Leigh Bowery!

Tate Modern (London, UK) from 26 Feb 2025 until 31 Oct 2026.

Lucian Freud
(1922-2011, born: Berlin, died: London)

Lucian Freud, Leigh on a Green Sofa, 1994

X91082
Leigh on a Green Sofa

1994
painting
Oil paint on canvas
image: 171 × 228 mm frame: 273 × 330 mm
Private Collection
Provenance:
Provenance:
The artist (d. 2011);
Private Collection (acquired directly from the artist);
Private Collection, 2019

Nationality of artist: British
Identifying marks: none
Place of manufacture: UK
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45

Do Ho Suh

Tate Modern (London, UK) from 01 May 2025 until 19 Oct 2025.

Do Ho Suh
(born 1962, born: Seoul)

Do Ho Suh, Myselves, 2016

X90221
Myselves

2016
on paper, unique
Lithograph on paper
image: 560 × 385 mm
Private Collection
Provenance:
X90221
Myselves 2016
Lithograph on paper
560 × 385 mm
Private Collection
Flat 310 Union Wharf
23 Wenlock Road
London
N1 7ST
Provenance:
The artist
Private collection
Nationality of artist: South Korean
Identifying marks: none
Place of manufacture: Singapore
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Do Ho Suh, Staircase, 2016

X90234
Staircase

2016
on paper, unique
Gelatine tissue and thread embedded in paper
image: 3550 × 2290 mm
Private Collection
Provenance:
X90234
Staircase 2016
Gelatine tissue and thread embedded in paper
3550 × 2990 mm
Private Collection

Flat 310 Union Wharf
23 Wenlock Road
London
N1 7ST
Provenance:
The artist
Private collection
Nationality of artist: South Korean
Identifying marks: none
Place of manufacture: Singapore
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Do Ho Suh, Perfect Home: London, Horsham, New York, Berlin, Providence, Seoul, 2024

X89726
Perfect Home: London, Horsham, New York, Berlin, Providence, Seoul

2024
sculpture
Polyester fabric and stainless steel
object: 4550 × 5750 × 12370 mm
Courtesy the artist, Lehmann Maupin New York, Seoul and London. Creation supported by Genesis.
Provenance:
X89726
Perfect Home: London, Horsham, New York, Berlin, Providence, Seoul 2024
Polyester fabric and stainless steel
4550 × 5750 × 12370 mm
Courtesy the artist, Lehmann Maupin New York, Seoul and London
Creation supported by Genesis

Provenance:
The artist
Nationality of artist: South Korean
Identifying marks: none
Place of manufacture: South Korea
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Do Ho Suh, Nest/s, 2024

X89963
Nest/s

2024
on paper, unique
Polyester fabric and stainless steel
object: 4101 × 3754 × 21487 mm
Courtesy the artist, Lehmann Maupin New York, Seoul and London Creation supported by Genesis
Provenance:
Nest/s 2024
Polyester fabric and stainless steel
4101 x 3754 x 21487 mm
Courtesy the artist, Lehmann Maupin New York, Seoul and London
Creation supported by Genesis

Provenance:
The artist
Nationality of artist: South Korean
Identifying marks: none
Place of manufacture: South Korea
Catalogue Raisonné:

This work was produced after the operative period 1933 - 45.

Edward Burra

Tate Britain (London, UK) from 11 Jun 2025 until 19 Oct 2025.

Edward Burra
(1905-1976, born: London)

Edward Burra, Minuit Chanson, 1931

X89078
Minuit Chanson

1931
on paper, unique
Watercolour and gouache on paper
image: 540 × 735 mm frame: 692 × 946 mm
Private collection
Provenance:
From artist; Barbara Ker-Seymer; London; 25 May 1993; London, Tate Gallery, Edward Burra, 1973, no. 31, illustrated in catalogue p. 16; New York, Grey Art Gallery and Study Centre, A Sense of Place: The Paintings of Edward Burra and Paul Nash, 24 February – 3 April 1982, exhibition not numbered; London, Hayward Gallery, Edward Burra, 1 August – 29 September 1985, no. 55, illustrated in catalogue p. 94; by descent; Private collection; Atlanta; Chichester, Pallant House Gallery, Edward Burra, 22 October 2011 – 19 February 2012, no. 50, illustrated in catalogue p. 54, with tour to Djanogly Art Gallery, University of Nottingham, Nottingham.
Nationality of artist: British
Identifying marks: signed E.J. Burra and dated 1931 (lower left)
Place of Manufacture: Rye, UK
Catalogue Raisonné: Andrew Causey (ed.), Edward Burra: Complete Catalogue, Phaidon, Oxford, 1985, no. 73, illustrated n.p.

Edward Burra, The Hand, 1931

X89080
The Hand

1931
painting
Oil paint on canvas
image: 685 × 510 mm frame: 705 × 609 × 76 mm
Private collection
Provenance:
From artist; Barbara Ker-Seymer; London; 25 May 1993; London, Hayward Gallery, Edward Burra, 1 August – 29 September 1985, no. 54, illustrated in catalogue p. 25; by descent; Private collection; Atlanta; Chichester, Pallant House Gallery, Edward Burra, 22 October 2011 – 19 February 2012, no. 73, illustrated in catalogue p. 78, with tour to Djanogly Art Gallery, University of Nottingham, Nottingham.
Nationality of artist: British
Identifying marks: Signed ‘Burra 1931’, top right of canvas
Place of Manufacture: Likely Rye, UK
Catalogue Raisonné: Andrew Causey (ed.), Edward Burra: Complete Catalogue, Phaidon, Oxford, 1985, no. 71, illustrated n.p.

