Joseph Mallord William Turner Interior View of the Second Temple of Hera, Paestum, Looking towards the Adjacent Temple of Hera 1819
Joseph Mallord William Turner 1775–1851
Folio 45 Recto:
Interior View of the Second Temple of Hera, Paestum, Looking towards the Adjacent Temple of Hera 1819
D15996
Turner Bequest CLXXXVI 43
Turner Bequest CLXXXVI 43
Pencil on white wove paper, 113 x 189 mm
Inscribed by ?John Ruskin in red ink ‘43’ bottom left, inverted and ‘245’ top left, inverted
Stamped in black ‘CLXXXVI 43’ top left, inverted
Stamped in black ‘CLXXXVI 43’ top left, inverted
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.552, as ‘Ruined columns’.
1983
Cecilia Powell, ‘Turner’s Vignettes and the Making of Rogers’s “Italy”, Turner Studies, Summer 1983, vol.3, no.1, p.8.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.190, 425, reproduced pl.110, as ‘Ditto [The Temple of Neptune, looking towards the Basilica]’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.83 note 71, [84], [85], reproduced pl.84, as ‘Paestum: the Temple of Neptune with the Basilica seen in the distance’.
1993
Dr Jan Piggott, Turner’s Vignettes, exhibition catalogue, Tate Gallery, London 1993, p.82 under no.7.
As Cecilia Powell first identified, the subject of this rough outline sketch is an interior view of the Second Temple of Hera (formerly known as the Temple of Neptune), one of the three celebrated fifth-century Greek ruins at Paestum.1 Turner’s viewpoint is from the north-east corner of the building looking south across the surviving columns of the inner cella towards the colonnade on the opposite lateral side. Just visible beyond is the relative position the adjacent Temple of Hera (commonly but erroneously known as the Basilica). Powell has suggested that Turner’s approach reflects his knowledge of the dramatic interior views of the temples by Giovanni Battista Piranesi (1720–1778) which he would have seen in the collection of his friend, John Soane.2 He had already used one of these drawings as the basis for a perspective diagram for his Royal Academy lectures (see Tate D17072; Turner Bequest CXCV 102).3
For further interior views see folios 33–33 verso and 44 verso (D15972–D15973 and D15995; Turner Bequest CLXXXVI 31–31a and 42a). For a more detailed discussion and other sketches of the temples see folio 31 (D15968; Turner Bequest CLXXXVI 29).
Nicola Moorby
July 2010
Powell 1987, pp.[85] and 204 note 68. See also the plates for Différentes Vues de Pesto, 1778, reproduced in Luigi Ficacci, Piranesi: The Complete Etchings, Köln and London 2000, nos.851–71, pp.666–79.
How to cite
Nicola Moorby, ‘Interior View of the Second Temple of Hera, Paestum, Looking towards the Adjacent Temple of Hera 1819 by Joseph Mallord William Turner’, catalogue entry, July 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www