Showing 121140 of 3,475 results for Tate Papers

Archive 2 items

Collection owner: Anita Bartle The papers of Anita Bartle

1876–1958
Archive 18 items

Collection owner: Ithell Colquhoun, recipient: Ithell Colquhoun General correspondence and related papers

1924–87
Archive 17 items

Collection owners: Thomas Cooper Gotch, Henry Scott Tuke Papers relating to the Newlyn Artists’ Belgian Relief Fund

6 November 1914–1 January 1916
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Rebecca Sinker, 'On the Evolution of a Peer-led Programmme: Tate Forum'

This paper reflects on the development of Tate Forum, Tate Britain’s peer-led youth group (established 2002), drawing on interviews ...

Tate Papers

On the Evolution of a Peer-led Programmme: Tate Forum

Rebecca Sinker

This paper reflects on the development of Tate Forum, Tate Britain’s peer-led youth group (established 2002), drawing on interviews ...

Tate Papers

Tate Digital Strategy 2013–15: Digital as a Dimension of Everything

John Stack

Through the development of a holistic digital proposition there is an opportunity to use the digital to deliver Tate’s ...

Performance at Tate: The Scholarly and Museological Context

Gabriella Giannachi

Since the 1960s, and, more significantly, following the opening of Tate Modern in 2000, and subsequently the Tanks in 2012 ...

Tate Papers

The Value of Values: Reflections on Tate Exchange

Anna Cutler

This paper aims to explore the frames of practice that were constructed or improvised in Tate Exchange over its first ...

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Michèle Fuirer, 'Jolt, Catalyst, Spark! Encounters with Artworks in the Schools Programme at Tate Modern'

This paper describes the findings of a practice-based research project to assess the qualitative shifts in learning made by participants ...

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Helen Charman and Michaela Ross, 'Contemporary Art and the Role of Interpretation: Reflections on Tate Modern’s Summer Institute for Teachers'

Recent research indicates that the taught curriculum in art and design secondary school education pays scant attention to meaning-making in ...

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Performance at Tate: Collecting, Archiving and Sharing Performance and the Performative

‘Performance at Tate’ aimed to research, document and make public the role performance – in all its forms – has played in ...
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Helen Charman, Uncovering Professionalism in the Art Museum: An Exploration of Key Characteristics of the Working Lives of Education Curators at Tate Modern

This paper attempts to articulate the distinctive qualities of the work of Education Curators at Tate Modern in relation to ...

Tate Papers

‘The Whole Question of Plinths’ in Barbara Hepworth’s 1968 Tate Retrospective

Eleanor Clayton

In 1968 Barbara Hepworth was honoured with a significant retrospective at the Tate Gallery. This paper offers a close reading ...

Tate Papers

Jolt, Catalyst, Spark! Encounters with Artworks in the Schools Programme at Tate Modern

Michèle Fuirer

This paper describes the findings of a practice-based research project to assess the qualitative shifts in learning made by participants ...

Tate Papers

Tools to Understand: An Evaluation of the Interpretation Material used in Tate Modern’s Rothko Exhibition

Minnie Scott and Renate Meijer

Renate Meijer and Minnie Scott, Tools to Understand: An Evaluation of the Interpretation Material used in Tate Modern’s Rothko ...
Tate Papers

Uncovering Professionalism in the Art Museum: An Exploration of Key Characteristics of the Working Lives of Education Curators at Tate Modern

Helen Charman

This paper attempts to articulate the distinctive qualities of the work of education curators at Tate Modern in relation to ...

Artwork

Mark Bradford Los Moscos

2004
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Matthew Gale, 'Afterthoughts: Introduction'

Tate Papers 8: Matthew Gale, 'Afterthoughts: Introduction'
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Alistair Rider, Carl Andre

Tate Papers 8: Alistair Rider, Carl Andre