Mike Kelley

Tate Modern (London, UK) from 02 Oct 2024 until 09 Mar 2025.

Mike Kelley
(1954–2012, born: Detroit, died: Los Angeles)

Mike Kelley, Last Tool in Use, 1977

X85916
Last Tool in Use

1977
sculpture
Enamel paint on metal and wood
object: 736.6 × 552.5 × 76.2 mm
Mike Kelley Foundation for the Arts
Provenance:
X85916
Mike Kelley, Last Tool in Use
1977
Enamel paint on metal and wood
object: 737 × 553 × 76 mm
Mike Kelley Foundation for the Arts, Los Angeles, United States of America
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Mike Kelley, My Space, 1978

X81977
My Space

1978
on paper, unique
Ink/graphite on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:

X81977
Mike Kelley, My Space

1978
Ink on board
object: 254 × 152 mm
Mike Kelley Foundation for the Arts, Los Angeles, United States of America

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death

Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Mike Kelley, Gothic Birdhouse, 1978

X87704
Gothic Birdhouse

1978
sculpture
Paint on wood, plexiglas
object: 480 × 330 × 355 mm
Kourosh Larizadeh and Luis Pardo collection
Provenance:
X87704
Mike Kelley, Gothic Birdhouse
1978
Paint on wood, plexiglas
Object: 480 × 330 × 355 mm

Provenance:
The artist
Purchased from the above by Private Collection
Purchased from the above by Patrick Painter Gallery, Los Angeles
Purchased from the above by present owners Kourosh Larizadeh and Luis Pardo 2000


Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Drawing for Assuming That a Bird is A Symbol of The Soul..., 1978

X89014
Drawing for Assuming That a Bird is A Symbol of The Soul...

1978
on paper, print
Ink on lined paper
object: 613 × 387 mm
Mike Kelley Foundation for the Arts
Provenance:
X89014
Mike Kelley, Drawing for Assuming That a Bird is A Symbolf of The Soul...
1978
Ink on lined paper
Object: 613 × 387 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Title Drawing for a Spirit Collector, 1978

X89015
Title Drawing for a Spirit Collector

1978
on paper, print
Ink on lined paper
object: 241 × 152 mm
Mike Kelley Foundation for the Arts
Provenance:
X89015
Mike Kelley, Drawing for a Spirit Collector
1978
Ink on lined paper
Object: 613 × 387 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, The Banana Man Costume, 1981–82

X81949
The Banana Man Costume

1981–82
supporting material
Cotton, linen and plastic rings
Hat: 190.5 mm.; shirt and pants: men’s small
Mike Kelley Foundation for the Arts
Provenance:
X81949
Mike Kelley, Banana Man Costume
1981–82
Cotton, linen and plastic rings
Hat diam.: 19; shirt and pants: men’s small
Mike Kelley Foundation for the Arts, Los Angeles, United States of America
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Mike Kelley, Personality Crisis (Untitled #1–3), 1982

X82085
Personality Crisis (Untitled #1–3)

1982
on paper, unique
Acrylic paint on graph paper
object: 572 × 724 mm
Private collection
Provenance:
X82085
Mike Kelley, Personality Crisis (Untitled #1–3)
1982
3 parts: Acrylic paint on graph paper
572 × 724 mm
Provenance:
Collection Arnold Forde, Los Angeles
Hauser & Wirth, 2005
Private Collection, 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Expansions, 1982

X82102
Expansions

1982
on paper, unique
Acrylic paint on brown paper
object (1st object): 2184 × 2299 × 127 mm object (2nd object): 394 × 375 × 127 mm
Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82102
Mike Kelley, Expansions
1982
2 parts: acrylic paint on brown paper
Object: 2184 × 2299 × 127 mm; 394 × 375 × 127 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Insect Face, 1981–82

X82375
Insect Face

1981–82
relief
Acrylic paint on sheetmetal over wood
object: 432 × 699 × 165 mm
The Museum of Contemporary Art, Los Angeles. Gift of Lannan Foundation
Provenance:
X82375
Mike Kelley, Insect Face
1981–82
Acrylic paint on sheetmetal over wood
Object: 432 × 699 × 165 mm

Provenance:
Metro Pictures, New York
Purchased from the above by Lannan Foundation Florida & Los Angeles, 1983
Gifted by the above to The Museum of Contemporary Art, Los Angeles 1997
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Two Islands, 1981–82

X82391
Two Islands

1981–82
relief
Acrylic paint on sheet metal over wood
object: 432 × 699 × 165 mm
The Museum of Contemporary Art, Los Angeles. Gift of Lannan Foundation
Provenance:
X82391
Mike Kelley, Two Islands
1981–82
Acrylic paint on sheetmetal over wood
Object: 432 × 699 × 165 mm

Provenance:
Metro Pictures, New York
Purchased from the above by Lannan Foundation Florida & Los Angeles, 1983
Gifted by the above to The Museum of Contemporary Art, Los Angeles 1997
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Monkey Island (Los Angeles Zoo #1), 1982–83

X82094
Monkey Island (Los Angeles Zoo #1)

1982–83
on paper, print
Photograph; black and white
object: 279 × 356 mm
Kourosh Larizadeh and Luis Pardo collection
Provenance:
X82094
Mike Kelley, Monkey Island (Los Angeles Zoo #1)
1982–83
Photograph; print on paper
Object: 279 × 356 mm

Provenance:
The artist
Rosamund Felsen Gallery, Los Angeles
Purchased from the above by present owners Kourosh Larizadeh and Luis Pardo 1994


Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, The Tiny Insect Magnified Becomes It's Own Farm, 1982–83

X82096
The Tiny Insect Magnified Becomes It's Own Farm

1982–83
on paper, unique
Acrylic paint on paper
object: 1422 × 1073 mm
Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82096
Mike Kelley, The Tiny Insect Magnified Becomes It's Own Farm
1982–83
Acrylic paint on paper
Object: 1422 × 1073 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, The Bells, 1982–83

X82097
The Bells

1982–83
on paper, unique
Acrylic paint on paper
object: 597 × 1969 mm
The Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82097
Mike Kelley, The Bells
1982–83
Acrylic paint on paper
Object: 597 × 1969 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Infinite Multiplication, 1982–83

X82098
Infinite Multiplication

1982–83
on paper, unique
Acrylic paint on foam core
Four objects, each: 1092 × 4064 mm
The Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82098
Mike Kelley, Infinite Multiplication
1982–83
Acrylic paint on foam core
Object: 1092 × 4064 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Symmetrical Sets: Splitting All, Two Buttocks, Ass Insect, Two Hemispheres, Two Mounds, Compound Eye, Two Tents, Red Reefs, 1982–83

X82099
Symmetrical Sets: Splitting All, Two Buttocks, Ass Insect, Two Hemispheres, Two Mounds, Compound Eye, Two Tents, Red Reefs

1982–83
on paper, unique
8 parts: Acrylic paint on paper
object, each: 457 × 610 mm
The Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82099
Mike Kelley, Symmetrical Sets: Splitting All, Two Buttocks, Ass Insect, Two Hemispheres, Two Mounds, Compound Eye, Two Tents, Red Reefs
1982–83
8 parts: acrylic paint on paper
Object: 457 × 610 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Shock, 1982–83

X82100
Shock

1982–83
on paper, unique
Acrylic paint and mercurochrome on paper
Four objects: 61 × 48.3; 121.3 × 95.3; 121.3 × 95.3; 121.3 × 95.3
Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82100
Mike Kelley, Shock
1982–83
Acrylic paint and mercurochrome on paper
Object: 61 × 48.3; 121.3 × 95.3; 121.3 × 95.3; 121.3 × 95.3 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, The Bug Eye, 1982–83

X82101
The Bug Eye

1982–83
on paper, unique
Acrylic paint on paper
image: 333 × 1349 mm
Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82101
Mike Kelley, The Bug Eye
1982–83
Acrylic paint on paper
Object: 333 × 1349 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
X82100

Mike Kelley, Choreographic Figure, 1982–83

X82103
Choreographic Figure

1982–83
on paper, unique
Acrylic paint on foam core
object, each: 765 × 508 mm overall: 3048 × 1524 mm
Museum of Contemporary Art, Los Angeles. The El Paso Natural Gas Company Fund for California Art
Provenance:
X82103
Mike Kelley, Choreographic Figure
1981–82
Acrylic paint on foam core
Object: 765 × 508 mm

Provenance:
Rosamund Felsen Gallery, Los Angeles 1983
Purchased from the above by The Museum of Contemporary Art, Los Angeles 1986
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Creationism, 1982–83

X82132
Creationism

1982–83
on paper, unique
Acrylic paint on posterboard
Four object: each 965 × 622 mm
The Museum of Modern Art, New York. The Judith Rothschild Foundation Contemporary Drawings Collection Gift
Provenance:
X82132
Mike Kelley, Creationism
1982–83
Acrylic paint on posterboard
Four objects: each 965 × 622 mm
Provenance:
Metro Pictures, New York
Purchased from the above by The Judith Rothschild Foundation, 2003
Gifted from the above to the The Museum of Modern Art, New York, 2005

Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Perspectaphone, 1982–83

X82155
Perspectaphone

1982–83
sculpture
Paint on wood
object: 711 × 279 × 254 mm
Kourosh Larizadeh and Luis Pardo collection
Provenance:
X82155
Mike Kelley, Perspectaphone
1982–83
Paint on wood
Object: 711 × 279 × 254 mm

Provenance:
The artist
Patrick Painter Gallery, Los Angeles
Purchased from the above by present owners Kourosh Larizadeh and Luis Pardo 1999


Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45

Mike Kelley, Birdhouse for a Bird that is Near and a Bird That is Far, 1982–83

X82156
Birdhouse for a Bird that is Near and a Bird That is Far

1982–83
sculpture
Acrylic paint on wood, metal
object: 702 × 940 × 286 mm
Private collection
Provenance:
X82156
Mike Kelley, Birdhouse for a Bird that is Near and a Bird That is Far
1982–83
Acrylic paint on wood, metal
702 × 940 × 286 mm
Provenance:
Collection Arnold Forde, Los Angeles
Hauser & Wirth, 2005
Private Collection, 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Intestinal Garland, 1982–83

X82197
Intestinal Garland

1982–83
relief
Acrylic paint on cloth
object: 1829 × 3886 mm
Mike Kelley Foundation for the Arts
Provenance:
X82197
Mike Kelley, Intestinal Garland
1982–83
Acrylic paint on cloth
Dimensions variable
Mike Kelley Foundation for the Arts, Los Angeles, United States of America
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Mike Kelley, Monkey's Ass, 1981–82

X82390
Monkey's Ass

1981–82
relief
Acrylic paint on sheet metal over wood
object: 432 × 699 × 165 mm
The Museum of Contemporary Art, Los Angeles. Gift of Lannan Foundation
Provenance:
X82390
Mike Kelley, Monkey's Ass
1981–82
Acrylic paint on sheetmetal over wood
Object: 432 × 699 × 165 mm

Provenance:
Metro Pictures, New York
Purchased from the above by Lannan Foundation Florida & Los Angeles, 1983
Gifted by the above to The Museum of Contemporary Art, Los Angeles 1997
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Cell Dividing, 1982–1983

X82392
Cell Dividing

1982–1983
relief
Acrylic paint on sheetmetal over wood
object: 431.8 × 698.5 × 165.1 mm
The Museum of Contemporary Art, Los Angeles. Gift of Lannan Foundation
Provenance:
X82392
Mike Kelley, Cell Dividing
1982–83
Acrylic paint on sheetmetal over wood
Object: 431.8 × 698.5 × 165.1 mm
Provenance:
Metro Pictures, New York
Purchased from the above by Lannan Foundation Florida & Los Angeles, 1983
Gifted by the above to The Museum of Contemporary Art, Los Angeles 1997
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Fallopian Tube, 1983

X87705
Fallopian Tube

1983
sculpture
Paint on wood, wire, plastic and yarn
object: 1194 × 1067 × 762 mm
Kourosh Larizadeh and Luis Pardo collection
Provenance:
X87705
Mike Kelley, Fallopian Tube
1983
Paint on wood, wire, plastic and yarn
Object: 1194 × 1067 × 762 mm

Provenance:
The artist
Rosamund Felsen Gallery, Los Angeles
Purchased from the above by Private Collection
Purchased from Christie's New York, Wednesday 23 September, 2009, Lot 84, by present owners Kourosh Larizadeh and Luis Pardo

Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Landscape, Sign, Wave and Bell, 1982-83

X87706
Landscape, Sign, Wave and Bell

1982-83
installation
Acrylic paint on two canvases, graphite on paper, paint on bell
Four objects: overall: 838 × 1956 × 381 mm
Kourosh Larizadeh and Luis Pardo collection
Provenance:
X87706
Mike Kelley, Landscape, Sign, Wave and Bell
1982
Acrylic paint on wood, acrylic paint on canvas, ink on paper, painted papier mâché bell, tennis ball and wood stand
Object: 8.8 × 1956 × 381 mm

Provenance:
Metro Pictures, New York
Purchased from the above by Private Collection
Purchased from Sotheby’s, New York 1999, by present owners Kourosh Larizadeh and Luis Pardo

Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.



[BGV1]Sotheby's New York: Wednesday, February 17, 1999 [Lot 00282] BOUGHT IN?

