Dóra Maurer

Tate Modern (London, UK) from 05 Aug 2019 until 05 Jul 2020.

Dóra Maurer
(born 1937, born: Budapest)

Dóra Maurer, What can one do with a paving stone?, 1971

X74276
What can one do with a paving stone?

1971
on paper, print
Photographs, gelatin silver prints mounted on canvas
unconfirmed: 445 x 1520 mm unconfirmed, frame: 470 x 1550 x 30 mm
Vintage Galéria
Provenance:
The artist through Vintage Galéria; Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer: Traces 1970-1980, Dominik Art Projects Foundation, Krakow 2011
Dóra Maurer: Fotómunkák/Photoworks 1971-1993, exhibition catalogue, Vintage Galéria, Budapest 2007
This work was completed after the operative period 1933-45.

Dóra Maurer, KV's 1st of May Parade on Artificial Ground, 1971

X75343
KV's 1st of May Parade on Artificial Ground

1971
on paper, unique
Photographs, silver gelatin prints mounted on canvas
unconfirmed: 185 x 1765 mm unconfirmed, frame: 210 x 1790 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: Traces 1970-1980, Dominik Art Projects Foundation, Krakow 2011
Printing / Leaving Traces – The Graphic Oeuvre of Dóra Maurer 1957–1981, exhibition catalogue, Hungarian University of Fine Art, Budapest 2017

This work was completed after the operative period 1933-45.

Dóra Maurer, Reversible & Changeable Phases of Movements No. 2, 1972

X74277
Reversible & Changeable Phases of Movements No. 2

1972
on paper, unique
Photographs, gelatin silver prints mounted on canvas
unconfirmed: 770 x 1030 mm unconfirmed, frame: 795 x 1050 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria; Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer: Traces 1970-1980, Dominik Art Projects Foundation, Krakow 2011
Dóra Maurer: Fotómunkák/Photoworks 1971-1993, exhibition catalogue, Vintage Galéria, Budapest 2007
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, Reversible & Changeable Phases of Movements No. 6, 1972

X74278
Reversible & Changeable Phases of Movements No. 6

1972
on paper, unique
Photographs, gelatin silver prints mounted on canvas
unconfirmed: 1000 x 700 mm unconfirmed, frame: 1020 x 720 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: 6 out of 5, exhibition catalogue, White Cube, London 2016
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer: Fotómunkák/Photoworks 1971-1993, exhibition catalogue, Vintage Galéria, Budapest 2007
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, Schautafel 4, 1972

X74279
Schautafel 4

1972
relief
Acrylic, ink, wood and graphite on board
unconfirmed: 910 x 630 mm
Private Collection
Provenance:
The artist;
Purchased from the above through Vintage Galéria by a private collector, Budapest, 2004
Lender’s address: private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was produced after the operative period 1933-45

Dóra Maurer, 5 out of 4, 1975

X74286
5 out of 4

1975
on paper, unique
5 works on paper, tempera
unconfirmed, each: 470 x 385 mm unconfirmed, frame: 480 x 395 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History: Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, (De)Formation 2-2, 1976

X74287
(De)Formation 2-2

1976
painting
Drypoint on canvas
unconfirmed: 1100 x 830 mm
Vintage Galéria
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Maurer Gáyor, exhibition catalogue, Az István király Múzeum közleményei, Székesfehérvár 1976

This work was completed after the operative period 1933-45.

Dóra Maurer, (De)Formation 2-1, 1976

X74288
(De)Formation 2-1

1976
painting
Drypoint on canvas
unconfirmed: 830 x 830 mm
Vintage Galéria
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Maurer Gáyor, exhibition catalogue, Az István király Múzeum közleményei, Székesfehérvár 1976

This work was completed after the operative period 1933-45.

Dóra Maurer, Hidden Structures 1, 1979

X74275
Hidden Structures 1

1979
on paper, unique
Graphite on paper
unconfirmed, each: 650 x 500 mm unconfirmed, frame: 700 x 550 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Printing / Leaving Traces – The Graphic Oeuvre of Dóra Maurer 1957–1981, exhibition catalogue, Hungarian University of Fine Art, Budapest 2017
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was completed after the operative period 1933-45.

Dóra Maurer, 5 out of 4, 1979

X74280
5 out of 4

1979
painting
Acrylic on wood
unconfirmed: 1900 x 2400 mm
Private collection
Provenance:
Purchased from the above through Vintage Galéria by a private collector, Budapest, 2003
Lender’s address: private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer: Traces 1970-1980, Dominik Art Projects Foundation, Krakow 2011
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was produced after the operative period 1933-45.

Dóra Maurer, Sluices with Paper-Pulp, 1981

X74285
Sluices with Paper-Pulp

1981
relief
Paper, wood, glass
unconfirmed: 890 x 590 x 90 mm
Vintage Galéria
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary
Partial Exhibition History:
1984 Ernst Museum, Budapest
2001 Museum of Art, Győr
2008 Ludwig Museum, Budapest
This work was completed after the operative period 1933-45.

Dóra Maurer, Projected Quasi Image, 1988

X74283
Projected Quasi Image

1988
painting
3 paintings, acrylic on wood
unconfirmed, each: 1630 x 1300 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, Space Painting, 1984-1996

X74281
Space Painting

1984-1996
on paper, unique
Photographs, gelatin silver prints, gouache
unconfirmed, each: 1000 x 700 mm unconfirmed, frame: 1020 x 720 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History: Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was completed after the operative period 1933-45.

Dóra Maurer, Poplar, 1996

X74282
Poplar

1996
painting
Acrylic on wood
unconfirmed: 4400 x 950 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014

This work was completed after the operative period 1933-45.

Dóra Maurer, Relative Quasi Image 1, 1996

X74284
Relative Quasi Image 1

1996
painting
5 paintings, acrylic on canvas and wood
unconfirmed, each: 1000 x 1000 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, Overlappings 38, 2007

X74289
Overlappings 38

2007
painting
Acrylic on canvas and wood
unconfirmed: 910 x 2400 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was completed after the operative period 1933-45.

Dóra Maurer, Overlappings 45, 2010

X74290
Overlappings 45

2010
painting
Acrylic on canvas and wood
unconfirmed: 1230 x 1040 mm
Vintage Galéria
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary
Partial Exhibition History:
2010 Galeria Z, Bratislava
2014 Ritter Museum, Waldenbuch
2011 A22, Budapest
This work was completed after the operative period 1933-45.

Dóra Maurer, Overlappings 47 (Double-Double), 2012

X74291
Overlappings 47 (Double-Double)

2012
painting
Acrylic on canvas and wood
unconfirmed: 1170 x 1240 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary
Partial Exhibition History:
2012 ArtMark Galerie, Vienna
2014 Ritter Museum, Waldenbuch
2015 Carl Kostyal, London
This work was completed after the operative period 1933-45.

TM 2019: 1973 Display

Tate Modern (London, UK) from 25 Nov 2019 until 18 Oct 2020.

John Dugger
(born 1948, born: Bellflower)

John Dugger, Chile Vencerá original maquette, 1974

X78112
Chile Vencerá original maquette

1974
sculpture
5 strip banner appliqued and embroidered fabric
support: 1351 x 943 mm
Private Collection
Provenance:

British Baroque: Power and Illusion

Tate Britain (London, UK) from 04 Feb 2020 until 19 Apr 2020.

Edward Collier
(active 1662-1708, born: Breda, died: London)

Edward Collier, Trompe l'oeil with engraved portrait of Mary II,

X77645
Trompe l'oeil with engraved portrait of Mary II


painting
Oil paint on canvas
support: 590 x 430 mm frame: 609 x 445 x 35 mm
Paleis Het Loo, Apeldoorn, The Netherlands
Provenance:
Christie's, London, 10 July 1953, no.94; Charles Robertson,1953-2002; Christie's, London, 16 December 2002, no.43; thereafter Het Loo Palace, Apeldoorn, RL8434-1
Nationality of Artist: Dutch
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: Wahrman, D., 'Mr Collier's Letter Racks', Oxford University Press, 2012, fig.5.2, p.90

Edward Collier, Trompe l'oeil with engraving of William III,

X77648
Trompe l'oeil with engraving of William III


painting
Oil paint on canvas
support: 590 x 430 mm frame: 608 x 446 x 32 mm
Paleis Het Loo, Apeldoorn, The Netherlands
Provenance:
Christie's, London, 10 July 1953, no.94; Charles Robertson,1953-2002; Christie's, London, 16 December 2002, no.43; thereafter Het Loo Palace, Apeldoorn, RL8434-1
Nationality of Artist: Dutch
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: Wahrman, D., 'Mr Collier's Letter Racks', Oxford University Press, 2012, fig.5.2, p.90

Benedetto Gennari
(1633-1715, born: Cento, died: Bologna, active: Bologna, Paris, London, Saint-Germain-en-Laye)

Benedetto Gennari, The Annunciation, 1686

X76096
The Annunciation

1686
painting
Oil paint on canvas
support: 2553 x 2102 mm frame: 2718 x 2248 x 64 mm
Collection of The John and Mable Ringling Museum of Art, the State Art Museum of Florida, Florida State University, Sarasota, Florida.
Provenance:
Painted for James II (1638-1702), King of England, Whitehall Palace, London. (Leger Galleries, London); sold by 1931 to John Ringling (1866-1936), Sarasota, Florida; bequest in 1936 to the John and Mable Ringling Museum of Art, Sarasota, Florida
Nationality of artist: Italian
Identifying marks: None
Place of Manufacture: London, England
Catalogue Raisonné: Bagni, 'Benedetto Gennari e La Bottega del Guercino', Nuova Alfa Editoriale, Bologna, 1986, no.66

Sir Godfrey Kneller
(1646-1723, born: Lübeck, died: London)

Sir Godfrey Kneller, Oil Modello for an Equestrian Portrait of William III, c.1700

X76311
Oil Modello for an Equestrian Portrait of William III

c.1700
painting
Oil paint on canvas
support: 1030 x 915 mm frame: 1630 x 1300 x 80 mm
Paleis Het Loo, Apeldoorn, The Netherlands
Provenance:
probably T. Walker; Captain Stanley; Ray Livingston Murphy (1923-1953), New York; Dr. James Murphy, New York; Christie's London, 22 november 1985, no 78; thereafter Het Loo Palace Apeldoorn, inv.nr. RL2257
Nationality of artist: German / British
Identifying marks: none
Place of Manufacture: England
Catalogue Raisonné: J. Douglas Stewart, 'Sir Godfrey Kneller and the English Baroque Portrait', Oxford University Press, 1983, no.845

Aubrey Beardsley

Tate Britain (London, UK) from 04 Mar 2020 until 25 May 2020.

Aubrey Beardsley
(1872-1898, born: Brighton, died: Menton)

Aubrey Beardsley, Tannhäuser, 1891

X72106
Tannhäuser

1891
on paper, unique
Ink, wash and gouache on paper
image: 185 x 187 mm
National Gallery of Art, Washington, Rosenwald Collection, 1943 1943.3.1456
Provenance:
Presented by the artist to Dr Rowland Thurnam (1868-1941); Maggs Brothers, London bookseller, Catalogue 132 (no.215); … ; Charles J. Sawyer, London bookseller, 1929 (no.6); Charles Sessler (1854-1935), Philidelphia bookseller; bt. Lessing J. Rosenwald (1891-1979), Jenkintown PA, 13 September 1930; given to the National Gallery of Art, Washington DC, on 15 March 1943.

