Joseph Mallord William Turner Rosehill Park c.1816
Joseph Mallord William Turner 1775–1851
Folio 33 Verso:
Rosehill Park circa 1816
D10392
Turner Bequest CXXXIX 33a
Turner Bequest CXXXIX 33a
Pencil on white wove paper, 129 x 205 mm
Inscribed by Turner in pencil ‘Doric door with dentils | D Yellow door | Two steps on blocks’ above image, left of centre
Inscribed by Turner in pencil ‘Doric door with dentils | D Yellow door | Two steps on blocks’ above image, left of centre
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.399, CXXXIX 33a, as ‘Rosehill, Sussex. Seat of Mr. John Fuller’.
1974
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.68.
1975
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.49.
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.349.
1981
Eric Shanes, Turner’s Rivers, Harbours and Coasts, London 1981, p.152.
1998
Kim Sloan, J.M.W. Turner: Watercolours from the R.W. Lloyd Bequest in the British Museum, London 1998, p.58.
Drawn with the sketchbook inverted and continued on folio 34 (D10393) and to the right on folio 32 verso (D10390), this is Turner’s most detailed drawing of John Fuller’s house, Rosehill (now Brightling) Park. As well as his notes about the front door, Turner has sketched some further details of the architecture around the main drawing. The view shows the rather severe neo-classical additions to the earlier house made by Robert Smirke, 1810–12. As Finberg recognised, the drawing served as the basis for the watercolour Rosehill, Sussex (British Museum, London)1 made for Fuller about 1816. Described by Eric Shanes as an ‘unassuming architectural elevation’,2 this nevertheless complemented Turner’s earlier watercolour of the surrounding estate (Fitzwilliam Museum, Cambridge)3 and the oil painting showing the house in the far distance (private collection).4 Turner gave plenty of space to the gardens created for Fuller by Humphry Repton, taking his cue from the drawing where, in the continuation on D10393, he notes ‘Laurel’ and ‘Gravel Path’.
There is a splash or trial of pink wash at bottom right on this leaf and of blue on D10393, presumably made as Turner worked on his watercolour.
David Blayney Brown
May 2011
How to cite
David Blayney Brown, ‘Rosehill Park c.1816 by Joseph Mallord William Turner’, catalogue entry, May 2011, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www