Edward Burra, Striptease (Harlem), 1934

X90999
Striptease (Harlem)

1934
on paper, unique
Gouache on paper
support: 770 × 500 mm frame: 910 × 700 mm
Private collection, courtesy of Eykyn Maclean
Provenance:
From artist; Alex. Reid and Lefevre Ltd; London; purchased; Private collection, U.S.A; purchased; Private collection; Europe; Sotheby's London, 13 December 2007, lot 61; purchased; Private collection; Sotheby's, London, 18 November 2014, lot 13; purchased; Private collection, San Francisco.
Nationality of artist: British
Identifying marks: None
Place of Manufacture: Likely Rye, UK
Catalogue Raisonné: Andrew Causey, Edward Burra, The Complete Catalogue, Phaidon, Oxford, 1985, cat. no.112, illustrated pl.7

Edward Burra, Bal des Pendus, 1937

X89190
Bal des Pendus

1937
painting
Watercolour on board
image: 1553 × 1140 mm
The Museum of Modern Art, New York. Purchase, 1948
Provenance:
From artist; Gerald Corcoran; London; 1948; purchased; The Museum of Modern Art; New York; New York, Museum of Modern Art, Recent Acquisitions, 1948-9; New York, Museum of Modern Art, British Drawings, 1977; New York, Museum of Modern Art, British Drawings, 1994; New York, Museum of Modern Art, Soldier, Spectre, Shaman: The Figure and the Second World War, 2015-6.
Nationality of artist: British
Identifying marks: None
Place of Manufacture: Rye, UK
Catalogue Raisonné: Andrew Causey (ed.), Edward Burra: Complete Catalogue, Phaidon, Oxford, 1985, no. 132, illustrated n.p.

Edward Burra, Cornish Clay Mines, 1970

X89215
Cornish Clay Mines

1970
on paper, unique
Watercolour on paper
image: 787 × 1333 mm frame: 952 × 1486 mm
Private collection
Provenance:
From artist; Barbara Ker-Seymer; London; 25 May 1993; London, Tate Gallery, Edward Burra, 1973, no.136; by descent; Private collection; Atlanta.
Nationality of artist: British
Identifying marks: None
Place of Manufacture: Likely Rye, UK
Catalogue Raisonné: Andrew Causey (ed.), Edward Burra: Complete Catalogue, Phaidon, Oxford, 1985, no. 358, illustrated n.p.

Emily Kam Kngwarray

Tate Modern (London, UK) from 10 Jul 2025 until 11 Jan 2026.

Emily Kam Kngwarray
(c.1914–1996, born: Alice Springs)

Emily Kam Kngwarray, Untitled, circa 1977

X92244
Untitled

circa 1977
painting
Batik on cotton
image: 1530 × 880 mm
Julia Murray, Founder, Utopia Women's Batik Group, Naarm/Narrm/Melbourne
Provenance:
The artist;
Private Collection, Naarm/Narrm/Melbourne, 1977.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled, 1980

X91248
Untitled

1980
painting
Batik on silk
image: 2705 × 842 mm
National Gallery of Victoria, Naarm/Narrm/Melbourne Presented through the NGV Foundation by Andrew Green, Fellow, 2002 2002.187
Provenance:
The artist; Andrew Green, Naarm/Melbourne, Australia, before 2002; Acquired from the above by National Gallery of Victoria, Naarm/Melbourne, Victoria, Australia, 1992.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled, circa 1981

X100983
Untitled

circa 1981
painting
Batik on silk
object: 860 × 900 mm
Jennifer Green, Naarm/Narrm/Melbourne
Provenance:
The artist;
Acquired from the above by Private collection via Adelaide Festival Centre Gallery, Australia, 1981.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Kam, 1988

X91250
Kam

1988
painting
Batik on silk
image: 1913 × 1169 mm
National Gallery of Victoria, Naarm/Narrm/Melbourne Purchased through The Art Foundation of Victoria with the assistance of the H. J. Heinz II Charitable and Family Trust, Governor, 1994
Provenance:
The artist;
Donald and Janet Holt, Mparntwe/Alice Springs, Northern Territory, Australia, 1995;
Acquired from the above by National Gallery of Victoria, Naarm/Melbourne, Victoria, Australia, 1995.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Emu Dreaming, 1988

X91657
Emu Dreaming

1988
painting
Batik on silk
object: 2360 × 1175 mm
Janet Holmes à Court Collection, Boorloo/Perth
Provenance:
The artist;
Acquired via Central Australian Aboriginal Media Association by Janet Holmes à Court Collection, 13 July 1988.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A

This work was produced after the operative period of 1933-45.

Emily Kam Kngwarray, Untitled, 1988

X91658
Untitled

1988
painting
Batik on silk
image: 10000 × 1120 mm
Janet Holmes à Court Collection, Boorloo/Perth
Provenance:
The artist;
Acquired from the above via Central Australian Aboriginal Media Association by Janet Holmes à Court Collection, 22 July 1988.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled, 1989

X100184
Untitled

1989
painting
Acrylic paint on canvas
image: 1200 × 900 mm
Thomas Vroom Collection
Provenance:
The artist;
Delmore Gallery, Northern Territory, Australia, 1990;
Acquired from the above by Private collection, Amsterdam, Netherlands, 1990 or shortly after.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled, 1989

X100905
Untitled

1989
painting
Batik on silk
1850 x 900 mm
Janet Holmes à Court Collection, Boorloo/Perth
Provenance:
The artist;
Central Australian Aboriginal Media Association, Mparntwe/Alice Springs, Northern Territory, Australia, 1989;
Acquired via the above by Janet Holmes à Court Collection, Boorloo/Perth, 19 June 1989.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Awely, 1989

X91244
Awely

1989
painting
Acrylic paint on board
image: 301 × 450 mm
National Gallery of Victoria, Naarm/Narrm/Melbourne. Purchased from Admission Funds, 1991
Provenance:
The artist;
Private Collection, Gadigal Nura/Sydney, 1989;
Acquired from the above by National Gallery of Victoria, Naarm/Melbourne, Victoria, Australia, 1991.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Ankerr (Emu), 1989

X91249
Ankerr (Emu)

1989
painting
Acrylic paint on canvas
image: 1506 × 1218 mm
National Gallery of Victoria, Naarm/Narrm/Melbourne Purchased from Admission Funds, 1990
Provenance:
The artist;
Acquired from the above via Delmore Gallery by National Gallery of Victoria, Naarm/Melbourne, Victoria, Australia, 1995.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Awely, 1989

X91653
Awely

1989
painting
Acrylic paint on canvas
image: 1340 × 1350
Janet Holmes à Court Collection, Boorloo/Perth
Provenance:
The artist;
Janet Holmes à Court Collection, Boorloo/Perth, 1990.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Alhalker - Old Man Emu with Babies, 1989

X92050
Alhalker - Old Man Emu with Babies

1989
painting
Acrylic paint on canvas
image: 1524 × 1219 mm
Steve Martin and Anne Stringfield, New York
Provenance:
The artist;
Gallery Gabrielle Pizzi, Naarm/Melbourne, Victoria, Australia via Delmore Gallery, 1989;
Acquired from the above by Private collection, USA, 29 June 1998;
Acquired from the above by Private collection, New York, 25 May 2022.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture:
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Awely, 1989