Nationality of artist: British
Identifying marks: Recto in ink, lower right: TANNHAVSER; Verso in graphite, lower right: RS 345
Place of Manufacture: Brighton, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.106-7 no.195, reproduced p.107

Aubrey Beardsley, Perseus, 1891

X72107
Perseus

1891
on paper, unique
Ink wash and gouache on paper
support: 539 x 244 mm frame: 660 x 374 x 25 mm
The Pierre and Tana Matisse Foundation
Provenance:
From the artist; Frederick H. Evans (1853-1943); Anderson Galleries, Evans sale, 20 March 1919 (lot 31); bt. A. S. W. Rosenbach (1876-1952); Rosenbach Galleries Catalogue 48 (lot 19); Dulau Catalogue 267 (lot 275); William West; Parke-Bernet William West sale, 27 January 1943 (lot 18); bt. J. Harlin O’Connell (1893-1955); by descent to Patricia O’Connell Kane (Mrs Pierre Matisse), 1955; bequeathed to Pierre Matisse, 1972; bequeathed to Maria-Gaetana von Spreti Matisse, 1989; given to the Pierre and Tana Matisse Foundation, 1995.

Nationality of artist: British
Identifying marks: Recto in ink: PERSEUS; Recto, below border: 2 2/6 / show both sides / finish back [?]; Verso in pencil: [?]rseus / 152
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.121-2 no.222R, reproduced p.121

Aubrey Beardsley, The Litany of Mary Magdalen, 1891

X72108
The Litany of Mary Magdalen

1891
on paper, unique
Graphite on paper
image: 227 x 169 mm
The Art Institute of Chicago, The Charles Deering Collection, 1927.2258
Provenance:
From the artist; William More Adey (1858-1942); Charles Deering (1852-1927), Chicago; by descent to his daughters, Mrs. Chauncey McCormick (née Marion Deering, 1886-1965), Chicago, and Mrs. Richard Ely Danielson (née Barbara Deering, 1885-1957), Chicago; given to the Art Institute of Chicago, 1927.

Nationality of artist: British
Identifying marks: Recto in pencil: THE LITANY OF MARY MAGDALEN; Verso in pencil: scrape off / mat on [?] / RS300
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, p.108 no.198, reproduced p.109

Aubrey Beardsley, Withered Spring, 1891

X72109
Withered Spring

1891
on paper, unique
Graphite, ink and gouache on paper
image: 392 x 223 mm support: 422 x 252 mm mount: 559 x 406 mm
National Gallery of Art, Washington, Rosenwald Collection, 1943 1943.3.1455
Provenance:
Presented by the artist to Dr Rowland Thurnam (1868-1941); Maggs Brothers, London bookseller, Catalogue 132 (no.216); Charles J. Sawyer, London bookseller, 1929 (no.7, sold with typescript of letter from Dr Thurnam with particulars of Beardsley’s first interview with Edward Burne-Jones); Charles Sessler (1854-1935), Philidelphia bookseller; bt. Lessing J. Rosenwald (1891-1979), Jenkintown PA, 2 May 1930; given to the National Gallery of Art, Washington DC, on 15 March 1943.

Nationality of artist: British
Identifying marks: Recto in ink, lower centre: WITHERED SPRING; Verso in graphite, centre: [?] Thurnam/ 2 [fl…?]/ 5h; Verso in graphite, lower right: RS 346
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.118-19 no.219, reproduced p.118

Aubrey Beardsley, Autograph letter to G. F. Scotson-Clark, 1891

X76960
Autograph letter to G. F. Scotson-Clark

1891
on paper, unique
Ink on paper
support: 384 x 290 mm mount: 508 x 406.4 mm frame: 533.4 x 431.8 mm
Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, MSL Coll 278
Provenance:
From the artist; George Frederick Scotson-Clark (1873-1927); Bayard Wyman; Anderson Galleries Bayard Wyman sale 18 December 1928 (lot.203); …; Mario Faggioli; Sotheby’s (London) sale 11 December 1997 (lot.386); bt. Mark Samuels Lasner.

Nationality of artist: British
Identifying marks: n/a
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.417-18 no. A10, reproduced p.417 & 418

Aubrey Beardsley, Incipit Vita Nova, 1892

X72111
Incipit Vita Nova

1892
on paper, unique
Graphite, ink and gouache on paper
support: 260 x 250 mm frame: 425 x 406 x 32 mm
Linda Gertner Zatlin
Provenance:
From the artist; William More Adey (1858-1942) by 1897; Carfax and Co., London art gallery (co-directed by William More Adey, 1901-08); Aleister Crowley (1875-1947, associate of Herbert J. Pollitt); … ; Dulau Catalogue 144, autumn 1926 (lot 1769); American Art Association- Anderson Galleries sale 16-17 December 1929 (lot 113); bt. Strassburger; Dr Matthew Wladimir Pickard; by descent to Dr Nicholas S. Pickard; by descent to Josephine Gordon; Christie’s South Kensington, sale 18 December 2008 (lot 94); bought by Linda Gertner Zatlin.

Nationality of artist: British
Identifying marks: Recto in ink: INCIPIT / VITA / NOVA; Verso: 4 exhibition labels from 1965 to 1967
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.139-41 no.243, reproduced p.140

Aubrey Beardsley, Wrapper design for part issues of 'Le Morte Darthur', 1892

X72974
Wrapper design for part issues of 'Le Morte Darthur'

1892
on paper, unique
Ink and gouache on paper
support: 325 x 262 mm mount: 508 x 406.4 mm unconfirmed, frame: 533.4 x 431.8 mm
Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, MSL Coll 292
Provenance:
From the artist; J. M. Dent (1849-1926); Sotheby’s (London) Dent Archives sale 17-19 June 1987 (lot.742); bt. Edberg; bt. Julian Hartnoll (art dealer) for private collector; Sotheby’s, London sale 30 October 1997 (lot.64); bt. Mark Samuels Lasner.

Nationality of artist: British
Identifying marks: Recto in ink, bottom left: Aubrey Beardsley
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.260-3 no.388A, reproduced p.261

Aubrey Beardsley, The Achieving of the Sangreal, 1892

X72975
The Achieving of the Sangreal

1892
on paper, unique
Ink and wash on paper
image: 389 x 310 mm frame: 609.6 x 533.4 mm
Private collection
Provenance:
From the artist; J. M. Dent (1849-1926); by descent to F. J. Martin Dent; Sotheby’s, Dent sale, 19 June 1987 (lot 741); bt. Sam Fogg, art dealer; bt. David Thomason; bt. John and Paul Herring; from whom acquired in 1993.

Nationality of artist: British
Identifying marks: Recto in ink, at the centre: artist’s emblem.
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, p.235 no.338, reproduced p.234

Aubrey Beardsley, La Femme incomprise, 1892

X73017
La Femme incomprise

1892
on paper, unique
Ink on paper
support: 450 x 185 mm frame: 880 x 405 mm
D. Cohen Collection
Provenance:
…; Cecil Sebag Montefiore (by 1908); Dulau, London booksellers, Catalogue 144, autumn 1926 (lot.1767); Anderson Galleries, New York, sale 25 November 1927 (lot.4); …; Felix Landau Gallery 1974; Allan Frumkin; bt. Piccadilly Gallery May 1979; bt. Nanourian Manoukian (Paris) in August 1979; …; William and Victoria Dailey (bookdealers) c.1979; …; Sotheby’s London sale 19 June 1990 (lot.72, listed under various properties); bt. Hazlitt, Gooden and Fox (London); Sotheby’s London sale 12 November 1992 (lot.189); bt. D. Cohen; by descent to current owner.

Nationality of artist: British
Identifying marks: Recto in ink: LA FEMME / INCOMPRISE
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.161-2 no.264, reproduced p.163

Aubrey Beardsley, Verso: sketch or pen scratchings, 1893

X72116
Verso: sketch or pen scratchings

1893
on paper, unique
Ink over graphite on paper
support: 284 x 223 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.682
Provenance:
From the artist; J. M. Dent (1849-1926); Frederick H. Evans (1853-1943); Anderson Galleries, New York, Frederick H. Evans sale, 20 March 1919 (lot 25); bt. Scofield Thayer (1889-1982); bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Recto in ink, lower left: HOW LA BEALE/ ISOVD NVRSED/ SIR TRISTRAM; Verso in crayon: J. M. Dent Esq/ Aldine House/ 69 Gt Eastern St/ EC
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.309-11 no.496, reproduced p.310

Aubrey Beardsley, How Sir Tristram Drank of the Love Drink, 1893

X72117
How Sir Tristram Drank of the Love Drink

1893
on paper, unique
Ink on paper
support: 283 x 221 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.681
Provenance:
From the artist; J. M. Dent (1849-1926); Frederick H. Evans (1853-1943); Anderson Galleries, New York, Frederick H. Evans sale, 20 March 1919 (lot 26); bt. Scofield Thayer (1889-1982); bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Recto in ink, lower left: HOW SIR TRISTRAM/ DRANK OF THE/ LOVE DRINK; Verso in graphite: 12 1/8 x 8 3/4
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, p.314 no.504, reproduced p.315

Aubrey Beardsley, Caricature of J.M. Whistler, 1893

X72122
Caricature of J.M. Whistler

1893
on paper, unique
Ink on paper
support: 211 x 118 mm
National Gallery of Art, Washington, Rosenwald Collection, 1943 1943.3.1454
Provenance:
Given by the artist to James Cralman (1859-1915), American war correspondent in London; bequeathed to Sir James Shannon (1862-1923), London; bt. Mrs C. Lewis Hind, London; C. S. Millard, Catalogue of Modern Books Number Six, spring 1922 (no.310); R. A. Walker (1886-1959) by 1923; Anderson Galleries, New York, Walker sale, 8 December 1925 (lot 308); Rosenbach Company, Philadelphia, by 1929; bt. by Lessing J. Rosenwald (1891-1979), Jenkintown PA, 1930; given to the National Gallery, Washington DC, on 15 March 1943.

Nationality of artist: British
Identifying marks: Verso in graphite, lower right: RS 347
Place of Manufacture: Paris, France
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.202-3 no.314, reproduced p.203

Aubrey Beardsley, Virgilius the Sorcerer, circa 1893

X72128
Virgilius the Sorcerer

circa 1893
on paper, unique
Ink over graphite on paper laid down on board
image: 233 x 143 mm
The Art Institute of Chicago, Gift of Robert Allerton, 1925.928
Provenance:
From the artist; David Nutt (publisher); …; Ernest Brown and Philips; bt. Robert Allerton (1873-1964); given to Art Institute of Chicago, 1925.

Nationality of artist: British
Identifying marks: Recto, lower left corner, in ink: artist’s signature device
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.216-7 no.330, reproduced p.217

Aubrey Beardsley, Enter Herodias, 1893

X72217
Enter Herodias

1893
on paper, unique
Ink on paper
support: 232 x 170 mm frame: 508 x 381 x 35 mm
Los Angeles County Museum of Art, Graphic Arts Council Fund, M.73-49
Provenance:
From the artist; John Lane (1854-1925); bt. Herbert J. Pollitt (1871-1942) by 1909; bt. Baillie Gallery, London, for private collector, 1909; Prince Lanz Keronski in 1920s; bt. W. D. Hutchinson; bequeathed to Mrs Else Thieme Hutchinson, Schloss Weissenstein, Austria; … ; T. Tyler Sweeney in 1948; … ; Hausewedell, Hamburg, 8 June 1972 (lot 132); bt. Robert M. Light, Boston, MA; bt. by the Graphic Arts Council Fund, Los Angeles, for the Los Angeles County Museum of Art in August 1973.

Nationality of artist: British
Identifying marks: Recto in ink, lower right: artist’s signature device; Verso in graphite: 15/ mount cu[tting: crossed out]/ Elkin Mathews/ 3 [crossed out] / [?]/ Mon/ Herodias
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.30-3 no.870, reproduced p.31

Aubrey Beardsley, White Peacock, inside back cover for score of Tristan und Isolde, 1893

X76287
White Peacock, inside back cover for score of Tristan und Isolde

1893
on paper, unique
Ink, gouache and watercolour over graphite on paper
image: 171 x 108 mm frame: 470 x 397 x 44 mm
Linda Gertner Zatlin
Provenance:
From the artist; Frederick H. Evans (1853-1943); bt. A. E. Gallatin (1881-1952); … ; Sotheby’s (London) sale 13 December 2007 (lot 248); bought by Linda Gertner Zatlin.

