Joseph Mallord William Turner Borghetto 1819
Joseph Mallord William Turner 1775–1851
Folio 73 Recto:
Borghetto 1819
D14795
Turner Bequest CLXXVII 73
Turner Bequest CLXXVII 73
Pencil on white wove paper, 110 x 186 mm
Inscribed by the artist in pencil ‘[?Ghiegi]’ top right and ‘Road’ bottom centre
Inscribed by John Ruskin in red ink ‘73’ bottom right
Stamped in black ‘CLXXVII 73’ bottom right
Inscribed by the artist in pencil ‘[?Ghiegi]’ top right and ‘Road’ bottom centre
Inscribed by John Ruskin in red ink ‘73’ bottom right
Stamped in black ‘CLXXVII 73’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.523, as ‘ “Ghiegi” (?). Probably Borghetto and Ponte Felice’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp. 101, 469 note 143.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.34.
2008
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.44, 90 note 29.
2009
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.42, 150–1 note 29.
Beyond Narni, Turner’s route to Rome continued south towards the crossing of the River Tiber at the Ponte Felice. This sketch depicts Borghetto, a village at the western end of the bridge, which although very small, represented the first urban settlement across the border from Umbria into Lazio. It was an established post stage for travellers on the Via Flaminia between Civita Castellana and Otricoli.1 William Gell described Borghetto in The Topography of Rome and its Vicinity, published 1834, as a ‘little place on the Tyber, not far from the Ponte Felice, with only forty two inhabitants ... There are two or three large houses here in a state of decay’.2 These dilapidated houses can be seen in the bottom right-hand corner of this sketch, with the road running in between. In the left-hand foreground meanwhile, Turner has recorded a traveller watering his horse or donkey at a roadside fountain.
The most notable feature at Borghetto was the ruined castle on the slopes of the hill to the west. Today only the crumbling base survives but contemporary illustrations reveal that the fortress still had a tall standing tower reaching above the lower walls until at least the late nineteenth century.3 Turner had made a small pen-and-ink copy of an engraving of the site from John ‘Warwick’ Smith’s Select Views in Italy, see the Italian Guide Book sketchbook (see Tate D13964; Turner Bequest CLXXII 18, second from bottom right). Further views of Borghetto can be found on folios 70 verso–72 verso (D14790–D14794) and folios 73 verso–75 (D14796–D14799).
Nicola Moorby
November 2008
The post stage itinerary was published in Reichard’s Italy, London 1818, pp.301 and 330. See Turner’s own copy (Tate, Turner Bequest CCCLXVII).
How to cite
Nicola Moorby, ‘Borghetto 1819 by Joseph Mallord William Turner’, catalogue entry, November 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www