist's estate, Ascona, 1938;
On consignment to Galerie Chichio Haller, Zurich, until 1969;
Acquired from the above by Ernst Häberlin (1907-2000), Wädenswil, until 2000;
Inherited by the children of Ernst Häberlin, 2000;
Swiss private collection;
Acquired from the Swiss art dealer by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, with funds provided by the Förderverein Lenbachhaus e.V., 2018.
Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Selbstbildnis I] circa 1910
on paper, unique
Tempera on paper on card
support: 510 × 340 mm
frame: 678 × 507 × 67 mm
Lenbachhaus Munich
Provenance:
The artist;
Probably acquired from the artist's estate by Fritz Stöckli, 1938;
Fondazione Marianne von Werefkin, Ascona, 1958;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, with funds from the Gabriele Münter Foundation, 1966.
Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.
[Rappresentazione estiva] 1910
painting
Tempera on paper on board
support: 560 × 730 mm
frame: 720 × 895 × 30 mm
Fondazione Marianne Werefkin,
Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.
Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[L'Albero Rosso] 1910
painting
Tempera on paper on cardboard
support: 755 × 565 mm
frame: 870 × 680 × 50 mm
Fondazione Marianne Werefkin,
Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.
Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[La Preghiera] 1910
painting
Tempera on paper on board
object: 1045 × 780 mm
frame: 1200 × 945 × 55 mm
Fondazione Marianne Werefkin,
Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.
Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[I Pattinatori] 1911
painting
Tempera on paper on card
support: 570 × 750 mm
frame: 740 × 925 × 35 mm
Fondazione Marianne Werefkin,
Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.
Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
[Marionettentheater – im Vordergrund Jawlensky und Marianne Werefkin] 1917–1918
on paper, unique
Tempera on paper on card
support: 240 × 322 mm
frame: 495 × 560 × 40 mm
Lenbachhaus Munich
Provenance:
The artist;
Clotilde von Derp-Sacharoff (1892-1974), Rome, until 1971;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1971.
Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany
Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.
Tate Modern (London, UK) from 28 Nov 2024 until 01 Jun 2025.
[Light Prisms. Cinereticolo spettrale] 1966
installation
mobile crystal prisms, acrylic blocks, electric engines, wooden case
object: 1000 × 1000 × 400 mm
ZKM | Center for Art and Media Karlsruhe
Provenance:
Acquired from private collection, ZKM Center for Art and Media (Karlsruhe, Germany) 2017
Nationality of Artist: Italian
Identifying marks: none
Place of manufacture: Italy
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.
1969
installation
Aluminum, electronics, 63 glow switch starters, 63 lightbulbs
object: 760 × 760 × 65 mm
Dunja Donassy-Bonačić, bcd-Cybernetic Art Team – on permanent loan to ZKM | Karlsruhe
Provenance:
The artist
Estate of the artist; on permanent loan to ZKM | Karlsruhe
Nationality of Artist: Croatian
Identifying marks: none
Place of manufacture: Croatia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.
1969
installation
Custom-made hardware (Galois field generator); aluminium analogue and digital electronics, 256 glow lamps
object: 360 × 360 × 120 mm
Dunja Donassy-Bonačić, bcd-Cybernetic Art Team – on permanent loan to ZKM | Karlsruhe
Provenance:
The artist
Estate of the artist; on permanent loan to ZKM | Karlsruhe
Nationality of Artist: Croatian
Identifying marks: none
Place of manufacture: Croatia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.
1969–1979
installation
Custom-made hardware (Galois field generator); aluminium, analogue and digital electronics, 256 glow lamps
object: 360 × 360 × 120 mm
Dunja Donassy-Bonačić, bcd-Cybernetic Art Team – on permanent loan to ZKM | Karlsruhe
Provenance:
The artist
Estate of the artist; on permanent loan to ZKM | Karlsruhe
Nationality of Artist: Croatian
Identifying marks: none
Place of manufacture: Croatia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.
[Superficie Magnetica] 1965
sculpture
Aluminium, iron filings, polyurethane foam, magnets, glass, motor, sensor
object: 800 × 870 × 260 mm
Private collection
Provenance:
Purchased from the artist via 10 A.M Art Gallery, Milan, Private Collection 2014
Nationality of Artist: Italian
Identifying marks: none
Place of manufacture: Italy
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.
[Gente Ampli*2] 1972
on paper, print
Computer output on paper
object: 1345 × 725 mm
The Museum of Modern Art, New York. Latin American and Caribbean Fund, 2016.
Provenance:
The artist
1973—2016, Estate of the artist
2016—present, The Museum of Modern Art, New York. Purchased from the above (via Luciana Brito Gallery, São Paulo)
Nationality of artist: Brazilian
Identifying marks: none
Place of Manufacture: São Paulo, Brazil
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.
[3 No 7 d2/ / dezain 1–4] 1964
on paper, unique
Gouache on paper after computer-generated design
object: 344 × 252 mm
ZKM | Center for Art and Media Karlsruhe
Provenance:
Donated by the artist, ZKM Center for Art and Media (Karlsruhe, Germany) 2010
Nationality of Artist: Japanese
Identifying marks: none
Place of manufacture: Japan
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.
1969
on paper, unique
Gouache on paper after computer-generated design
object: 714 × 500 mm
ZKM | Center for Art and Media Karlsruhe
Provenance:
Donated by the artist, ZKM Center for Art and Media (Karlsruhe, Germany) 2010
Nationality of Artist: Japanese
Identifying marks: none
Place of manufacture: Japan
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.
1992
installation
interactive installation; touch screen, computer: PC, operating system: Windows XP, individual software, loudspeaker, camera, projection screen
Dimensions variable
ZKM | Center for Art and Media Karlsruhe
Provenance:
The artists
Donated to ZKM | Center for Art and Media Karlsruhe
Nationality of Artists: German
Identifying marks: none
Place of manufacture: Germany
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.
[Cronotopo] 1963
sculpture
Aluminium, glass
object: 1000 × 1000 × 55 mm
Archivio Eredi Nanda Vigo
Provenance:
The artist
Nationality of Artist: Italian
Identifying marks: none
Place of manufacture: Italy
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.
[Cronotopo] 1960–1965
sculpture
Aluminium, glass
object: 600 × 600 × 200 mm
base: 1100 × 600 mm
Archivio Eredi Nanda Vigo
Provenance:
The artist
Nationality of Artist: Italian
Identifying marks: none
Place of manufacture: Italy
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.
[Cronotopo] 1966
sculpture
Aluminium, glass
object: 1400 × 500 × 500 mm
Archivio Eredi Nanda Vigo
Provenance:
The artist
Nationality of Artist: Italian
Identifying marks: none
Place of manufacture: Italy
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.
[Cronotopo] 1967
sculpture
Aluminium, glass, neon tubes, electrical components
object: 1000 × 1000 × 100 mm
Archivio Eredi Nanda Vigo
Provenance:
The artist
Nationality of Artist: Italian
Identifying marks: none
Place of manufacture: Italy
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.
[Diaframma] 1968
sculpture
Aluminium, glass, neon tubes, electrical components
object: 1000 × 1000 × 250 mm
Archivio Eredi Nanda Vigo
Provenance:
The artist
Nationality of Artist: Italian
Identifying marks: none
Place of manufacture: Italy
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.