X92160
Awely

1989
painting
Acrylic paint on canvas
unconfirmed: 2630 × 1270 mm
The ALBERTINA Museum, Vienna – The ESSL Collection
Provenance:
The artist;
Private collection via Sotheby’s, Australia;
Bequeathed by the above to The ALBERTINA Museum, Vienna – The ESSL Collection, 2017.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Emu Woman, 1988–1989

X99326
Emu Woman

1988–1989
painting
Acrylic paint on canvas
unconfirmed: 920 × 610 mm
Janet Holmes à Court Collection, Boorloo/Perth
Provenance:
The artist;
Central Australian Aboriginal Media Association, Mparntwe/Alice Springs, Northern Territory, Australia, 1988;
Acquired from the above by Janet Holmes à Court Collection, Boorloo/Perth, 28 August 1988.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled, 1990

X91243
Untitled

1990
painting
Acrylic paint on canvas
image: 2110 × 1218 mm
National Gallery of Victoria, Naarm/Narrm/Melbourne, Felton Bequest, 1990
Provenance:
The artist;
Acquired from the above via Delmore Gallery by National Gallery of Victoria, Naarm/Melbourne, Victoria, Australia, 1990.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Awely, 1990

X91252
Awely

1990
painting
Acrylic paint on board
image: 300 × 450 mm
Newcastle Art Gallery, Australia. Purchased 2010
Provenance:
The artist;
Utopia Art Sydney, Gadigal Nura/Sydney, New South Wales, Australia, 1990;
Private Collection, Gadigal Nura/Sydney, New South Wales, Australia, before 2008;
Acquired from the above by Newcastle Art Gallery, New South Wales, Australia, 2010.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Awely, 1990

X91253
Awely

1990
painting
Acrylic paint on board
image: 300 × 450 mm
Newcastle Art Gallery, Australia. Purchased 2010
Provenance:
The artist;
Private Collection, Gadigal Nura/Sydney, New South Wales, Australia, before 2008;
Acquired from the above by Newcastle Art Gallery, New South Wales, Australia, 2010.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Awely, 1990

X91254
Awely

1990
painting
Acrylic paint on board
image: 300 × 450 mm
Newcastle Art Gallery, Australia Purchased 2010
Provenance:
The artist;
Private Collection, Gadigal Nura/Sydney, New South Wales, Australia, before 2008;
Acquired from the above by Newcastle Art Gallery, New South Wales, Australia, 2010.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Alhalker Country, 1990

X91654
Alhalker Country

1990
painting
Acrylic paint on canvas
image: 1500 × 600
Janet Holmes à Court Collection, Boorloo/Perth
Provenance:
The artist;
Janet Holmes à Court Collection, Boorloo/Perth via Utopia Art Sydney, 5 May 1990.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled, 1990

X92052
Untitled

1990
painting
Acrylic paint on canvas
image: 1510 × 2420 mm
Steve Martin and Anne Stringfield, New York
Provenance:
The artist;
Private collection, Naarm/Melbourne, Victoria, Australia via Delmore Gallery, 1989;
Acquired from the above via D’Lan Contemporary, New York by Private collection, New York, 2020.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled (Country and Emu Tracking), 1990

X92165
Untitled (Country and Emu Tracking)

1990
painting
Acrylic paint on canvas
unconfirmed: 900 × 1220 mm
The ALBERTINA Museum, Vienna – The Haselsteiner Family Collection
Provenance:
The artist;
The Haselsteiner Family Collection, Austria;
Bequeathed by the above to The ALBERTINA Museum, Vienna – The Haselsteiner Family Collection, 2018.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled, 1991

X100982
Untitled

1991
painting
Acrylic paint on canvas
1950 x 1180 mm
Kyveli and George Economou Collection
Provenance:
The artist;
Central Australian Aboriginal Media Association, Northern Territory, 1991;
Acquired from the above via Utopia Art Sydney by Private collection, Sydney, July 1991;
Acquired from the above via D'Lan Contemporary, Melbourne by Private collection, April 2025.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Kam, 1991

X91245
Kam

1991
painting
Acrylic paint on canvas
1378 x 3031 mm
National Gallery of Victoria, Naarm/Narrm/Melbourne, purchased from Admission Funds, 1992
Provenance:
The artist;
Delmore Gallery, Delmore Downs, Northern Territory, Australia, 1991;
Chapman Gallery, Abbotsford, Victoria, Australia, 1991-92;
Acquired from the above by National Gallery of Victoria, Naarm/Melbourne, Victoria, Australia, 1992.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Song of the Emu, 1991

X92053
Song of the Emu

1991
painting
Acrylic paint on canvas
image: 2130 × 1215 mm
Steve Martin and Anne Stringfield, New York
Provenance:
The artist;
Gallery Gabrielle Pizzi, Naarm/Melbourne, Victoria, Australia via Delmore Gallery, 1991;
Acquired from the above by Private collection, Victoria, Australia, 1991;
Acquired from the above via D’Lan Contemporary, Naarm/Melbourne, Australia by Private collection, New York, 2021.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled (Alhalker), 1991

X92168
Untitled (Alhalker)

1991
painting
Acrylic paint on canvas
image: 2290 × 1490 mm
The ALBERTINA Museum, Vienna – The ESSL Collection
Provenance:
The artist;
on commission by Delmore Gallery, 1991;
Chapman Gallery, Canberra;
Acquired from the above by Private collection, The Netherlands;
Acquired from the above by The ALBERTINA Museum, Vienna – The ESSL Collection, 2017.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Mern - Everything, previously attributed: 
Muna – Everything
, 1991

X99496
Mern - Everything, previously attributed: Muna – Everything

1991
painting
Acrylic paint on canvas
1240 x 3040 mm
Raschle Collection Switzerland
Provenance:
The artist;
Private Collection, California via Delmore Gallery, 1991;
Acquired from the above by Private Collection, Switzerland, 1998.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled (Alhalker), 1992

X91240
Untitled (Alhalker)

1992
painting
Acrylic paint on canvas
image: 1650 × 4800 mm
Art Gallery of New South Wales, Gadigal Nura/Sydney, Mollie Gowing Acquisition Fund for Contemporary Aboriginal Art, 1992
Provenance:
The artist;
Acquired from the above via Utopia Art Sydney by Art Gallery of New South Wales, Gadigal Nura/Sydney, New South Wales, Australia, 1992.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Kam Awely, 1992