Nationality of artist: British
Identifying marks: Verso in ink: Original drawing by Aubrey Beardsley F. H. E.; verso of mat: Original water-colour drawing by Aubrey Beardsley / made on inside cover of the / pianoforte score of Wagner’s Tristan und Isolde / 2 other drawings therein, in black and white, / sold / Frederick H. Evans
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.207-8 no. 318, reproduced p.207

Aubrey Beardsley, The Slippers of Cinderella, 1894

X72268
The Slippers of Cinderella

1894
on paper, unique
Ink and watercolour on paper
image: 305 x 215 mm mount: 508 x 406.4 mm unconfirmed, frame: 533.4 x 431.8 mm
Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, MSL Coll 338
Provenance:
Given by the artist to Brandon Thomas (1856-1914); by descent to D. Dearnley; Sotheby’s (London) sale 2 June 1989 (lot.479); bt. in; Bonham’s sale 22 November 1989 (lot.143); bt. Max Rutherston (art dealer) for Mark Samuels Lasner.

Nationality of artist: British
Identifying marks: n/a
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.96-8 no.899, reproduced p.97

Aubrey Beardsley, The Scarlet Pastorale, 1894

X72283
The Scarlet Pastorale

1894
on paper, unique
Ink and graphite on paper
support: 271 x 188 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.675
Provenance:
… ; Dr Robert von Erdberg (1866-1929); bt. Scofield Thayer (1889-1982); bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Recto in ink: THE SCARLET/ PASTORALE; Verso in ink: 1357; Verso in graphite: 5" wide [scratched out]/ R/ EG [?] M/ Friday morning 10 am/ Reduce to/ 7 ½ inches in height [crossed out]/ Smithers/ Royal Arcade/ [matting and reduction measurements]/ Tuesday/ midday urgent/ [Two sketches with dimensions]; Verso in purple crayon: original by Aubrey Beardsley; Verso purple stamp: THE SKETCH/ ART DEPARTMENT/ 198 STRAND/ LONDON, W./ 6
Place of Manufacture: London, United Kingdom?
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.157-8 no.943, reproduced p.158

Aubrey Beardsley, Self-Portrait as Art Editor of 'The Yellow Book', 1894

X73267
Self-Portrait as Art Editor of 'The Yellow Book'

1894
on paper, unique
Graphite, charcoal and crayon on paper
support: 210 x 165 mm mount: 508 x 406.4 mm unconfirmed, frame: 533.4 x 431.8 mm
Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, MSL Coll 291
Provenance:
From the artist; John Lane (1854-1925); bequeathed to Annie Philippine Eichberg (Mrs John Lane, c.1956-1927); Anderson Galleries, John Lane sale 22 November 1926 (lot.21); bt. B. J. Beyer; Alvin W. Krech; his daughter, Angeline Krech Lindeberg; her son, R. Campbell James; Sotheby’s London sale 15 December 2011 (lot.122); bt. Mark Samuels Lasner.

Nationality of artist: British
Identifying marks: Verso: Portrait of Aubrey Beardsley / Original drawing by Aubrey Beardsley, / John Lane Sale, A[nderson] G[alleries], 11.22.26, No. 21. / Guaranteed by Guy Eglinton
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.68-9 no.883, reproduced p.69

Aubrey Beardsley, Black Coffee, 1895

X72285
Black Coffee

1895
on paper, unique
Ink, wash and graphite on paper
support: 157 x 159 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.673
Provenance:
From the artist; M. Jean Ruelle [Beardsley’s name for John Lane (1854-1925)]; Herbert J. Pollitt (1871-1942), 1909 (marked to indicate ownership but not dated, in iconography in his copy of Book of Fifty Drawings); Scott & Fowles, Commercial Art Gallery, New York (1905-1943); bt. Scofield Thayer (1889-1982), under the title Café Noir, on 4 November 1919; bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Verso in graphite: 6 Mar j m [illegible]/ ¾ N Reedy/ 10: Verso in ink: 6/23 / M. Jean Ruelle
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.123-6 no.922, reproduced p.125

Aubrey Beardsley, The Fruit Bearers, 1895

X72287
The Fruit Bearers

1895
on paper, unique
Ink and graphite on paper
support: 250 x 178 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.663
Provenance:
From the artist; Leonard Smithers (1861-1907); Christie’s, London, sale 12 January 1900 (lot 122); bt. Maggs Brothers, London bookseller; bt. Sir Gerald F. Kelly (1879-1972); ?Fritz Waerndorfer (1868-1939); ?Lily Waerndorfer (1874-1952) by 1911; Paul Graupe, Berlin bookseller, 1918 Catalogue (no.535); … ; Gilhofer and Ranschburg, Vienna art dealer; bt. Scofield Thayer (1889-1982) on 28 June 1922; bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Verso in graphite: 3/ 5370 [circled]/ reduce to 8/ inches in/ height [illegible]/ 12365 [underlined]/ 7 ¼ [crossed out]/ 8
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.260-2 no.1001, reproduced p.261

Aubrey Beardsley, Cover for the Prospectus of 'The Savoy', First Version, 1895

X72293
Cover for the Prospectus of 'The Savoy', First Version

1895
on paper, unique
Ink over graphite on paper
image: 218 x 159 mm mount: 406.4 x 508 mm unconfirmed, frame: 533.4 x 431.8 mm
Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, MSL Coll 293
Provenance:
From the artist; Leonard Smithers (1861-1907); John Lane (1854-1925); bequeathed to Annie Philippine Eichberg (Mrs John Lane, c.1956-1927); presented to A. J. Symons on 25 June 1926; Dulau Catalogue 161, Books from the Library of John Lane and Other Books of the Eighteen-Nineties (lot.1306); Dulau Catalogue 267 1938 (lot.273); Anderson Galleries sale 18 December 1928 (lot.208, reproduced without lettering); bt. Gabriel Wells (1861-1946), Bookseller; Jerome Kern (1885-1945); by descent to Betty Kern Miller (1913-1996); Sotheby’s (New York) sale 4 December 1996 (lot.22); bt. David J. Holmes (bookseller) for Mark Samuels Lasner.

Nationality of artist: British
Identifying marks: Recto in ink, bottom right, below border: AUBREY BEARDSLEY; Verso in pencil: 43 [circled and crossed out] / 11093 / Thursday / ½ size / [wavy line] / ex libris / Friday / 2536 / [lkflhi?]; in blue crayon: 57 [circled]
Place of Manufacture: Boscombe, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, p.239 no.987, reproduced p.240

Aubrey Beardsley, John Bull, Contents Page, The Savoy, 1895

X74740
John Bull, Contents Page, The Savoy

1895
on paper, unique
Ink and graphite on paper
support: 233 x 181 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.676
Provenance:
From the artist; Leonard Smithers (1861-1907); … ; ?Fritz Waerndorfer (1868-1939); ?Lily Waerndorfer (1874-1952) by 1911; Paul Graupe, Berlin bookseller, 1918 Catalogue (no.533); Gilhofer and Ranschburg, Vienna art dealer; Martin Birnbaum (1878-1970); bt. Scofield Thayer (1889-1982) in 1924; bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Recto in graphite, top right: pierce/ THE SAVOY/ NUMBER/ I/ DECEMBER/ 1895; Recto in graphite, bottom right: pierce/ LEONARD SMITHERS/ EFFINGHAM HOUSE/ ARUNDEL STREET/ STRAND LONDON.; Verso in graphite: reduce to 8 ¼ inches/ in length/ B/ 11957/ Smithers/ 1 Arundel Street/ W C
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.248-9 no.993, reproduced p.248

Aubrey Beardsley, Third Tableau of Das Rheingold, circa 1896

X72295
Third Tableau of Das Rheingold

circa 1896
on paper, unique
Ink on paper
image: 254 x 175 mm
Lent by Museum of Art, Rhode Island School of Design, Providence, Museum Appropriation Fund, 31.361
Provenance:
From the artist; Leonard Smithers (1861-1907) (April 1896?); bt. Sir Gerald F. Kelly (1879-1972); bt. Colnaghi (London) 18 September 1919; bt. Morton Sands on 10 October 1919; …; R. A. Walker (1886-1959) in 1923; acquired by Museum of Art, Rhode Island School of Design in 1931.

Nationality of artist: British
Identifying marks: Verso in ink: Das Rheingold / Leonard Smithers [?] / Effingham House / Arundel St / Strand / London / W C; in pencil: 13 / no. 47 / reduce to same size as the / one you have in hand now / no. 3 [2?] / OVUX / OHEX
Place of Manufacture: Brussels, Belgium
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.270-2 no.1006, reproduced p.271

Aubrey Beardsley, The Dream, 1896

X72301
The Dream

1896
on paper, unique
Ink over graphite on paper
image: 257 x 178 mm
The J. Paul Getty Museum, Los Angeles, 99.GA.18
Provenance:
From the artist; Leonard Smithers (1861-1907); bt. Laurence W. Hodson (1864-1933); … ; Scott & Fowles, Commercial Art Gallery, New York (1905-1943); bt. Mrs Helen Payne Whitney (1875-1944) by 1911; by descent to John Hay Whitney (1904-1982); bequeathed to Betsey Cushing (Mrs John Hay) Whitney (1908-1998); sold Sotheby’s, New York, Whitney sale, 23 April 1999 (lot 419); bt. by the J. Paul Getty Museum.

Nationality of artist: British
Identifying marks: none
Place of Manufacture: Paris, France?
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.211-3 no.977, reproduced p.212

Aubrey Beardsley, The Baron's Prayer, 1896

X72302
The Baron's Prayer

1896
on paper, unique
Ink and graphite on paper
support: 257 x 175 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.677
Provenance:
From the artist; Leonard Smithers (1861-1907); bt. Laurence W. Hodson (1864-1933) by 1904; bt. Herbert J. Pollitt (1871-1942) in 1907; bt. Professor Paul J. Sachs (1878-1965) in 1920; bt. Scott and Fowles, Commercial Art Gallery, New York (1905-1943); bt. Scofield Thayer (1889-1982) on 10 January 1921; bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Verso in ink: Leonard Smithers/ Effingham House/ Arundel St Strand/ London/ WC; Verso in graphite: Reduce to same size/ as the others/ 657/.5
Place of Manufacture: Paris, France
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.216-18 no.980, reproduced p.217

Aubrey Beardsley, The Cave of Spleen, 1896

X72303
The Cave of Spleen

1896
on paper, unique
Ink on paper
support: 255 x 173 mm
Museum of Fine Arts, Boston. William Sturgis Bigelow Collection, 27.61
Provenance:
From the artist; to his publisher, Leonard Smithers (1861-1907), in 1896; … ; bt. William Sturgis Bigelow (1850-1926), Boston; bequeathed to Boston Museum of Fine Arts 1927 (Accession date: 6 January 1927).

