Joseph Mallord William Turner The Thurn and Taxis Palace, Regensburg, with the Obermünster in the Distance 1840
Joseph Mallord William Turner 1775–1851
Folio 40 Verso:
The Thurn and Taxis Palace, Regensburg, with the Obermünster in the Distance 1840
D31355
Turner Bequest CCCX 40a
Turner Bequest CCCX 40a
Pencil on cream wove paper, 126 x 198 mm
Partial watermark ‘J. Wh’
Partial watermark ‘J. Wh’
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.998, CCCX 40a, as ‘Do. [i.e. ditto: Castle (?)]’.
1995
Cecilia Powell, Turner in Germany, exhibition catalogue, Tate Gallery, London 1995, pp.69, 81 note 45, p.243, as ‘Regensburg: the Thurn and Taxis Palace with the Obermünster in the distance’.
2010
Old Master & 19th Century Paintings, Drawings & Watercolours; Evening Sale: Tuesday 6 July 2010, auction catalogue, Christie’s, London 2010, p.168 under no.66, fig.1 (colour).
2010
J.R. Piggott, ‘Salerooms Report’, Turner Society News, no.114, Summer 2010, p.22.
2015
Ian Warrell, ‘Turner in Regensburg, 1840: Conflagration and Catholicism’, Turner Society News, no.123, Spring 2015, p.5.
The subject of this drawing, made with the page turned horizontally, was first identified by Cecilia Powell.1 On the left is the Thurn and Taxis Palace (sometimes referred to as Schloss St Emmeram, its former dedication as an abbey), south of the centre of Regensburg. The north-eastern corner is shown, with its diagonally projecting Baroque pavilion. In the distance to the north is the tower of the Obermünster abbey. Trees are indicated in the right foreground, and remain plentiful in the gardens around the palace today, obscuring the view beyond along with later buildings.
Turner began a sunlit watercolour of the subject (private collection)2 based largely on this drawing, as Ian Warrell recognised.3 Its loosely finished foreground apparently showing a ditch or moat with a bridge and small building on the right, although these elements are not readily evident in the present drawing, and it is unclear how they relate to the site at the time; the foreground is now level, with paths and lawns. Oddly, and presumably fortuitously, the arrangement bears a passing resemblance to a small sketch of a garden building and bridge in the grounds of Schloss Rosenau, near Coburg, from later on this tour (folio 8 recto; D31291).
Matthew Imms
September 2018
How to cite
Matthew Imms, ‘The Thurn and Taxis Palace, Regensburg, with the Obermünster in the Distance 1840 by Joseph Mallord William Turner’, catalogue entry, September 2018, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2019, https://www