Joseph Mallord William Turner Macerata from the Road 1819
Joseph Mallord William Turner 1775–1851
Folio 19 Verso:
Macerata from the Road 1819
D14690
Turner Bequest CLXXVII 19 a
Turner Bequest CLXXVII 19 a
Pencil on white wove paper, 110 x 186 mm
Inscribed by the artist in pencil ‘[?La Ma]’ top left
Inscribed by the artist in pencil ‘[?La Ma]’ top left
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.521, as ‘Two sketches at “Macerata” ’.
1925
Thomas Ashby, Turner’s Visions of Rome, London and New York 1925, p.15.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.101 note 137, 408, as ‘Loretto: Porta Marina and the campanile of the Santuario’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.34 and 202 note 65.
Turner’s route from Ancona to Rome took him past the hill town of Macerata in the Marche region of Italy. As was often the case, the progress of the carriage did not give him any opportunity to stop and explore the centre. It simply followed the predetermined course around Macerata in an anti-clockwise direction from the north-east. Consequently Turner’s sketches of the town only depict views he could see from the road. The subject of this drawing is the walls of Macerata seen from the west side of the town (present-day Viale Puccinotti). The gate, as John Chetwode Eustace described, is ‘a sort of modern triumphal arch not remarkable either for materials or for proportion’.1 The view continues on the opposite sheet of the double-page spread, see folio 20 (D14691) with the seventeenth-century dome and lantern and adjacent campanile of the Church of San Giovanni. A similar sketch can be found in the Route to Rome sketchbook (Tate D13871; Turner Bequest CLXXI 7).
This drawing has been previously identified by Cecilia Powell as the Porta Marina at Loreto with the onion shaped top of the campanile of the Santuario della Santa Casa on the right.2 However, even allowing for the rough, schematic nature of the drawing, the proportions do not correspond and the basilica itself is absent from the view.
Nicola Moorby
November 2008
How to cite
Nicola Moorby, ‘Macerata from the Road 1819 by Joseph Mallord William Turner’, catalogue entry, November 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www