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  1. Article
    Grace Brockington

    This In Focus presents the first sustained analysis of this enigmatic painting – now regarded as a key work in Bell’s oeuvre and in the histories...

  2. Article

    We are grateful to Dr Grace Brockington for her development of this In Focus, and to Dr Claudia Tobin for her valuable contributions to the...

  3. Article
    Vincent Katz

    To coincide with the retrospective exhibition of influential American artist Robert Rauschenberg (1925–2008) – whose six-decade career spanned...

  4. Article
    The Very Reverend June Osborne, Dean of Salisbury

    There are arguably only two church buildings which most citizens of the United Kingdom would immediately recognise from silhouette: St Paul’s...

  5. Article
    Charles Watkins

    The viewpoint taken for Salisbury Cathedral from the Meadows exhibited 1831 (Tate T13896) obscures the city and emphasises the rural...

  6. Article
    Brian Young

    Unlike his radical contemporary J.M.W. Turner, John Constable held deeply conformist views; consequently, he has proved less ideologically...

  7. Article

    We are grateful to Amy Concannon for her development of this In Focus and to Brian Young, John Thornes, Charles Watkins and June Osborne for...

  8. Article
    Amy Concannon

    New research into Constable’s brooding, dramatic and compositionally complex Salisbury Cathedral from the Meadows offers an expanded...

  9. Article
    Hannah French, John Chu

    Music-playing features prominently in Thomas Gainsborough’s triple portrait Peter Darnell Muilman, Charles Crokatt and William Keable in a...

  10. Article

    We are grateful to Mark Bills and Gainsborough’s House for their encouragement and support for this In Focus, to Dr John Chu for his development of...

  11. Article
    Peter Moore

    By the middle of the eighteenth century, Britain’s status as one of the world’s leading global trading nations was firmly established. The Atlantic...

  12. Article
    John Chu

    As its title suggests, landscape plays an important role in Thomas Gainsborough’s Peter Darnell Muilman, Charles Crokatt and William Keable in a...

  13. Article
    Hannah French

    The prominent inclusion of a transverse flute in Peter Darnell Muilman, Charles Crokatt and William Keable in a Landscape (Tate T06746; fig.1)...

  14. Article
    John Chu

    Peter Darnell Muilman, Charles Crokatt and William Keable in a Landscape c.1750 (Tate T06746; fig.1) belongs to an eighteenth-century sub...

  15. Article
    Rebecca Hellen, Alexandra Gent

    From a technical perspective, Thomas Gainsborough appears to have approached the production of Peter Darnell Muilman, Charles Crokatt and William...

  16. Article
    Huw T. David

    In Peter Darnell Muilman and Charles Crokatt, Thomas Gainsborough was presented with two young sitters born to commercial wealth at a time when...

  17. Article
    John Chu

    A small-scale portrait of three young gentlemen relaxing in a country setting, Peter Darnell Muilman, Charles Crokatt and William Keable in a...

  18. Article
    John Chu

    Offering a multi-disciplinary discussion of Gainsborough’s early triple portrait, this project considers the painting as a depiction of polite and...

  19. Article
    Mollie R. Berger

    Four concentric circles of different colours are centred on a square canvas, constituting an apparently unequivocal expression of the power of pure...

  20. Article

    Read a report by Klaus Rechert (University of Freiburg), Patricia Falcao (Tate) and Tom Ensom (Kings College) on emulation and virtualisation,...

Showing 141-160 of 1132 results

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