X92172
Kam Awely

1992
painting
Acrylic paint on canvas
1370 x 3050 mm
The ALBERTINA Museum, Vienna – The Haselsteiner Family Collection
Provenance:
The artist;
on commission by Delmore Gallery, 1992;
Chapman Gallery, Canberra;
Acquired from the above by Private collection, The Netherlands;
Bequeathed by the above to The ALBERTINA Museum, Vienna – The Haselsteiner Family Collection, 2018.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled (Awely), 1994

X100310
Untitled (Awely)

1994
painting
Acrylic paint on canvas
1525 x 595
Helen Eager and Christopher Hodges
Provenance:
The artist;
On commission by Rodney Gooch, Northern Territory, Australia with Utopia Art Sydney, 1994;
Acquired from the above by Private Collection, Gadigal Nura/Sydney, New South Wales, Australia, 1994.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled (Awely), 1994

X91241
Untitled (Awely)

1994
painting
Acrylic paint on canvas
3 canvases each 100.7 x 71
Art Gallery of New South Wales - Purchased 1994
Provenance:
The artist;
Acquired from the above via Utopia Art Sydney by Art Gallery of New South Wales, Gadigal Nura/Sydney, Australia, 1994.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled (Body Markings) I-IV, 1994

X91651
Untitled (Body Markings) I-IV

1994
painting
Acrylic paint on canvas
4 canvases, each 152 x 61
Janet Holmes à Court Collection, Boorloo/Perth
Provenance:
The artist with Rodney Gooch, Mulga Bore Artists, Mparntwe/Alice Springs, Australia, 1994;
Acquired from the above by Private Collection, Whadjuk Boodja/Perth, Western Australia, Australia, 1994.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled, 1995

X100206
Untitled

1995
painting
Acrylic paint on canvas
6 canvases, each 1925 x 375 mm
Helen Eager and Christopher Hodges
Provenance:
The artist;
on commission by Rodney Gooch, Northern Territory, Australia with Utopia Art Sydney, Gadigal Nura/Sydney, New South Wales, Australia, 1995;
Acquired from the above by Private Collection, Gadigal Nura/Sydney, New South Wales, Australia, 1995.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Winter Awely I, 1995

X100215
Winter Awely I

1995
painting
Acrylic paint on canvas
1500 x 1200 mm
Kyveli and George Economou Collection
Provenance:
The artist;
The Holt Collection, Australia, 1997;
Acquired from the above via Delmore Gallery by Gagosian Gallery, Paris, 2020;
Acquired from the above by Private collection, 2022.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Anwerlarr (Yam) Dreaming, previously attributed: 
Anooralya (Yam) Dreaming
, 1995

X100985
Anwerlarr (Yam) Dreaming, previously attributed: Anooralya (Yam) Dreaming

1995
painting
Acrylic paint on canvas
1520 x 915 mm
Private collection
Provenance:
The artist;
On commission by Rodney Gooch, Alice Springs, Australia, 1988;
Purchased from the above via Utopia Art Sydney by Powerhouse Museum,1995.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled (Alhalker), 1995

X92054
Untitled (Alhalker)

1995
painting
Acrylic paint on canvas
image: 1100 × 2010 mm
Steve Martin and Anne Stringfield, New York
Provenance:
The artist;
On commission from Rodney Gooch, Mulga Bore Artists, Mparntwe/Alice Springs, Northern Territory, Australia, 1995;
Private collection, New South Wales, Australia via Utopia Art Sydney, 1995 or after;
Acquired from the above via Deutscher and Hackett, Australia by Private collection, New York, 25 March 2009;
Acquired from the above via Annette Larkin, Sydney, Australia by Private collection, New York, 2019.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Anwerlarr 1, previously attributed: 
Anooralya 1 (Atnwelarre) 
, 1995

X92173
Anwerlarr 1, previously attributed: Anooralya 1 (Atnwelarre)

1995
painting
Acrylic paint on canvas
2130 × 1220 mm
The ALBERTINA Museum, Vienna – The Haselsteiner Family Collection
Provenance:
The artist;
Private collection via Sotheby's, Melbourne, Austria;
Bequeathed by the above to The ALBERTINA Museum, Vienna – The Haselsteiner Family Collection, 2018.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Kam Awely, 1995

X92174
Kam Awely

1995
painting
Acrylic paint on canvas
2290 x 1510 mm
The ALBERTINA Museum, Vienna – The ESSL Collection
Provenance:
The artist;
Private collection, Sydney;
Bequeathed by the above to The ALBERTINA Museum, Vienna – The ESSL Collection, 2017.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Untitled, 1996

X100207
Untitled

1996
painting
Acrylic paint on paper on canvas
image: 1830 × 1363
Helen Eager and Christopher Hodges
Provenance:
The artist;
on commission by Rodney Gooch, Northern Territory, Australia with Utopia Art Sydney, Gadigal Nura/Sydney, New South Wales, Australia, 1996;
Private Collection, Gadigal Nura/Sydney, New South Wales, Australia, 1996.
Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia
Catalogue Raisonné: N/A
This work was produced after the operative period 1933—45.

Emily Kam Kngwarray, Wild Yam VI, 1996

X100211
Wild Yam VI

1996
painting
Acrylic paint on canvas
1500 x 2400 mm
Kyveli and George Economou Collection
Provenance:
The artist;
The Holt Collection, Northern Territory, 1996;
Acquired from the above via Sotheby’s Australia by Private Collection Sydney, 29 June 1998;
Acquired from the above via D'Lan Contemporary, Melbourne by Private collection, 2025.

Nationality of artist: Australian
Identifying marks: N/A
Place of Manufacture: Australia

Catalogue Raisonné: N/A

This work was produced after the operative period 1933—45.

Theatre Picasso

Tate Modern (London, UK) from 17 Sep 2025 until 13 Apr 2026.

