The subject of this sketch is the Casa Cenci, also known as the Casino Cenci Giustiniani, which stands on present-day Viale Lubin in the gardens of the Villa Borghese.
1 This unassuming rustic-style building was a celebrated landmark for artists during the early nineteenth century, owing to the popular belief that it had once been used as a studio by Raphael. See for example Jean-Honoré Marmont de Barmont’s (1770–1846), oil painting,
Casa Cenci in the Borghese Gardens, Rome 1805,
2 and Johan Christian Dahl (1788–1857),
La casa del portinaio a Villa Borghese 1821 (Billedgalleri, Bergen).
3 Turner shared the fascination of the period with the great Renaissance master and sketched a number of Roman subjects owing to their supposed Raphael connections, for example, the Casino di Raffaello in the Borghese Gardens, see folio 44 verso (
D16233; Turner Bequest CLXXXVIII 43a), the statue of Jonah in the Chigi Chapel, see folio 48 (
D16240; CLXXXVIII 47), and the façade of the Palazzo Vidoni-Caffarelli, see folio 64 verso (
D16271; Turner Bequest CLXXXVIII 63a). The culmination of his interest was his large oil painting celebrating the tercentenary of the artist’s death,
Rome from the Vatican exhibited 1820 (Tate,
N00503).
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