Mike Kelley, Janitorial Banner, 1984

X82370
Janitorial Banner

1984
sculpture
Felt on felt and wood
object: 1245 × 305 × 51 mm
The Museum of Contemporary Art, Los Angeles. Gift of Councilman Joel Wachs, in honor of Ann Goldstein and Philippe Vergne
Provenance:
X82370
Mike Kelley, Janitorial Banner
1984
Felt on felt and wood
Object: 1245 × 305 × 51 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles
Joel Wachs by 1993
Gifted by the above to The Museum of Contemporary Art, Los Angeles 2014
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Bibliography: Mike Kelley: Catholic Tastes, exh. cat., Whitney Museum of Modern Art, New York 1993
This work was produced after the operative period 1933 - 45.

Mike Kelley, The Power of The Unconscious, 1985

X82170
The Power of The Unconscious

1985
painting
Acrylic paint on canvas
object: 781 × 629 mm
Collection of Beth Rudin DeWoody
Provenance:
X82170
Mike Kelley, The Power of The Unconscious
1985
Acrylic paint on canvas
Object: 781 × 629 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles
Acquired from the above by Karen Comegys-Wortz
Acquired from above by present owner Beth Rudin DeWoody 2014
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Three Point Program / Four Eyes, 1987

X82002
Three Point Program / Four Eyes

1987
relief
Glued felt
object: 2388 × 1511 mm
Collection of Eileen and Michael Cohen
Provenance:
X82002
Mike Kelley, Three Point Program / Four Eyes
1987
Felt on felt
Object: 2388 × 1511 mm
Provenance:
Metro Pictures, New York 1987
Acquired from the above by present owners Eileen and Michael Cohen 1987
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, More Love Hours than Can Ever Be Repaid and The Wages of Sin, 1987

X82013
More Love Hours than Can Ever Be Repaid and The Wages of Sin

1987
installation
Found handmade stuffed animals and afghans on canvas with dried corn, wax candles on wood and metal base
object (1st object): 2438 × 3226 × 150 mm object (2nd object): 1321 × 584 × 584 mm
Whitney Museum of American Art, New York. Purchase, with funds from the Painting and Sculpture Committee
Provenance:
X82013
Mike Kelley, More Love Hours than Can Ever Be Repaid and The Wages of Sin
1987
Found handmade stuffed toy animals and afghans on canvas with dried corn (More Love Hours...); wax candles on wood and metal base (The Wages of Sin. Exhibition copy, 2019: thermosetting resins, paint and metal)
Two objects: 2438 × 3226 × 150; 1321 × 584 × 584 mm
Provenance:
The artist
Acquired via Metro Pictures, New York by the Whitney Museum of American Art, New York 1989
Exhibition copy of Wages of Sin produced by the Whitney Museum of American Art, New York 2019
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Garbage Drawing #5, 1988

X81986
Garbage Drawing #5

1988
on paper, unique
Acrylic paint on paper
object: 298 × 502 mm
Mike Kelley Foundation for the Arts
Provenance:

X81986
Mike Kelley, Garbage Drawing #5

1988
Acrylic paint on paper
Object: 298 × 502 mm



Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death

Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Bibliography: Mike Kelley: Catholic Tastes, exh. cat., Whitney Museum of Modern Art, New York 1993

This work was produced after the operative period 1933 - 45.

Mike Kelley, Garbage Drawing #14, 1988

X82401
Garbage Drawing #14

1988
on paper, unique
Acrylic paint on paper
image: 330 × 813 mm
The Museum of Modern Art, New York. The Judith Rothschild Foundation Contemporary Drawings Collection Gift
Provenance:
X82401
Mike Kelley, Garbage Drawing #14
1988
Acrylic paint on paper
Object: 330 × 813 mm
Provenance:
The artist
Metro Pictures, New York, by 1993
Livet Reichard Company, New York
Kenneth L. Freed
Purchased from Christies, New York, September 23, 2003, Sale 1269, Lot 81
by The Judith Rothschild Foundation
Gifted from the above to The Museum of Modern Art, New York, 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Bibliography: Mike Kelley: Catholic Tastes, exh. cat., Whitney Museum of Modern Art, New York 1993
This work was produced after the operative period 1933 - 45.

Mike Kelley, Garbage Drawing #34, 1988

X82403
Garbage Drawing #34

1988
on paper, unique
Acrylic paint on paper
object: 454 × 577.8 mm frame: 514.3 × 631.8 × 45.3 mm
The Museum of Contemporary Art, Los Angeles. Gift of Alan N. Kleinman from the Estate of Marsha Kleinman
Provenance:
X82403
Mike Kelley, Garbage Drawing #34
1988
Acrylic paint on paper
Object: 454 × 577.8 mm
Provenance:
Rosamund Felsen Gallery, Los Angeles
Purchased from the above by Estate of Marsha Kleinman by 1993
Donated by the above to The Museum of Contemporary Art, Los Angeles 1999
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Bibliography: Mike Kelley: Catholic Tastes, exh. cat., Whitney Museum of Modern Art, New York 1993
This work was produced after the operative period 1933 - 45.

Mike Kelley, Garbage Drawing #58, 1988

X88385
Garbage Drawing #58

1988
on paper, unique
Acrylic on paper
object: 762 × 1066.8 mm
Collection of Mandy and Cliff Einstein
Provenance:
X88385
Mike Kelley, Garbage Drawing #58
1988
Acrylic paint on paper
Object: 762 × 1067 mm
Provenance:
Rosamund Felsen Gallery 1988
Acquired from the above by present owners Mandy and Cliff Einstein 1990

Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Bibliography: Mike Kelley: Catholic Tastes, exh. cat., Whitney Museum of Modern Art, New York 1993
This work was produced after the operative period 1933 - 45.

Mike Kelley, Why I Got into Art (Vaseline Muses), 1989

X81983
Why I Got into Art (Vaseline Muses)

1989
on paper, print
Ink on paper
object: 254 × 136.5 × 15.9 mm
Mike Kelley Foundation for the Arts
Provenance:

X81983
Mike Kelley, Why I Got into Art (Vaseline Muses)

1989
Artist book, ink on paper
Object: 254 × 203 mm



Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death

Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Mike Kelley, Eviscerated Corpse, 1989

X81996
Eviscerated Corpse

1989
sculpture
Found stuffed animals
object: 1816 × 2527 × 4216 mm
The Art Institute of Chicago, Gift of Lannan Foundation, 1997
Provenance:
X81996
Mike Kelley, Eviscerated Corpse
1989
Found stuffed toys
Object: 1816 × 2527 × 4216 mm
Provenance:
The artist
Rosamund Felsen Gallery, Los Angeles
Acquired from the above by Lannan Foundation, Los Angeles, 7 April, 1989
Gifted from the above to the Art Institute of Chicago, 14 April 1997
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Reconstructed History: China Relief Expedition, 1989

X89321
Reconstructed History: China Relief Expedition

1989
on paper, print
Photograph on paper
object: 200 × 250 mm
Mike Kelley Foundation for the Arts
Provenance:
X89321
Mike Kelley, Reconstructed History: China Relief Expedition
1989
Photograph on paper
Object: 200 × 250 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Reconstructed History: The Boston Massacre, 1989

X89322
Reconstructed History: The Boston Massacre

1989
on paper, print
Photograph on paper
object: 200 × 250 mm
Mike Kelley Foundation for the Arts
Provenance:
X89322
Mike Kelley, Reconstructed History: The Boston Massacre
1989
Photograph on paper
Object: 200 × 250 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, USA [no date]
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Reconstructed History: : Jackson Tells a Group of Southern Congressmen that He will not Accept the Nullification Idea, 1989

X89323
Reconstructed History: : Jackson Tells a Group of Southern Congressmen that He will not Accept the Nullification Idea

1989
on paper, print
Photograph on paper
object: 200 × 250 mm
Mike Kelley Foundation for the Arts
Provenance:
X89323
Mike Kelley, Reconstructed History: Jackson Tells a Group of Southern Congressmen that He will not Accept the Nullification Idea
1989
Photograph on paper
Object: 200 × 250 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Reconstructed History: Already, 1989

X89324
Reconstructed History: Already

1989
on paper, print
Photograph on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X89324
Mike Kelley, Reconstructed History: Already
1989
Photograph on paper
Object: 254 × 203 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Reconstructed History: Discovery, 1989

X89325
Reconstructed History: Discovery

1989
on paper, print
Photograph on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X89325
Mike Kelley, Reconstructed History: Discovery
1989
Photograph on paper
Object: 254 × 203 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Reconstructed History: Expansion, 1989

X89326
Reconstructed History: Expansion

1989
on paper, print
Photograph on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X89326
Mike Kelley, Reconstructed History: Expansion
1989
Photograph on paper
Object: 254 × 203 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Reconstructed History: The Capitol Building, 1989

X89327
Reconstructed History: The Capitol Building

1989
on paper, print
Photograph on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X89327
Mike Kelley, Reconstructed History: The Capitol Building
1989
Photograph on paper
Object: 254 × 203 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Reconstructed History: Magellan Taking Possession of The Philippines, 1989

X89328
Reconstructed History: Magellan Taking Possession of The Philippines

1989
on paper, print
Photograph on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X89328
Mike Kelley, Reconstructed History: Magellan Taking Possession of The Philippines
1989
Photograph on paper
Object: 254 × 203 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Reconstructed History: The Lincoln Memorial, 1989

X89329
Reconstructed History: The Lincoln Memorial

1989
on paper, print
Photograph on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X89329
Mike Kelley, Reconstructed History: The Lincoln Memorial
1989
Photograph on paper
Object: 254 × 203 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Reconstructed History: The Gateway to Freedom, 1989

X89392
Reconstructed History: The Gateway to Freedom

1989
on paper, print
Photographs on paper
object: 254 × 203 mm
Mike Kelley Foundation for the Arts
Provenance:
X89392
Mike Kelley, Reconstructed History: The Gateway to Freedom
1989
Photograph on paper
Object: 254 × 203 mm
Provenance:
Metro Pictures, New York; Skarsdet Gallery, New York; Rosamund Felsen Gallery, Los Angeles (the photographs were individually acquired from Kelley's representative galleries)
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Blood and Soil (Potato Print) [part of Pansy Metal / Clovered Hoof, AP 5 of 10], 1989

X90373
Blood and Soil (Potato Print) [part of Pansy Metal / Clovered Hoof, AP 5 of 10]

1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90373
Mike Kelley, Blood and Soil (Potato Print) [part ogf Pansy Metal / Clovered Hoof, AP 5 of 10]
1989
Screenprint on silk
Object: 1350 × 960 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Country Cousin [part of Pansy Metal / Clovered Hoof, AP 5 of 10], 1989

X90375
Country Cousin [part of Pansy Metal / Clovered Hoof, AP 5 of 10]

1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90375
Mike Kelley, Country Cousin [part of Pansy Metal / Clovered Hoof, AP 5 of 10]
1989
Screenprint on silk
Object: 1350 × 960 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Emerald Eyehole [part of Pansy Metal / Clovered Hoof, AP 5 of 10], 1989

X90381
Emerald Eyehole [part of Pansy Metal / Clovered Hoof, AP 5 of 10]

1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90381
Mike Kelley, Emerald Eyehole [part of Pansy Metal / Clovered Hoof, AP 5 of 10]
1989
Screenprint on silk
Object: 1350 × 960 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Hangin' - Heavy - Hairy - Horny [part of Pansy Metal / Clovered Hoof, AP 5 of 10], 1989

X90388
Hangin' - Heavy - Hairy - Horny [part of Pansy Metal / Clovered Hoof, AP 5 of 10]

1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90390
Mike Kelley, Hangin' Heavy Hairy Horny [part of Pansy Metal / Clovered Hoof, AP 5 of 10] (exhibition copy)
1989
Screenprint on silk
Object: 1350 × 960 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Peat Spade [part of Pansy Metal / Clovered Hoof, AP 5 of 10], 1989

X90394
Peat Spade [part of Pansy Metal / Clovered Hoof, AP 5 of 10]

1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90394
Mike Kelley, Peat Spade [part of Pansy Metal / Clovered Hoof, AP 5 of 10
1989
Screenprint on silk
Object: 1350 × 960 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Satan's Nostrils [part of Pansy Metal / Clovered Hoof, AP 5 of 10], 1989

X90396
Satan's Nostrils [part of Pansy Metal / Clovered Hoof, AP 5 of 10]

1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90396
Mike Kelley, Satan's Nostrils [part of Pansy Metal / Clovered Hoof, AP 5 of 10]
1989
Screenprint on silk
Object: 1350 × 960 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, The Orange and Green [part of Pansy Metal / Clovered Hoof, AP 5 of 10], 1989

X90398
The Orange and Green [part of Pansy Metal / Clovered Hoof, AP 5 of 10]

1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90398
Mike Kelley, The Orange and Green [part of Pansy Metal / Clovered Hoof, AP 5 of 10]
1989
Screenprint on silk
Object: 1350 × 960 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Unlucky Clover [part of Pansy Metal / Clovered Hoof, AP 5 of 10], 1989

X90402
Unlucky Clover [part of Pansy Metal / Clovered Hoof, AP 5 of 10]

1989
relief
Colour serigraph on china silk
object: 1350 × 960 mm
Mike Kelley Foundation for the Arts
Provenance:
X90402
Mike Kelley, Unlucky Clover [part of Pansy Metal / Clovered Hoof, AP 5 of 10]
1989
Screenprint on silk
Object: 1350 × 960 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Arena #10 (Dogs), 1990

X82000
Arena #10 (Dogs)

1990
sculpture
Stuffed toy animals on afghan
object: 292 × 3124 × 813 mm
Janelle Reiring and Helene Winer
Provenance:
X82000
Mike Kelley, Arena #10 (Dogs)
1990
Stuffed toy animals on afghan
Object: 292 × 3124 × 813mm
Provenance:
The artist
Metro Pictures, New York
Purchased by present owners Janelle Reiring and Helene Winer 1990
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Bibliography: Mike Kelley: Catholic Tastes, exh. cat., Whitney Museum of Modern Art, New York 1993


This work was produced after the operative period 1933 - 45.