Nationality of artist: British
Identifying marks: Verso in ink: Leonard Smithers Eq./ Effingham House/ Arundel Street/ Strond/ London; Verso in graphite: reduce to same size as others
Place of Manufacture: Paris, France
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.222-4 no.983, reproduced p.223

Aubrey Beardsley, Ali Baba in the Wood, 1896

X72433
Ali Baba in the Wood

1896
on paper, unique
Ink and graphite on paper
support: 246 x 170 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.665
Provenance:
From the artist; Leonard Smithers (1861-1907); … ; A. E. Gallatin (1881-1952) in 1904; … ; Dr Robert von Erdberg (1866-1929); bt. Scofield Thayer (1889-1982) in 1922; bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Verso in graphite: [rectangle with reduction dimensions]
Place of Manufacture: Epsom, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.360-2 no.1056, reproduced p.361

Aubrey Beardsley, Autumn, 1896

X73268
Autumn

1896
on paper, unique
Ink on paper
support: 267 x 140 mm mount: 508 x 406.4 mm unconfirmed, frame: 533.4 x 431.8 mm
Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, MSL Coll 283
Provenance:
William Heinemann (1863-1920); …; Sotheby’s (London) sale 12 July 1961 (lot 50, listed under various properties); bt. Mrs H. V. Brunner; …; Sotheby’s (London) sale 29-30 November 1989 (lot.275); bt. Mark Samuels Lasner.

Nationality of artist: British
Identifying marks: n/a
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.357-8 no.1053, reproduced p.357

Aubrey Beardsley, Verso: Sketch of a Seated Woman, 1897

X72431
Verso: Sketch of a Seated Woman

1897
on paper, unique
Ink, wash and graphite on paper
support: 199 x 167 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.669
Provenance:
From the artist; Leonard Smithers (1861-1907); … ; Amsler and Ruthardt, Berlin auction house; bt. Scofield Thayer (1889-1982) in 1921; bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Recto in ink, lower left: A B monogram; Verso in graphite: 6 ¾ x 8/ 11 x 3 / [Sketch of a rectangle with reduction dimensions]
Place of Manufacture: Paris, France
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.347-9 no.1049, reproduced p.348

Gustave Moreau
(1826 - 1898)

Gustave Moreau, The Apparition, 1874–1876

X72135
The Apparition

1874–1876
on paper, unique
Watercolour on paper
image: 1060 x 722 mm
Musée d'Orsay, Paris, gift of Charles Ayem, 1898, RF2130
Provenance:
Sold by the artist to Léon Gauchez (pseudonym Paul Leroi) for 8000 francs, 31 May 1876; Charles Hayem, 1879; donated to the Luxembourg Museum, Paris, 14 May 1898; transferred to the Louvre Museum, Paris, in 1929.

Nationality of artist: French
Identifying marks: Signed lower left, in gold letters, ‘-Gustave Moreau-‘
Place of Manufacture: Paris, France?
Catalogue Raisonné: Pierre-Louis Mathieu, Gustave Moreau sa vie, son oeuvre: catalogue raisonné de l’oeuvre achevé, Fribourg, Switzerland, 1976, p316, no.159, reproduced p.316

Pablo Picasso
(1881-1973, born: Málaga, died: Mougins)

Pablo Picasso, Portrait of Marie Derval, 1901

X77801
Portrait of Marie Derval

1901
on paper, unique
Ink over graphite on paper
support: 502 x 321 mm frame: 800 x 629 x 51 mm
The Morgan Library & Museum, New York. Thaw Collection, 2017.188
Provenance:
James Pendleton, California; Sotheby’s, 26 April 1972 (lot.50); Eugene V. and Clare E. Thaw, New York, before 1980; acquired by the Morgan Library, 2017.

Nationality of artist: Spanish
Identifying marks: Recto in ink, lower right: Ruiz; in graphite: Picasso / 1901
Place of Manufacture: Paris, France
Catalogue Raisonné: Alan Wofsy, ed., Picasso’s Paintings, Watercolors, Drawings & Sculpture: A Comprehensive Illustrated Catalogue, 1885-1973, vol.1, San Francisco, 1995-2016, no.495.
Online Catalogue Raisonné project, 1: 242.

Edward Tennyson Reed
(1860 - 1933, born: Greenwich)

Edward Tennyson Reed, Britannia à la Beardsley, 1894

X73271
Britannia à la Beardsley

1894
on paper, unique
Ink on paper
image: 298 x 248 mm mount: 508 x 406.4 mm unconfirmed, frame: 533.4 x 431.8 mm
Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, MSL Coll 4145
Provenance:
...; James Cummins, Bookseller, New York; bt. circa 1996 by Mark Samuels Lasner.

Nationality of artist: British
Identifying marks: n/a
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: n/a

Andy Warhol

Tate Modern (London, UK) from 12 Mar 2020 until 06 Sep 2020.

Richard Avedon
(1923-2004, born: New York, died: San Antonio)
Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)

Richard Avedon and Andy Warhol, Andy Warhol, artist, New York, 20 August 1969, 1969, printed 1975

X76357
Andy Warhol, artist, New York, 20 August 1969

1969, printed 1975
on paper, print
Gelatin silver print on paper
image: 1475 x 1180 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to the Richard Avedon Foundation, 2004;
Acquired by Fraenkel Gallery;
Acquired by the current owner, New York 2008.

Nationality of Artist: American
Identifying marks: signed and titled on verso
Place of manufacture: USA, printed 1975
Bibliography: SHOOT! SHOOT! SHOOT!: Photographs from the 60s and 70s from the Nicola Erni Collection, exh. cat., Ludwig Galerie, Schloss Oberhausen, 21.01.2018 – 27.05.2018.

This work was made after the operative period 1933-45.

Stephen Shore
(born 1947, born: New York)

Stephen Shore, Paul Jasmine & Gino Piserchio, 1965–1967, printed c.2008

X76047
Paul Jasmine & Gino Piserchio

1965–1967, printed c.2008
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 518 x 689 x 35 mm
Nicola Erni Collection
Provenance:
The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.

Nationality of Artist: American
Identifying marks: unknown, number 2 in an edition of 8.
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Stephen Shore, Paul Morrissey & Edie Sedgwick, 1965–1967, printed c.2008

X76048
Paul Morrissey & Edie Sedgwick

1965–1967, printed c.2008
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 517 x 690 x 35 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.

Nationality of Artist: American
Identifying marks: unknown, number 3 in an edition of 8
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Stephen Shore, Benedetta Barzini, Julie Garfield, Andy Warhol, Lou Reed, Sterling Morrison, 1965–1967, printed c.2007

X76049
Benedetta Barzini, Julie Garfield, Andy Warhol, Lou Reed, Sterling Morrison

1965–1967, printed c.2007
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 518 x 689 x 35 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.

Nationality of Artist: American
Identifying marks: unknown, number 2 in an edition of 8
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Stephen Shore, Edie Sedgwick, 1965–1967, printed 2017

X76050
Edie Sedgwick

1965–1967, printed 2017
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 515 x 684 x 35 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.

Nationality of Artist: American
Identifying marks: unknown, number 4 in an edition of 8
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Stephen Shore, Andy Warhol, 1965–1967, printed 2017

X76051
Andy Warhol

1965–1967, printed 2017
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 516 x 684 x 35 mm
Nicola Erni Collection
Provenance:
The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.

Nationality of Artist: American
Identifying marks: unknown, number 1 in an edition of 8
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Stephen Shore, Edie Sedgwick & Ingrid Superstar, 1965–1967, printed 2017

X76052
Edie Sedgwick & Ingrid Superstar

1965–1967, printed 2017
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 515 x 684 x 35 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.

Nationality of Artist: American
Identifying marks: unknown, number 1 in an edition of 8
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Stephen Shore, Andy Warhol & Lou Reed, 1965–1967, printed 2017

X76053
Andy Warhol & Lou Reed

1965–1967, printed 2017
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 515 x 684 x 35 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.
Nationality of Artist: American
Identifying marks: unknown, number 1 in an edition of 8
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Stephen Shore, Edie Sedgwick, Andy Warhol, unidentified guests, 1965–1967, printed 2017

X76055
Edie Sedgwick, Andy Warhol, unidentified guests

1965–1967, printed 2017
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 516 x 684 x 37 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.

Nationality of Artist: American
Identifying marks: unknown, number 3 in an edition of 8.
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)
Paul Bochicchio

Andy Warhol and Paul Bochicchio, Wig box, n.d.

X79500
Wig box

n.d.
supporting material
Cardboard wrapped in coated paper
object: 267 x 203 x 108 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. T3105.1a-b
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Wig box, n.d.

X79503
Wig box

n.d.
supporting material
Cardboard wrapped in faux snakeskin paper
overall: 267 x 203 x 108 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. T3146.1a-b
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Unidentified Male, circa 1954

X71275
Unidentified Male

circa 1954
on paper, unique
Ink on paper
support: 425 x 356 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Leon Danielian, circa 1956

X71266
Leon Danielian

circa 1956
on paper, unique
Ballpoint ink on manila paper
support: 425 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Charles Lisanby, circa 1956

X71268
Charles Lisanby

circa 1956
on paper, unique
Ballpoint ink on manila paper
support: 425 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Unidentified Male, circa 1956

X71269
Unidentified Male

circa 1956
on paper, unique
Ballpoint ink on manila paper
support: 425 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Unidentified Male, circa 1956

X71270
Unidentified Male

circa 1956
on paper, unique
Ballpoint ink on tan paper
support: 432 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Unidentified Male, circa 1956

X71271
Unidentified Male

circa 1956
on paper, unique
Ballpoint ink on manila paper
support: 432 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Reclining Male, circa 1956

X71277
Reclining Male

circa 1956
on paper, unique
Ink on paper
support: 425 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Unidentified Female, circa 1956

X71283
Unidentified Female

circa 1956
on paper, unique
Ink on paper
support: 425 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Untitled [Head of a Man], 1956

X71288
Untitled [Head of a Man]

1956
on paper, unique
Ink, graphite and gold leaf on paper
support: 454 x 422 mm
Collection of John Cheim
Provenance:
The artist;
Acquired by Robert Miller Gallery;
Acquired by private collector;
Acquired from the above by the current owner by 1999.

Nationality of Artist: American
Identifying marks: N/A
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Unidentified Male, circa 1957

X71273
Unidentified Male

circa 1957
on paper, unique
Ballpoint ink on paper
support: 425 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Unidentified Male, circa 1957

X71274
Unidentified Male

circa 1957
on paper, unique
Ink on paper
support: 432 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Standing Male, circa 1957

X71279
Standing Male

circa 1957
on paper, unique
Ink on paper
support: 610 x 460 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Madame Helena Rubinstein, 1956-1957

X71280
Madame Helena Rubinstein

1956-1957
on paper, unique
Ink on paper
support: 432 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Untitled [Head of a Male], 1957

X71289
Untitled [Head of a Male]

1957
on paper, unique
Ink and graphite on paper
support: 454 x 305 mm
Collection of John Cheim
Provenance:

The artist;
Acquired by Robert Miller Gallery;
Acquired by private collector;
Acquired from the above by the current owner by 1999.

Nationality of Artist: American
Identifying marks: N/A
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Male Nude, 1956–1957

X78158
Male Nude

1956–1957
on paper, unique
Blue ballpoint pen on paper
support: 425 x 355 mm frame: 770 x 640 x 40 mm
Galerie des Modernes, Paris
Provenance:

The artist;
Transferred to The Andy Warhol Foundation for the Visual Arts, New York after 1987;
Acquired by the current owner, 16 October 2013.

Nationality of Artist: American
Identifying marks: Stamped on the back ‘The Estate of Andy Warhol - The Andy Warhol Foundation for the Visual Arts’ with ‘VF 205.012’
Place of manufacture: USA
Literature:
Andy Warhol Men, foreword by Alan Cumming, Chronicle Books, San Francisco, with The Andy Warhol Foundation for the Visual Arts, September 2004, reproduced in colour p. 131.
Will be reproduced in the The Andy Warhol Catalogue Raisonné being prepared by The Andy Warhol Foundation for the Visual Arts.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Kneeling Male Over Male Lower Torso, 1955–1957

X78159
Kneeling Male Over Male Lower Torso

1955–1957
on paper, unique
Blue ballpoint pen on paper
support: 427 x 353 mm frame: 770 x 640 x 40 mm
Galerie des Modernes, Paris
Provenance:

The artist;
Transferred to Leo Castelli gallery, New York;
Acquired by Lizardi Harp Gallery, Pasadena;
Acquired by Charles Grove and David Taborelli;
Acquired by the current owner, 22 May 2013.

