Joseph Mallord William Turner Sketches of the View North from Leith Walk with Triumphal Arch; Caroline Park, Granton; and Continuation of Edinburgh from Arthur's Seat 1822
Joseph Mallord William Turner 1775–1851
Folio 40 Verso:
Sketches of the View North from Leith Walk with Triumphal Arch; Caroline Park, Granton; and Continuation of Edinburgh from Arthur’s Seat 1822
D17573
Turner Bequest CC 40a
Turner Bequest CC 40a
Pencil on white wove paper, 114 x 187 mm
Inscribed in pencil by Turner ‘Caroline Park [?]Leith’ upper centre inverted, ‘Welcome welcome our King’ centre right descending vertically, ‘17 Windows 8 Attics | pil box’ centre
Blindstamped with the Turner Bequest stamp bottom left
Inscribed in pencil by Turner ‘Caroline Park [?]Leith’ upper centre inverted, ‘Welcome welcome our King’ centre right descending vertically, ‘17 Windows 8 Attics | pil box’ centre
Blindstamped with the Turner Bequest stamp bottom left
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.611, CC 40a, as ‘View of Edinburgh, from St. Anthony’s Chapel – “17 windows 8 attics, &c.” (probably referring to Holyrood); also “Caroline Park”, &c.’.
1975
Gerald Finley, ‘J.M.W. Turner’s Proposal for a “Royal Progress”’, The Burlington Magazine, vol.117, January 1975, p.32 note 26.
1981
Gerald Finley, Turner and George the Fourth in Edinburgh 1822, exhibition catalogue, Tate Gallery, London 1981, pp.83, [142] reproduced as ‘View of Nelson’s Monument on Calton Hill, from Elm Row and Blenheim Place, looking up Antigua Street to the triumphal arch shown from the other direction on pp.39a–40; “Caroline Park”, “17 windows 8 attics” (this probably refers to Holyrood); Holyrood from St Anthony’s Chapel, with the King’s carriage and procession going to or coming from the review at Portobello Sands’.
There are three unconnected drawings on this page, all made with the sketchbook in different orientations. With the page turned to the right is a view of Leith Walk, in its usual orientation is a sketch of the gates to Caroline Park in Granton, and inverted is the continuation of a view of Edinburgh from Arthur’s Seat.
The view of Leith Walk is connected to a detailed drawing of the same road from the opposite direction across folios 39 verso–40 (D17571–D17572). Having drawn the view south down Leith Walk from around Picardy Place, Turner walked a few yards down the road past the Triumphal Arch and ceremonial gateway to sketch these from the other side. This view therefore looks south from Elm Row back up Leith Walk with Nelson’s monument on Calton Hill towering above the houses. At the right is the Triumphal Arch itself. An inscription at the bottom of the sketch, ‘welcome welcome our king’, was probably copied from one of the many banners or illuminations that lined the route of the King’s procession into the city.
Above the drawings at the bottom right of the page is a small sketch of a row of houses. These may be the buildings on the east side of Leith Walk to the left where Turner stood to make the sketch below. The building at the far left of the larger drawing features at the right of the small sketch.
‘Caroline Park’, known until the early eighteenth century as Royston House, and the nearby Granton Castle (see folio 59; D17609) both seem to have caught Turner’s interest when he was walking and sailing around Leith and Granton in order to make drawings of the royal squadron and George IV’s landing. The gates to the estate are identifiable not only by the inscription, but through comparison with two photographs by Hugh Lyon Tennent collected in volume 2 of the Edinburgh Calotype Club Album. An engraving by ‘DS’ of 1851 also shows the gates.1 Although the right gatepost appears less ornate in Turner’s drawing it is in fact identical to the left. The Firth of Forth is shown at the right.
The final drawing on the page is a continuation of a view of Edinburgh from Arthur’s Seat on folio 41 (D17574), showing here the east side of Calton Hill, Holyrood Abbey and in the foreground a procession making its way to or from Holyrood House, perhaps with George IV’s coach (see folio 41 for details). The inscription, ‘17 windows 8 attics | Pil box’ refers to architectural features of Holyrood.
Thomas Ardill
September 2008
How to cite
Thomas Ardill, ‘Sketches of the View North from Leith Walk with Triumphal Arch; Caroline Park, Granton; and Continuation of Edinburgh from Arthur’s Seat 1822 by Joseph Mallord William Turner’, catalogue entry, September 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www