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Showing 1-20 of 47 results


  1. Article
    Leatrice Eiseman

    Colour expert and executive director of the Pantone Colour Institute, Leatrice Eiseman, delves into Agnes Martin's palette. 

  2. Article
    Louise Cohen

    As our colour season draws to a close let's recap in a quiz, and find out if you're a fiery red or a mellow yellow (don't worry, it's just for fun)

  3. Article

    You can see two giants of early 20th century art at Tate Modern this autumn. What impact did seeing Matisse have on the work of Malevich?

  4. Article

    Curator Achim Borchardt-Hume picks out some of the key works from Tate Modern’s retrospective of radical Russian artist Kazimir Malevich

  5. Article

    We take a quick skip through colour theory, and how some of modern art's giants have put it into practice 

  6. Article

    We caught up with Mondrian biographer Nicholas Fox Weber to discuss what it is about the Dutch modernist painter that captures him, and the...

  7. Article
    Stephanie Straine

    As a new response to the First World War practice of dazzle painting is unveiled at Tate Liverpool, Assistant Curator Stephanie Straine finds links...

  8. Article
    Shirana Shahbazi, Raphael Montañez Ortíz

    In celebration of the reopening of Tate Britain, Tate Etc. invited a selection of artists from around the world to choose a favoured work from a...

  9. Article
    James Attlee

    Ninety per cent of the world’s oceans remain unexplored, fuelling our fascination for and fear of the sea for centuries, even as we have discovered...

  10. Article

    Tate’s much-loved artwork The Snail by Henri Matisse will be reunited with its companion works in Tate Modern’s big summer 2014 show

  11. Article
    Liu Xiaodong

    In celebration of the reopening of Tate Britain, Tate Etc. invited a selection of artists from around the world to choose a favoured work from a...

  12. Article
    Jennifer Mundy

    The Gallery of Lost Art is an immersive, online exhibition that tells the fascinating stories of artworks that have disappeared. Each week a new...

  13. Article

    Jeremy Lewison, the curator of Tate Liverpool's new show, Turner Monet Twombly, explores the three artists' affinities to each other

  14. Article
    Michael F. Marmor

    In 1930, when Munch was 66 years old, an intraocular haemorrhage in his right eye affected his sight. For several months, with methodical precision...

  15. Article
    Gavin Delahunty

    The curator of the forthcoming exhibition by the German abstract painter introduces her work, and a fellow artist pays homage

  16. Article
    John Lloyd

    William Kentridge was invited to make a projection on the fire screen of the Fenice opera theatre, which was primarily seen while the orchestra...

  17. Article
    Laura Scott

    Every month, Tate Etc. publishes new poetry inspired by a work in the Tate. This June, Laura Scott was inspired by J.M.W. Turner's Norham Castle,...

  18. Article
    Christoph Grunenberg

    Tate Liverpool's exhibition Colour Chart: Reinventing Colour, 1950 to Today explores the moment in twentieth-century art when a group of artists...

  19. Article
    David Batchelor

    My original motives for making monochromes – back in the late 1980s – were vaguely malicious. The subject was interesting because it seemed to be...

  20. Article
    François Morellet

    How Random Distribution of 40,000 Squares using the odd and even numbers of a Telephone Directory 1960 came into being

Showing 1-20 of 47 results