Joseph Mallord William Turner Würzburg by Moonlight, ?from the West Bank of the River Main 1840
Joseph Mallord William Turner 1775–1851
Folio 73 Verso:
Würzburg by Moonlight, ?from the West Bank of the River Main 1840
D30599
Turner Bequest CCCIII 72a
Turner Bequest CCCIII 72a
Pencil on flecked pale blue laid paper, 104 x 170 mm
Partial watermark: Tree of Liberty
Inscribed by Turner in pencil ‘One C and F [?across] Water’ top left
Partial watermark: Tree of Liberty
Inscribed by Turner in pencil ‘One C and F [?across] Water’ top left
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.980, CCCIII 72a, as ‘View of city’.
1995
Cecilia Powell, Turner in Germany, exhibition catalogue, Tate Gallery, London 1995, p.245, as ‘Würzburg: view from the west bank of the Main | Inscr. One C and F[?erry] [?across] Water’.
Made with the page turned horizontally, this rather incoherent sketch was perhaps made on the artist’s return from the perambulation around the countryside north of Würzburg recorded on adjacent pages, when he had observed the setting sun (see folio 75 recto; D30602; Turner Bequest CCCIII 74).
Here there appears to be a corresponding indication, if not two, of the newly waxing moon rising over the domes and spires of the city. Turner’s was recorded there on 23 September 1840 (see the sketchbook’s Introduction), but the crescent would only have appeared between the dark phase of 25 September and the first quarter on 3 October,1 suggesting that he lingered a few days. Compare the tiny reversed ‘C’ over the waterfront in the previous month’s Venice and Botzen sketchbook (Tate D31890; Turner Bequest CCCXIII 51).
On the right are the jagged forms of the ramparts and bastions rising to the towers of the Marienberg fortress on the west bank of the River Main, which Cecilia Powell took to be the viewpoint,2 although the two halves of the page may not form a conventional single view, but an amalgam of aspects caught in the failing light. At the bottom right there seems to be the outline of a dome at right-angles to the main view(s). Powell tentatively read the scrawled inscription as ‘One C and F across Water’, with the ‘F’ perhaps standing for ‘ferry’.3
For the extensive sequence of Würzburg views in this sketchbook and others elsewhere, see under folio 72 verso (D30596; CCCIII 71).
Matthew Imms
September 2018
See ‘Moon Phases for Venice, Italy’, timeanddate.com, accessed 6 September 2018, https://www.timeanddate.com/moon/phases/italy/venice?year=1840 .
How to cite
Matthew Imms, ‘Würzburg by Moonlight, ?from the West Bank of the River Main 1840 by Joseph Mallord William Turner’, catalogue entry, September 2018, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2019, https://www