Mike Kelley, Arena #4 (Zen Garden), 1990

X82175
Arena #4 (Zen Garden)

1990
sculpture
Stuffed toy animals under afghan
object: 229 × 1346 × 1702 mm
Museum Abteiberg Monchengladbach, donation Sammlung Hoffmann
Provenance:
X82175
Mike Kelley, Arena #4 (Zen Garden)
1990
Stuffed toy animals under afghan
Object: 229 × 1346 × 1702 mm

Provenance:
The artist
Sammlung Hoffmann, Berlin
Gift by the above to Museum Abteiberg Monchengladbach 2019
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Jesse Helms Protest Sign, 1990

X85922
Jesse Helms Protest Sign

1990
on paper, unique
Acrylic paint on poster board
support: 508 × 381 mm
The Museum of Modern Art, New York. Gift of the artist.
Provenance:
X85922
Mike Kelley, Jesse Helms Protest Sign
1990
Acrylic paint on poster board
Object: 508 × 381 mm
Provenance:
The artist
Gifted from the above to The Museum of Modern Art, 2009
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Ouija, 1990

X86891
Ouija

1990
sculpture
Afghan, kitty litter tray, double cat food dish and three cat toys
overall: 114 × 902 × 1041 mm
The Museum of Contemporary Art, Los Angeles. Gift of the artist
Provenance:
X86891
Mike Kelley, Ouiga
1990
Afghan, kitty-litter tray, double cat-food dish and 3 cat toys
Object: 114 × 902 × 1041 mm
Provenance:
Gifted by the artist to the Museum of Contemporary Art, Los Angeles 1993
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Mooner, 1990

X86893
Mooner

1990
sculpture
Afghan, pillow, double cat food dish and four cat toys
overall: 114.3 × 965.2 × 914.4 mm
The Museum of Contemporary Art, Los Angeles. Gift of the artist
Provenance:
X86893
Mike Kelley, Mooner
1990
Afghan, pillow, double cat-food dish and 4 cat toys
Object: 114.3 × 965.2 × 914.4 mm
Provenance:
Gifted by the artist to the Museum of Contemporary Art, Los Angeles 1993
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Reconstructed History, 1990

X89335
Reconstructed History

1990
supporting material
Photograph on paper
object: 305 × 241 × 25.4 mm
Mike Kelley Foundation for the Arts
Provenance:
X89335
Mike Kelley, Reconstructed History
1990
Ink on paper
Object: 305 × 241 × 25.4 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Reconstructed History, 1990

X89336
Reconstructed History

1990
supporting material
Ink on paper
object: 305 × 241 × 25.4 mm
Mike Kelley Foundation for the Arts
Provenance:
X89336
Mike Kelley, Reconstructed History
1990
Ink on paper
Object: 305 × 241 × 25.4 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Reconstructed History, 1990

X89337
Reconstructed History

1990
supporting material
Ink on paper
object: 305 × 241 × 25.4 mm
Mike Kelley Foundation for the Arts
Provenance:
X89337
Mike Kelley, Reconstructed History
1990
Ink on paper
Object: 305 × 241 × 25.4 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death

Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Torture Table, 1992

X82210
Torture Table

1992
sculpture
Wood, buckets, knife and plastic pillow
object: 927 × 2438 × 1219 mm
Los Angeles County Museum of Art. Gift of Per J. Skarstedt
Provenance:
X82210
Mike Kelley, Torture Table
1992
Wood, buckets, knife and plastic pillow
Object: 927 × 2438 × 1219 mm
Provenance:
The artist
Metro Pictures, New York, July 1992
Sold from the above to Reinhard Onnasch, Berlin by 1993
Sold from the above to Private Collection, Chicago
Sold from the above to Skarstedt Gallery, New York (owned by Per J. Skarstedt, Chicago)
Gifted by Per J. Skarstedt, New York to LACMA, Los Angeles, 2013
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Bibliography: Mike Kelley: Catholic Tastes, exh. cat., Whitney Museum of Modern Art, New York 1993
This work was produced after the operative period 1933 - 45.

Mike Kelley, Silver Ball, 1994

X85924
Silver Ball

1994
installation
Aluminum foil, polyurethane foam, wood, chicken wire, speakers, four boom boxes, space blanket, three baskets, artificial fruit and audio
Two objects: 147 × 147 × 135 (ball); 208 × 119 (blanket area)
The Museum of Contemporary Art, Los Angeles. Gift of Blake Byrne.
Provenance:
X85924
Mike Kelley, Silver Ball
1994
Aluminum foil, polyurethane foam, wood, chicken wire, speakers, four boom boxes, space blanket, three baskets, artificial fruit, and audio
Object: 147 × 147 × 135 (ball); 208 × 119 (blanket area)
Provenance:
Rosamund Felsen Gallery, Los Angeles
Estate of Blake Byrne [no date]
Gifted by the above to The Museum of Contemporary Art, Los Angeles 2004
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Timeless/Authorless, 1995

X81984
Timeless/Authorless

1995
on paper, print
Photographs; black and white mounted on museum board
Fifteen objects: 787 × 610 mm each
Mike Kelley Foundation for the Arts
Provenance:



X81984
Mike Kelley, Timeless/Authorless

1995
Edition no. 1 of 5
Photographs mounted on museum board
Fifteen objects: each 787 × 610 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death

Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Mike Kelley, Options of Coupledom, 1995

X81985
Options of Coupledom

1995
on paper, unique
Collage on paper
object: 356 × 270 mm
Mike Kelley Foundation for the Arts
Provenance:

X81985
Mike Kelley, Options of Coupledom

1995
Paper on paper
356 × 270 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death

Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Mike Kelley, Sublevel, 1998

X82019
Sublevel

1998
installation
Plywood, resin, car jacks, steel
unconfirmed: 2149 × 8239 × 5918 mm
Collection of Eric Decelle, Brussels
Provenance:
X82019
Mike Kelley, Sublevel
1998
Plywood, resin, car jacks, steel
Object: 2149 × 8239 × 5918 mm
Provenance:
Jablonka Gallery, Cologne 1998
Acquired from above by present owner Eric Decelle 2002
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Photo Show Portrays the Familiar 1–25, 2001

X85936
Photo Show Portrays the Familiar 1–25

2001
on paper, print
Photographs; gelatin silver prints on paper
Twenty-six objects: each 310 x 480 mm
Pinault Collection, Paris
Provenance:
X82018
Mike Kelley, Photo Show Portrays the Familiar 1–25
2001
Mixed media with video projection and photographs
Object: 3150 × 4801 × 4877 mm
Provenance:
The artist
Art & Public Gallery, Geneva
Acquired from the above by Pinault Collection, Paris 2002
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Memory Ware Flat #17, 2001

X85939
Memory Ware Flat #17

2001
sculpture
Mixed media on wood panel
object: 2295 × 3185 × 140 mm
Pinault Collection, Paris
Provenance:
X85939
Mike Kelley, Memory Ware Flat #17
2001
Plastic, wood, metal, shells, glass marbles in synthetic clay on wood
Object: 2295 × 3185 × 140 mm
Provenance:
Jablonka Gallery, Cologne, 2001
Purchased from the above by Pinault Collection, Paris 2002
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Drawing for Repressed Spatial Relationships Rendered as Fluid No. 1: Martian School (Work Site), 2002

X89172
Drawing for Repressed Spatial Relationships Rendered as Fluid No. 1: Martian School (Work Site)

2002
on paper, unique
Mixed media on butcher paper mounted on rag paper
object: 890 × 1283 mm
Mike Kelley Foundation for the Arts
Provenance:
X89172
Mike Kelley, Drawing for for Repressed Spatial Relationships Rendered as Fluid No. 1: Martian School (Work Site)
2002
Mixed media on butcher paper mounted on rag pape
Object: 890 × 1280 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Repressed Spatial Relationships Rendered as Fluid # 1: Martian School (Work Site), 2002

X89173
Repressed Spatial Relationships Rendered as Fluid # 1: Martian School (Work Site)

2002
sculpture
Aluminum, steel, and lead
object: 1070 × 1370 × 1370 mm
Mike Kelley Foundation for the Arts
Provenance:

X89173
Mike Kelley, Repressed Spatial Relationships Rendered as Fluid # 1: Martian School (Work Site)
2002
Aluminum, steel, and lead
Object: 1070 × 1370 × 1370 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Repressed Spatial Relationships Rendered as Fluid No. 3: Reconfiguration of Wayne High School into the Ritual Presentation Arena of the Educational Complex, 2002

X89285
Repressed Spatial Relationships Rendered as Fluid No. 3: Reconfiguration of Wayne High School into the Ritual Presentation Arena of the Educational Complex

2002
sculpture
Aluminum, steel, ceramic and cloth
object: 1067 × 1600 × 1067 mm
Maurice Marciano / Maurice and Paul Marciano Art Foundation
Provenance:
X89285
Mike Kelley, Repressed Spatial Relationships Rendered as Fluid No. 3: Reconfiguration of Wayne High School into the Ritual Presentation Arena of the Educational Complex
2002
Aluminium, steel, ceramic and cloth
Object: 1067 × 1600 × 1067 mm
Provenance:
Metro Pictures, New York
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Drawing for Repressed Spatial Relationships Rendered as Fluid No. 3: Reconfiguration of Wayne High School into the Ritual Presentation Arena of the Educational Complex, 2002

X89286
Drawing for Repressed Spatial Relationships Rendered as Fluid No. 3: Reconfiguration of Wayne High School into the Ritual Presentation Arena of the Educational Complex

2002
on paper, unique
Mixed media on butcher paper mounted on rag paper
object: 1238 × 1721 mm
Maurice Marciano / Maurice and Paul Marciano Art Foundation
Provenance:
X89286
Mike Kelley, Drawing for Repressed Spatial Relationships Rendered as Fluid No. 3: Reconfiguration of Wayne High School into the Ritual Presentation Arena of the Educational Complex
2002
Ink, graphite and other materials on paper mounted on paper
Object: 1238 × 1721 mm
Provenance:
Metro Pictures, New York
Private Collection, US
Acquired via Hauser & Wirth, 2015
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #8 (Singles' Mixer), 2004

X85947
Extracurricular Activity Projective Reconstruction #8 (Singles' Mixer)

2004
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 894 mm
Mike Kelley Foundation for the Arts
Provenance:
X85947
Mike Kelley, Extracurricular Activity Projective Reconstruction #8 (Singles' Mixer)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1867 × 895mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Street Sign, 2004

X90072
Street Sign

2004
relief
Two color silkscreen on white baked aluminum panel with three puncture holes
object: 381 × 610 mm
Mike Kelley Foundation for the Arts
Provenance:
X90072
Mike Kelley, Street Sign
2004
Artist proof no. 1 of 10, from an edition of 10
Screenprint on white-baked aluminium panel with 3 puncture holes
Object: 381 × 610 × 6 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #26A (Pink Curtain), 2004–05

X82018
Extracurricular Activity Projective Reconstruction #26A (Pink Curtain)

2004–05
installation
Mixed media with video projection and photographs
unconfirmed: 3150 × 4801 × 4877 mm duration (Exotic Dancer video): 6min, 54sec
Pinault Collection, Paris
Provenance:
X82018
Mike Kelley, Extracurricular Activity Projective Reconstruction #26A (Pink Curtain)
2004–05
Gelatin silver prints on paper
Object (each): 310 x 480 mm
Provenance:
The artist
Gagosian Gallery, New York 2005
Purchased from the above by Pinault Collection, Paris 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #2 (Train Dance), 2004–2005

X85941
Extracurricular Activity Projective Reconstruction #2 (Train Dance)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 723.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X85941
Mike Kelley, Extracurricular Activity Projective Reconstruction #2 (Train Dance)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1867 × 724 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
X85942

Mike Kelley, Extracurricular Activity Projective Reconstruction #3 (Co-Workers), 2004–2005

X85942
Extracurricular Activity Projective Reconstruction #3 (Co-Workers)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 787.4 × 1866.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X85942
Mike Kelley, Extracurricular Activity Projective Reconstruction #3 (Co-Workers)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 787 × 1867 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.
X85943

Mike Kelley, Extracurricular Activity Projective Reconstruction #4 (Vampire Boss), 2004–2005

X85943
Extracurricular Activity Projective Reconstruction #4 (Vampire Boss)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 863.6 mm
Mike Kelley Foundation for the Arts
Provenance:
X85943
Mike Kelley, Extracurricular Activity Projective Reconstruction #4 (Vampire Boss)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1866.9 × 863.6 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #5 (Sick Vampire), 2004–2005

X85944
Extracurricular Activity Projective Reconstruction #5 (Sick Vampire)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1016 × 1605.6 mm
Mike Kelley Foundation for the Arts
Provenance:
X85944
Mike Kelley, Extracurricular Activity Projective Reconstruction #5 (Sick Vampire )
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1016 × 1607 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #7 (Woods Group), 2004–2005

X85946
Extracurricular Activity Projective Reconstruction #7 (Woods Group)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1536.7 × 1016 mm
Mike Kelley Foundation for the Arts
Provenance:
X85946
Mike Kelley, Extracurricular Activity Projective Reconstruction #7 (Woods Group)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1537 × 1016 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #9 (Farm Girl), 2004–2005

X85948
Extracurricular Activity Projective Reconstruction #9 (Farm Girl)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1016 × 1358.9 mm
Mike Kelley Foundation for the Arts
Provenance:

X85948
Mike Kelley, Reconstruction Extracurricular Activity Projective Reconstruction #9 (Farm Girl)
2004–5
C-prints and Piezo prints on paper
1016 × 1358.9 mm
Provenance:
Gagosian Gallery, New York 2005
Acquired from the above by Rubell Museum 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #11 (Catholic Girl), 2004–2005

X85950
Extracurricular Activity Projective Reconstruction #11 (Catholic Girl)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 857.3 × 1866.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X85950
Mike Kelley, Extracurricular Activity Projective Reconstruction #11 (Catholic Girl)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 857 × 1867 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #14 (Modern Dance), 2004–2005

X85953
Extracurricular Activity Projective Reconstruction #14 (Modern Dance)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 660.4 mm
Mike Kelley Foundation for the Arts
Provenance:
X85953
Mike Kelley, Extracurricular Activity Projective Reconstruction #14 (Modern Dance)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1867 × 660 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #18 (Morose Ghoul), 2004–2005

X85957
Extracurricular Activity Projective Reconstruction #18 (Morose Ghoul)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 679.5 mm
Mike Kelley Foundation for the Arts
Provenance:
X85957
Mike Kelley, Extracurricular Activity Projective Reconstruction #18 (Morose Ghoul)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1867 × 680 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #19 (Shy Satanist), 2004–2005

X85958
Extracurricular Activity Projective Reconstruction #19 (Shy Satanist)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 730.3 mm
Mike Kelley Foundation for the Arts
Provenance:
X85958
Mike Kelley, Extracurricular Activity Projective Reconstruction #19 (Shy Satanist)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1867 × 730 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #22 (Picking A Mary), 2004–2005

X85961
Extracurricular Activity Projective Reconstruction #22 (Picking A Mary)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1695.5 × 1016 mm
Mike Kelley Foundation for the Arts
Provenance:
X85961
Mike Kelley, Extracurricular Activity Projective Reconstruction #22 (Picking A Mary)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1696 × 1016 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #23 (Joseph Supplicates), 2004–2005

X85962
Extracurricular Activity Projective Reconstruction #23 (Joseph Supplicates)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 914.4 × 1866.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X85962
Mike Kelley, Extracurricular Activity Projective Reconstruction #23 (Joseph Supplicates)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 914 × 1867 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #25 (Devil: Master of Ceremonies), 2004–2005

X85964
Extracurricular Activity Projective Reconstruction #25 (Devil: Master of Ceremonies)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 870 mm
Mike Kelley Foundation for the Arts
Provenance:
X85964
Mike Kelley, Extracurricular Activity Projective Reconstruction #25 (Devil: Master of Ceremonies)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1867 × 870 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #26 (Exotic Dancer), 2004–2005

X85965
Extracurricular Activity Projective Reconstruction #26 (Exotic Dancer)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1016 × 1790.7 mm
Mike Kelley Foundation for the Arts
Provenance:
X85965
Mike Kelley, Extracurricular Activity Projective Reconstruction #26 (Exotic Dancer)
2004–05
C-prints and Piezo prints on paper
Object: 1016 × 1790.7 mm
Provenance:
The artist
Gagosian Gallery, New York 2005
Purchased from the above by Pinault Collection, Paris 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #27 (Gospel Dance), 2004–2005

X85966
Extracurricular Activity Projective Reconstruction #27 (Gospel Dance)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1206.5 × 1016 mm
Mike Kelley Foundation for the Arts
Provenance:
X85966
Mike Kelley, Extracurricular Activity Projective Reconstruction #27 (Gospel Dance)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1207 × 1016 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #28 (Nativity Play), 2004–2005

X85967
Extracurricular Activity Projective Reconstruction #28 (Nativity Play)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 838.2 × 1866.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X85967
Mike Kelley, Extracurricular Activity Projective Reconstruction #28 (Nativity Play)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 838 × 1867 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #31 (Mary Processional), 2004–2005

X85970
Extracurricular Activity Projective Reconstruction #31 (Mary Processional)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1866.9 × 768.4 mm
Mike Kelley Foundation for the Arts
Provenance:
X85970
Mike Kelley, Extracurricular Activity Projective Reconstruction #31 (Mary Processional)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1867 × 768 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #32 (Horse Dance of the False Virgin), 2004–2005

X85971
Extracurricular Activity Projective Reconstruction #32 (Horse Dance of the False Virgin)

2004–2005
on paper, print
Photographic; chromogenic print and black-and-white Piezo print on rag paper
support: 1143 × 1016 mm
Mike Kelley Foundation for the Arts
Provenance:
X85971
Mike Kelley, Extracurricular Activity Projective Reconstruction #32 (Horse Dance of the False Virgin)
2004–2005
Photograph, C-print and Piezo print on paper
Object: 1143 × 1016 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Switching Marys, 2004–2005

X85972
Switching Marys

2004–2005
installation
Mixed media with three video projections
overall: 1879.6 × 4216.4 × 1016 mm duration (Mary left): 1min, 8sec duration (Mary right): 1min, 8sec duration (May crowning/Hag Mary): 5min, 10sec
Stedelijk Museum Amsterdam
Provenance:
X85972
Mike Kelley, Switching Marys
2004–05
Mixed media with video projections
Object: 1879.6 × 4216.4 × 1016 mm

Provenance:
Gagosian Gallery, New York 2005
Purchased from the above by Stedelijk Museum, Amsterdam 2006
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #9 (Fresno), 2004–2005

X85973
Extracurricular Activity Projective Reconstruction #9 (Fresno)

2004–2005
installation
Mixed media with video on monitor, video projected, audio and photographs
overall: 2286 × 4876.8 × 4470.4 mm duration (Farm Girl video): 4min, 22sec duration (Bray's Burgers video): 1min, 33sec duration (Arbor Day audio): 58min
Rubell Museum, Miami and Washington DC
Provenance:
X85973
Mike Kelley, Extracurricular Activity Projective Reconstruction #9 (Fresno)
2004–5
Mixed media with video on monitor, video projection, audio and photographs
Dimensions variable
Provenance:
Gagosian Gallery, New York 2005
Acquired from the above by Rubell Museum 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Extracurricular Activity Projective Reconstruction #8 (Singles' Mixer), 2004–05

X90606
Extracurricular Activity Projective Reconstruction #8 (Singles' Mixer)

2004–05
installation
Mixed media with video projection and photographs
object: 2845 × 7620 × 4293 mm
Courtesy The Brant Foundation, Greenwich, Conneticut, USA
Provenance:
X90606
Mike Kelley, Extracurricular Activity Projective Reconstruction #8 (Singles' Mixer)
2004–05
Mixed media with video projection and photographs
Object: 2845 × 7620 × 4293 mm
Provenance:
Gagosian Gallery, New York 2005
Purchased from the above by present owner Peter Brant 2005
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Kandor 17, 2007

X81991
Kandor 17

2007
installation
Mixed media with video projection, sound
object (Sculpture): 2743 × 1549 × 1353 mm object (Tank): 1524 × 229 mm
Mike Kelley Foundation for the Arts
Provenance:

X81991
Mike Kelley, Kandor 17

2007
Mixed media with high-definition video, colour and sound, projected
Dimensions variable



Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death

Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Mike Kelley, Lenticular No.14, 2007

X89174
Lenticular No.14

2007
on paper, unique
Lenticular panel, light box
object: 1550 × 970 × 90 mm
Mike Kelley Foundation for the Arts
Provenance:
X89174
Mike Kelley, Lenticular No.14
2007
Lenticular panel, light box
Object: 1549 × 934 × 105 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Lenticular No.18, 2007

X89175
Lenticular No.18

2007
on paper, unique
Lenticular panel, light box
object: 960 × 1270 × 90 mm
Mike Kelley Foundation for the Arts
Provenance:
X89175
Mike Kelley, Lenticular No.18
2007
Edition no. 2 of 5
Lenticular panel, light box
Object: 934 × 1245 × 105 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Lenticular No.1, 2007

X89176
Lenticular No.1

2007
on paper, unique
Lenticular panel, light box
object: 1149 × 753 × 89 mm
Provenance:
X89176
Mike Kelley, Lenticular No.1
2007
Artist proof no. 1 of 2, from an edition of 5
Lenticular panel, light box
Object: 1149 × 753 × 89 mm
Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.


Mike Kelley, Ahh...Youth!, 1991–2008

X81980
Ahh...Youth!

1991–2008
on paper, print
Set of eight pigment prints
object, each: 498 × 327 mm
Mike Kelley Foundation for the Arts
Provenance:

X81980
Mike Kelley, Ahh...Youth!

1991–2008
C-prints on paper

Eight objects: each 498 × 327 mm



Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death

Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Mike Kelley, City 5 (PP1 of 1), 2008

X85978
City 5 (PP1 of 1)

2008
sculpture
Tinted urethane resin on illuminated base
object: 298.5 × 450.9 mm overall: 1448 × 559 mm
Pinault Collection, Paris
Provenance:
X85978
Mike Kelley, City 5
2008
Tinted urethane resin on illuminated base
Object: 1448 × 559 mm
Provenance:
The artist
West of Rome Inc, Pasadena
Acquired from the above by Pinault Collection, 2008
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Kandor 16B, 2010

X89020
Kandor 16B

2010
sculpture
Mixed media
243.8 x 100.3 x 113 cm
Mike Kelley Foundation for the Arts
Provenance:
X89020
Mike Kelley, Kandor 16B
2007
Mixed media
Object: 2438 x 1003 x 1130 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, City 13 (AP 1), 2011

X85977
City 13 (AP 1)

2011
sculpture
Tinted urethane resin on illuminated base
object: 374.7 × 517.5 mm plinth: 1146.2 × 600.1 mm overall: 1565.3 × 600.1 mm
Mike Kelley Foundation for the Arts
Provenance:
X85977
Mike Kelley, City 13 (AP 1)
2011
Tinted urethane resin on illuminated base
Object: 1565 × 600 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais), ca 2011

X91559
Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais)

ca 2011
on paper, unique
8 Photocopies with marker and colored pencil on paper
image: 279.4 × 215.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X91559
Mike Kelley, Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais)
c.2011
8 Photocopies with marker and colored pencil on paper
Object: 279.4 × 215.9 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais), ca 2011

X91560
Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais)

ca 2011
on paper, unique
8 Photocopies with marker and colored pencil on paper
image: 279.4 × 215.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X91560
Mike Kelley, Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais)
c.2011
8 Photocopies with marker and colored pencil on paper
Object: 279.4 × 215.9 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45

Mike Kelley, Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais), ca 2011

X91562
Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais)

ca 2011
on paper, unique
8 Photocopies with marker and colored pencil on paper
image: 279.4 × 215.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X91562
Mike Kelley, Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais)
c.2011
8 Photocopies with marker and colored pencil on paper
Object: 279.4 × 215.9 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley, Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais), ca 2011

X91563
Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais)

ca 2011
on paper, unique
8 Photocopies with marker and colored pencil on paper
image: 279.4 × 215.9 mm
Mike Kelley Foundation for the Arts
Provenance:
X91563
Mike Kelley, Costume sketches for Extracurricular Activity Projective Reconstruction #36 (Vice Anglais)
c.2011
8 Photocopies with marker and colored pencil on paper
Object: 279.4 × 215.9 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death
Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:
This work was produced after the operative period 1933 - 45.

Mike Kelley
(1954–2012, born: Detroit, died: Los Angeles)
Bob Flanagan
(1952-1996)

Mike Kelley and Bob Flanagan, Manipulating Mass-Produced Idealized Objects, 1990

X81981
Manipulating Mass-Produced Idealized Objects

1990
on paper, print
Print on paper
object: 356 × 279 mm
Mike Kelley Foundation for the Arts
Provenance:

X81981
Mike Kelley, Manipulating Mass Produced Idealized Objects

1990
Print on paper
Object: 356 × 279 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death

Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Mike Kelley and Bob Flanagan, Nostalgic Depiction of the Innocence of Childhood, 1990

X81982
Nostalgic Depiction of the Innocence of Childhood

1990
on paper, print
Print on paper
object: 356 × 279 mm
Mike Kelley Foundation for the Arts
Provenance:

X81982
Mike Kelley, Nostalgic Depiction of the Innocence of Childhood

1990
Print on paper
Object: 356 × 279 mm

Provenance:
The artist
Bequeathed to the Mike Kelley Foundation after the artist’s death

Nationality of artist: North American
Identifying marks: none
Place of manufacture: US
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Expressionists: Kandinsky, Münter & The Blue Rider

Tate Modern (London, UK) from 25 Apr 2024 until 20 Oct 2024.

Virgin and Child with Saint Anne/Raimundsreut, circa 1800

X90001
Virgin and Child with Saint Anne/Raimundsreut

circa 1800
painting
Reverse glass painting
support: 292 × 200 mm frame: 340 × 253 × 15 mm
Schloßmuseum Murnau, Collection Udo and Hedi Dammert, Inv. 4171
Provenance:
The artist;
Collection of Udo and Hedi Dammert, until 1993;
Acquired from the above by Schloßmuseum Murnau, 1993.

Nationality of artist: India
Place of Manufacture: Rajasthan, India

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Nobleman on a Tiger Hunt North India/Rajasthan, 19th C

X90000
Nobleman on a Tiger Hunt North India/Rajasthan

[Adeliger auf Tigerjagd Nordindien/Rajasthan] 19th C
painting
Reverse glass painting
support: 362 × 257 mm frame: 395 × 290 × 28 mm
Schloßmuseum Murnau, Collection Udo and Hedi Dammert, Inv. 4250
Provenance:
The artist;
Collection of Udo and Hedi Dammert, until 1993;
Acquired from the above by Schloßmuseum Murnau, 16 June 1963.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.

