Tate Britain (London, UK) from 03 Nov 2021 until 20 Mar 2022.
William Hogarth
(1697-1764, born: London, died: London)
X14781
Before
1730–1731
painting
Oil paint on canvas
support: 400 x 337 mm
frame: 502 x 445 x 38 mm
The J. Paul Getty Museum, Los Angeles, 78.PA.204
Provenance:
by 1785-1801 with Frederick Ponsonby, 3rd Earl of Bessborough; sold, Bessborough Sale, Christie's, London, February 7, 1801, lot 67; 1801, with Charles Howard, 11th Duke of Norfolk; by 1833 with Henry Ralph Willett; by 1919 with Francis George Seymour Holbrooke; January 1930, sold to Leicester Galleries, Ernest Brown & Phillips; January 1936, sold to Thorsten Laurin, Stockholm, Sweden; still with Thorsten Laurin, Stockholm, Sweden in 1949; by 1959 with Private Collection; sold, Sotheby's, London, July 15, 1959, lot 132, through Thomas Agnew & Sons, Ltd. to J. Paul Getty; 1959-76 with J. Paul Getty, upon his death held in trust by the estate; 1976-8, Estate of J. Paul Getty; distributed to the J. Paul Getty Museum, 1978.
Nationality of artist: British
Identifying marks: none
Place of manufacture: London, England
Catalogue Raisonné: Einberg, E., 'William Hogarth: A Complete Catalogue of the Paintings', Yale University Press, New Haven and London, 2016, no.41
X14782
After
1730–1731
painting
Oil paint on canvas
support: 394 x 337 mm
frame: 502 x 445 x 38 mm
The J. Paul Getty Museum, Los Angeles, 78.PA.205
Provenance:
by 1785-1801 with Frederick Ponsonby, 3rd Earl of Bessborough; sold, Bessborough Sale, Christie's, London, February 7, 1801, lot 67; 1801, with Charles Howard, 11th Duke of Norfolk; by 1833 with Henry Ralph Willett; by 1919 with Francis George Seymour Holbrooke; January 1930, sold to Leicester Galleries, Ernest Brown & Phillips; January 1936, sold to Thorsten Laurin, Stockholm, Sweden; still with Thorsten Laurin, Stockholm, Sweden in 1949; by 1959 with Private Collection; sold, Sotheby's, London, July 15, 1959, lot 132, through Thomas Agnew & Sons, Ltd. to J. Paul Getty; 1959-76 with J. Paul Getty, upon his death held in trust by the estate; 1976-8, Estate of J. Paul Getty; distributed to the J. Paul Getty Museum, 1978.
Nationality of artist: British
Identifying marks: none
Place of manufacture: London, England
Catalogue Raisonné: Einberg, E., 'William Hogarth: A Complete Catalogue of the Paintings', Yale University Press, New Haven and London, 2016, no.42
X81317
Southwark Fair
1733
painting
Oil paint on canvas
support: 1207 × 1511 mm
frame: 1413 × 1734 × 86 mm
Cincinnati Art Museum, The Edwin and Virginia Irwin Memorial, 1983.138
Provenance:
With Mary Edwards (1705-1743) by 1742; with D. Cameron, 1796-7; with T. Johnes, 1807; with 4th Dule of Newcastle and Earl of Lincoln, Henry Pelham (1785-1851) before 1833; by descent to 7th Duke of Newcastle and Earl of Lincoln, Henry Pelham Archibald Douglas (1864-1928); bequeathed to the Earl of Lincoln (presumably Henry Francis Hope (1866-1941), later 8th Duke of Newcastle) by 1937; with Sir Harry and Lady Eunice Oakes, 1st Baronet of Nassau, Bahamas, at least to 1972; with ?Cleo Sobretela (perhaps the seller at Christie's, London, 22 June, 1973, sold to Paterson-Smyth, by 1973); with Paterson-Smyth by 1973; sale at Christie's, New York, 19 January 1982, unsold, bought in; later acquired by three dealers: Noortman and Brod, New York and London, Richard Feigan & Co., New York, and Colnaghi, London; July, 1983, sold from the dealers to Cincinnati Art Museum, Cincinnati, Ohio.
