Magic Realism

Tate Modern (London, UK) from 30 Jul 2018 until 14 Jul 2019.

Max Beckmann
(1884-1950, born: Leipzig, died: New York, active: Frankfurt, Berlin, New York, Amsterdam, Saint Louis)

Max Beckmann, Frau Ullstein (Portrait of a Woman), 1920

X68291
Frau Ullstein (Portrait of a Woman)

[Frau Ullstein (Porträt einer Frau)] 1920
on paper, unique
Graphite on paper
support: 330 x 238 mm
The George Economou Collection
Provenance:
The artist;
Hauswedell & Nolte, 27 May 1997, lot 743;
Sammlung Wolf Uecker;
Villa Grisebach, 27 May 2000, lot 172;
Private collection, New York;
Gagosian Gallery, New York;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated in pencil, ‘Beckmann 27.6.20’ (lower left); inscribed (by another hand?) ‘For Frau Ullstein’ on the reverse.
Place of manufacture: ?Frankfurt/Berlin

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Max Beckmann, Anni (Girl with Fan), 1942

X68323
Anni (Girl with Fan)

[Anni (Mädchen mit Fächer)] 1942
painting
Oil paint on canvas
support: 846 x 445 mm
The George Economou Collection
Provenance:
The artist’s studio, Amsterdam;
Galerie Buccholz (according to the artist’s list 1942);
Galerie Otto Stangl, Munich;
Langen Collection, Germany (c.1954);
Villa Grisebach, 2005;
Private collection, southern Germany;
Galerie Thomas, Munich;
From whom acquired by the present owner in 2013.

Nationality of the artist: German
Identifying marks: signed and dated ‘A 42’ (upper right); with the artist’s name stamp on the reverse.
Place of manufacture: Amsterdam, the Netherlands
Max Beckmann catalogue raisonné number 597

This work has a complete provenance for the period 1933-45.

Richard Biringer
(1877 - 1947)

Richard Biringer, Krupp Works, Engers am Rhein, 1925

X68301
Krupp Works, Engers am Rhein

[Krupp-Werke Engers am Rhein] 1925
painting
Oil paint on canvas
support: 675 x 495 mm
The George Economou Collection
Provenance:
the artist;
Private collection, south Germany;
Ketterer, Munich, 3 December 2008, lot 8;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed ‘R. Biringer’ (lower middle); titled and inscribed by hand ‘F. Biringer Ffm Höchst’ on the stretcher.
Place of manufacture: Engers/Frankfurt, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Albert Birkle
(1900 - 1986)

Albert Birkle, The Acrobat Schulz V, 1921

X68292
The Acrobat Schulz V

[Der Akrobat Schulz V] 1921
on paper, unique
Tempera and chalk on paper mounted on cardboard
support: 704 x 500 mm
The George Economou Collection
Provenance:
The artist;
Neue Münchner Galerie;
Private collection, USA;
Ketterer, Munich, 5 December 2006, lot 146;
From whom acquired by the present owner.

Nationality of the artist: German-Austrian
Identifying marks: signed ‘A. Birkle’ and dated ‘1921’ (upper right), signed ‘A. Birkle’ lower left; inscribed probably by the artist ‘Albert Birkle Der Akrobat Schulz 1921’ on the reverse.
Place of manufacture: Berlin, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Albert Birkle, The Hermit, 1921

X68324
The Hermit

[Die Eremit] 1921
painting
Oil paint on canvas
support: 910 x 605 mm
The George Economou Collection
Provenance:
The artist;
Private collection, Austria;
Im Kinsky, Vienna, 14 October 2008, lot 379;
From which acquired by the present owner.

Nationality of the artist: German-Austrian
Identifying marks: none
Place of manufacture: Berlin, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Albert Birkle, Crucifixion, 1921

X68325
Crucifixion

[Kreuzigung] 1921
painting
Oil paint on board
support: 920 x 607 mm frame: 1130 x 810 mm
The George Economou Collection
Provenance:
The artist until 1977;
Collection Joseph Hierling, Tutzing, Germany;
Sold Im Kinsky, Vienna, 9 November 2010, lot 63;
From whom acquired by the present owner.

Nationality of the artist: German-Austrian
Identifying marks: signed ‘A. Birkle’ and dated ‘1921’ with two stamps from the estate of Joseph Hierling, inscribed ‘JOSEPH HIERLING / 8000 MÜNCHEN 40. GEORGENSTR. 62A’ and a label inscribed ‘Albert Birkle (1900 - 1986) / Kreuzigung 1921 / Öl / Platte 90 x 59 cm / SAMMLUNG JOSEPH HIERLING TUTZING’ on the reverse.
Place of manufacture: Berlin, Germany

This work has a complete provenance for the period 1933-45.