Nationality of Artist: American
Identifying marks: Stamped on the back ‘Andy Warhol / Art Authentication / Board, Inc.’ and numbered ‘A129.981’
Place of manufacture: USA
Literature:
Will be reproduced in the The Andy Warhol Catalogue Raisonné being prepared by The Andy Warhol Foundation for the Visual Arts

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, A Gold Book, 1957

X78350
A Gold Book

1957
on paper, print
22 pages with 19 illustrations, offset lithograph and Dr. Martin’s Aniline dye on paper and coated metallic paper, with buckram board cover
displayed: 381 x 298 x 13 mm image, each: 362 x 286 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for Visual Arts, Inc.
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, $199 Television, 1961

X51580
$199 Television

1961
painting
Acrylic paint and oil stick on canvas
support: 1727 x 1327 mm
Whitney Museum of American Art, New York Gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President
Provenance:
The artist;
Acquired by Kimiko and John Powers;
Acquired by The American Contemporary Art Foundation, Inc.;
Gifted to the current owner

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: "To Mr. and Mrs. Powers Andy Warhol," top right stretcher, "Andy Warhol," left of canvas, verso I "Andy Warhol," right of canvas, verso
Catalogue Raisonné: Ed. George Frei and Neil Printz, Warhol 01 Paintings and Sculptures 1961-1963, London 2002, catalogue number 20, p.43;
Andy Warhol: Retrospective, exhibition catalogue, Museum of Modern Art New York, 1989, Centre Pompidou, 1990, p.130.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Before and After [3], 1961

X75797
Before and After [3]

1961
painting
Casein paint on linen
support: 1375 x 1784 mm
The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art
Provenance:

The artist;
Consigned to Martha Jackson Gallery, New York, June – August 1962;
Consigned to Stable Gallery, New York;
Consigned to Richard Feigen Gallery, New York;
Acquired by Kimiko and John Powers by 1993;
Acquired by Doris and Donald Fisher after 2002;
On loan to the San Francisco Museum of Modern Art.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Signed on verso ‘Andy Warhol 1962’, top left

Catalogue Raisonné: George Frei and Neil Printz (eds), Warhol 01 Paintings and Sculptures 1961-1963, London, 2002, catalogue number 008, p.26
Donna De Salvo, ‘“Subjects of the Artists”: Towards a Painting Without Ideals’, Hand Painted Pop, exhibition catalogue, The Museum of Contemporary Art, Los Angeles, 1993, p.89.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, 129 Die in Jet! (Plane Crash), 1962

X50081
129 Die in Jet! (Plane Crash)

1962
painting
Acrylic and graphite on canvas
support: 2545 x 1825 mm
Museum Ludwig, Cologne / Donation Ludwig Collection 1976
Provenance:
The artist;
Acquired by Henry Geldzahler, New York;
Acquired by Leo Castelli Gallery, New York;
Acquired by Peter and Irene Ludwig Collection;
Donated to the current owner from the above by 1976.

Nationality of Artist: American
Identifying marks: none
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1964-1969, vol. 02A, New York, 2004, no.199, p.180.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, 100 Campbell's Soup Cans, 1962

X58066
100 Campbell's Soup Cans

1962
painting
Casein, acrylic paint and graphite on canvas
support: 1829 x 1327 mm
MMK Museum für Moderne Kunst Frankfurt am Main, former collection of Karl Ströher, Darmstadt
Provenance:

The artist;
Presented to John Chamberlain, New York 1962;
Acquired by Leon Kraushar, 1960s;
Acquired by Karl Stroher, Darmstadt, before 1977;
Hence by descent to heirs of Karl Stroher, after 1977;
Acquired by the city of Frankfurt in 1981.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: inscribed ‘To John Chamberlain Andy Warhol/62’ on top left of canvas, verso
Catalogue Raisonné: Ed. George Frei and Neil Printz, Warhol 01 Paintings and Sculptures 1961-1963, London: Phaidon, 2002, no.78, p.93.

This work was made after the operative period 1933-45.

Partial Exhibition History:
Andy Warhol, Institute of Contemporary Art, Philadelphia, 1965;
Andy Warhol, Institute of Contemporary Art, Boston, 1966, no. 5 illustration;
Galerie Verein München, Neue Pinakothek, Haus der Kunst, Westflugel, Munich, Sammlung 1968
Karl Ströher, 1968, no. 138 colour;
Hessisches Landesmuseum, Darmstadt, Bildnerische Ausdruckslormen, 1960-1970, 1970, p. 441 colour;
Palais des Beaux-Arts, Brussels, Metamorphose de l'objet, April 22-June 6, 1971, p. 130 illustration; exhibited Museum Boymans-Van Beuningen, Rotterdam, June 25 - August 15, 1971; Nationalgalerie, Berlin, September 11 - November 7, 1971; Palazzo Reale, Milan, December 15, 1971 – February 10, 1972; Kunsthalle, Basel, March 4 - April 22, 1972; Musee des Arts Decoratives, Paris, May - June 1972;
Alte Oper, Frankfurt, Phoenix, September 19 – November 29, 1981, colour;
Deutsches Architekturmuseum, Frankfurt, Bilder tor Frankfurt, 1985, no. 122 illustration;
Padiglione d'Arte Contemporanea, Milan, Dalla Pop Art Americana alla Nova Figurazione, 1987, p. 59 colour;
Museum fur Moderne Kunst, Frankfurt am Main, Kunst in Frankfurt, 1994, p.88.
Literature:
"Products," Newsweek, volume 60, no. 20 (November 12, 1962): 94 illustration, detail;
D. Herzka, Pop Art One (New York, Institute of American Art, 1965), no. 27 colour;
John Rublowsky, Pop Art, 1965, colour;
Solomon Hudson, "Images of the Fine Arts," Penn Comment, volume 2, no. 2 (October 1965): 4-5, p. 5 illustration, detail;
Moderna Museet, Stockholm 1968, illustration on two consecutive pages;
Ellen Mandelbaum, "lsolable Units, Unity, and Difficulty," Art Journal, vol. 27, no. 3 (spring 1968): 256-61, fig. 7, "Campbell's Soup," collection cited incorrectly;
Kultermann, Neue Formen des Bildes, 1969, no. 195 illustration;
John Coplans 1970, p. 57 illustration, "100 Soup Cans";
Kenneth Frampton, "America, 1960-1970," Casabella, vol. 35, no. 359-60 (1971): 24-38, no. 13 illustration;
Tate Gallery, London, 1971, fig. 34.

Andy Warhol and Paul Bochicchio, Marilyn Monroe's Lips, 1962

X72626
Marilyn Monroe's Lips

1962
painting
Acrylic paint, silkscreen ink and graphite on canvas
support: 2102 x 2051 mm support: 2102 x 2092 mm
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972
Provenance:
Transferred to Dwan Gallery, Los Angeles, to 2 May 1967;
Purchased by Joseph H. Hirshhorn, New York, 2 May 1967
Gifted to Hirshhorn Museum and Sculpture Garden, Gift of Joseph H. Hirshhorn, 6 March 1972.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: two canvases
Catalogue Raisonné: Ed. George Frei and Neil Printz, Warhol 01 Paintings and Sculptures 1961-1963, London: Phaidon, 2002, np.285, p. 252.

Exhibited:
Dwan Gallery, Los Angeles, Arena of Love, 1965;
Smithsonian Institution Washington D.C., The Hirshhorn Museum and Sculpture Garden, 1975, nos. 964-65 colour;
Kunsthaus, Zurich, 1978, no. 38 illustration;
Museo del Palacio de Bellas Artes, Mexico, La Pintura de los Estados Unidos de Museos de la Ciudad de Washington, 1980-81, no.86 colour;
Palazzo Grassi, Venice, The Archimboldo Effect, 1987, pp. 338-39 colour;
Museum of Modern Art, New York, 1989, no. 203 colour, exh. Venice.

Literature:
Coplans, Andy Warhol, 1970, p. 74 illustration;
Crone, Andy Warhol, 1970, nos. 73-74 illustration;
Tate Gallery, London, 1971, fig. 4;
Wuppertal, Realitat-Realismus-Realitat, 1972, p. 107 illustration.

Andy Warhol and Paul Bochicchio, Green Coca-Cola Bottles, 1962

X73012
Green Coca-Cola Bottles

1962
painting
Acrylic paint, screenprint ink and graphite on canvas
support: 2102 x 1451 mm
Whitney Museum of American Art, New York; Purchase, with funds from the Friends of the Whitney Museum of American Art
Provenance:
The artist;
Consigned to Ileana Sonnabend, Paris;
Consigned to Leo Castelli Gallery, New York;
Acquired by Whitney Museum of American Art, New York by 1968.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Unknown
Catalogue Raisonné: Ed. George Frei and Neil Printz, Warhol 01 Paintings and Sculptures 1961-1963, London 2002, catalogue number 202, p.188

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, A Woman's Suicide, 1962

X75161
A Woman's Suicide

1962
painting
Silkscreen ink and graphite on linen
support: 3130 x 2110 mm
Kunstsammlung Nordheim-Westfalen, Dusseldorf
Provenance:

The artist;
Acquired by Bruno Bischofberger, Zurich, 1970;
Acquired by current owner from the above by 1972 (Recto examined 1995).

Nationality of Artist: American
Identifying marks: Inscribed on the lower edge of the envelope on the left, hidden by the frame bar: ‘Andy Warhol’
Place of manufacture: USA

Catalogue Raisonné: Ed. George Frei and Neil Printz, Warhol 01 Paintings and Sculptures 1961-1963, London: Phaidon, 2002, no.319, p.292.

This work was made after the operative period 1933-45.

Exhibitions:
Tate Gallery, London, Picasso to Lichtenstein, Oct. 2-Nov. 24, 1974, no. 140 illus.;
Kunstsammlung Nordrhein-Westfalen, Dusseldorf, American Art from USA after 1950, A didactic exhibition: pictures, photos, texts, October 28, 1977 – January 8, 1978, p. 39 illus.;
Neue Nationalgalerie, Berlin / Tate Modern, London, Andy Warhol Retrospective, 2001/2002.

Literature:
Crone 1972, no. 425a, illustration;
Kunstjahrbuch, no. 3 (1973): 315-46, p. 327 illustration, upside-down;
Geelhaar, "Zeit im Schaffen von Andy Warhol," Pantheon (Oct.-Nov.-Dec. 1974), no. 2 illustration;
Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Painting of the Twentieth century (Düsseldorf, 1975), no. 128 illustration;
Crone, Pictorial Work of Andy Warhol, 1976, no. 774;
Honisch and Jensen, American art from 1945 to the present, 1976, 182;
National Museum of Modern Art, Tokyo, Photography in Contemporary Art (Tokyo: National Museum of Modern Art, 1983), fig. 2;
Kunstsammlung Nordrhein-Vlestfalen, Düsseldorf, Images of the 20th century, 1986, no. 156 illustration; English ed., 1990;
Kunslverein, Hamburg 1987, p. 63 illustration;
Menil Collection, Houston, 1988, no. 3 illustration;
Werner Schmalenbach, The Kunstsammlung Nordrhein-Westfalen, Düsseldorf (Munich: Prestel, 1989), p. 113 illustration;
Shanes 1991, p. 73 illustration;
Theweleit, Buch der Könige, 1994, p. 479 illustration.

