Joseph Mallord William Turner Florence from near San Salvatore al Monte 1819
Joseph Mallord William Turner 1775–1851
Folio 62 Verso:
Florence from near San Salvatore al Monte 1819
D16590
Turner Bequest CXCI 62 a
Turner Bequest CXCI 62 a
Pencil on white wove paper, 113 x 189 mm
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.569, as ‘General view of Florence, from San Miniato’.
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.384 under no.726.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.205 note 27.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.92 note 18.
1991
?Ian Warrell, Turner: The Fourth Decade: Watercolours 1820–1830, exhibition catalogue, Tate Gallery, London 1991, p.66 under no.78 [incorrectly as CXCI f.62].
This sketch of Florence from the south-east has previously been identified as a view from the Church of San Miniato,1 probably because of its similarity to a series of four watercolours dating from 1827–8, all of which are known by the title, Florence, from San Miniato.2 In fact, as Cecilia Powell has discussed, Turner greatly manipulated the topography of the city in these paintings,3 and the more likely viewpoint is the Monte alle Croci hill and a location near the Church of San Salvatore al Monte.4 Visible in the centre and right-hand side of the composition are the tower of the Palazzo Vecchio and the Duomo, whilst rising on the far left-hand side is the hill topped by the Forte Belvedere. Part of the drawing spills over onto the opposite sheet of the double-page spread, see folio 63 (D16591).
Related sketches can be found on folio 51–52, 63 verso–64, 64 verso, 65 verso (D16571–D16573, D16592–D16593, D16594, D16596). The vista is also very similar to Turner’s earlier watercolour, Florence from the Chiesa al Monte circa 1818 (private collection),5 engraved and published in James Hakewill’s Picturesque Tour of Italy, 1820.6
Nicola Moorby
January 2011
The four versions are: currently untraced (Wilton 726); in the Herbert Art Gallery and Museum, Coventry (Wilton no.727); the British Museum (Wilton no.728), reproduced in Powell 1987, colour pl.17; and private collection (Wilton no.729). There is also a related colour beginning (see Tate D25138; Turner Bequest CCLXIII 16).
How to cite
Nicola Moorby, ‘Florence from near San Salvatore al Monte 1819 by Joseph Mallord William Turner’, catalogue entry, January 2011, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www