Joseph Mallord William Turner Sketches of Trevi, Pissignano and the Temple of Clitumnus 1819
Joseph Mallord William Turner 1775–1851
Folio 36 Recto:
Sketches of Trevi, Pissignano and the Temple of Clitumnus 1819
D14722
Turner Bequest CLXXVII 36
Turner Bequest CLXXVII 36
Pencil on white wove paper, 110 x 186 mm
Inscribed by the artist in pencil ‘Trevi’ under sketch top left and ‘[?do]’ bottom left and ‘Pissegnio’ bottom right
Inscribed by John Ruskin in red ink ‘36’ bottom right
Stamped in black ‘CLXXVII 36’ bottom right
Inscribed by the artist in pencil ‘Trevi’ under sketch top left and ‘[?do]’ bottom left and ‘Pissegnio’ bottom right
Inscribed by John Ruskin in red ink ‘36’ bottom right
Stamped in black ‘CLXXVII 36’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.521, as ‘View of “Trevi” (about midway between Foligno and Le Vene), “Busiano” (?), &c’.
1968
Giovanni Carandente, ‘Un Viaggio di Turner in Umbria’, Spoletium: Rivista di arte, storia e cultura, no.13, April 1968, p.18 note 13, as ‘una veduta di Trevi e una veduta del Tempietto sul Clitunno’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.355 note 31, 409, as ‘View of Trevi. Also includes (b) The Temple of Clitumnus; (c) and (d) Pissignano and the Temple of Clitumnus’.
2008
Nicola Moorby, ‘Un tesoro italiano: i taccuini di Turner’, in James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.98, 105 note 8.
2009
Nicola Moorby, ‘An Italian Treasury: Turner’s sketchbooks’, in James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.111, 154 note 9.
One of the most celebrated ancient monuments to be found outside of Rome was the Temple of Clitumnus (Tempietto sul Clitunno), a small structure, located on the road between Foligno and Spoleto in Umbria, dedicated to the eponymous river. This page contains several sketches related to the approach towards the temple from the north.
The sketch in the top left-hand corner is a distant prospect of Trevi, a town on the crest of a hill, approximately six miles south-east of Foligno. The highest point visible is the campanile of the Cathedral of Sant’Emiliano. Beyond Trevi, the next landmark spotted by the nineteenth-century traveller on the Via Flaminia was Pissignano, a medieval fortress built on the slopes above the Temple of Clitumnus. Even in Turner’s day, the eleventh-century castle was a collection of crumbling remains including one very tall tower and a shorter polygonal one, which later became the bell-tower of the Church of San Benedetto. Turner has drawn the view from the north twice, outlining the towers and walls of the ruins and inscribed the place name as ‘Pissegnio’, a phonetic attempt at spelling the unfamiliar Italian word. Beneath the fortress on the right is the Temple of Clitumnus, the triangular portico and columns of which the artist has also sketched in the top right-hand corner. A similar view can be found on folio 36 verso (D14723). For a general discussion of the Temple of Clitumnus see folio 37 verso (D14725). Further sketches of Trevi dating from Turner’s return journey from Rome can be found in the Rome and Florence sketchbook (see Tate D16533; Turner Bequest CXCI 26).
In the bottom left-hand corner is part of a sketch of a landscape at Foligno which has spilled over from the opposite sheet of the double-page spread, see folio 35 verso (D14721).
Nicola Moorby
November 2008
How to cite
Nicola Moorby, ‘Sketches of Trevi, Pissignano and the Temple of Clitumnus 1819 by Joseph Mallord William Turner’, catalogue entry, November 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www