Joseph Mallord William Turner The Piazza del Nettuno, Bologna, and its Fountain, with the Basilica of San Petronio Beyond; the Arcade Leading to the Sanctuary of the Madonna di San Luca, with Bologna in the Distance 1819
Joseph Mallord William Turner 1775–1851
Folio 29 Recto:
The Piazza del Nettuno, Bologna, and its Fountain, with the Basilica of San Petronio Beyond; the Arcade Leading to the Sanctuary of the Madonna di San Luca, with Bologna in the Distance 1819
D14540
Turner Bequest CLXXVI 26f
Turner Bequest CLXXVI 26f
Pencil on white wove paper, 111 x 184 mm
Partial watermark ‘Allnutt | 18’
Inscribed by Turner in pencil ‘Arcade to Madonna | del [?St Luka]’ centre right, descending vertically
Inscribed in pencil ‘clxxvi.26f’ bottom right
Stamped in black ‘CLXXVI – 26f’ towards bottom right
Partial watermark ‘Allnutt | 18’
Inscribed by Turner in pencil ‘Arcade to Madonna | del [?St Luka]’ centre right, descending vertically
Inscribed in pencil ‘clxxvi.26f’ bottom right
Stamped in black ‘CLXXVI – 26f’ towards bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.517, CLXXVI 26f, as ‘The Piazza del Nettuno; also “Arcade to Madonna del ...” (probably Madonna di San Luca)’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.82–3, 84, 462 note 68, 463 note 81.
2008
James Hamilton, ‘Turner e l’Italia’ in Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.43, 90 note 22, as a Bologna subject.
2009
James Hamilton, ‘Turner’s Route to Rome’ in Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.42, 150 note 22, as a Bologna subject.
The view is from the middle of the Piazza del Nettuno, with the south-west corner of the Palazzo del Podestà in the foreground at the left. Beyond the ornate Fountain of Neptune, the campanile and ornately articulated north front of the Basilica of San Petronio (the upper stages of which remain in the incomplete state Turner indicates) are shown across the adjacent Piazza Maggiore. There is wider view of the Piazza del Nettuno from further back on folio 28 recto (D14535; Turner Bequest CLXXVI 26a) ; see also folio 27 recto (D14538; CLXXVI 26d), under which Giambologna’s figure of Neptune is discussed.1
At the top right, drawn with the page turned vertically, is a slight separate study. The Turner scholar C.F. Bell annotated Finberg’s 1909 Inventory entry (‘The Piazza del Nettuno; also “Arcade to Madonna del ...” (probably Madonna di San Luca)’), crossing out ‘probably’,2 and the subject is indeed part of the long Baroque arcade zigzagging up the hill south-west of Bologna, which appears in the distance, to the Sanctuary of the Madonna di San Luca; see under folio 42 recto (D14564; Turner Bequest CLXXVI 38).3
For general remarks on Bologna and Turner’s numerous views on adjacent pages, see under folio 24 recto (D14532).
Finberg noted of the pages he designated Turner Bequest CLXXVI 26a–h (D14535– D14542): ‘The following four leaves were found loose, but appear to belong here.’4 Their presence as now bound at this stage of the sketchbook affects its foliation sequence compared to Finberg’s numbering; see the concordance in the Introduction.
Matthew Imms
March 2017
How to cite
Matthew Imms, ‘The Piazza del Nettuno, Bologna, and its Fountain, with the Basilica of San Petronio Beyond; the Arcade Leading to the Sanctuary of the Madonna di San Luca, with Bologna in the Distance 1819 by Joseph Mallord William Turner’, catalogue entry, March 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, July 2017, https://www