Anonymous

Anonymous, Accident with a Wagon, 1842

X88227
Accident with a Wagon

[Unfall mit einem Fuhrwerk] 1842
sculpture
Votive panel. Oil paint and/or tempera on wood
support: 300 × 152 mm
Lenbachhaus Munich, on permanent loan from The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Acquired by Wassily Kandinsky (1866-1944) and Gabriele Münter (1877–1962), c.1911-1926:
Settled on Gabriele Münter, Murnau, 1926;
Gabriele Münter's estate, 1966;
Gabriele Münter and Johannes Eichner Foundation, Munich, 1966.

Nationality of artist: N/A
Identifying marks:
Place of Manufacture: N/A

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Anonymous, Devotional Copy of the Miraculous Image of Our Lady of Ettal, early 19th century

X88226
Devotional Copy of the Miraculous Image of Our Lady of Ettal

[Devotionalkopie des Mariengnadenbildes von Ettal] early 19th century
sculpture
Paint on carved wood
object: 423 × 160 × 80 mm
The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Wassily Kandinsky (1866-1944) and Gabriele Münter (1877–1962) from c.1911-1926;
Settled on Gabriele Münter, Murnau, 1926;
Gabriele Münter's estate, 1966;
Gabriele Münter and Johannes Eichner Foundation, Munich, 1966.

Nationality of artist: N/A
Identifying marks:
Place of Manufacture: N/A

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Anonymous, Dove of the Holy Spirit, mid 19th century

X88228
Dove of the Holy Spirit

[Heilig-Geist-Taube] mid 19th century
sculpture
Paint on wood
object: 360 × 80 mm
The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Wassily Kandinsky (1866-1944) and Gabriele Münter (1877–1962) until 1926;
Settled on Gabriele Münter, Murnau, 1926;
Gabriele Münter's estate, 1966;
Gabriele Münter and Johannes Eichner Foundation, Munich, 1966.

Nationality of artist: N/A
Identifying marks:
Place of Manufacture: N/A

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Albert Bloch
(1882 - 1961)

Albert Bloch, Prize Fight, 1912–1913

X87777
Prize Fight

[Boxkampf] 1912–1913
painting
Oil paint on canvas
support: 1000 × 635 mm frame: 1101 × 736 × 72 mm
Lenbachhaus Munich
Provenance:
The artist;
Collection Arthur Jerome Eddy (1859-1920), Chicago, 1915-1920;
probably Richard Feigen Gallery, Chicago, 1961/1962;
Acquired by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1966.

Nationality of artist: American
Identifying marks: N/A
Place of Manufacture: Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.

Albert Bloch, Entombment, 1914

X88257
Entombment

[Begräbnis] 1914
painting
Oil paint on canvas
support: 706 × 1002 × 22 mm frame: 790 × 1087 × 75 mm
Lenbachhaus Munich
Provenance:
The artist;
Arthur Jerome Eddy (1859-1920) Collection, Chicago, 1916- 1920;
probably Richard Feigen Gallery, Chicago, 1961/1962;
Acquired by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1966.

Nationality of artist: American
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.

Erma Bossi
(1875 - 1952)

Erma Bossi, Circus, 1909

X87780
Circus

[Zirkus] 1909
painting
Oil paint on card
support: 640 × 790 mm frame: 930 × 1080 × 73 mm
Lenbachhaus Munich, on permanent loan from The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Acquired by Paula Schuchard (1882–1975), from 1910;
Adolf Erbslöh Collection (1881-1947), Irschenhausen, until 1947;
Inherited from the above by Inge Erbslöh, 1947;
On permanent loan to the Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1977;
Acquired by Gabriele Münter and Johannes Eichner Foundation, on permanent loan to the Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 2004.

Nationality of artist: Austro-Hungarian/Italian
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Erma Bossi, Portrait of Marianne Werefkin, circa 1910

X87781
Portrait of Marianne Werefkin

[Bildnis Marianne Werefkin] circa 1910
painting
Oil paint on card
support: 716 × 580 mm frame: 800 × 661 × 60 mm
Lenbachhaus Munich, on permanent loan from The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Collection Adolf Erbslöh (1881-1947), Irschenhausen, until 1947;
Franz Resch (1902-1982), Gauting, until 1969;
Acquired from Franz Resch, Gauting by Gabriele Münter and Johannes Eichner Foundation, Munich, 1969.

Nationality of artist: Austro-Hungarian/Italian
Identifying marks: N/A
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.
It was checked with the Lenbachhaus who confirmed the work was passed directly to Adolf Erbslöh from Erma Bossi.

Wladimir Burliuk
(1886 - 1917)

Wladimir Burliuk, Dancer, circa 1910

X87782
Dancer

[Tänzerin] circa 1910
painting
Oil paint on canvas
support: 1000 × 610 mm frame: 1116 × 731 × 74 mm
Lenbachhaus Munich
Provenance:
The artist;
Acquired by Konstantin Garneff (1894-1966), until 1958;
Acquired by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1958.

Nationality of artist: Russian Empire, now Ukraine
Identifying marks:
Place of Manufacture: Russian Empire

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wladimir Burliuk, Trees, 1911

X87783
Trees

[Die Bäume] 1911
painting
Oil paint on canvas
support: 640 × 840 mm frame: 748 × 910 × 65 mm
Lenbachhaus Munich, on permanent loan from The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Gifted by the above to Franz Marc (1880–1916), Munich, 1911;
Inherited by Maria Franck-Marc (1876–1955), Ried, 1916;
Acquired by Otto Stangl (1915–1990), Munich, Franz Marc’s estate manager, 1955;
Acquired by Gabriele Münter and Johannes Eichner Foundation, Munich, 1980.

Nationality of artist: Russian Empire, now Ukraine
Identifying marks: N/A
Place of Manufacture: Russian Empire

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Robert Delaunay
(1885-1941, born: Paris, died: Montpellier)

Robert Delaunay, Formes circulaires, lune no. 1, 1913

X88097
Formes circulaires, lune no. 1

1913
painting
Oil paint on canvas
support: 650 × 540 mm frame: 828 × 718 × 65 mm
Lenbachhaus Munich and Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Acquired by Galerie Bing, Paris, 1952;
Acquired by Galerie Beyeler, Basel, 1957;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich and Gabriele Münter and Johannes Eichner Foundation, Munich, 1986.

Nationality of artist: French
Identifying marks:
Place of Manufacture: France

Catalogue Raisonné: Francastel, Pierre., Du cubisme à l'art abstrait, Paris, S. E. V. P. E. N., 1957, p.271

This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.

Elisabeth Epstein
(1879 - 1956)

Elisabeth Epstein, Self-Portrait, 1911

X87790
Self-Portrait

[Selbstporträt] 1911
painting
Oil paint on card
object: 677 × 520 mm frame: 856 × 702 × 60 mm
Lenbachhaus Munich, on permanent loan from The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Galerie Georges Moos (1912-1984), Geneva, executor of Elisabeth Epstein's estate in the 1960s;
Acquired by Jerome Pustilnik (1928-2017), New York City, 2017;
Inherited by the heiress to Jerome Pustilnik, New York City, until 2019;
Acquired by the above by Gabriele Münter and Johannes Eichner Foundation, 2019.

Nationality of artist: Russian Empire, now Ukraine/Swiss
Identifying marks:
Place of Manufacture: France

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Maria Franck-Marc
(1876 - 1955)

Maria Franck-Marc, Three Wise Men, circa 1911

X87787
Three Wise Men

[Heilige 3 Könige] circa 1911
painting
Oil paint on canvas
object: 784 × 882 × 23 mm frame: 978 × 1071 × 60 mm
Lenbachhaus Munich
Provenance:
The artist;
And by descent in the family, 1955;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 2017.

Nationality of artist: German
Identifying marks: N/A
Place of Manufacture: Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Maria Franck-Marc, Two Children between Flowers, circa 1912

X88894
Two Children between Flowers

[Zwei Kinder zwischen Blumen] circa 1912
painting
Oil paint on canvas
support: 550 × 700 mm
Courtesy Galerie Thomas, Munich
Provenance:
The artist;
Estate of the artist;
On consignment to Galerie Thomas, 1955.

Nationality of artist: German
Identifying marks: N/A
Place of Manufacture: Bavaria, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Maria Franck-Marc, Girl with Toddler, circa 1913

X87789
Girl with Toddler

[Mädchen mit Kleinkind] circa 1913
painting
Oil paint on canvas
object: 780 × 880 mm frame: 881 × 990 × 65 mm
Lenbachhaus Munich
Provenance:
The artist;
And by descent in the family, 1955;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 2019.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky
(1866-1944, born: Moscow, died: Neuilly-sur-Seine, active: Germany, France, Moscow)

Wassily Kandinsky, Kallmünz - Gabriele Münter Painting II, 1903

X87818
Kallmünz - Gabriele Münter Painting II

[Kallmünz – Gabriele Münter beim Malen II] 1903
painting
Oil paint on canvas
object: 585 × 585 × 25 mm frame: 758 × 746 × 94 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted from Gabriele Münter to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: On the reverse [in Munter’s writing]: Kandinsky – in Kallmünz 1903
Place of Manufacture: Kallmünz, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.121

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Riding Couple, 1906-1907

X15234
Riding Couple

[Reitendes Paar] 1906-1907
painting
Oil paint on canvas
support: 550 × 505 mm frame: 765 × 716 × 73 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Murnau, 1926;
Gifted from Gabriele Münter to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/France
Identifying marks: Signed on reverse: Kandinsky - (Esquisse)
On the reverse of the original frame: Reitendes Paar
Place of Manufacture: not known

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.186

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Murnau – Johannisstrasse from a Window of the Griesbräu, 1908

X87803
Murnau – Johannisstrasse from a Window of the Griesbräu

[Murnau – Johannisstrasse vom Fenster des Griesbräu] 1908
painting
Oil paint on cardboard
support: 498 × 696 mm frame: 710 × 916 × 53 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Murnau, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: (unsigned)
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.201

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Munich – Before the City, 1908

X88089
Munich – Before the City

[München – Vor der Stadt] 1908
on paper, unique
Oil paint on card on board
support: 688 × 490 mm frame: 792 × 588 × 72 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Signed 1.1.: Kandinsky / 1908
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.243

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Murnau - View with Railway and Castle, 1909

X13022
Murnau - View with Railway and Castle

[Murnau - Ansicht mit Eisenbahn und Schloss] 1909
painting
Oil paint on card
support: 361 × 492 mm frame: 483 × 610 × 52 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Murnau, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/France
Identifying marks: On the reverse [in Münter’s writing]
Kandinsky. [in another writing] : 1909
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.285

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Murnau – Footpath and Houses, 1909

X87799
Murnau – Footpath and Houses

[Murnau – Fußweg und Häuser] 1909
painting
Oil paint on card
support: 327 × 445 mm frame: 453 × 572 × 61 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Murnau, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Signed 1.1: Kandinsky
On the reverse [in Münter’s writing]
Kandinsky Murnau Häuser 1909
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.297

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Interior (My Dining-Room), 1909

X87829
Interior (My Dining-Room)

[Interieur (Mein Esszimmer)] 1909
painting
Oil paint on card
support: 500 × 650 mm frame: 629 × 778 × 76 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Signed l.r. : Kandinsky
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.253

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Bedroom in Ainmillerstrasse, 1909

X87830
Bedroom in Ainmillerstrasse

[Schlafzimmer in der Ainmillerstrasse] 1909
painting
Oil paint on card
support: 485 × 695 mm frame: 625 × 836 × 66 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist Russian Empire/Soviet Union/French
Identifying marks: Signed 1.1 : Kandinsky
On the reverse [in Münter’s writing]
Kandinsky / Schlafzimmer
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.300

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Rider, circa 1909

X88259
Rider

[Reiter] circa 1909
painting
Oil paint on wood
support: 290 × 250 × 35 mm
Lenbachhaus Munich, on permanent loan from The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Settled on Gabriele Münter (1877-1962), Germany, 1926;
Gabriele Münter's estate, 1962;
Gabriele Münter and Johannes Eichner Foundation, Munic h, 1966.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks:
Place of Manufacture: Germany

Catalogue Raisonné:

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented

Wassily Kandinsky, With a Yellow Horse, 1909

X88866
With a Yellow Horse

[Mit Gelbem Pferd] 1909
painting
Oil paint on glass in painted frame
frame: 179 × 310 × 12 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Unsigned
On the reverse [in Münter’s writing]: Kandinsky, erstes Glasbild
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings – Volume One 1900-1915, Ithaca: Cornell University Press, 1982-1984, p.302

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Murnau with Church I, 1910

X14011
Murnau with Church I

[Murnau mit Kirche I] 1910
painting
Oil paint on card
support: 647 × 502 mm frame: 796 × 650 × 60 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Murnau, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/France
Identifying marks: Signed l.l : Kandinsky
On the reverse [in Eichner’s writing]:
Kandinsky Berglandschaft mit Kirche 1910
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.325

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Murnau – Garden I, 1910

X87824
Murnau – Garden I

[Murnau – Garten I] 1910
painting
Oil paint on canvas
support: 660 × 820 mm frame: 834 × 991 × 75 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Signed l.l. : Kandinsky 1910
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.319

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, The Cow, 1910

X87826
The Cow

[Die Kuh] 1910
painting
Oil paint on canvas
support: 955 × 1050 mm frame: 1110 × 1200 × 83 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/France
Identifying marks: Signed l.l.: Kandinsky 1910
On the reverse: Kandinsky Die Kuh
(1910)
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.345

