J.M.W. Turner: Sketchbooks, Drawings and Watercolours

ISBN 978-1-84976-386-8

Joseph Mallord William Turner At Chatham, on the River Medway c.1821

Joseph Mallord William Turner 1775–1851
Folio 51 Verso:
At Chatham, on the River Medway c.1821
D17451
Turner Bequest CXCIX 51a
Pencil on white wove paper, 112 x 190 mm
Inscribed by Turner in pencil ‘4 [?anl], 3 [?anl],. 4 3 [?bn]’ towards centre, ‘15’ towards right, ‘Chat L’ bottom left
 
Accepted by the nation as part of the Turner Bequest 1856
With the sketchbook inverted according to its foliation, across this and the facing page on folio 52 recto (D17452) Turner records multiple views of Chatham on the River Medway in Kent. The latter portion of this identification was made by Finberg.1
Three views seem to occupy the present sheet. The topmost of these demonstrates what seems to be a view from the northwest, observed from a boat in the water. At far right, the southwest facing St Mary’s church marks the shore with its distinctive tower. Additional drawings of this church in the present sketchbook are listed in the entry for folio 51 recto (D17450). Turner’s expansive view of the shore as it extends to the left, across the full width of the sheet, is delineated in great detail, describing specific architectural features and noting windows and doors as a matter of course. Behind, in the distance, the topography ascends. The angular silhouettes of the military forts at Chatham characterise the horizon.
The composition that stretches across the middle of this page seems to represent an amalgamation of two separate endeavours on Turner’s part. The long shape of a hulk in the foreground is spread from far right to almost far left, inscribed with various numbers. The sketch evokes the impression of great documentary interest in the vessel, and is likely to have been conceived before the other drawings on the page. The stern and bow are rendered in some detail, while the majority of the hull is simply encompassed by a light outline. At far left, to the left of this hulk, the buildings of Chatman are visible, viewed from a south westerly perspective. This identification is once again reinforced by the presence of St Mary’s Church. The prospect crosses the gutter of the page, and continues on the facing sheet. For an explanation of the northerly portion of this scene, see the entry for that page.
In the bottom left corner a final view continues the view of Chatham shore begun above and on the facing page. Here Turner records what his sketch of the hulk obstructs. Fort Amherst and the Great Lines are positioned on the horizon overlooking the harbour, inscribed ‘Chat L’ but Turner, and the topography slopes gently towards the river’s edge towards the right.
There are a great number of drawings of Chatham in this sketchbook. For an indication of their significance, and a comprehensive list of the pages upon which they are inscribed, see the entry for folio 22 recto (D17402).

Maud Whatley
January 2016

1
Finberg 1909, I, p.609.

How to cite

Maud Whatley, ‘At Chatham, on the River Medway c.1821 by Joseph Mallord William Turner’, catalogue entry, January 2016, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, February 2017, https://www.tate.org.uk/art/research-publications/jmw-turner/joseph-mallord-william-turner-at-chatham-on-the-river-medway-r1184728, accessed 24 April 2024.