Nationality of artist: British
Identifying marks: none
Place of manufacture: London, England
Catalogue raisonné: Einberg, E., 'William Hogarth: A Complete of the Paintings', Yale University Press, New Haven and London, 2016, no.67
X81320
Mary Hogarth
circa 1740
painting
Oil paint on canvas
support: 467 × 416 mm
frame: 654 × 603 mm
Yale Center for British Art, Paul Mellon Fund
Provenance:
Created by William Hogarth [1697-1764], the artist, circa 1740; by descent? Jane Thornhill Hogarth [ca. 1709-1789], the artist’s wife; purchased by Mr Rann or Rhann [1], Castle Street, Long Acre [a], for £2 at “A catalogue of the pictures and prints ; the property of the late Mrs. Hogarth, decd.” sale, Mr. Greenwood’s, April 23, 1790 (41, “Two portraits of Ann and Mary Hogarth”); purchased by Thomas Gwennap [ca. 1774-1850] of Marylebone at “Books; prints and portraits.” sale, Mr. Stewart’s, December 30, 1813-January 1, 1814 (68, “Three Portraits, Mary and Anne Hogarth, &c.”); offered Christie’s, April 24, 1819 (15 or 16), not sold; purchased John Bowyer Nichols [1779-1863], of The Chancellor’s, Hammersmith, Christie’s, April 5, 1821 (24, “Two Portraits of Mary and Anne, Sisters of the Artist”) 2 gns; by descent to Robert Cradock Nichols [1824-1892], his son; by descent to his widow, Emily Mary Kinsey [1844-1907] [2]; by inheritance to Henry Faure-Walker, Highley Manor, 1893; with Thomas Agnew & Son, October 1946; purchased by Columbus Museum of Art, Ohio; de-accessioned and purchased by Salander-O’Reilly Galleries, New York at Christie’s, London, June 14, 2001 (24); purchased by the Yale Center for British Art, Paul Mellon Fund, 2001
Nationality of artist: British
Identifying marks: none
Place of manufacture: London, England
Catalogue raisonné: Einberg, E., 'William Hogarth: A Complete Catalogue of the Paintings', Yale University Press, New Haven and London, 2016, no.95
X81321
Anne Hogarth
circa 1740
painting
Oil paint on canvas
support: 467 × 416 mm
frame: 654 × 603 mm
Yale Center for British Art, Paul Mellon Fund
Provenance:
Created by William Hogarth [1697-1764], the artist, circa 1740; by descent? Jane Thornhill Hogarth [ca. 1709-1789], the artist’s wife; purchased by Mr Rann or Rhann [1], Castle Street, Long Acre [a], for £2 at “A catalogue of the pictures and prints ; the property of the late Mrs. Hogarth, decd.” sale, Mr. Greenwood’s, April 23, 1790 (41, “Two portraits of Ann and Mary Hogarth”); purchased by Thomas Gwennap [ca. 1774-1850] of Marylebone at “Books; prints and portraits.” sale, Mr. Stewart’s, December 30, 1813-January 1, 1814 (68, “Three Portraits, Mary and Anne Hogarth, &c.”); offered Christie’s, April 24, 1819 (15 or 16), not sold; purchased John Bowyer Nichols [1779-1863], of The Chancellor’s, Hammersmith, Christie’s, April 5, 1821 (24, “Two Portraits of Mary and Anne, Sisters of the Artist”) 2 gns; by descent to Robert Cradock Nichols [1824-1892], his son; by descent to his widow, Emily Mary Kinsey [1844-1907] [2]; by inheritance to Henry Faure-Walker, Highley Manor, 1893; with Thomas Agnew & Son, October 1946; purchased by Columbus Museum of Art, Ohio; de-accessioned and purchased by Salander-O’Reilly Galleries, New York at Christie’s, London, June 14, 2001 (24); purchased by the Yale Center for British Art, Paul Mellon Fund, 2001
Nationality of artist: British
Identifying marks: none
Place of manufacture: London, England
Catalogue raisonné: Einberg, E., 'William Hogarth: A Complete Catalogue of the Paintings', Yale University Press, New Haven and London, 2016, no.96