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, St George III, 1911

X87808
St George III

[St Georg III] 1911
painting
Oil paint on canvas
support: 975 × 1075 mm frame: 1116 × 1215 × 80 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Signed l.l.: Kandinsky 1911
On the reverse: Kandinsky St Georg No.3
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.376

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Impression III (Concert), 1911

X87809
Impression III (Concert)

[Impression III (Konzert)] 1911
painting
Oil paint on canvas
support: 775 × 1000 mm frame: 935 × 1150 × 82 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Signed l.r.: Kandinsky 1911
On the reverse: Impression Concert 1911
No 116
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.354

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, All Saints I, 1911

X87815
All Saints I

[Allerheiligen I] 1911
painting
Oil paint on card
support: 500 × 645 mm frame: 627 × 776 × 54 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Signed l.l. with monogram:
On the reverse: Kandinsky
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.393

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Impression VI (Sunday), 1911

X87827
Impression VI (Sunday)

[Impression VI (Sonntag)] 1911
painting
Oil paint on canvas
support: 1075 × 950 mm frame: 1245 × 1125 × 80 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Unsigned
On the reverse: Kandinsky Impression
(Sonntag)
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.375

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, St. George I, 1911

X88865
St. George I

[Heiliger Georg I] 1911
painting
Ink, oil paint and metal foil on glass in painted frame
frame: 229 × 235 × 12 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Murnau, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Unsigned
On the reverse [in Münter’s writing]: Kandinsky/gemalt im Juni 1911/in Murnau. Frame painted by Kandinsky.
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings – Volume One 1900-1915, Ithaca: Cornell University Press, 1982-1984, p.402

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Lady in Moscow, 1912

X87810
Lady in Moscow

[Dame in Moskau] 1912
painting
Oil paint on canvas
support: 1088 × 1088 mm frame: 1230 × 1233 × 110 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: On the reverse : Kandinsky – Dame in Moskau
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.424

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Front page of 'Der Sturm', Berlin, October 1912, no.129, 1912

X88206
Front page of 'Der Sturm', Berlin, October 1912, no.129

[3 Holzschnitte auf Vorder- und Rückseite von Blatt 1 in Der Sturm, Berlin, Okt. 1912, Nr. 129] 1912
on paper, print
Print on paper
support: 388 × 300 mm frame: 647 × 508 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Murnau, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks:
Place of Manufacture: Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Study for Composition VII, 1913

X87823
Study for Composition VII

[Studie zur Komposition VII] 1913
painting
Oil paint and tempera on canvas
object: 787 × 1004 mm frame: 877 × 1095 × 81 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: verso : KANDINSKY study (for Composition VII) 1913 No. 183
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Sounds, 1913

X88184
Sounds

[Klänge] 1913
on paper, unique
Book
object: 285 × 285 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gabriele Münter, Murnau, until 1957;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian/Soviet Union/French
Identifying marks:
Place of Manufacture: Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Improvisation Deluge, 1913

X88258
Improvisation Deluge

[Improvisation Sintflut] 1913
painting
Oil paint on canvas
support: 900 × 1500 mm frame: 1085 × 1645 × 125 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Unsigned
On the reverse : Kandinsky 1913 Sintflut
Improvisation
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.456

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, Improvisation Gorge, 1914

X87811
Improvisation Gorge

[Improvisation Klamm] 1914
painting
Oil paint on canvas
support: 1100 × 1100 mm frame: 1235 × 1240 × 128 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: On the reverse [in Munter’s writing] : Kandinsky 1914 (Klamm)
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.508

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Wassily Kandinsky, On the Theme of the Deluge, 1913–1914

X87816
On the Theme of the Deluge

[Unbenanntes Bild (Sintflut)] 1913–1914
painting
Oil paint on canvas
object: 1091 × 1403 × 36 mm frame: 1190 × 1502 × 88 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Settled on Gabriele Münter (1877–1962), Germany, 1926;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/Soviet Union/French
Identifying marks: Unsigned
On the reverse [in Münter’s writing]: Kandinsky, 1914 Unbenanntes Bild/zur Sintflut
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Roethel, Hans Konrad; Benjamin, Jean K., Kandinsky: Catalogue Raisonné of the Oil Paintings, Ithaca: Cornell University Press, 1982-1984, p.480

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Paul Klee
(1879-1940, born: Münchenbuchsee)

Paul Klee, Cacti, circa 1912

X87682
Cacti

[Kakteen] circa 1912
painting
Oil paint on card
support: 520 × 415 mm frame: 775 × 660 × 50 mm
Lenbachhaus Munich
Provenance:
The artist;
Inherited by Mathilde Klee (1876-1953);
Acquired by Marietta Rougemont, 1953;
Acquired from Marietta Rougemont via the Klipstein and Kornfeld Auction sale, Bern, by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 8 June, 1961.

Nationality of artist: Swiss-German
Identifying marks: verso Olfarbe auf Grundierung /
Verso oil paint on primer
Place of Manufacture: Germany

Catalogue Raisonné: Edited by The Paul Klee Foundation, Museum of Fine Arts, Berne., Paul Klee Catalogue Raisonné - Volume 1 1883-1912, Thames and Hudson, p.488

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Paul Klee, Legend of the Swamp, 1919

X88300
Legend of the Swamp

[Sumpflegende] 1919
painting
Oil paint on card
support: 470 × 408 mm frame: 633 × 569 × 54 mm
Lenbachhaus Munich and The Gabriele Münter and Johannes Eichner Foundation, Munich; Settled in 2017 with the heirs of the former owner Sophie Lissitzky-Küppers, with generous financial support of the Kulturstiftung der Länder and the Ernst von Siemens Kunststiftung
Provenance:
The artist;
Acquired by Paul Erich Küppers (1889–1922), Hanover, 1922;
Inherited by Sophie Lissitzky-Küppers (1891–1978), Hanover, 1926;
Loaned to the Provincial Museum, Hanover, 1937;
Confiscated by the German Reich/Reich Ministry for Public Enlightenment and Propaganda, Berlin as “degenerate art” from the Provincial Museum, Hanover, 1937-1941;
Acquired from the Reich Ministry for Public Enlightenment and Propaganda, Berlin by Hildebrand Gurlitt (1895–1956), Düsseldorf/Hamburg, until 1941(?);
Acquired by Dr. Hans Peters (1906–1962), Bad Honnef, 1941(?);
Consigned by Dr. Peter's family after his death in Bad Honnef to Kunsthaus Lempertz, Cologne, auction, 7 December 1962;
Acquired via Kunsthaus Lempertz Auction, Cologne, by Galerie Beyeler, Basel, 1963;
Acquired by Dr. Josef Steegmann (1903–1988), Cologne/Vaduz, 1973;
Acquired in exchange for another picture from Dr. Josef Steegmann, Cologne/Vaduz by Galerie Rosengart, Lucerne, 1982;
Acquired from Galerie Rosengart by Municipal Gallery in the Lenbachhaus and Kunstbau Munich and Gabriele Münter and Johannes Eichner Foundation, 1982;
Settlement with the heirs of the former owner Sophie Lissitzky-Küppers by Municipal Gallery in the Lenbachhaus and Kunstbau Munich and Gabriele Münter and Johannes Eichner Foundation, with generous financial support from the Cultural Foundation of the States and the Ernst von Siemens Art Foundation, 2017.

Nationality of artist: Swiss-German
Identifying marks: Signed lower right: Klee
Inscribed lower right: 1919, 163 – verso
Swamp Legend Klee sells owner Dr. Küppers
Place of Manufacture: Germany

Catalogue Raisonné: Edited by The Paul Klee Foundation, Museum of Fine Arts, Berne., Paul Klee Catalogue Raisonné - Volume 3 1883-1912, Thames and Hudson, p.144

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

August Macke
(1887-1914, born: Meschede, died: Marne, active: Bonn)

August Macke, Portrait with Apples (Elisabeth with apples), 1909

X87687
Portrait with Apples (Elisabeth with apples)

[Porträt mit Äpfeln (Elisabeth mit Äpfeln)] 1909
painting
Oil paint on canvas
support: 660 × 595 mm frame: 841 × 772 × 72 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Bernhard Koehler Sr. (1849–1927), Berlin, by 1914;
Inherited by Elly and Bernhard Koehler Jr. (1882-1964), Berlin/Gauting, 1927;
Donated by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Gustav Vriesen, August Macke, [Stuttgart]: W. Kohlhammer, 1953, p.273

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

August Macke, Greeting, 1912

X88198
Greeting

[Begrüßung] 1912
on paper, print
Woodcut on paper
support: 243 × 197 mm frame: 662 × 522 × 30 mm
Lenbachhaus Munich
Provenance:
The artist;
Bequeathed after the death of the above to Elisabeth Macke;
Stuttgart Art Cabinet R. N. Ketterer, Stuttgart, until 1959;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1959.

Nationality of artist: German
Identifying marks: verso : August Macke: Greeting /confirmed
Place of Manufacture: Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

August Macke, Promenade, 1913

X87688
Promenade

[Promenade] 1913
painting
Oil paint on card
support: 510 × 570 mm frame: 725 × 782 × 66 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Bernhard Koehler Sr. (1849–1927), Berlin, 1913;
Inherited by Elly and Bernhard Koehler Jr. (1882-1964), Berlin/Gauting, 1927;
Donated from the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Gustav Vriesen, August Macke, [Stuttgart]: W. Kohlhammer, 1953, p.291

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

August Macke, Walk on the Bridge, 1913

X87689
Walk on the Bridge

[Spaziergang auf der Brücke] 1913
painting
Oil paint on cardboard
support: 247 × 302 mm frame: 367 × 419 × 33 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Bernhard Koehler Sr. (1849–1927), Berlin, c.1914-1927;
Inherited by Elly and Bernhard Koehler Jr. (1882–1964), Berlin/Gauting, 1927;
Donated by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Gustav Vriesen, August Macke, [Stuttgart]: W. Kohlhammer, 1953, p.291

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

August Macke, Milliner's Shop, 1913

X87690
Milliner's Shop

[Hutladen] 1913
painting
Oil paint on canvas
support: 545 × 440 mm frame: 735 × 635 × 80 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Acquired by Bernhard Koehler Sr. (1849–1927), Berlin, c.1914-1927;
Inherited by Elly and Bernhard Koehler Jr. (1882–1964), Berlin/Gauting, 1927;
Donated by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Gustav Vriesen, August Macke, [Stuttgart]: W. Kohlhammer, 1953, p.290

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Franz Marc
(1880 - 1916)

Franz Marc, Portait of Maria Franck with a Palette (Maria Franck  Painting in the Snow), 1906

X87701
Portait of Maria Franck with a Palette (Maria Franck Painting in the Snow)

[Bildnis Maria Franck mit Palette (Maria Franck beim Malen im Schnee)] 1906
painting
Oil paint on canvas
support: 565 × 410 mm frame: 651 × 503 × 48 mm
Lenbachhaus Munich
Provenance:
The artist;
Inherited from Franz Marc by Maria Franck-Marc (1876–1955), 1916;
Gifted to Margarethe Macke, 1951;
Acquired from the above by Art Cabinet Dr. Hans Hellmut Klihm, Munich, until 1962;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1962.

Nationality of artist: German
Identifying marks: Inscribed on the reverse: ‘Portrait einer Malerin (Maria Marc) von Franz Marc 1906’, ‘Für Margarethe Macke, Maria Marc Januar 1951 Reid’
Place of Manufacture: Kochel, Germany

Catalogue Raisonné: Hoberg, A., and Jansen, I., Franz Marc The Complete Works – Volume I: The Oil Paintings, Philip Wilson Publishers, 2004, p.75

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Franz Marc, Deer in the Snow II, 1911

X87695
Deer in the Snow II

[Rehe im Schnee II] 1911
painting
Oil paint on canvas
support: 847 × 845 mm frame: 1005 × 1005 × 90 mm
Lenbachhaus Munich, Donation of Elly Koehler
Provenance:
The artist;
Bernhard Koehler Sr. (1849–1927), Berlin, any time before 1916;
Inherited by Elly and Bernhard Koehler Jr. (1882–1964), Berlin/Gauting, 1927;
On permanent loan to the Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1963;
Gifted by Elly Koehler to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1971.

Nationality of artist: German
Identifying marks: n/a
Place of Manufacture: Sindelsdorf, Germany

Catalogue Raisonné: Hoberg, A., and Jansen, I., Franz Marc: The Complete Works – Volume I: The Oil Paintings, Philip Wilson Publishers, 2004, p.150

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Franz Marc, Cows, Red, Green, Yellow, 1911

X87703
Cows, Red, Green, Yellow

[Kühe, Rot, Grün, Gelb] 1911
painting
Oil paint on canvas
support: 620 × 875 mm frame: 867 × 1130 × 85 mm
Lenbachhaus Munich
Provenance:
The artist;
Alfred (1879-1931) and Thekla Hess (1884-1968), Erfurt via Galerie Goltz, Munich or Galerie Der Sturm, Berlin, 1916;
Acquired from Thekla Hess, Erfurt by Galerie Ferdinand Möller, Cologne, 1953;
Acquired by Hanna Bekker vom Rath (1893–1983), Hofheim/Taunus, 1956;
Acquired by Galerie Günther Franke, Munich until 1960;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1960.

