Showing 41–60 of 1,259 results for Turner Collection

Cornelia Parker, ‘From ‘Venetian Scene’ circa 1840-5, JMW Turner, N05482, Tate Collection’ 1998

Artwork

Cornelia Parker From ‘Venetian Scene’ circa 1840-5, JMW Turner, N05482, Tate Collection

1998
Cornelia Parker, ‘From ‘Chichester Canal’ circa 1828, JMW Turner, N00560, Tate Collection’ 1998

Artwork

Cornelia Parker From ‘Chichester Canal’ circa 1828, JMW Turner, N00560, Tate Collection

1998
Cornelia Parker, ‘From ‘The Tenth Plague of Egypt’ exhibited 1802, JMW Turner, N00470, Tate Collection’ 1998

Artwork

Cornelia Parker From ‘The Tenth Plague of Egypt’ exhibited 1802, JMW Turner, N00470, Tate Collection

1998
Cornelia Parker, ‘From ‘Scene in Venice’ circa 1840-5, JMW Turner, N05488, Tate Collection’ 1998

Artwork

Cornelia Parker From ‘Scene in Venice’ circa 1840-5, JMW Turner, N05488, Tate Collection

1998

Digitising the collection

The production processes that were the heart of the digitisation of the Tate collection included imaging, image processing and subject ...
Cornelia Parker, ‘From ‘Seascape with Distant Coast’ circa 1840, JMW Turner, N05516, Tate Collection’ 1998

Artwork

Cornelia Parker From ‘Seascape with Distant Coast’ circa 1840, JMW Turner, N05516, Tate Collection

1998
Cornelia Parker, ‘From ‘Rough Sea with Wreckage’ circa 1830-5, JMW Turner, N01980, Tate Collection’ 1998

Artwork

Cornelia Parker From ‘Rough Sea with Wreckage’ circa 1830-5, JMW Turner, N01980, Tate Collection

1998
Joseph Mallord William Turner, ‘Self-Portrait’ c.1799

Artist

Joseph Mallord William Turner

1775–1851
Plan of Tate Gallery in 1914

Read

2: Collection and Display: National beginnings

Tim Batchelor

This curatorial essay by Tim Batchelor explores how British art as displayed at the Tate began with Hogarth. Written to ...
Henri Matisse, ‘The Snail’ 1953

Project

Insight: The digitisation of the Tate collection

The digitisation of the Tate collection
Joseph Mallord William Turner, ‘Notes by the Artist on ‘Landscape with the Port of Santa Marinella’ by Claude Lorrain in the Sciarra Collection, Rome; and a Rough Sketch of Distant Buildings’ 1819

Artwork

Joseph Mallord William Turner Notes by the Artist on ‘Landscape with the Port of Santa Marinella’ by Claude Lorrain in the Sciarra Collection, Rome; and a Rough Sketch of Distant Buildings

1819
View by appointment
Joseph Mallord William Turner, ‘Shipping at the Mouth of the Thames’ c.1806–7

Tate Britain

Display

Found in Turner’s Studio: Seascapes

Share Turner’s fascination with the sea in all its variety, a subject of which he never tired
Free entry
Jenny Holzer From the Living Series Bench #16

UBS Openings: Drawings From The UBS Art Collection: Room guide

UBS Openings: Drawings From The UBS Art Collection past exhibition at Tate Modern
Agostino Brunias, ‘Dancing Scene in the West Indies’ 1764–96

Online Guide

Responses to Tate's Collection by our BAME Network

Read how voices from our Black, Asian and Minority Ethnic Network respond to the artworks in our collection
Joseph Mallord William Turner, ‘The Fall of Anarchy (?)’ c.1833–4

Tate Britain

Display

Found in Turner’s Studio: Landscape and History

Follow Turner’s artistic experimentation through unexhibited and unfinished works whose innovation often puzzled his contemporaries
Free entry

Turner Whistler Monet, room guide: Turner's Legacy

Turner Whistler Monet exhibition, Tate Britain, Room 1
Cornelia Parker, ‘From ‘Mountain Scene with Lake and Hut’ circa 1840-5, JMW Turner, N05476, Tate Collection’ 1998

Artwork

Cornelia Parker From ‘Mountain Scene with Lake and Hut’ circa 1840-5, JMW Turner, N05476, Tate Collection

1998
Joseph Mallord William Turner, ‘Copies of Poussin’s ‘Landscape, with Diogenes’ and Two Pictures by Claude Lorrain in the Louvre Collection (‘Seaport with the Landing of Cleopatra’ and ‘Landscape, with Samuel Annointing David’); Designs for a Picture Entitled ‘The Prodigal Son’’ 1821

Artwork

Joseph Mallord William Turner Copies of Poussin’s ‘Landscape, with Diogenes’ and Two Pictures by Claude Lorrain in the Louvre Collection (‘Seaport with the Landing of Cleopatra’ and ‘Landscape, with Samuel Annointing David’); Designs for a Picture Entitled ‘The Prodigal Son’

1821
Joseph Mallord William Turner, ‘St Mawes at the Pilchard Season’ exhibited 1812

Light into Colour: Turner’s West Country: Work

Light into Colour past exhibition on Turner at Tate St Ives; works relating to 'Turner's West Country'

Listen

Turner Discovered: Day 1 – Part 3

This course will explore the breadth of Turner’s art through visits to the Collection displays, the Turner and the Masters ...