X79443
Miss Mary Edwards
1742
painting
Oil paint on canvas
support: 1264 x 1013 mm
frame: 1481 x 1219 x 68 mm
The Frick Collection, New York. Henry Clay Frick Bequest
Provenance:
By family descent to W.F.N. Noel; with Knoedler Gallery, New York; from whom acquired by Henry Clay Frick, 1914
Nationality of artist: British
Identifying marks: none
Place of manufacture: London, England
Catalogue Raisonné: Einberg, E., 'William Hogarth: A Complete Catalogue of the Paintings', Yale University Press, New Haven and London, 2016, no.162
X14783
The Lady's Last Stake
1759
painting
Oil paint on canvas
support: 914.4 x 1054.1 mm
frame: 1193.8 x 1339.9 x 69.9 mm
Collection Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox, Jr., 1945
Provenance:
Painted for the First Earl of Charlemont, James Caulfield (1728-1799), in 1759; Remained in the family of Lord Carlemont, until 1874; Sold to Vokins at auction, London, lot 57, May 2, 1874; Collection of Louis Huth, by 1881; Agnew & Sons, London, 1889; Collection of J. Pierpont Morgan (1837-1913), New York, from 1900; M. Knoedler & Col. New York; Sold to the Albright Art Gallery, May 28, 1945
Nationality of the artist: British
Identifying marks: none
Place of manufacture: London, England
Catalogue Raisonné: Einberg, E., 'William Hogarth: A Complete Catalogue of the Paintings', Yale University Press, New Haven and London, 2016, no.234
Pietro Longhi
(1701 - 1785, born: Venice, died: Venice)
X81318
The Painter in His Studio
circa 1741–1744
painting
Oil paint on canvas
support: 410 x 533 mm
frame: 483 x 606 mm
The J. Paul Getty Museum, Los Angeles, Purchased in part with funds realised from the sale of paintings donated by Burton Fredericksen and William Garred., 2011.20
Provenance:
by 1891, with George Augustus Frederick Cavendish-Bentinck; sold, Christie's, London, July 11, 1891, lot 571, to Thomas Agnew & Sons, Ltd.; by 1931, with Gen. Archibald Stirling of Keir; by inheritance to his son, William Joseph Stirling of Keir, 1931; sold, Sotheby's, London, July 3, 1963, lot 42, to Edward Speelman; by 1979 with Sir Charles Clore; by 2011 with Fine Art Foundation, Switzerland; 2011, sold to Hindlip Fine Art; 2011, sold to Simon Dickinson Ltd.; 2011 purchased from Simon Dickenson Ltd. by the J. Paul Getty Museum
Nationality of artist: Italian
Identifying marks: none
Place of manufacture: Venice, Italy
X78696
The Tooth Puller
1746–1752
painting
Oil paint on canvas
support: 500 × 620 mm
frame: 587 × 710 × 45 mm
Pinacoteca di Brera, Milano
Provenance:
Purchased 1911
Nationailty of artist: Italian
Identufying marks: none
Place of manufacture: Venice, Italy
X83157
The Dance
circa 1750
painting
Oil paint on canvas
support: 616 × 495 mm
frame: 743 × 591 × 64 mm
The Art Institute of Chicago, Charles H. and Mary F. S. Worcester Collection, 1932.52
Provenance:
John Wanamaker (died 1922), Philadelphia [letter from Julius Weitzner to Daniel Catton Rich, AIC, January 28, 1927; in curatorial object file]; Philadelphia Art Dealer [according to letter cited above]; sold to Julius H. Weitzner, New York [according to letter cited above]; sold to Charles H. and Mary F. S. Worcester, October 1931 [Minutes of the Committee on Painting and Sculpture, October 19, 1931 and Letter from AIC Secretary to Mrs. Worcester, confirming receipt of funds and transfer to dealer, October 23, 1931; copy in curatorial object file]; given to the Art Institute, 1932.
