Joseph Mallord William Turner Spoleto, from across the River Tessino near the Present-Day Ponte Garibaldi 1819
Joseph Mallord William Turner 1775–1851
Folio 38 Verso:
Spoleto, from across the River Tessino near the Present-Day Ponte Garibaldi 1819
D14727
Turner Bequest CLXXVII 38 a
Turner Bequest CLXXVII 38 a
Pencil on white wove paper, 110 x 186 mm
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.522, as ‘Spoleto’.
1968
Giovanni Carandente, ‘Un Viaggio di Turner in Umbria’, Spoletium: Rivista di arte, storia e cultura, no.13, April 1968, pp.18 note 15, 20, reproduced p.20, fig.12, as ‘Veduta di Spoleto’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.101, 469 notes 139 and 143, 352 note 19, 409, as ‘Spoleto, from across the river Tessino near the present-day Ponte Garibaldi’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.34.
2008
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.44, 90 note 29.
2009
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.42, 150–1 note 29.
The picturesque Umbrian town of Spoleto lies thirteen miles from Foligno, approximately half-way on the nineteenth-century route between Ancona and Rome. This sketch represents a panoramic view from the natural point of entry into the north of the town; the intersection of the Via Flaminia and the River Tessino, near present-day Ponte Garibaldi. On the far left is the medieval church and monastery of San Ponziano whilst the three arches belong to the Roman remains of the Ponte Sanguinario. To the right is the cathedral whilst dominating the scene on the slopes above is the fourteenth-century castle, the Rocca Albornoziana. Giovanni Carandente believed that the artist’s viewpoint was the Viale Martiri della Resistenza, outside of the ancient city walls.1 However, this was corrected by Cecilia Powell who recognised that the foreground depicted the river, not the walls.2 The panorama continues on the opposite sheet of the double-page spread, see folio 39 (D14728). Similar views can be found on folios 40 verso (D14731) and 42 (D14734), as well as in the Route to Rome sketchbook (Tate D13922; Turner Bequest CLXXI 33a).
As was often the case during this tour, the progress of the carriage did not give the artist much opportunity to stop and explore the centre of Spoleto. He simply followed a predetermined course around the perimeter of the town and consequently his sketches only depict views he could see from the road skirting the boundary of the walls (the Via Interna delle Mura).
Nicola Moorby
November 2008
How to cite
Nicola Moorby, ‘Spoleto, from across the River Tessino near the Present-Day Ponte Garibaldi 1819 by Joseph Mallord William Turner’, catalogue entry, November 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www