Nationality of artist: German
Identifying marks: Signed l.r: ‘Marc’ - Inscribed on the reverse: ‘Marc’
Place of Manufacture: Sindelsdorf, Germany

Catalogue Raisonné: Hoberg, A., and Jansen, I., Franz Marc The Complete Works – Volume I: The Oil Paintings, Philip Wilson Publishers, 2004, p.176

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Franz Marc, Tiger, 1912

X87697
Tiger

[Tiger] 1912
painting
Oil paint on canvas
support: 1117 × 1018 mm frame: 1408 × 1315 × 77 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Bernhard Koehler Sr. (1849–1927), Berlin, 1913;
Inherited by Elly and Bernhard Koehler Jr. (1882–1964), Berlin/Gauting, 1927;
Gifted from the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.

Nationality of artist: German
Identifying marks: inscribed on the reverse: ‘Fz. Marc/12’
Place of Manufacture: Sindelsdorf, Germany

Catalogue Raisonné: Hoberg, A., and Jansen, I., Franz Marc The Complete Works – Volume I: The Oil Paintings, Philip Wilson Publishers, 2004, p.184

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Franz Marc, Deer in the Woods II, 1912

X87698
Deer in the Woods II

[Reh im Walde II] 1912
painting
Oil paint on canvas
support: 1100 × 810 mm frame: 1312 × 1017 × 105 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Acquired by Bernhard Koehler Sr. (1849–1927), Berlin, 1912;
Inherited by Elly and Bernhard Koehler Jr. (1882–1964), Berlin/Gauting, 1927;
Bequeathed by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.

Nationality of artist: German
Identifying marks: Signed l.r.: ‘Marc’
Place of Manufacture: Germany

Catalogue Raisonné: Hoberg, A., and Jansen, I., Franz Marc The Complete Works – Volume I: The Oil Paintings, Philip Wilson Publishers, 2004, p.190

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Franz Marc, In the Rain, 1912

X87699
In the Rain

[Im Regen] 1912
painting
Oil paint on canvas
support: 810 × 1055 mm frame: 1030 × 1274 × 100 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Bernhard Koehler Sr. (1849–1927), Berlin, 1913;
Inherited by Elly and Bernhard Koehler Jr. (1882–1964), Berlin/Gauting, 1927;
Bequeathed by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.

Nationality of artist: German
Identifying marks: signed u.r: ‘F.M.’
Place of Manufacture: Bavaria, Germany

Catalogue Raisonné: Hoberg, A., and Jansen, I., Franz Marc The Complete Works – Volume I: The Oil Paintings, Philip Wilson Publishers, 2004, p.224

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Franz Marc, Doe in the Monastery Garden, 1912

X87700
Doe in the Monastery Garden

[Reh im Klostergarten] 1912
painting
Oil paint on canvas
support: 757 × 1010 mm frame: 970 × 1219 × 100 mm
Lenbachhaus Munich, Donation of Bernhard and Elly Koehler, 1965
Provenance:
The artist;
Bernhard Koehler Sr. (1849–1927), 1913;
Inherited by Elly and Bernhard Koehler Jr. (1882–1964), Berlin/Gauting, 1927;
Bequeathed by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.

Nationality of artist: German
Identifying marks: Inscribed on the reverse: ‘Marc Sindelsdorf’
Place of Manufacture: Sindelsdorf, Germany

Catalogue Raisonné: Hoberg, A., and Jansen, I., Franz Marc The Complete Works – Volume I: The Oil Paintings, Philip Wilson Publishers, 2004, p.205

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Franz Marc, Shepherdess, 1912

X88199
Shepherdess

[Hirtin] 1912
on paper, print
Woodcut on paper
support: 222 × 73 mm frame: 662 × 522 × 30 mm
Lenbachhaus Munich
Provenance:
The artist;
August Macke (1887-1914), 1914;
August Macke estate, until 1981;
Acquired from Gisela Macke by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1981.

Nationality of artist: German
Identifying marks: Inscribed in the block: ‘M’ (u.l.)
Place of Manufacture: Germany

Catalogue Raisonné: Hoberg, Annegret; Jansen, Isabelle, Franz Marc: The Complete Works – Sketchbooks and Prints, Philip Wilson Publishers, 2011, p.356

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Franz Marc, Drinking Horse, 1912

X88200
Drinking Horse

[Trinkendes Pferd] 1912
on paper, print
Woodcut on paper
support: 220 × 84 mm frame: 662 × 522 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gabriele Münter, Murnau, until 1957;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks: Inscribed in the block: ‘M’ (m.l.)
Place of Manufacture: Germany

Catalogue Raisonné: Hoberg, Annegret; Jansen, Isabelle, Franz Marc: The Complete Works – Sketchbooks and Prints, Philip Wilson Publishers, 2011, p.362

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Franz Marc, Tiger, 1912

X88201
Tiger

[Tiger] 1912
on paper, print
Woodcut on paper
support: 220 × 239 mm frame: 522 × 662 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gabriele Münter, Murnau, until 1957:
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks: Inscribed in the block: ‘M’ (l.r.)
Place of Manufacture: Germany

Catalogue Raisonné: Hoberg, Annegret; Jansen, Isabelle, Franz Marc: The Complete Works – Sketchbooks and Prints, Philip Wilson Publishers, 2011, p.352

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Franz Marc, Reconciliation, 1912

X88203
Reconciliation

[Versöhnung] 1912
on paper, print
Woodcut on paper
support: 201 × 257 mm frame: 522 × 662 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gabriele Münter, Murnau, until 1957;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks: Inscribed in the block: ‘M’ (l.l.)
Place of Manufacture: Germany

Catalogue Raisonné: Hoberg, Annegret; Jansen, Isabelle, Franz Marc: The Complete Works – Sketchbooks and Prints, Philip Wilson Publishers, 2011, p.348

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Franz Marc, Animal Legend, 1912

X88204
Animal Legend

[Tierlegende] 1912
on paper, print
Woodcut on paper
support: 200 × 240 mm frame: 522 × 662 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gabriele Münter (1877–1962), Murnau, 1957;
Gifted by the above Städtische Galerie im Lenbachhaus und Kunstbau München, 1957.

Nationality of artist: German
Identifying marks: Inscribed in the block: ‘M’ (l.l.)
Place of Manufacture: Germany

Catalogue Raisonné: Hoberg, Annegret; Jansen, Isabelle, Franz Marc: The Complete Works – Sketchbooks and Prints, Philip Wilson Publishers, 2011, p.350

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Franz Marc, Small Leaping Horses, 1912

X89583
Small Leaping Horses

[Springende Pferdchen] 1912
on paper, unique
Woodcut on paper
support: 132 × 90 mm frame: 662 × 522 × 30 mm
Lenbachhaus Munich
Provenance:
The artist;
Felix Stössinger, Berlin, until 1930;
Gifted by the above to Municipal Gallery in Lenbachaus and Kunstbau Munich, 1930.

Nationality of artist: German
Identifying marks: Inscribed in the block: ‘M’ (l.l.)
Place of Manufacture: Germany

Catalogue Raisonné: Hoberg, Annegret; Jansen, Isabelle, Franz Marc: The Complete Works – Sketchbooks and Prints, Philip Wilson Publishers, 2011, p.360

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter
(1877 - 1962)

Gabriele Münter, Jawlensky and Werefkin, 1909

X87720
Jawlensky and Werefkin

[Jawlensky und Werefkin] 1909
painting
Oil paint on card
support: 327 × 445 mm frame: 460 × 578 × 57 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Portrait of Marianne Werefkin, 1909

X87721
Portrait of Marianne Werefkin

[Bildnis Marianne Werefkin] 1909
painting
Oil paint on card
support: 810 × 550 mm frame: 964 × 709 × 63 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Listening (Portrait of Jawlensky), 1909

X87722
Listening (Portrait of Jawlensky)

[Zuhören (Bildnis Jawlensky)] 1909
painting
Oil paint on card
support: 498 × 664 mm frame: 639 × 803 × 70 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Holy Mary, 1908–1909

X88103
Holy Mary

[Holy Mary] 1908–1909
painting
Ink, oil paint and metal foil on glass in painted frame
frame: 237 × 185 × 15 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Olga von Hartmann, circa 1910

X88074
Olga von Hartmann

[Olga von Hartmann] circa 1910
painting
Oil paint on canvas
support: 608 × 452 mm frame: 737 × 588 × 83 mm
The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Estate of Gabriele Münter, 1962;
Gifted by the above to Gabriele Münter and Johannes Eichner Foundation, Munich, 1966.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Madonna with Child, 1909–1910

X88101
Madonna with Child

[Madonna mit Kind] 1909–1910
painting
Ink and oil paint on glass in painted frame
frame: 251 × 182 × 16 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Murnau Farmer’s Wife with Children, 1909–1910

X88102
Murnau Farmer’s Wife with Children

[Murnauer Bäuerin mit Kindern] 1909–1910
painting
Ink and oil paint on glass in painted frame
frame: 261 × 243 × 18 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957;
Leonhard Hutton Galleries, New York, 1967;
Acquired by American private collection, 1980;
Acquired by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, via Ketterer Kunst, Munich (40th auction from June 3, 1980, lot 1035), 1980.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Still life in Grey, 1910

X88304
Still life in Grey

[Stillleben Grau] 1910
painting
Oil paint on card
support: 345 × 504 mm frame: 488 × 645 × 55 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Village Street in Winter, 1911

X87725
Village Street in Winter

[Dorfstraße im Winter] 1911
painting
Oil paint on card
support: 524 × 690 mm frame: 670 × 841 × 70 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Man at the Table (Kandinsky), 1911

X87726
Man at the Table (Kandinsky)

[Mann am Tisch (Kandinsky)] 1911
painting
Oil paint on card
support: 508 × 685 mm frame: 645 × 827 × 62 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Still Life with Saint George, 1911

X87727
Still Life with Saint George

[Stillleben mit Heiligem Georg] 1911
painting
Oil paint on card
support: 511 × 680 mm frame: 670 × 843 × 44 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: N/A
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Dark Still Life (Secret), 1911

X87731
Dark Still Life (Secret)

[Dunkles Stillleben (Geheimnis)] 1911
painting
Oil paint on canvas
support: 782 × 1009 mm frame: 982 × 1200 × 92 mm
Lenbachhaus Munich, on permanent loan from The Gabriele Münter and Johannes Eichner Foundation, Munich
Provenance:
The artist;
Estate of Gabriele Münter, 1962;
Gifted by the above to Gabriele Münter and Johannes Eichner Foundation, Munich, 1966.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Construction Work, 1912

X88212
Construction Work

[Bauarbeit] 1912
on paper, print
Woodcut on paper
support: 169 × 292 mm frame: 647 × 508 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Watering Plants, 1912

X88213
Watering Plants

[Blumengießen] 1912
on paper, print
Woodcut on paper
support: 337 × 247 mm frame: 647 × 508 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Watering Plants, 1912

X88214
Watering Plants

[Blumengießen (Titel nicht original)] 1912
on paper, print
Print on paper
support: 420 × 312 mm frame: 647 × 508 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Kandinsky and Erma Bossi at the Table, 1912

X88303
Kandinsky and Erma Bossi at the Table

[Kandinsky und Erma Bossi am Tisch] 1912
painting
Oil paint on canvas
support: 955 × 1255 mm frame: 1025 × 1330 × 65 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1965.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.

Gabriele Münter, Farmer's Family, 1912–1913

X88215
Farmer's Family

[Bauernfamilie (Titel nicht original)] 1912–1913
on paper, print
Woodcut on paper
support: 175 × 262 mm frame: 647 × 508 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Habsburg Square, 1912–1913

X88216
Habsburg Square

[Habsburgerplatz] 1912–1913
on paper, print
Woodcut on paper
image: 169 × 219 mm support: 244 × 344 mm frame: 647 × 508 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, New Years Greeting 1913, 1913

X88217
New Years Greeting 1913

[Neujahrswunsch 1913] 1913
on paper, print
Woodcut on paper
support: 206 × 267 mm frame: 647 × 508 × 30 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks:
Place of Manufacture: Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Gabriele Münter, Madonna with Poinsettia, circa 1911

X87716
Madonna with Poinsettia

[Madonna mit Poinsettia] circa 1911
painting
Oil paint on canvas
support: 925 × 705 mm frame: 1090 × 885 × 76 mm
Lenbachhaus Munich, Donation of Gabriele Münter
Provenance:
The artist;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: German
Identifying marks: N/A
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Alexej von Jawlensky
(1864 - 1941)

Alexej von Jawlensky, Landscape near Murnau, 1909

X87794
Landscape near Murnau

[Murnauer Landschaft] 1909
painting
Oil paint on card
object: 505 × 545 × 5 mm frame: 617 × 655 × 83 mm
Lenbachhaus Munich, Donation of Gabriele Münter, 1957
Provenance:
The artist;
Gabriele Münter (1877–1962), Murnau, until 1957;
Donated by Gabriele Münter (1877-1962) to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1957.

Nationality of artist: Russian Empire/German
Identifying marks:
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: Jawlensky, Maria, Alexej von Jawlensky – Catalogue Raisonné of the Oil Paintings Vol. 1, London: Sotheby's Publications, 1998, p.237

This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.

Alexej von Jawlensky, Spanish Woman, 1913

X87795
Spanish Woman

[Spanierin] 1913
painting
Oil paint on card
object: 683 × 496 × 4 mm frame: 955 × 775 × 64 mm
Lenbachhaus Munich
Provenance:
The artist;
Galerie Beyeler, Basel, until 1959;
Acquired from the above by Stuttgart Art Cabinet R. N. Ketterer, Stuttgart, 1959;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1959.

Nationality of artist: Russian Empire/German
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: Jawlensky, Maria, Alexej von Jawlensky – Catalogue Raisonné of the Oil Paintings Vol. 1, London: Sotheby's Publications, 1998, p.437

This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.