Pablo Picasso
(1881-1973, born: Málaga, died: Mougins)

Pablo Picasso, The Painter and his Model, 1926

X100157
The Painter and his Model

[Le Peintre et son modèle ] 1926
painting
Oil paint on canvas
object: 1720 × 2560 mm
Musée national Picasso-Paris 2025 MP96
Provenance:
X100157
The Painter and his Model, Pablo Picasso, 1926
Pablo Picasso gift-in-lieu, 1979
Nationality of Artist: Spanish
Identifying Marks: none
Place of Manufacture: France
Catalogue Raisonné: Z.VII:30

Pablo Picasso, Figure: Project for a Monument to Guillaume Apollinaire, 1928

X100159
Figure: Project for a Monument to Guillaume Apollinaire

[Figure: projet pour un monument à Guillaume Apollinaire ] 1928
sculpture
Wire and sheet metal
object: 5950 × 130 × 320 mm
Musée national Picasso-Paris MP265
Provenance:
X100159
Figure: Project for a Monument to Guillaume Apollinaire, Pablo Picasso, 1928
Pablo Picasso gift-in-lieu, 1979
Nationality of Artist: Spanish
Identifying Marks: none
Place of Manufacture: France
Catalogue Raisonné: Werner Spies, Picasso sculpteur : catalogue raisonné des sculptures établi en collaboration avec Christine Piot, Paris, 2000, no. 69

Pablo Picasso, The Acrobat, 1930

X100153
The Acrobat

[L'acrobate] 1930
painting
Oil paint on canvas
object: 1620 × 1300 mm
Musée national Picasso-Paris MP120
Provenance:
X100153
The Acrobat, Pablo Picasso, 1930
Pablo Picasso gift-in-lieu, 1979
Nationality of Artist: Spanish
Identifying Marks: dated on the stretcher 18.I.XXX
Place of Manufacture: France
Catalogue Raisonné: Z.VII:310

Lee Miller

Tate Britain (London, UK) from 02 Oct 2025 until 15 Feb 2026.

Lee Miller
(1907-1977, born: Poughkeepsie, died: East Sussex)

Lee Miller, Chairs, Paris, c.1929

X99332
Chairs, Paris

c.1929
on paper, print
Photograph, vintage gelatin silver print on paper
image: 213 × 226 mm frame: 476 × 375 × 32 mm
The Art Institute of Chicago, Julien Levy Collection, Gift of Jean and Julien Levy, 1978.1088
Provenance:
From artist; Julien Levy, New York (d.1981); Acquired by The Art Institute of Chicago, Gift of Jean and Julien Levy, 1978; Washington, D.C., Corcoran Gallery of Art, ‘Lee Miller: Photographer’, 11 February – 17 April 1989 (travelling); London, Victoria and Albert Museum, ‘The Art of Lee Miller’, 15 September 2007 – 6 January 2008, illustrated in catalogue p.66 (travelling); San Francisco, California, Fine Arts Museums of San Francisco, ‘Man Ray/Lee Miller: Partners in Surrealism’, 14 July – 12 October 2012.

Nationality of artist: American
Identifying marks: n/a
Place of Manufacture: Paris, France

Catalogue Raisonné: n/a

Lee Miller, Untitled, Paris, c.1929

X99333
Untitled, Paris

c.1929
on paper, print
Photograph, vintage gelatin silver print on paper
image: 244 × 228 mm frame: 476 × 375 × 32 mm
The Art Institute of Chicago, Julien Levy Collection, Gift of Jean and Julien Levy, 1978.1086
Provenance:
From artist; Julien Levy, New York (d.1981); Acquired by The Art Institute of Chicago, Gift of Jean and Julien Levy, 1978; Washington, D.C., Corcoran Gallery of Art, ‘Lee Miller: Photographer’, 11 February – 17 April 1989 (travelling); London, Victoria and Albert Museum, ‘The Art of Lee Miller’, 15 September 2007 – 6 January 2008, illustrated in catalogue p.80 (travelling); San Francisco, California, Fine Arts Museums of San Francisco, ‘Man Ray/Lee Miller: Partners in Surrealism’, 14 July – 12 October 2012.

Nationality of artist: American
Identifying marks: n/a
Place of Manufacture: Paris, France

Catalogue Raisonné: n/a

Lee Miller, Condom (also known as Hands), Paris, c.1930

X90800
Condom (also known as Hands), Paris

c.1930
on paper, print
Photograph, vintage gelatin silver print on paper
support: 228 × 172 mm frame: 419 × 355 mm
The Bluff Collection
Provenance:
From artist; Julien Levy, New York (d.1981); Private Collection, Europe; Christie's New York, Sale 7132, Lot 353, 18 October 1990; G. Ray Hawkins Gallery, Los Angeles; Howard Greenberg Gallery, New York, 1995; Henry Buhl Collection, New York; London, Victoria and Albert Museum, The Art of Lee Miller, 2007, no.96 illustrated in catalogue p. 115; Sotheby's New York sale 'A Show of Hands: Photographs from the Collection of Henry Buhl', 12 December 2012; 1020 Bluff Dada LLC

Nationality of artist: American
Identifying marks: n/a
Place of Manufacture: Paris, France

Catalogue Raisonné: n/a

Lee Miller, Untitled (Wire sabre guard with photographic equipment), Paris, c.1930

X92188
Untitled (Wire sabre guard with photographic equipment), Paris

c.1930
on paper, print
Photograph, vintage gelatin silver print on paper
image: 221 × 142 mm frame: 514 × 413 mm
Philadelphia Museum of Art: 125th Anniversary Acquisition. The Lynne and Harold Honickman Gift of the Julien Levy Collection, 2001-62-821
Provenance:
From artist; Julien Levy, New York (d.1981); Philadelphia Museum of Art, The Lynne and Harold Honickman Gift of the Julien Levy Collection, 2001; London, Victoria and Albert Museum, The Art of Lee Miller, 2007, illustrated in catalogue p.67.

Nationality of artist: American
Identifying marks: n/a
Place of Manufacture: Paris, France

