Joseph Mallord William Turner Belforte del Chienti 1819
Joseph Mallord William Turner 1775–1851
Folio 23 Verso:
Belforte del Chienti 1819
D14698
Turner Bequest CLXXVII 23 a
Turner Bequest CLXXVII 23 a
Pencil on white wove paper, 110 x 186 mm
Inscribed by the artist in pencil ‘Belforte’ bottom right
Inscribed by the artist in pencil ‘Belforte’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.521, as ‘ “Belforte” ’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.101 note 137.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.34.
As indicated by the inscribed place name, this page shows a distant view of Belforte del Chienti, a small hillside village approximately fourteen miles south-west of Macerata. Visible on the horizon can be seen the cone-shaped bell-tower of the Church of Sant’Eustachio and just to the right of that, the domed lantern of the clock tower of the Palazzo Comunale. Related sketches can be found on 24 verso (D14700), as well as in the Route to Rome sketchbook (Tate D13901; Turner Bequest CLXXI 23).
The single arched bridge in the foreground is probably the same one which appears in James Hakewill’s drawing of 1817, ‘In the Apennines near Belforte’.1 The view corresponds to the description by John Chetwode Eustace in A Classical Tour Through Italy:
A little beyond Tollentino we began to enter the defiles of the Apennines; the hills closing and swelling into mountains, the river roughening into a torrent, and the rocks breaking here and there into huge precipices. The road runs along the sides of the hills, with the Chienti rolling below on the left. A little beyond Belforte, a view opens over the precipice towards a bridge, and presents a landscape of very bold features.2
Turner himself also knew this passage since he made notes upon the relevant pages in the Italian Guide Book sketchbook (see Tate D13939; Turner Bequest CLXXII 4a).
Nicola Moorby
November 2008
How to cite
Nicola Moorby, ‘Belforte del Chienti 1819 by Joseph Mallord William Turner’, catalogue entry, November 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www