It was checked with Galerie Beyeler, Basel and confirmed with Lenbachhaus there was no evidence of theft or the work being stolen.

It was checked with Galerie Beyeler's archive team. There is no evidence of the artwork beign stolen or missing.

Marianne von Werefkin
(1860 - 1938)

Marianne von Werefkin, Sketchbook d3,

X88695
Sketchbook d3


on paper, unique
Mixed technique on paper
object: 142 × 92 mm displayed: 142 × 182 mm
Fondazione Marianne Werefkin, Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.

Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Marianne von Werefkin, Sketchbook a16,

X88696
Sketchbook a16


on paper, unique
Mixed technique on paper
object: 109 × 179 mm displayed: 109 × 358 mm
Fondazione Marianne Werefkin, Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.

Nationality of artist: Russin Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Marianne von Werefkin, Sketchbook g5,

X88697
Sketchbook g5


on paper, unique
Mixed technique on paper
object: 217 × 178 mm displayed: 217 × 356 mm
Fondazione Marianne Werefkin, Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.

Nationality of artist: Russin Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Marianne von Werefkin, Sketchbook a23,

X88717
Sketchbook a23


supporting material
Mixed media on paper
object: 125 × 180 mm displayed: 125 × 360 mm
Fondazione Marianne Werefkin, Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.

Nationality of artist: Russin Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Marianne von Werefkin, The Storm, circa 1907

X88702
The Storm

[La Tempesta] circa 1907
painting
Tempera on paper on cardboard
support: 570 × 760 mm frame: 643 × 840 × 45 mm
Fondazione Marianne Werefkin, Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.

Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Marianne von Werefkin, The Dancer, Alexander Sacharoff, 1909

X88691
The Dancer, Alexander Sacharoff

[Die Tänzer, Alexander Sacharoff] 1909
painting
Tempera on paper on board
support: 735 × 550 mm frame: 925 × 740 × 37 mm
Fondazione Marianne Werefkin, Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.

Nationality of artist: Russian Empire/Stateless Person
Identifying marks: Verso: ‘Portrait, A. Sacharoff’
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Marianne von Werefkin, Rosalia Leiss, 1908–1909

X89814
Rosalia Leiss

[Rosalia Leiß] 1908–1909
painting
Tempera on cardboard
support: 640 × 500 mm frame: 745 × 602 × 30 mm
On loan from the PSM Privatstiftung Schloßmuseum Murnau at the Schloßmuseum Murnau, Inv. PSM 55/12355
Provenance:
The artist;
Private Collection, Germany, unknown date;
Private collection Germany, on loan to the Schlossmuseum Murnau, 1993;
Acquired by PSM Privatstiftung Schlossmuseum Murnau and others via Auction House Lempertz, 2 December 2016.

Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Murnau, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.

Marianne von Werefkin, Into the Night, 1910

X87779
Into the Night

[In die Nacht hinein] 1910
on paper, unique
Tempera on paper on board
support: 740 × 1010 × 40 mm frame: 951 × 1222 × 75 mm
Collection of the Friends of Lenbachhaus
Provenance:
The artist;
Artist's estate, Ascona, 1938;
On consignment to Galerie Chichio Haller, Zurich, until 1969;
Acquired from the above by Ernst Häberlin (1907-2000), Wädenswil, until 2000;
Inherited by the children of Ernst Häberlin, 2000;
Swiss private collection;
Acquired from the Swiss art dealer by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, with funds provided by the Förderverein Lenbachhaus e.V., 2018.

Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Marianne von Werefkin, Self-portrait, circa 1910

X88071
Self-portrait

[Selbstbildnis I] circa 1910
on paper, unique
Tempera on paper on card
support: 510 × 340 mm frame: 678 × 507 × 67 mm
Lenbachhaus Munich
Provenance:
The artist;
Probably acquired from the artist's estate by Fritz Stöckli, 1938;
Fondazione Marianne von Werefkin, Ascona, 1958;
Acquired from the above by Municipal Gallery in the Lenbachhaus and Kunstbau Munich, with funds from the Gabriele Münter Foundation, 1966.

Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.

Marianne von Werefkin, Summer Stage, 1910

X88693
Summer Stage

[Rappresentazione estiva] 1910
painting
Tempera on paper on board
support: 560 × 730 mm frame: 720 × 895 × 30 mm
Fondazione Marianne Werefkin, Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.

Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Marianne von Werefkin, The Red Tree, 1910

X88699
The Red Tree

[L'Albero Rosso] 1910
painting
Tempera on paper on cardboard
support: 755 × 565 mm frame: 870 × 680 × 50 mm
Fondazione Marianne Werefkin, Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.

Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Marianne von Werefkin, The Prayer, 1910

X88701
The Prayer

[La Preghiera] 1910
painting
Tempera on paper on board
object: 1045 × 780 mm frame: 1200 × 945 × 55 mm
Fondazione Marianne Werefkin, Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.

Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Marianne von Werefkin, The Skaters, 1911

X88692
The Skaters

[I Pattinatori] 1911
painting
Tempera on paper on card
support: 570 × 750 mm frame: 740 × 925 × 35 mm
Fondazione Marianne Werefkin, Museo Comunale d'Arte Moderna, Ascona
Provenance:
The artist;
Bequeathed by the artist to Marianne Werefkin Foundation, Ascona, 1939.

Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Marianne von Werefkin, Marionette theater with Jawlensky and Marianne Werefkin in the foreground, 1917–1918

X88072
Marionette theater with Jawlensky and Marianne Werefkin in the foreground

[Marionettentheater – im Vordergrund Jawlensky und Marianne Werefkin] 1917–1918
on paper, unique
Tempera on paper on card
support: 240 × 322 mm frame: 495 × 560 × 40 mm
Lenbachhaus Munich
Provenance:
The artist;
Clotilde von Derp-Sacharoff (1892-1974), Rome, until 1971;
Gifted by the above to Municipal Gallery in the Lenbachhaus and Kunstbau Munich, 1971.

Nationality of artist: Russian Empire/Stateless Person
Identifying marks:
Place of Manufacture: Munich, Germany

Catalogue Raisonné: N/A

This work was produced before the operative period 1933–45. Its provenance during these years is not fully documented.

Electric Dreams: Art and Technology Before the Internet

Tate Modern (London, UK) from 28 Nov 2024 until 01 Jun 2025.

Alberto Biasi
(born 1937)

Alberto Biasi, Light Prisms. Spectral Kinetic Mesh, 1966

X90415
Light Prisms. Spectral Kinetic Mesh

[Light Prisms. Cinereticolo spettrale] 1966
installation
mobile crystal prisms, acrylic blocks, electric engines, wooden case
object: 1000 × 1000 × 400 mm
ZKM | Center for Art and Media Karlsruhe
Provenance:
Acquired from private collection, ZKM Center for Art and Media (Karlsruhe, Germany) 2017

Nationality of Artist: Italian


Identifying marks: none

Place of manufacture: Italy

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Vladimir Bonačić
(1938 - 1999)

Vladimir Bonačić 	, Random 63, 1969

X91041
Random 63

1969
installation
Aluminum, electronics, 63 glow switch starters, 63 lightbulbs
object: 760 × 760 × 65 mm
Dunja Donassy-Bonačić, bcd-Cybernetic Art Team – on permanent loan to ZKM | Karlsruhe
Provenance:
The artist


Estate of the artist; on permanent loan to ZKM | Karlsruhe

Nationality of Artist: Croatian


Identifying marks: none


Place of manufacture: Croatia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Vladimir Bonačić 	, GF.E 16 –NS, 1969

X92175
GF.E 16 –NS

1969
installation
Custom-made hardware (Galois field generator); aluminium analogue and digital electronics, 256 glow lamps
object: 360 × 360 × 120 mm
Dunja Donassy-Bonačić, bcd-Cybernetic Art Team – on permanent loan to ZKM | Karlsruhe
Provenance:
The artist


Estate of the artist; on permanent loan to ZKM | Karlsruhe

Nationality of Artist: Croatian


Identifying marks: none


Place of manufacture: Croatia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Vladimir Bonačić 	, GF.E 16 –S, 1969–1979

X92148
GF.E 16 –S

1969–1979
installation
Custom-made hardware (Galois field generator); aluminium, analogue and digital electronics, 256 glow lamps
object: 360 × 360 × 120 mm
Dunja Donassy-Bonačić, bcd-Cybernetic Art Team – on permanent loan to ZKM | Karlsruhe
Provenance:
The artist


Estate of the artist; on permanent loan to ZKM | Karlsruhe

Nationality of Artist: Croatian


Identifying marks: none


Place of manufacture: Croatia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Davide Boriani
(born 1936)

Davide Boriani, Magnetic Surface, 1965

X90430
Magnetic Surface

[Superficie Magnetica] 1965
sculpture
Aluminium, iron filings, polyurethane foam, magnets, glass, motor, sensor
object: 800 × 870 × 260 mm
Private collection
Provenance:
Purchased from the artist via 10 A.M Art Gallery, Milan, Private Collection 2014

Nationality of Artist: Italian



Identifying marks: none

Place of manufacture: Italy

Catalogue Raisonné: N/A


This work was produced after the operative period 1933—45.

Waldemar Cordeiro
(1925-1973)

Waldemar Cordeiro, People Ampli*2, 1972

X90170
People Ampli*2

[Gente Ampli*2] 1972
on paper, print
Computer output on paper
object: 1345 × 725 mm
The Museum of Modern Art, New York. Latin American and Caribbean Fund, 2016.
Provenance:
The artist
1973—2016, Estate of the artist
2016—present, The Museum of Modern Art, New York. Purchased from the above (via Luciana Brito Gallery, São Paulo)
Nationality of artist: Brazilian

Identifying marks: none

Place of Manufacture: São Paulo, Brazil
Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Hiroshi Kawano
(1925 - 2012)

Hiroshi Kawano, 7 of 3 d2 // Design 1-4, 1964

X90432
7 of 3 d2 // Design 1-4

[3 No 7 d2/ / dezain 1–4] 1964
on paper, unique
Gouache on paper after computer-generated design
object: 344 × 252 mm
ZKM | Center for Art and Media Karlsruhe
Provenance:

Donated by the artist, ZKM Center for Art and Media (Karlsruhe, Germany) 2010


Nationality of Artist: Japanese

Identifying marks: none


Place of manufacture: Japan


Catalogue Raisonné: N/A


This work was produced after the operative period 1933—45.

Hiroshi Kawano, KD 29 - Artificial Mondrian, 1969

X90431
KD 29 - Artificial Mondrian

1969
on paper, unique
Gouache on paper after computer-generated design
object: 714 × 500 mm
ZKM | Center for Art and Media Karlsruhe
Provenance:
Donated by the artist, ZKM Center for Art and Media (Karlsruhe, Germany) 2010


Nationality of Artist: Japanese


Identifying marks: none


Place of manufacture: Japan


Catalogue Raisonné: N/A


This work was produced after the operative period 1933—45.

Monika Fleischmann, Wolfgang Strauss

Monika Fleischmann, Wolfgang Strauss, Liquid Views - Narcissus Digital Reflections, 1992

X90209
Liquid Views - Narcissus Digital Reflections

1992
installation
interactive installation; touch screen, computer: PC, operating system: Windows XP, individual software, loudspeaker, camera, projection screen
Dimensions variable
ZKM | Center for Art and Media Karlsruhe
Provenance:
The artists

Donated to ZKM | Center for Art and Media Karlsruhe

Nationality of Artists: German


Identifying marks: none


Place of manufacture: Germany

Catalogue Raisonné: N/A


This work was produced after the operative period 1933—45.

Nanda Vigo
(1936 - 2020)

Nanda Vigo, Chronotope, 1963

X90581
Chronotope

[Cronotopo] 1963
sculpture
Aluminium, glass
object: 1000 × 1000 × 55 mm
Archivio Eredi Nanda Vigo
Provenance:
The artist
Nationality of Artist: Italian


Identifying marks: none


Place of manufacture: Italy


Catalogue Raisonné: N/A


This work was produced after the operative period 1933—45.



Nanda Vigo, Chronotope, 1960–1965

X90594
Chronotope

[Cronotopo] 1960–1965
sculpture
Aluminium, glass
object: 600 × 600 × 200 mm base: 1100 × 600 mm
Archivio Eredi Nanda Vigo
Provenance:
The artist
Nationality of Artist: Italian


Identifying marks: none


Place of manufacture: Italy


Catalogue Raisonné: N/A


This work was produced after the operative period 1933—45.

Nanda Vigo, Chronotope
, 1966

X90593
Chronotope

[Cronotopo] 1966
sculpture
Aluminium, glass
object: 1400 × 500 × 500 mm
Archivio Eredi Nanda Vigo
Provenance:
The artist
Nationality of Artist: Italian


Identifying marks: none


Place of manufacture: Italy


Catalogue Raisonné: N/A


This work was produced after the operative period 1933—45.

Nanda Vigo, Chronotope, 1967

X90582
Chronotope

[Cronotopo] 1967
sculpture
Aluminium, glass, neon tubes, electrical components
object: 1000 × 1000 × 100 mm
Archivio Eredi Nanda Vigo
Provenance:
The artist
Nationality of Artist: Italian


Identifying marks: none


Place of manufacture: Italy


Catalogue Raisonné: N/A


This work was produced after the operative period 1933—45.



Nanda Vigo, Diapraghm, 1968

X90595
Diapraghm

[Diaframma] 1968
sculpture
Aluminium, glass, neon tubes, electrical components
object: 1000 × 1000 × 250 mm
Archivio Eredi Nanda Vigo
Provenance:
The artist



Nationality of Artist: Italian


Identifying marks: none


Place of manufacture: Italy

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.