Catalogue Raisonné: n/a

Lee Miller, Nude bent forward, Paris, c.1930

X99330
Nude bent forward, Paris

c.1930
on paper, print
Photograph, vintage gelatin silver print on paper
image: 200 × 175 mm mount: 332 × 261 mm frame: 476 × 375 × 32 mm
The Art Institute of Chicago, Julien Levy Collection, Gift of Jean Levy and the Estate of Julien Levy, 1988.157.54
Provenance:
From artist; Julien Levy, New York (d.1981); Chicago, Art Institute of Chicago, ‘Photographs from the Julien Levy Collection: Starting with Atget’, 11 December 1976 – 20 February 1977 (travelling); Washington, D.C., Corcoran Gallery, ‘L’Amour Fou: Photography and Surrealism’, 14 September – 17 November 1985 (travelling); Acquired by The Art Institute of Chicago, Gift of Jean Levy and the Estate of Julien Levy, 1988; New York, Whitney Museum of American Art, ‘Convulsive Beauty: The Impact of Surrealism on American Art’, 23 June – 27 August 1988; Washington, D.C., Corcoran Gallery of Art, ‘Lee Miller: Photographer’, 11 February – 17 April 1989 (travelling); Art Institute of Chicago, ‘Sights Unseen: Photographs from the Permanent Collection’, 16 October – 13 March 1994; Art Institute of Chicago, 'Brassai and Company', 14 January – 17 May 1998; London, Tate Modern, ‘Surrealism: Desire Unbound’, 20 September – 16 December 2001; Los Angeles, CA, J. Paul Getty Museum, ‘Surrealist Muse: Lee Miller, Roland Penrose, Man Ray, 1925–1945’, 25 February – 15 June 2003; London, Victoria and Albert Museum, ‘The Art of Lee Miller’, 15 September 2007 – 6 January 2008, illustrated in catalogue p.86 (travelling); San Francisco, California, Fine Arts Museums of San Francisco, ‘Man Ray/Lee Miller: Partners in Surrealism’, 14 July – 12 October 2012; Chicago, Art Institute of Chicago, Gallery 10 Permanent Collection Rotation, 23 November 2013 – 4 May 2014.

Nationality of artist: American
Identifying marks: n/a
Place of Manufacture: Paris, France

Catalogue Raisonné: n/a

Lee Miller, Untitled (Sculpture in window), Paris, 1930

X99335
Untitled (Sculpture in window), Paris

1930
on paper, print
Photograph, vintage gelatin silver print on paper
image: 196 × 171 mm mount: 332 × 261 mm frame: 476 × 375 × 32 mm
The Art Institute of Chicago, Julien Levy Collection, Gift of Jean Levy and the Estate of Julien Levy, 1988.157.55
Provenance:
From artist; Julien Levy, New York (d.1981); Chicago, Art Institute of Chicago, ‘Photographs from the Julien Levy Collection: Starting with Atget’, 11 December 1976 – 20 February 1977 (travelling); Washington, D.C., Corcoran Gallery, ‘L’Amour Fou: Photography and Surrealism’, 14 September – 17 November 1985 (travelling); Acquired by The Art Institute of Chicago, Gift of Jean Levy and the Estate of Julien Levy, 1988; Washington, D.C., Corcoran Gallery of Art, ‘Lee Miller: Photographer’, 11 February – 17 April 1989 (travelling); Chicago, Art Institute of Chicago, ‘The Human Form Divine: The Body as Seen by the Camera’, 8 February – 1 June 2003; Chicago, Art Institute of Chicago, ‘Paris: Photographs from a Time that Was’, 13 August – 6 November 2005; London, Victoria and Albert Museum, ‘The Art of Lee Miller’, 15 September 2007 – 6 January 2008, illustrated in catalogue p.57 (travelling); Vancouver, British Columbia, Vancouver Art Gallery, ‘The Colour of My Dreams: The Surrealist Revolution in Art’, 28 May – 25 September 2011; Chicago, Art Institute of Chicago, Gallery 10 Permanent Collection Rotation #16, 6 May - 27 October 27 2019.

Nationality of artist: American
Identifying marks: n/a
Place of Manufacture: Paris, France

Catalogue Raisonné: n/a

Lee Miller, Untitled (Tar), Paris, c.1929-31

X92189
Untitled (Tar), Paris

c.1929-31
on paper, print
Photograph, vintage gelatin silver print on paper
image: 227 × 261 mm mount: 255 × 326 mm frame: 514 × 413 mm
Philadelphia Museum of Art: 125th Anniversary Acquisition. The Lynne and Harold Honickman Gift of the Julien Levy Collection, 2001-62-819
Provenance:
From artist; Julien Levy, New York (d.1981); Philadelphia Museum of Art, The Lynne and Harold Honickman Gift of the Julien Levy Collection, 2001; London, Victoria and Albert Museum, The Art of Lee Miller, 2007, illustrated in catalogue p.68.

Nationality of artist: American
Identifying marks: n/a
Place of Manufacture: Paris, France

Catalogue Raisonné: n/a

Lee Miller, Woman with hand on head (also known as Coiffure), Paris, 1931

X99336
Woman with hand on head (also known as Coiffure), Paris

1931
on paper, print
Photograph, vintage gelatin silver print on paper
image: 218 × 174 mm frame: 476 × 375 × 32 mm
The Art Institute of Chicago, Julien Levy Collection, Gift of Jean Levy and the Estate of Julien Levy, 1988.157.56
Provenance:
From artist; Julien Levy, New York (d.1981); Chicago, Art Institute of Chicago, ‘Photographs from the Julien Levy Collection: Starting with Atget’, 11 December 1976 – 20 February 1977 (travelling); Acquired by The Art Institute of Chicago, Gift of Jean Levy and the Estate of Julien Levy, 1988; Washington, D.C., Corcoran Gallery of Art, ‘Lee Miller: Photographer’, 11 February – 17 April 1989 (travelling); New York, The Equitable Gallery, ‘Julien Levy: Portrait of an Art Gallery’, 13 August –31 October 1998; Los Angeles, CA, J. Paul Getty Museum, ‘Surrealist Muse: Lee Miller, Roland Penrose, Man Ray, 1925–1945’, 25 February – 15 June 2003; London, Victoria and Albert Museum, ‘The Art of Lee Miller’, 15 September 2007 – 6 January 2008, illustrated in catalogue p.71 (travelling); Chicago, Art Institute of Chicago, ‘Photography on Display: Modern Treasures’, 9 May – 13 September 2009; San Francisco, California, Fine Arts Museums of San Francisco, ‘Man Ray/Lee Miller: Partners in Surrealism’, 14 July – 12 October 2012.