Andy Warhol and Paul Bochicchio, Round Marilyn, 1962

X76525
Round Marilyn

1962
painting
Silkscreen ink and metallic paint on canvas
support, circular: 452 x 452 mm
Udo and Anette Brandhorst Collection
Provenance:
The artist;
Gifted to Emily Tremaine, December 1962;
Transferred to Christie’s New York, 9 November 1988, no.11;
Acquired by Tom Eliasson, Stockholm by 1988;
Transferred to Christie’s New York, 18 November 1992, no.23;
Acquired by Thea Westreich, New York, 1992;
Acquired from the above by the current owner by 2000.

Nationality of Artist: American
Identifying marks: inscribed on right verso ‘to Emily Tremaine Andy Warhol Christmas/62 Marilyn’ Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1961–1963, vol. 01, New York, 2004, no.283, p.252.
This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Most Wanted Men No.10, Louis Joseph M., 1963

X01864
Most Wanted Men No.10, Louis Joseph M.

1963
painting
Silkscreen ink on canvas
support, each: 1240 x 1000 mm
Stadtisches Museum Abteiberg, Mönchengladbach
Provenance:
The artist (d.1987);
Leo Castelli Gallery, New York;
Ileana Sonnabend, Paris;
Rudolf Zwirner, Cologne;
Acquired from the above by Städtisches Museum Mönchengladbach, 1967 (now called Städtisches Museum Abteiberg) 1967 (Examined 1995).

Nationality of Artist: American
Identifying marks: two canvases
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1964-1969, vol. 02A, New York, 2004, no.561, pp. 50–1.

This work was made after the operative period 1933-45.

Exhibitions:
Sonnabend, Paris, 1967;
Zwirner, Cologne 1967;
Mönchengladbach, Beleg, 1968;
Kunsthalle, Darmstadt, Menschenbilder, 1968;
Nationalgalerie Berlin, New York in Europa, 1976;
Kunsthaus Zurich, 1978.

Literature:
Stadisches Museum Abteiberg, Mönchengladbach, Kunst der Gegenwart, 1988;
MoMA, New York, Andy Warhol: A Retrospective, 1989.

Andy Warhol and Paul Bochicchio, Pink Race Riot (Red Race Riot), 1963

X50083
Pink Race Riot (Red Race Riot)

1963
painting
Silkscreen ink and acrylic on linen
support: 3258 x 2108 mm
Museum Ludwig, Cologne / Donation Ludwig Collection 1976
Provenance:

The artist;
Acquired by Ileana Sonnabend, Paris;
Acquired by Robert A. Rowan, Pasadena;
Acquired by Rudolf Zwirner, Cologne;
Acquired by Peter and Irene Ludwig Collection;
Donated to the current owner from the above by 1976.

Nationality of Artist: American
Identifying marks: background colour made from cadmium red mixed with white
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1964-1969, vol. 02A, New York, 2004, no.421, p.382.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Black and White Disaster #4 (5 Deaths 17 Times in Black and White), 1963

X50236
Black and White Disaster #4 (5 Deaths 17 Times in Black and White)

1963
painting
Acrylic paint, silkscreen ink and graphite on canvas
support: 2619 x 2090 mm
Kunstmuseum Basel
Provenance:

The artist;
Acquired by the current owner from the above, Basel 1972 (Examined 1996).

Nationality of Artist: American
Identifying marks: Inscribed ‘Andy Warhol Andy Warhol’ on bottom overlap, left, inverted (canvas with images) and ‘Andy Warhol Andy Warhol’ on top overlap, right (monochrome canvas)
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1961-63, vol. 01, New York, 2002, no.346, p.329.

This work was made after the operative period 1933-45.

Exhibitions:
Davison Art Center, Middletown, CT, The New Art, March 1-22, 1964, no. 42;
Rose Art Museum, Waltham, MA, The Painter and the Photograph, Oct. 5-Nov. 2, 1964, no. 48 illus., image canvas only; exhibition travelled to: Museum of Art, Indiana University, Bloomington, Nov. 15-Dec. 20, 1964; Art Gallery, State University of Iowa, Iowa City, Jan. 3-Feb. 10, 1965; Isaac Delgado Museum of Art, New Orleans, Feb. 23-March 22, 1965; University Art Gallery, University of New Mexico, Albuquerque, April I-May 7, 1965: Santa Barbara Museum of Art, CA, May 19-June 21, 1965;
Institute of Contemporary Art, Philadelphia, Andy Warhol, 1965;
Philadelphia Museum of Art, Silkscreen. History of a Medium, 1971, no. 228;
Kunsthaus, Zurich, Andy Warhol, 1978, travelled to Louisiana Museum of Modern Art in Humlebaek 1978.

Literature:
Van Deren Coke, The Painter and the Photograph (Albuquerque: University of New Mexico, 1964; rev. and enl. ed., 1972), no. 489 illustration, without blank;
Alan R. Solomon, "The New American Art," Art International, vol. 8, no. 2 (March 1964): 50-55, p. 52 illustration, without blank;
Carl Belz, "Pop Art, New Humanism, and Death," Kulchur, vol. 5, no. 17 (spring 1965): 18-37, fig. 2, without blank;
Moderna Museet, Stockholm, 1968, illustration, on two consecutive pages, without blank, "Orange Disaster';
Coplans 1970, p 114 illustration, without blank, "Orange Disaster";
Crone 1970, no. 322 illustration, without blank;
Nicolas Ca las and Elena Ca las, Icons and Images of the Sixties (New York: E. P. Dutton, 1971), p. 112 illustration, without blank, "Orange Disaster";
Wuppertal, Realitiit-Realismus-Realitat, 1972, p. 81 illustration, without blank;
Geelhaar, "Zeit im Schaffen van Andy Warhol," Pantheon (Oct.-Nov.-Dec. 1974), no. 6 illustration
Crone 1976, no. 760;
Carol Ann Mahsun, Pop Art and the Critics (Ann Arbor and London: UMI Research Press, 1981, 1987), fig. 13, without blank;
Gendai Hanga Center, Tokyo, Andy Warhol, 1983, p. 70 illustration, without blank;
Museum of Art, Fort Lauderdale, FL, An American Renaissance, Jan. 12-March 30, 1986, fig. 55, without blank, "Orange Disaster";
Menil Collection, Houston, 1988, no. 10 illustration;
MoMA, NY, 1989, no. 265 illustration;
Shanes 1991, p. 77 illustration upside-down;
Solomon R. Guggenheim Museum, NY, Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline (New York: Solomon R. Guggenheim Museum, 1993), no. 224 illus.

The black monochrome canvas does not appear in reproductions of this work during the 1960s. It was probably added when the work was acquired directly from Warhol by the Kunstmuseum Basel in 1972. The secondary title comes from Crone.

Andy Warhol and Paul Bochicchio, Silver Liz (aka Liz Taylor), 1963

X72372
Silver Liz (aka Liz Taylor)

1963
painting
Aluminium paint and silkscreen ink on canvas
support: 1041 x 1079 mm
Private Collection
Provenance:
The artist;
Transferred to The Estate of Andy Warhol, New York, 1986;
Acquired by Thomas Ammann Fine Art, Zurich;
Acquired by the present owner.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Certified by Frederick W. Hughes on overlap. Numbered PA 55.004 in Estate Archives.
Catalogue Raisonné: Ed. George Frei and Neil Printz, Warhol 01 Paintings and Sculptures 1961-1963, London: Phaidon, 2002, no.444, p.42.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Elvis I and II, 1963; 1964 [?]

X01878
Elvis I and II

1963; 1964 [?]
painting
Silkscreen ink and spray paint [silver canvas]; silkscreen ink and acrylic paint [blue canvas] on linen
frame: 2135 x 4220 mm support, each: 2083 x 2083 mm
Collection Art Gallery of Ontario, Toronto. Gift from the Women's Committee Fund, 1966 65/35
Provenance:
The artist;
Acquired by Leo Castelli Gallery, NY (LC 2-3), by 1964;
Transferred to Jerrold Morris International Gallery, Toronto, by 1966;
Gift from the Women's Committee Fund to the current owner, Ontario 1966.

Nationality of Artist: American
Identifying marks: two canvases
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1961–1963, vol. 01, New York, 2004, no.420, p.379.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, White Brillo Boxes, 1964

X71486
White Brillo Boxes

1964
sculpture
Screenprint ink on wood
unconfirmed, each: 440 x 430 x 355 mm
Museum Ludwig, Cologne / Loan Peter and Irene Ludwig Foundation 1986
Provenance:

The artist;
Acquired by Leo Castelli Gallery, New York;
Consigned to Galerie Rudolf Zwirner, Cologne;
Acquired by Peter and Irene Ludwig (Ludwig Collection), 1976;
On long loan to Museum Ludwig since 1986.

Nationality of Artist: American
Identifying marks: each inscribed with ‘Andy Warhol’
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1964-1969, vol. 02A, New York, 2004, nos. 646–673; p.73.
From 197 to 1983, the boxes were on loan to the Centre George Pompidou, Paris.
Display of 12 out of 28 boxes.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Self-Portrait, 1964

X73817
Self-Portrait

1964
painting
Acrylic paint and silkscreen ink on canvas
support: 508 x 412 mm
Fondation Louis Vuitton, Paris
Provenance:

The artist;
Transferred to Stable Gallery, New York;
Acquired by Eva Lee Gallery, Great Neck, New York;
Acquired by Lang and O'Hara Gallery, New York;
Acquired by Jason McCoy, New York;
Acquired by Anthony D'Offay Gallery, London 1985;
Acquired from the above by the current owner by 2016.

Nationality of Artist: American
Identifying marks: Signed "Andy Warhol" on bottom tacking edge
Place of manufacture: USA
Catalogue Raisonné: N. Printz, Eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculptures, Vol. 02B, 1964-1969, New York 2004, p. 428, no. 492.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Flowers, 1964

X75867
Flowers

1964
painting
Fluorescent paint and silkscreen ink on linen
support: 2083 x 2083 mm
Private Collection
Provenance:
The artist;
Transferred to Leo Castelli Gallery, New York;
Acquired by Frederick R. Weisman, Los Angeles;
Acquired by Thomas Ammann Fine Art, Zurich;
Acquired by Top Search Investment Ltd., London;
Acquired by the current owner, Germany 1990.

Nationality of Artist: American
Identifying marks: Signed verso: 'Andy Warhol' and 'Andy Warhol 65' on the left overlap. [NOTE: Warhol often signed and dated works after they were stretched or sold.]
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1964-1969, vol. 02A, New York, 2004, p. 274 and 277, no. 1933.

Exhibited:
Leo Castelli Gallery, New York, 1964;
Louisiana Museum of Modern Art, Humblebak, 1990.

Literature:
Thomas Ammann Fine Art, Zurich, Major Works from the Weisman Collection and Other private Collections, 1990, no. 31 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Most Wanted Men No.1 John M., 1964

X75996
Most Wanted Men No.1 John M.

1964
painting
Screenprint ink on linen
support: 1245 x 959 mm
Collection of the Herbert F. Johnson Museum of Art, Cornell University. Acquired with funds provided by the National Endowment for the Arts, and through the generosity of individual donors
Provenance:

The artist;
Transferred to B. Michael "Mickey" Ruskin, between 1964 and 1969;
Loaned from the above to Cornell University’s A. D. White Museum of Art (now the Herbert F. Johnson Museum of Art) 1969;
Transferred to Seymour C. Kaback, New York City, 1974 or 1975, while on loan to the Herbert F. Johnson Museum;
Acquired by the current owner, 27 October 1976 (Examined 1996).
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1964-1969, vol. 02A, New York, 2004, no.549, p.49.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Exhibition announcement 'The Personality of the Artist', Stable Gallery advertisement in Art International, April 1964, 1964

X78145
Exhibition announcement 'The Personality of the Artist', Stable Gallery advertisement in Art International, April 1964

1964
painting
Offset lithograph on coated paper
unconfirmed: 340 x 241 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. TC5.61.2
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Norelco® audio cassette recorder, 1964

X78147
Norelco® audio cassette recorder

1964
supporting material
Audio cassette recorder, molded plastic with metal parts
object: 54 x 197 x 114 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. T499
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Jackie Frieze, 1964

X78294
Jackie Frieze

1964
painting
Screenprint, acrylic and metallic paint on linen
support: 508 x 3250 mm
Museum of Contemporary Art, Chicago. Gift of Beatriz Cummings Mayer 2007.32
Provenance:

The artist;
Consigned to Stable Gallery, New York, 1964;
Acquired by Mr Robert B. Mayer and Mrs Beatrice Cummings Mayer, Winnetka, IL, 7 May 1964;
Transferred to Beatrice Cummings Mayer upon the death of her husband, Chicago 1974;
Partially gifted to Museum of Contemporary Art Chicago, 2007;
Fully gifted to Museum of Contemporary Art Chicago, 2016.