Nationality of artist: Italian
Identifying marks: none
Place of manufacture: Venice, Italy
Paul Sandby
(c.1730-1809, born: Nottingham, died: London)
X17063
London Cries: Last Dying Speech and Confession
circa 1759
on paper, unique
Watercolour over graphite on paper
support: 175 × 143 mm
frame: 519 × 392 × 25 mm
Yale Center for British Art, Paul Mellon Collection
Provenance:
Created by Paul Sandby (1731-1809), the artist, circa 1759; ...; Lord Bruce (Andrew Douglas Alexander Thomas Bruce, 11th Earl of Elgin and 15th Earl of Kincardine); purchased by P. D. Colnaghi & Co., April 27, 1965 (lot 62 1-12) at Christie, Manson & Woods, London; purchased by Paul Mellon, May 24, 1965; by whom given to the Yale Center for British Art, December 1975
Nationality of artist: British
Identifying marks: none
Place of manufacture: London, England
X81322
London Cries: A Tinker and His Wife
circa 1759
on paper, unique
Wash, graphite and watercolour on paper
support: 194 × 143 mm
frame: 519 × 392 × 25 mm
Yale Center for British Art, Paul Mellon Collection
Provenance:
Created by Paul Sandby (1731-1809), the artist, circa 1759; ...; Lord Bruce (Andrew Douglas Alexander Thomas Bruce, 11th Earl of Elgin and 15th Earl of Kincardine); purchased by P. D. Colnaghi & Co., April 27, 1965 (lot 62 1-12) at Christie, Manson & Woods, London; purchased by Paul Mellon, May 24, 1965; by whom given to the Yale Center for British Art, December 1975
Nationality of artist: British
Identifying marks: none
Place of manufacture: London, England
X81323
London Cries: A Girl with a Basket of Oranges
circa 1759
on paper, unique
Watercolour on paper
support: 188 × 171 mm
frame: 519 × 392 × 25 mm
Yale Center for British Art, Paul Mellon Collection
Provenance:
Created by Paul Sandby (1731-1809), the artist, circa 1759; ...; Lord Bruce (Andrew Douglas Alexander Thomas Bruce, 11th Earl of Elgin and 15th Earl of Kincardine); purchased by P. D. Colnaghi & Co., April 27, 1965 (lot 62 1-12) at Christie, Manson & Woods, London; purchased by Paul Mellon, May 24, 1965; by whom given to the Yale Center for British Art, December 1975
Nationality of artist: British
Identifying marks: none
Place of manufacture: London, England
Pierre Subleyras
(1699 - 1749)
X81307
The Amorous Courtesan, from a tale by Jean de la Fontaine
[La Courtisane amoureuse d'après un conte de Jean de la Fontaine] circa 1735
painting
Oil paint on canvas
support: 300 × 230 mm
frame: 445 × 375 mm
Paris, Musée du Louvre, Department of Paintings
Provenance:
The painting is part of a series of 4 paintings commissioned from Subleyras by the Duke of Saint-Aignan to illustrate the tale of Jean de La Fontaine, book III, tale VI.
Collection of duc de Saint-Aignan; his sale after death, 17 June 1776, n°42 (with "Frère Luce"); sale Randon de Boisset, February 27, 1777, n°182 (with a "Faucon"); sale of the cabinet of M. [Trouard, contrôleur des Bâtiments du Roi], 22 February 1779, n°23 (with a "Faucon"); coll. de M. de Saint-Julien in 1783; sale of the Comte de Vaudreuil, November 26, 1787, n°67 (with a "Faucon"); sale after death of the Marquis de Saint-Marc, 23 February 1859, n°15; coll. Jules Burat from 1860; Burat sale, April 28, 1885, No. 168; sale Léon Michel-Lévy, June 17, 1925, n°154; Galerie Paul Cailleux, Paris; coll. du comte Niel, Paris; from 1929, at the dealer Nicolaas Beets in Amsterdam; Sale Beets, Amsterdam, at Fr. Muller, 9-11 April 1940, n°343; J. de Monchy, The Netherlands; sale Monchy and Others, N.V. sold Notarishuis, (J.P.A. Koks director), catalogue 106, Rotterdam, 29-31 October 1969, n°89 (23 000 guilders to John Hoogsteder and Alex Wengraf); Hoogsteder Gallery, The Hague; trade in London (Colnaghi) in 1969. Donation of the heirs of Mr Antenor Patino (died 1982), subject to usufruct in favour of Mrs Beatrix Patino, his widow, 1985. Committee of 20 June 1985; Council of 26 June 1985; Order of 11 December 1985.
Nationality of artist: French
Identifying marks: none
Place of manufacture: Paris, France
