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William Kentridge: ‘Art must defend the uncertain’

His studio in Johannesburg is a ‘vital physical and psychic space’ where he conceives and develops his ambitious projects

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Claudia Rankine on William Kentridge

Watch poet and author, Claudia Rankine discuss William Kentridge and his artwork that encompasses both beauty and politics

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Tony Cragg: 'Be there, see it, respond to it'

We visit the studio of one of Britain's leading sculptors

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160 cm Line Tattooed on 4 People

What questions does this work raise? Tate guide Amy Lin

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Schad - Self Portrait

This painting is typical of the new objectivity movement of 1920s Germany. Tate guide Sue Hammerson

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Rothko - 4

Why did Rothko refuse to complete his commission? Tate guide Sue Hammerson

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Rothko - 3

Rothko was a colour field artist. Tate guide Sue Hammerson

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Cage (1) - (6)

What are these paintings about? Tate guide Sue Hammerson?

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Composition B (No.II) with Red

What was Mondrian trying to achieve? Tate guide Sue Hammerson

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Snail

Why did Matisse make cut-out paintings? Tate guide Sue Hammerson

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Achrome

What was Manzoni trying to achieve? Tate guide Sue Hammerson
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Cadeau

This was made to be gifted. Tate guide Sue hammerson explains

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Judd, Untitled

This is a minimilist piece. Tate guide Amy Lin

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Pink Tons

How would you label this work? Tate guide Amy Lin

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Behold

What materials did Gowda use? Tate guide Sue Hammerson

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Fountain

Could this be a self-portrait? Tate guide Sue Hammerson

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Equivalent VIII

Could this be a self-portrait? Tate guide Sue Hammerson

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The Passing Winter

Peek through the holes. What can you see? Tate guide Amy Lin

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Pavilion Suspended in a Room I

There is more than meets the eye. Tate guide Amy Lin

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Los Moscos - 2

Why this title? Tate guide Amy Lin