Nationality of artist: American
Identifying marks: n/a
Place of Manufacture: Paris, France

Catalogue Raisonné: n/a

Lee Miller, Untitled (Hand in silhouette), Paris, 1931

X99337
Untitled (Hand in silhouette), Paris

1931
on paper, print
Photograph, vintage gelatin silver print on paper
image: 242 × 222 mm mount: 257 × 225 mm frame: 476 × 375 × 32 mm
The Art Institute of Chicago, Julien Levy Collection, Gift of Jean Levy and the Estate of Julien Levy, 1988.157.52
Provenance:
From artist; Julien Levy, New York (d.1981); Chicago, Art Institute of Chicago, ‘Photographs from the Julien Levy Collection: Starting with Atget’, 11 December 1976 – 20 February 1977 (travelling); Washington, D.C., Corcoran Gallery, ‘L’Amour Fou: Photography and Surrealism’, 14 September – 17 November 1985 (travelling); Acquired by The Art Institute of Chicago, Gift of Jean Levy and the Estate of Julien Levy, 1988; Columbus, Ohio, Wexner Center for the Arts, ‘Staging Surrealism: A Succession of Collections 2’, 20 September 1997 – 4 January 1998; Chicago, Art Institute of Chicago, ‘Photography on Display: Modern Treasures’, 9 May – 13 September 2009; San Francisco, California, Fine Arts Museums of San Francisco, ‘Man Ray/Lee Miller: Partners in Surrealism’, 14 July – 12 October 2012.

Nationality of artist: American
Identifying marks: n/a
Place of Manufacture: Paris, France
Catalogue Raisonné: n/a

Lee Miller, Ironwork, Paris, 1931

X99338
Ironwork, Paris

1931
on paper, print
Photograph, vintage gelatin silver print on paper
image: 214 × 151 mm support: 227 × 171 mm frame: 476 × 375 × 32 mm
The Art Institute of Chicago, Julien Levy Collection, Gift of Jean Levy and the Estate of Julien Levy, 1988.157.53
Provenance:
From artist; Julien Levy, New York (d.1981); Chicago, Art Institute of Chicago, ‘Photographs from the Julien Levy Collection: Starting with Atget’, 11 December 1976 – 20 February 1977 (travelling); Washington, D.C., Corcoran Gallery, ‘L’Amour Fou: Photography and Surrealism’, 14 September – 17 November 1985 (travelling); Acquired by The Art Institute of Chicago, Gift of Jean Levy and the Estate of Julien Levy, 1988; Washington, D.C., Corcoran Gallery of Art, ‘Lee Miller: Photographer’, 11 February – 17 April 1989 (travelling); Columbus, Ohio, Wexner Center for the Arts, ‘Staging Surrealism: A Succession of Collections 2’, 20 September 1997 – 4 January 1998; London, Victoria and Albert Museum, ‘The Art of Lee Miller’, 15 September 2007 – 6 January 2008, illustrated in catalogue p.65 (travelling); San Francisco, California, Fine Arts Museums of San Francisco, ‘Man Ray/Lee Miller: Partners in Surrealism’, 14 July – 12 October 2012.

Nationality of artist: American
Identifying marks: n/a
Place of Manufacture: Paris, France
Catalogue Raisonné: n/a

Lee Miller, Untitled (Architectural study), Paris, 1931

X99339
Untitled (Architectural study), Paris

1931
on paper, print
Photograph, vintage gelatin silver print on paper
image: 211 × 224 mm frame: 476 × 375 × 32 mm
The Art Institute of Chicago, Julien Levy Collection, Gift of Jean and Julien Levy, 1978.1085
Provenance:
From artist; Julien Levy, New York (d.1981); Acquired by The Art Institute of Chicago, Gift of Jean and Julien Levy, 1978; Washington, D.C., Corcoran Gallery of Art, ‘Lee Miller: Photographer’, 11 February – 17 April 1989 (travelling); London, Victoria and Albert Museum, ‘The Art of Lee Miller’, 15 September 2007 – 6 January 2008, illustrated in catalogue p.64 (travelling); Vancouver, British Columbia, Vancouver Art Gallery, ‘The Colour of My Dreams: The Surrealist Revolution in Art’, 28 May – 25 September 2011; San Francisco, California, Fine Arts Museums of San Francisco, ‘Man Ray/Lee Miller: Partners in Surrealism’, 14 July – 12 October 2012.

Nationality of artist: American
Identifying marks: n/a
Place of Manufacture: Paris, France
Catalogue Raisonné: n/a

Lee Miller, Untitled (Two priests), Arc de Triomphe, Paris, c.1930-2

X92190
Untitled (Two priests), Arc de Triomphe, Paris

c.1930-2
on paper, print
Photograph, vintage gelatin silver print on paper
image: 243 × 191 mm mount: 470 × 367 mm frame: 514 × 413 mm
Philadelphia Museum of Art: 125th Anniversary Acquisition. The Lynne and Harold Honickman Gift of the Julien Levy Collection, 2001-62-820
Provenance:
From artist; Julien Levy, New York (d.1981); Philadelphia Museum of Art, The Lynne and Harold Honickman Gift of the Julien Levy Collection, 2001; London, Victoria and Albert Museum, The Art of Lee Miller, 2007, illustrated in catalogue p.72.

Nationality of artist: American
Identifying marks: n/a
Place of Manufacture: Paris, France

Catalogue Raisonné: n/a

Lee Miller, Joseph Cornell, Lee Miller Studios, Inc., New York City, c.1933

X99342
Joseph Cornell, Lee Miller Studios, Inc., New York City

c.1933
on paper, print
Photograph, vintage gelatin silver print on paper
image: 236 × 187 mm frame: 476 × 375 × 32 mm
The Art Institute of Chicago, Gladys N. Anderson Endowment, 2002.550
Provenance:
Acquired by The Art Institute of Chicago, Gladys N. Anderson Endowment, 2002; Chicago, Art Institute of Chicago, ‘New to View: Recent Acquisitions in Photography’, 8 February – 19 October 2003; Chicago, Art Institute of Chicago, ‘Photography on Display: Modern Treasures’, 9 May – 13 September 2009; Chicago, Art Institute of Chicago, Photography and Media rotation, Gallery 10, 15 January – 5 July 2022.

Nationality of artist: American
Identifying marks: n/a
Place of Manufacture: Paris, France
Catalogue Raisonné: n/a

Lee Miller, Untitled (Grinning man), c.1932

X92193
Untitled (Grinning man)

c.1932
on paper, print
Photograph, vintage gelatin silver print on paper
image: 167 × 187 mm frame: 514 × 413 mm
Philadelphia Museum of Art: 125th Anniversary Acquisition. The Lynne and Harold Honickman Gift of the Julien Levy Collection, 2001-62-799
Provenance:
From artist; Julien Levy, New York (d.1981); Philadelphia Museum of Art, The Lynne and Harold Honickman Gift of the Julien Levy Collection, 2001; London, Victoria and Albert Museum, The Art of Lee Miller, 2007, illustrated in catalogue p.55.

