Joseph Mallord William Turner The Entrance of the Arsenale, Venice, from the Rio dell'Arsenale 1819
Joseph Mallord William Turner 1775–1851
Folio 55 Recto:
The Entrance of the Arsenale, Venice, from the Rio dell’Arsenale 1819
D14419
Turner Bequest CLXXV 55
Turner Bequest CLXXV 55
Pencil on white wove paper, 112 x 185 mm
Inscribed by John Ruskin in blue ink ‘55’ bottom left, upside down and ‘300’ top left, upside down
Stamped in black ‘CLXXV 55’ top left, upside down
Inscribed by John Ruskin in blue ink ‘55’ bottom left, upside down and ‘300’ top left, upside down
Stamped in black ‘CLXXV 55’ top left, upside down
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.514, CLXXV 55, as ‘Entrance to the Arsenal’.
1930
A.J. Finberg, In Venice with Turner, London 1930, p.164, as ‘The Entrance to the Arsenal’.
1984
Hardy George, ‘Turner in Europe in 1833’, Turner Studies, vol.4, no.1, Summer 1984, p.12 ill.13, as ‘S. Maria della Salute’ (with reference to D14417 opposite only).
2003
Ian Warrell in Warrell, David Laven, Jan Morris and others, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, p.126.
The Turner scholar C.F. Bell annotated Finberg’s 1909 Inventory entry (‘Entrance to the Arsenal’): ‘from across the Rio dell’Arsenal [sic]’.1 Bell similarly marked Finberg’s 1930 In Venice with Turner (1930).2 Inverted relative to the sketchbook’s foliation, the view is north from the east bank of the Rio dell’Arsenale, with the Campo Arsenale and its elaborate stone gateway on the opposite side.
Turner did not linger to draw the entrance’s matching right-hand tower in any detail, and its outline is only roughly indicated to the right of the masts. Ian Warrell has suggested that the ‘presence of Austrian soldiers near the entrance to the Arsenale, and probably throughout the whole complex, may have discouraged Turner from making more than a couple of pencil sketches’3 over the course of his visits to Venice; there are swift studies in the 1833 Venice sketchbook (Tate D32027, D32063; Turner Bequest CCCXIV 52, 73) and an evocation in watercolour made in about 1840 (Tate D32164; Turner Bequest CCCXVI 27).
For an overview of Turner’s coverage of Venice, see the sketchbook’s Introduction.
Matthew Imms
March 2017
Undated MS note by C.F. Bell (died 1966) in copy of Finberg 1909, Tate Britain Prints and Drawings Room, I, p.514.
How to cite
Matthew Imms, ‘The Entrance of the Arsenale, Venice, from the Rio dell’Arsenale 1819 by Joseph Mallord William Turner’, catalogue entry, March 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, July 2017, https://www