Nationality of Artist: American
Identifying marks: Eight canvases
Place of manufacture: USA
Catalogue Raisonné (select): George Frei and Neil Printz (eds), Warhol 02A Paintings and Sculptures 1964-1969, London, 2004, catalogue number 947, p.120.
This work was on loan to the Milwaukee Art Museum between 1994 and 1996.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Double Marlon, 1966

X72903
Double Marlon

1966
painting
Silkscreen ink on unprimed linen
support: 2134 x 2430 mm frame: 2278 x 2586 x 114 mm
Yageo Foundation Collection Taiwan
Provenance:
The artist;
Acquired by Mayor Gallery, London;
Acquired by Paul Kantor, Los Angeles;
Transferred to Sotheby’s New York, November 9, 1983, lot 77;
Acquired by Saatchi Collection, London;
Acquired by Sotheby’s New York, November 17, 1992, lot 59;
Acquired by the current owner by 1992.

Nationality of Artist: American
Identifying marks: Inscribed ‘Andy Warhol 1966 Andy Warhol 1966’ right overlap. Signature later.
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1964-1969, vol. 02B, New York, 2004, p. 274 and 277, no. 1933.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Andy Warhol's Index (Book), 1967

X52233
Andy Warhol's Index (Book)

1967
supporting material
Black and white photographs, text, fold-out pages, colour pop-up images and various objects (folded cardboard, balloon, paper-disc record, band, metal) fixed between pages, stitch-bound, soft-cover
unconfirmed: 298 x 235 x 16 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. 1998.3.2457.4
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Notebook [foot fetishes], circa 1969

X78146
Notebook [foot fetishes]

circa 1969
on paper, unique
Ballpoint pen and felt-tip marker on notebook paper
unconfirmed: 178 x 108 x 16 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. TC21.3.1
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Interview - vol.1, no.1 (1969), 'First Issue Collector's Edition', 1969

X78352
Interview - vol.1, no.1 (1969), 'First Issue Collector's Edition'

1969
supporting material
Printed ink on newsprint
object: 419 x 295 mm (unfolded)
© 1969 by Poetry on Film, Inc., New York, NY. Published by Andy Warhol. The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. 1998.3.6318.1
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Mao, 1972

X72403
Mao

1972
painting
Acrylic paint and silkscreen ink on linen
support: 2083 x 1448 mm
Private collection
Provenance:
The artist;
Acquired by Bruno Bischofberger, Zurich;
Acquired by Galleria Galatea, Turin;
Acquired by Ursula Niggermann, Cologne;
Acquired by Private Collection, Cologne 1973;
Transferred to Sotheby’s London, June 26, 1996, lot 40;
Acquired by François Pinault, Paris 2006;
Transferred to Sotheby’s New York, November 11, 2015, lot 11;
Acquired by private collection 2015;
Acquired by current owner 2019.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: S. King-Nero and N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1970-1974, Vol. 03, New York, 2010, cat. no. 2277, p. 184, illustrated in colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Wilhelmina Ross), 1975

X71293
Ladies and Gentlemen (Wilhelmina Ross)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 3000 x 2000 mm
Italian private collection
Provenance:
The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2813, p.74.
Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Marsha P. Johnson), 1975

X71294
Ladies and Gentlemen (Marsha P. Johnson)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 1270 x 1016 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2840, p.105.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Lurdes), 1975

X71295
Ladies and Gentlemen (Lurdes)

1975
painting
Acrylic paint and silkscreen ink on paper
support: 1270 x 1016 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2834, p.104.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Alphanso Panell), 1975

X71297
Ladies and Gentlemen (Alphanso Panell)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 813 x 660 mm
Italian private collection
Provenance:
The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2890, p.126.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Alphanso Panell), 1975

X71298
Ladies and Gentlemen (Alphanso Panell)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 813 x 660 mm
Italian private collection
Provenance:
The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2891, p.126.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Alphanso Panell), 1975

X71299
Ladies and Gentlemen (Alphanso Panell)

1975
painting
Acrylic paint and silkscreen on canvas
support: 813 x 660 mm
Italian private collection
Provenance:
The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2892, p.126.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Wilhelmina Ross), 1975

X71300
Ladies and Gentlemen (Wilhelmina Ross)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 1270 x 1016 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2849, p.106.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Alphanso Panell), 1975

X71301
Ladies and Gentlemen (Alphanso Panell)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 813 x 660 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2870, p.124.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Alphanso Panell), 1975

X71302
Ladies and Gentlemen (Alphanso Panell)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 813 x 660 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2872, p.124.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Alphanso Panell), 1975

X71303
Ladies and Gentlemen (Alphanso Panell)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2919, p.175.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Alphanso Panell), 1975

X71304
Ladies and Gentlemen (Alphanso Panell)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2922, p.175.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71305
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2980, p.182.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71306
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2981, p.182.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71307
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2982, p.182.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71308
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2983, p.182.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Broadway), 1975

X71309
Ladies and Gentlemen (Broadway)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2927, p.176.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Helen/Harry Morales), 1975

X71310
Ladies and Gentlemen (Helen/Harry Morales)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2963, p.180.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Helen/Harry Morales), 1975

X71311
Ladies and Gentlemen (Helen/Harry Morales)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2964, p.180.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71312
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2967, p.180.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71313
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2970, p.181.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71314
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2971, p.181.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71315
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2972, p.181.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Broadway), 1975

X73257
Ladies and Gentlemen (Broadway)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2929, p.176.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Broadway), 1975

X73258
Ladies and Gentlemen (Broadway)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2926, p.176.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Broadway), 1975

X73259
Ladies and Gentlemen (Broadway)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2924, p.176.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Skull, 1976

X76101
Skull

1976
painting
Acrylic paint and silkscreen on canvas
support: 1842 x 2045 mm frame: 1924 x 2127 x 89 mm
Collection of Larry Gagosian
Provenance:
The artist;
Acquired by Dia Center for the Arts, New York, 1980;
Presented to The Andy Warhol Museum, Pittsburgh; Founding Collection, 2002;
Acquired by the present owner by 2016.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Signed and dated 1976 on the top overlap.
Catalogue Raisonné: Neil Printz, ed., The Andy Warhol Catalogue Raisonne: Paintings 1976 - 1978, vol. 05A, London, 2018, no.3424, p.70.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Skull, 1976

X76103
Skull

1976
painting
Acrylic paint and silkscreen on canvas
support: 1842 x 2045 mm frame: 1924 x 2127 x 89 mm
Collection of Larry Gagosian
Provenance:
The artist;
Acquired by The Honorable Joseph P. Carroll and Dr. Roberta Carroll, 1976;
Transferred to Sotheby Parke Bernet, Sale of Contemporary Paintings, Drawings and Sculpture, May 15, 1980;
Acquired by Dia Center for the Arts, New York, 1980;
Presented to The Andy Warhol Museum, Pittsburgh; Founding Collection, 2002;
Acquired by the current owner, 2016.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Signed and dated 1976 and dedicated to ‘Joe and Roberta Carroll with love’ on the top overlap.
Catalogue Raisonné: Neil Printz, ed., The Andy Warhol Catalogue Raisonne: Paintings 1976 - 1978, vol. 05A, London: Phaidon, 2018, no. 3428, p. 71.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Skull, 1976

X76104
Skull

1976
painting
Acrylic paint and silkscreen on canvas
support: 1829 x 2032 mm frame: 1924 x 2127 x 89 mm
Collection of Larry Gagosian
Provenance:
The artist;
Acquired by Dia Center for the Arts, New York, 1980;
Presented to The Andy Warhol Museum, Pittsburgh; Founding Collection, 2002;
Acquired by the present owner, 2016.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Signed on the top overlap.
Catalogue Raisonné: Neil Printz, ed., The Andy Warhol Catalogue Raisonne: Paintings 1976 - 1978, vol. 05A, London: Phaidon, 2018, no. 3423, p. 70.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Skull, 1976

X76105
Skull

1976
painting
Acrylic paint and silkscreen on canvas
support: 1829 x 2032 mm frame: 1924 x 2127 x 89 mm
Collection of Larry Gagosian
Provenance:
The artist;
Acquired by Dia Center for the Arts, New York, 1980;
Presented to The Andy Warhol Museum, Pittsburgh; Founding Collection, 2002;
Acquired by the present owner, 2016.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: N/A
Catalogue Raisonné: Neil Printz, ed., The Andy Warhol Catalogue Raisonne: Paintings 1976 - 1978, vol. 05A, London: Phaidon, 2018, no. 3429, p. 71.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Hammer and Sickle, 1976

X76526
Hammer and Sickle

1976
painting
Silkscreen ink and acrylic paint on canvas
image: 3050 x 4075 mm
Udo and Annette Brandhorst Collection
Provenance:
The artist;
Transferred to The Andy Warhol Foundation for the Visual Arts, Inc. New York, after 1987;
Acquired by Thomas Ammann Fine Art, Zurich after 1987;
Acquired by the current owner, Munich by 2015.
Nationality of Artist: American
Identifying marks: signed ‘Andy Warhol’ right overlap
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1976-78, vol. 05A, New York, 2018, no. 3516, p.106.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Torso, 1977

X78282
Torso

1977
painting
Silkscreen ink and acrylic paint on canvas
support: 1270 x 1067 mm frame: 1313 x 1113 x 50 mm
ZOYA Gallery, Slovakia
Provenance:
The artist;
Transferred to Ace Gallery (E-1);
Transferred to The Andy Warhol Foundation for the Visual Arts, Inc., New York (PA 79.020) after 1987;
Acquired by Robert Miller Gallery, New York, after 1987;
Acquired by private collector;
Acquired from the above by the current owner by 1999.

Nationality of Artist: American
Identifying marks: N/A
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1976-78, vol. 05B, New York, 2018, no. 3884, p.84.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Dolly Parton, 1985

X78248
Dolly Parton

1985
painting
Acrylic paint and screenprint on canvas
support: 1067 x 1067 mm
The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art
Provenance:
The artist;
Private collection;
Acquired by Doris and Donald Fisher;
On loan to the San Francisco Museum of Modern Art.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Unknown

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Dolly Parton, 1985

X78293
Dolly Parton

1985
painting
Acrylic paint and screenprint on canvas
support: 1067 x 1067 mm
The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art
Provenance:
The artist;
Private collection;
Acquired by Doris and Donald Fisher;
On loan to the San Francisco Museum of Modern Art.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Unknown
Bibliography: Donna De Salvo, Andy Warhol: From A to B and Back Again, exhibition catalogue, Whitney Museum of American Art, New York, 2018, p.370–1.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Sixty Last Suppers, 1986

X71259
Sixty Last Suppers

1986
painting
Acrylic paint and silkscreen ink on canvas
unconfirmed: 2946 x 9982 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to The Andy Warhol Foundation for the Visual Arts, Inc. New York, after 1987;
Acquired by Ayn Foundation, New York;
Acquired by a private collector;
Transferred to Christie’s, Post-War & Contemporary Art Evening Sale, New York, 15 November 2017,
sale 14995, Lot 13 B;
Acquired by the present owner, 2017.

