Joseph Mallord William Turner Inscription by Turner: Notes on Sunlight; with a Diagram c.1809
Joseph Mallord William Turner 1775–1851
Folio 84 Verso:
Inscription by Turner: Notes on Sunlight; with a Diagram circa 1809
D07497
Turner Bequest CVIII 84a
Turner Bequest CVIII 84a
Pen and ink on white wove paper, 115 x 88 mm
Part watermark ‘man | 8’
Inscribed by Turner in ink (see main catalogue entry) down the top half of the page above the diagram
Part watermark ‘man | 8’
Inscribed by Turner in ink (see main catalogue entry) down the top half of the page above the diagram
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.291, CVIII 84a, as ‘Diagram and notes’.
1969
John Gage, Colour in Turner: Poetry and Truth, London 1969, pp.107, 178, 248 note 159, 252 note 217.
1987
John Gage, J.M.W. Turner: ‘A Wonderful Range of Mind’, New Haven and London 1987, p.247 note 74.
1992
Maurice Davies, Turner as Professor: The Artist and Linear Perspective, exhibition catalogue, Tate Gallery, London 1992, pp.51, 108 note 85.
1994
Maurice William Davies, ‘J.M.W. Turner’s Approach to Perspective in his Royal Academy Lectures of 1811’, unpublished Ph.D thesis, Courtauld Institute of Art, London 1994, p.289.
The top two thirds of the page are taken up with the following notes:
and as the shadows of objects are rather | increased than diminished the further it | is removed from the surface on which it | strikes, but the more removed it should be | remarked it is less defined than that which is [...] | and therefore must deviate a little from the | rules laid down by my predecesor as far as | relates to shadow at a <distance> from the | a distant object. which in[...] | to the [...] and indeed almost the | whole from the [...] treatise <to the> | concur to think shadows are continued | ad infinitum.
Below is a diagram showing disks at two heights on the right, the lower with rays emanating horizontally from its edges to the left in parallel across the width of the page, with a further line below serving as the horizon. The rays continue through or across three lines representing vertical features. The light from the upper disk is implied only by a line running at a shallow diagonal from the top of the first vertical, reading as the edge of a cast shadow running down to the horizon line, below which is inscribed ‘1000 yds’.
This passage follows on from folio 85 verso (D07499) and continues on folio 83 verso (D07495). It is part of a sequence beginning on folio 91 verso (D07511), and running back to folio 82 verso (D07493). John Gage has discussed these provisional notes (not developed in the perspective lectures) as an example of Turner’s close observation of natural phenomena,1 in this case the question of sunlight travelling in parallel lines or otherwise, responding to a chapter of The Art of Painting by Gérard de Lairesse (1640–1711), in the English translation by John Frederick Frisch (London 1738 and later editions).2 See under D07511 for a discussion of Lairesse’s text. Maurice Davies has registered Turner’s notes as ‘on light and shadow’, as part of a longer sequence running back to folio 72 verso (D07473).3
In referring to ‘my predecesor’, Turner presumably meant the painter Edward Edwards (1738–1806), an Associate of the Royal Academy who gave private tuition as the RA’s ‘Teacher’ in perspective (publishing A Practical Treatise in Perspective, London 1803), until his death in 1806 led to Turner’s appointment as the second Professor of the subject (the first, Samuel Wale, having died in 1786).5
Matthew Imms
June 2008
How to cite
Matthew Imms, ‘Inscription by Turner: Notes on Sunlight; with a Diagram c.1809 by Joseph Mallord William Turner’, catalogue entry, June 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www