Nationality of artist: American
Identifying marks: n/a
Place of Manufacture: Paris, France

Catalogue Raisonné: n/a

Nigerian Modernism

Tate Modern (London, UK) from 06 Oct 2025 until 10 May 2026.

Tayo Adenaike
(born 1954)

Tayo Adenaike, Alhaji Takes the Floor, 1980

X99947
Alhaji Takes the Floor

1980
painting
Pen, ink and watercolour on paper
object: 457 × 610 mm
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012
Provenance:
The artist;
...;
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012

Nationality of artist: Nigeria
Identifying marks: none
Place of manufacture: Nigeria
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45

Tayo Adenaike, It Happened Behind Me, 1995

X99941
It Happened Behind Me

1995
painting
Acrylic paint on canvas
object: 686 × 1035 mm
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012
Provenance:
The artist;
...;
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012

Nationality of artist: Nigeria
Identifying marks: none
Place of manufacture: Nigeria
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45

Tayo Adenaike, Pots, 1995

X99945
Pots

1995
painting
Acrylic paint on canvas
object: 711 × 1022 mm
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012
Provenance:
The artist;
...;
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012

Nationality of artist: Nigeria
Identifying marks: none
Place of manufacture: Nigeria
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45

Tayo Adenaike, Wood Melody, 1997

X99938
Wood Melody

1997
painting
Watercolour of paper
object: 610 × 457 mm
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012
Provenance:
The artist;
...;
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012

Nationality of artist: Nigeria
Identifying marks: none
Place of manufacture: Nigeria
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45

Tayo Adenaike, Magnetic Pull, 1997

X99939
Magnetic Pull

1997
painting
Watercolour on paper
object: 457 × 610 mm
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012
Provenance:
The artist;
...;
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012

Nationality of artist: Nigeria
Identifying marks: none
Place of manufacture: Nigeria
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45

Benedict Enwonwu
(1917-1994)

Benedict Enwonwu, Fulani Girl, 1957

X101768
Fulani Girl

1957
sculpture
Fibreglass
object: 560 × 255 × 330 mm plinth: 775 × 185 × 230 mm
Faysal El Khalil
Provenance:
Provenance: Arthouse Contemporary: Modern and Contemporary Auction: LA 1302, Lagos, Nigeria, 18 November 2013, Lot 59.
Nationality of artist: Nigeria
Identifying marks: none
Place of manufacture: Likely Nigeria
Catalogue Raisonné: N/A
This work was produced after the operative period 1933 - 45

Benedict Enwonwu, Untitled, 1960

X101764
Untitled

1960
painting
Oil paint on board
object: 1092 × 432 mm
Faysal El Khalil
Provenance:
Provenance: Arthouse Contemporary: Modern and Contemporary Auction: LA 1102, Lagos, Nigeria, 21 November 2011, Lot 50.

Nationality of artist: Nigerian
Identifying marks: none
Place of manufacture: likely Nigeria
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45

Benedict Enwonwu, Odu Women, 1990

X101968
Odu Women

1990
painting
Oil paint on canvas
object: 875 × 1160 mm
Faysal El Khalil
Provenance:
Provenance: Private Collection, Lagos, Nigeria
Nationality of artist: Nigeria
Identifying marks: none
Place of manufacture: Likely Nigeria
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45

Akinola Lasekan
(1916 - 1972)

Akinola Lasekan, Ajaka of Owo or Ajaka Owa, 1944

X99785
Ajaka of Owo or Ajaka Owa

1944
painting
Watercolour and gouache on Paper
object: 610 × 508 mm
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012
Provenance:
The artist (d. 1972);
...;
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012

Nationality of artist: Nigeria
Identifying marks: none
Place of manufacture: Nigeria
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45

Demas Nwoko
(born 1935)

Demas Nwoko, The wise man, undated

X101763
The wise man

undated
sculpture
Wood
object: 724 × 380 × 400 mm
Faysal El Khalil
Provenance:
Provenance: Arthouse Contemporary: Modern and Contemporary Auction: LA 1102, Lagos, Nigeria, 22 November 2010, Lot 56.

Nationality of artist: Nigerian
Identifying marks: none
Place of manufacture: likely Nigeria
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45

Olu Oguibe
(born 1964)

Olu Oguibe, From the Totem Series, 1990

X99792
From the Totem Series

1990
painting
Watercolour on paper
object: 565 × 632 mm framed: 629 x 629 x 38
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012
Provenance:
The artist;
...;
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012

Nationality of artist: Nigeria
Identifying marks: none
Place of manufacture: Nigeria
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45

Emmanuel Okechukwu Odita
(born 1936)

Emmanuel Okechukwu Odita, Panel 4- Njikoka Series, 1982

X101638
Panel 4- Njikoka Series

1982
on paper, print
Screenprint on paper
object: 889 × 451 mm
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012
Provenance:
The artist;
...;
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012

Nationality of artist: Nigeria
Identifying marks: none
Place of manufacture: Nigeria
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45

Uche Okeke
(1933 - 2016)

Uche Okeke, Oyoyo, 1965

X100953
Oyoyo

1965
painting
Oil paint on board
object: 1829 × 1219 mm
The Museum of Modern Art, New York. Gift of Mimi Haas and Committee on Painting and Sculpture Funds, 2021
Provenance:
The artist (d. 2016);
The artist's family under the rubric of the Asele Institute (Okeke's Research and Documentation Center, which has since morphed into The Professor Uche Okeke Legacy Limited);
Museum of Modern Art, New York (acquired directly from the above);

Nationality of artist: Nigerian
Identifying marks: none
Place of manufacture: Nigeria
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45

Ada Udechukwu
(born 1960)

Ada Udechukwu, In the Temple of My Familiar, 1990

X99936
In the Temple of My Familiar

1990
painting
Ink and brush on paper
object: 400 × 310 mm
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012
Provenance:
The artist;
...;
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012

Nationality of artist: Nigeria
Identifying marks: none
Place of manufacture: Nigeria
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45

Ada Udechukwu, Untitled, 1997

X99935
Untitled

1997
painting
Watercolour on paper
object: 410 × 308 mm
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012
Provenance:
The artist;
...;
Collection of the Newark Museum of Art, The Simon Ottenberg Collection, gift to the Newark Museum, 2012

Nationality of artist: Nigeria
Identifying marks: none
Place of manufacture: Nigeria
Catalogue Raisonné: N/A

This work was produced after the operative period 1933 - 45