Nationality of Artist: American
Identifying marks: numbered twice 'PA82.020' (on the overlap); numbered again 'PA82.020' (on the stretcher)
Place of manufacture: USA

Bibliography:
Andy Warhol: A Retrospective, exh. cat., New York, Museum of Modern Art, 1989, p. 391, no. 446 (illustrated in color);
J. Beck, "Andy Warhol's Sixty Last Suppers," Gagosian Quarterly, Summer 2017, pp. 80-88 (illustrated in color).
Exhibition:
Andy Warhol, Leo Castelli Gallery, New York, June-July 1987;
The Last Supper Paintings, Dia Center for the Arts, New York, September 1994-June 1995;
Andy Warhol. The Last Supper, Bayerische Staatsgemaldesammlungen/Staatsgalerie moderner Kunst, Munich, May – September 1998;
Andy Warhol: The Last Supper, Guggenheim Museum SoHo, New York, June 1999 – Summer 2001;
RSTW: from the Private Collection of Larry Gagosian, Arts Abu Dhabi Gallery, Abu Dhabi, September 2010 – January 2011.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Lenin [red], 1986

X73810
Lenin [red]

1986
painting
Screenprint ink and acrylic paint on canvas
support: 2130 x 1780 mm
Städtische Galerie im Lenbachhaus und Kunstbau Munich
Provenance:

The artist;
Acquired by Gallery Bernd Klüser, Munich directly from the artist, 1986;
Acquired by the current owner, 1987.

Nationality of Artist: American
Identifying marks: unknown
Place of manufacture: USA
Bibliography: unknown

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Lenin [black], 1986

X73813
Lenin [black]

1986
painting
Screenprint ink and acrylic paint on canvas
support: 2130 x 1780 mm
Städtische Galerie im Lenbachhaus und Kunstbau Munich
Provenance:

The artist;
Acquired by Gallery Bernd Klüser, Munich directly from the artist, 1986;
Acquired by the current owner by 1988.

Nationality of Artist: American
Identifying marks: unknown
Place of manufacture: USA
Bibliography: Unknown

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Statue of Liberty (Fabis), 1986

X79198
Statue of Liberty (Fabis)

1986
painting
Synthetic polymer paint and silkscreen ink on canvas
support: 1830 x 1830 mm frame: 1880 x 1880 mm
Collection Thaddaeus Ropac, London, Paris, Salzburg
Provenance:

The artist;
Transferred to The Andy Warhol Foundation for the Visual Arts, Inc. New York, after 1987;
Acquired by the current owner, 1998.

Nationality of Artist: American
Identifying marks: signed unknown
Place of manufacture: USA
Bibliography: ‘Alvaro Barrington: Artists I Steal From’, Galerie Thaddaeus Ropac, London, 5 June – 9 August 2019, exh.cat., pp.106–7;
‘Lisa Dennison and Germano Celant’, Grimaldi Forum, Monaco, New York, 14 July – 10 September 2006, exh.cat., p.233, cat.no. 225.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Wig (Blond and Brown), 1980s

X79501
Wig (Blond and Brown)

1980s
supporting material
Natural and synthetic hair on dyed cloth
overall: 318 x 292 x 25 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. T3105.2
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Wig (Blond and Brown), 1980s

X79502
Wig (Blond and Brown)

1980s
supporting material
Natural and synthetic hair on dyed cloth
overall: 356 x 292 x 25 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. T3105.3
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Wig (Silver and Brown), 1980s

X79504
Wig (Silver and Brown)

1980s
supporting material
Natural and synthetic hair on dyed cloth
overall: 292 x 248 x 25 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. T3146.2
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)
George Maciunas
Gerard Malanga
Jonas Mekas
(born 1922, born: Lithuania, active: New York)

Andy Warhol, George Maciunas, Gerard Malanga and Jonas Mekas, Film Culture No. 45 (Summer 1967), 1967

X78144
Film Culture No. 45 (Summer 1967)

1967
on paper, print
Magazine, printed ink on paper
unconfirmed: 267 x 210 x 3 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. TC-17.118
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)
Stephen Shore
(born 1947, born: New York)

Andy Warhol and Stephen Shore, Andy Warhol's Index (Book), 1967

X78142
Andy Warhol's Index (Book)

1967
on paper, print
Book, offset lithograph on paper, lenticular photograph on buckram board cover and printed ink on plastic bag
object: 286 x 222 x 16 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. 1998.3.2457.2a-b
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)
Stephen Shore
(born 1947, born: New York)
Billy Name
(1940 - 2016)
Kasper König

Andy Warhol, Stephen Shore, Billy Name and Kasper König, Andy Warhol, exhibition catalogue, Moderna Museet, Stockholm 1968, first edition, 1968

X78143
Andy Warhol, exhibition catalogue, Moderna Museet, Stockholm 1968, first edition

1968
on paper, print
Book, print on paper
object: 267 x 210 x 25 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. TC74.2.1.2
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)
The Velvet Underground
(1964 - 1973)

Andy Warhol and The Velvet Underground, The Velvet Underground & Nico, 1967

X72514
The Velvet Underground & Nico

1967
supporting material
Record cover, print on paper
support: 311 x 311 mm
Museum of Applied Arts Cologne / Collection Ulrich Reininghaus
Provenance:

Acquired by private collector;
On long loan to Museum für Angewandte Kunst (MAKK), August 2018.

Nationality of Artist: American
Identifying marks: unknown
Place of manufacture: USA
Bibliography: n/a

This work was made after the operative period 1933-45.

Andy Warhol and The Velvet Underground, The Velvet Underground & Nico, 1967

X78360
The Velvet Underground & Nico

1967
supporting material
Record cover, print on paper
support: 311 x 311 mm
Museum of Applied Arts Cologne / Collection Ulrich Reininghaus
Provenance:

Acquired by private collector;
On long loan to Museum für Angewandte Kunst (MAKK), August 2018.

Nationality of Artist: American
Identifying marks: unknown
Place of manufacture: USA
Bibliography: n/a

This work was made after the operative period 1933-45.

Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)
Julia Warhola
(1891 - 1972)

Andy Warhol and Julia Warhola, A Gold Book, 1957

X78151
A Gold Book

1957
on paper, print
Artist's book, offset lithograph and Dr. Martins Aniline dye on paper and coated metallic paper, with buckram board cover
object: 383 x 298 x 13 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Julia Warhola, A Gold Book, 1957

X78152
A Gold Book

1957
on paper, print
Artist book, offset lithograph and Dr. Martins Aniline dye on paper and coated metallic paper, with buckram board cover
object: 381 x 295 x 10 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye

Tate Britain (London, UK) from 20 May 2020 until 31 Aug 2020.

Lynette Yiadom-Boakye
(born 1977, born: London, active: London)

Lynette Yiadom-Boakye, Bird Of Paradise, 2009

X77159
Bird Of Paradise

2009
painting
Oil on canvas
support: 864 x 711 mm
Courtesy of Omer Tiroche Gallery, London
Provenance:
X77159
Bird of Paradise
2009
Painting
Oil on canvas
864 x 711 mm
Courtesy of Omer Tiroche Gallery, London
Provenance: The artist; Acquired by Faye Fleming and partner Geneva, Acquired by the current owner 2016
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions:n/a
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, Further Pressure From Cannibals, 2010

X77166
Further Pressure From Cannibals

2010
painting
Oil on canvas
support: 549 x 450 mm frame: 590 x 495 x 54 mm
Joeonna Bellorado-Samuels, New York.
Provenance:
X77166
Further Pressure From Cannibals
2010
Painting
Oil on canvas
549 x 450 mm, 590 x 495 x 54 mm
Joeonna Bellorado-Samuels, New York
Provenance: The artist; Acquired by the current owner 2010
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions: Essays and Documents, Jack Shainman Gallery New York, 2010, Stranger! Museum of Contemporary Art, Cleveland, Ohio, 2016
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, Any Number Of Preoccupations, 2010

X77168
Any Number Of Preoccupations

2010
painting
Oil on canvas
support: 1524 x 2032 mm frame: 1816 x 2222 x 266 mm
Dr Kenneth Montague / The Wedge Collection, Toronto
Provenance:
X77168
Any Number of Preoccupations
2010
Painting
Oil on canvas
1524 x 2032 mm
Dr Kenneth Montague / The Wedge Collection, Toronto
Provenance: The artist; Acquired by the current owner 2010
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions:
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, Avalanche, 2011

X77172
Avalanche

2011
painting
Oil on canvas
support: 2000 x 1600 mm
Collection of Mr Brian Ruhl and Mr Ozgur Ozar
Provenance:
X77172
Avalanche
2011
Painting
Oil on canvas
2000 x 1600 x 50 mm
Collection of Mr Brian Ruhl and Mr Ozgur Ozar
Provenance: The artist; Acquired by the current owner December 2011
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions: 11th Lyon Biennial of Contemporary Art, Lyon France 2011
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, 6pm Madeira, 2011

X77570
6pm Madeira

2011
painting
Oil on canvas
support: 1800 x 1498 mm frame: 1847 x 1536 mm
Tracey and Phillip Riese
Provenance:
X77570
6pm Madeira
2011
Painting
Oil on canvas
1800 x 1498 mm, 1847 x 1536 mm
Tracey and Phillip Riese
Provenance: The artist; Acquired by the current owner 2011
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions: n/a
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, Bound Over To Keep The Faith, 2012

X77182
Bound Over To Keep The Faith

2012
painting
Oil on canvas
support: 2500 x 2000 mm
Defares Collection
Provenance:
X77182
Bound Over To Keep The Faith
2012
Painting
Oil on canvas
2500 x 2000 mm
Defares Collection
Provenance: Acquired by the current owner 2016
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions:
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, No Such Luxury, 2012

X77188
No Such Luxury

2012
painting
Oil on canvas
support: 2000 x 1800 mm frame: 2057 x 1847 x 57 mm
Private collection
Provenance:
X77188
No Such Luxury
2012
Painting
Oil on canvas
2000 x 1800 mm, 2057 x 1847 x 57 mm
Private Collection
Provenance: Acquired by the current owner 2014
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions:
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, A Toast To The Health Of A Heathen, 2014

X77206
A Toast To The Health Of A Heathen

2014
painting
Oil on canvas
frame: 2051 x 1346 x 64 mm support: 2011 x 1302 mm
AC and Thelma Hudgins
Provenance:
X77206
A Toast To The Health of A Heathen
2014
Painting
Oil on canvas
2011 x 1302 x 41 mm, 2051 x 1346 x 64 mm
AC and Thelma Hudgins
Provenance: The artist; Acquired by the current owner 2014
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions: 2014 Jack Shainman Gallery
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, Parchment Flowers, 2017

X77232
Parchment Flowers

2017
painting
Oil on linen
support: 1400 x 850 mm frame: 1441 x 892 x 60 mm
The collection of Holly and Albert Baril
Provenance:
X77232
Parchment Flowers
2017
Painting
Oil on linen
1400 x 850 mm, 1441 x 892 x 60 mm
The collection of Holly and Albert Baril
Provenance: The artist; Acquired by the current owner May 2018
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions:
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, Black Allegiance To The Cunning, 2018

X78286
Black Allegiance To The Cunning

2018
painting
Oil on linen
support: 2008 x 1505 mm
Sheldon Inwentash and Lynn Factor, Toronto
Provenance:
X78286
Black Allegiance to the Cunning
2018
Painting
Oil on linen
2008 x 1505 x 38 mm
Sheldon Inwentash and Lynn Factor, Toronto
Provenance: The artist; Acquired by the current owner 2019
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions:
This work was made after the operative period 1933-45.