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12 results
  1. Article
    Dan Graham

    Dan Graham on John Martin's painting of the Apocalypse, The Great Day of His Wrath

  2. Article
    Michel Onfray, Jenny Uglow, Chuck Close, George Carey, Derek Wilson

    To coincide with Holbein in England at Tate Britain, five contributors respond to the work of the artist. Michel Onfray, Jenny Uglow, Chuck Close,...

  3. Article
    Francis Wells, Alexa de Ferranti, Desmond Morris, Dan Hays, Jim Drain

    Francis Wells on Luke Fildes's The Doctor 1891, Alexa de Ferranti on William Hogarth's The Painter and his Pug 1745, Desmond Morris on Francis...

  4. Article
    Adrian Glew

    Wassily Kandinsky's ground-breaking theoretical publication Concerning the Spiritual in Art (1912), with its emphasis on colours as "vibrations of...

  5. Article
    James Hall

    English visual art contains a wealth of bondage imagery, particularly from Aubrey Beardsley, the master of the whiplash line. James Hall, explores...

  6. Article
    Steven Sherrill

    Steven Sherrill pens a fictional account of a studio visit to the English painter John Constable

  7. Article
    Lavinia Greenlaw

    Poet Lavinia Greenlaw pens a poem on Constable inspired by a visit to the ruins of Hadleigh Castle, Kent.

  8. Article
    Kenneth Baker, Ben Luke

    He grew up in a home full of Omega Workshop objects, before being evacuated to New York during the Second World War where he was introduced to the...

  9. Article
    Kathy Prendergast, Antony Penrose, Tal R, Ian Kiaer

    Contemporary reflections on a work in the Tate collection

  10. Article
    Paul Elliman

    Designer Paul Elliman seeks satisfaction of his curiosity and the typefaces designed by Josef Albers while at the Bauhaus in the 1920s

  11. Article
    Lisa Liebmann

    Lisa Liebmann looks at the events surrounding the unveiling of the Mona Lisa at the National Gallery of Art, Washington DC, in 1963.

  12. Article
    Peter Davidson, Bjorn van der Horst, Pelé Cox, Billy Childish

    Peter Davidson, Bjorn van der Horst, Pelé Cox and Billy Childish reflect on a work in the Tate Collection.