Joseph Mallord William Turner Studies of Sculptural Fragments from the Vatican Museums, Including a Statue of a Satyr, Two Double Herms, and the Funerary Altar of Mithrasia Severa 1819
Joseph Mallord William Turner 1775–1851
Folio 32 Recto:
Studies of Sculptural Fragments from the Vatican Museums, Including a Statue of a Satyr, Two Double Herms, and the Funerary Altar of Mithrasia Severa 1819
D15164
Turner Bequest CLXXX 31
Turner Bequest CLXXX 31
Pencil on white wove paper, 161 x 101 mm
Inscribed by the artist in pencil (see main catalogue entry)
Inscribed by John Ruskin in red ink ‘31’ bottom right
Stamped in black ‘CLXXX 31’ bottom right
Inscribed by John Ruskin in red ink ‘31’ bottom right
Stamped in black ‘CLXXX 31’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.532, as ‘Various figures’.
1982
Evelyn Joll and Martin Butlin, L’opera completa di Turner 1793–1829, Classici dell’arte, Milan 1982, p.107 no.231.
1983
John Gage, Jerrold Ziff, Nicholas Alfrey and others, J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, exhibition catalogue, Galeries nationales du Grand Palais, Paris 1983, p.100 under no.35 [incorrectly as CLLXXX].
1984
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.139 under no.229.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.414–5, 476 note 8, 482 note 70, as ‘(a) Pilaster (A, I, pl.81, lower right) (b) Relief fragment (A, I, pl.81, 644) (c) Faun (d) Fragment of a double herm (A, I, pl.86, 731B) (e) Double herm (A, I, pl.86, 731C) (f) Altar (A, I, pl.86, 731D) (g) Funerary altar of Mithrasia Severa (A, I, pl.84, 686a)’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.51 note 6, 58 note 39.
During his 1819 stay in Rome, one of Turner’s most extensive sketching campaigns was the large number of pencil studies made from the sculpture collections of the Vatican Museums (for a general discussion, see the introduction to the sketchbook). This page contains sketches of several objects, most or all of which were probably found in the Museo Chiaramonti. The studies are numbered from top left to bottom right:
a.
Cecilia Powell has identified the sketch in the top left-hand corner as a fragment of an ornamental pilaster from the Museo Chiaramonti.1
b.
Powell has identified the sketch in the top right-hand corner as a fragment of relief, also from the Museo Chiaramonti.2
c.
This sketch represents a statue of a satyr, formerly in the collections of the Braccio Nuovo.3 Today it can be found in the South Portico of the Cortile Ottagano in the Museo Pio-Clementino.4
d.
Powell has identified the central sketch as a fragment of a double herm from the Museo Chiaramonti.5 A herm is a sculpture of a head and bust which tapers to a plain lower section. In this example the statue is headless.
e.
Powell has identified the right-hand sketch on the centre row as a double herm from the Museo Chiaramonti.6
f.
Powell has identified the sketch in the bottom left-hand corner as an altar decorated with reliefs from the Museo Chiaramonti.7 Turner has depicted the monument from an oblique three-quarter angle so that it is possible to see one of the sides, as well the front.
g.
Powell has identified the sketch in the bottom right-hand corner as part of the funerary altar of Mithrasia Severa from the Museo Chiaramonti.8 Turner has transcribed the Latin text from the monument as ‘DIS | M[ANIBVS] | MITRASIAFP.F | SVERAE [should be SEVERAE]’. A sketch of the statue which stands on top of this base can be found on the following page, see folio 32 verso (D15165; Turner Bequest CLXXX 31a).
Cecilia Powell has identified the sketch in the top left-hand corner as a fragment of an ornamental pilaster from the Museo Chiaramonti.1
b.
Powell has identified the sketch in the top right-hand corner as a fragment of relief, also from the Museo Chiaramonti.2
c.
This sketch represents a statue of a satyr, formerly in the collections of the Braccio Nuovo.3 Today it can be found in the South Portico of the Cortile Ottagano in the Museo Pio-Clementino.4
d.
Powell has identified the central sketch as a fragment of a double herm from the Museo Chiaramonti.5 A herm is a sculpture of a head and bust which tapers to a plain lower section. In this example the statue is headless.
e.
Powell has identified the right-hand sketch on the centre row as a double herm from the Museo Chiaramonti.6
f.
Powell has identified the sketch in the bottom left-hand corner as an altar decorated with reliefs from the Museo Chiaramonti.7 Turner has depicted the monument from an oblique three-quarter angle so that it is possible to see one of the sides, as well the front.
g.
Powell has identified the sketch in the bottom right-hand corner as part of the funerary altar of Mithrasia Severa from the Museo Chiaramonti.8 Turner has transcribed the Latin text from the monument as ‘DIS | M[ANIBVS] | MITRASIAFP.F | SVERAE [should be SEVERAE]’. A sketch of the statue which stands on top of this base can be found on the following page, see folio 32 verso (D15165; Turner Bequest CLXXX 31a).
Jerrold Ziff described the Vatican Fragments sketchbook as ‘nearly a dictionary or pattern book of motifs’,9 which Turner consulted for the featured pieces of sculpture in the finished oil painting, What You Will! exhibited 1822 (Sterling and Francine Clark Art Institute, Williamstown, Massachusetts).10 As Butlin and Joll, and Cecilia Powell have identified, one of the statue groups in this picture represents a veiled double herm which Turner appears to have invented but which may be based upon examples he had seen in the Vatican collections and elsewhere.11
Nicola Moorby
November 2009
Powell 1984, p.414; see Walther Amelung, Die Sculpturen des Vaticanischen Museums, Berlin 1903–8, vol.I, ‘Museo Chiaramonti I Seite 309–560’, no.657, pp.758–9, reproduced pl.81, bottom right.
See Deutsches Archäologisches Institut, Bildkatalog der Skulpturen des Vatikanischen Museum: Museo Pio Clementino Cortile Ottagono, Berlin and New York 1998, vol.II, reproduced pl.32, no.I 1, 30, PS 18. See also Amelung 1903–8, vol.I, no.30, pp.44–5, reproduced pl.5, far left.
Jerrold Ziff, ‘Copies of Claude’s Paintings in the Sketch Books of J.M.W. Turner’, Gazette des Beaux-Arts, vol.LXV, January 1965, p.64 note 30.
How to cite
Nicola Moorby, ‘Studies of Sculptural Fragments from the Vatican Museums, Including a Statue of a Satyr, Two Double Herms, and the Funerary Altar of Mithrasia Severa 1819 by Joseph Mallord William Turner’, catalogue entry, November 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www