Albert Birkle, Passau, 1925

X68300
Passau

1925
painting
Oil paint on hardboard
support: 510 x 710 mm
The George Economou Collection
Provenance:
The artist;
Kunsthaus Lempertz, 1 June 1996, lot 585;
Private collection, Upper Austria;
Sold Im Kinsky, Vienna, 20 November 2007, lot 168;
From whom acquired by the present owner.

Nationality of the artist: German-Austrian
Identifying marks: signed ‘A. Birkle’ (lower left)
Place of manufacture: Berlin, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Heinrich Campendonk
(1889 - 1957)

Heinrich Campendonk, The Rider II, 1919

X68264
The Rider II

[Der Reiter II] 1919
on paper, unique
Watercolour on paper mounted on cardboard
support: 353 x 393 mm
The George Economou Collection
Provenance:
Artist until before 1933 (when Galerie Flechtheim is dissolved);
Galerie Flechtheim, Düsseldorf, before 1933 (when the gallery closed);
Galerie Gerd Rosen, Berlin, after 1945 (when it was founded);
Private collection Nordrhein-Westfalen (since 1953);
Offered Grisebach GmbH, 3 June 2005, lot. 00044 (bought in);
Galerie Utermann, Dortmund;
From whom acquired by the present owner in 2005.

Nationality of the artist: German-Dutch
Identifying marks: monogrammed and dated ‘C. Febr. 19’; titled ‘der Reiter II’ on the reverse
Place of manufacture: Seeshaupt, Germany (based on bio)
Catalogue raisonné number: -

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Heinrich Maria Davringhausen
(1894 - 1970)

Heinrich Maria Davringhausen, The Poet Däubler, 1917

X68262
The Poet Däubler

[Der Dichter Däubler] 1917
painting
Oil paint on canvas
support: 1810 x 1603 mm
The George Economou Collection
Provenance:
The artist’s family, and thence by descent to the previous owner;
Sold Christie’s London, 6 February 2007, lot 79;
From whom acquired by the present owner.

Nationality of artist: German
Identifying marks: signed ‘H.M.D.’ and dated ‘Berlin Januar 17’ on the reverse.
Place of Manufacture: Berlin, Germany

This work has a complete provenance for the period 1933-45.

Prosper de Troyer
(1880 - 1961)

Prosper de Troyer, Erik Satie (The Prelude), 1925

X68318
Erik Satie (The Prelude)

[Erik Satie (Le prélude)] 1925
painting
Oil paint on canvas
support: 2100 x 1450 mm
The George Economou Collection
Provenance:
Private collection of the De Troyer family, Uytterhoeven;
Art trade South Germany (1999);
Private collection, Spain;
Ketterer, Munich, 19 June 2009, lot 272;
From which acquired by the present owner.

Nationality of the artist: Belgian
Identifying marks: signed ‘P. de TROYER’ and dated ‘1925’ (lower left)
Place of manufacture: Belgium

This work has a complete provenance for the period 1933-45.

Harry Heinrich Deierling
(1894-1989)

Harry Heinrich Deierling, The Gardener, 1920

X68265
The Gardener

[Der Gärtner] 1920
painting
Oil paint on canvas
support: 1870 x 1195 mm
The George Economou Collection
Provenance:
The artist;
Estate of Peter Hopf, Berlin;
Villa Grisebach, Berlin, 1 December 2006, lot 1642;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated ‘H. Deierling / 20’ (lower right); signed, located and titled with black pencil ‘Deierling, Berlin (Der Gärtner)’ on the reverse.
Place of manufacture: Berlin, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Rudolf Dischinger
(1904 - 1988)

Rudolf Dischinger, Backyard Balcony, 1935

X68313
Backyard Balcony

[Hinterhaus-Balkon] 1935
painting
Oil paint on canvas
support: 580 x 500 mm
The George Economou Collection
Provenance:
The artist;
New York; Ubu Gallery;
From whom acquired by the present owner on 30 March 2009;
Offered at sale ‘A Prominent 20th Century European Collection Session II’, Tajan, 9 December 2015, lot 137.

Nationality of the artist: German
Identifying marks: signed and dated on recto/ signed, titled and dated on verso
Place of manufacture: Freiburg im Bresigau, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Otto Dix
(1891-1969)

Otto Dix, Portrait of Bruno Alexander Roscher, 1915

X68261
Portrait of Bruno Alexander Roscher

[Bildnis Bruno Alexander Roscher] 1915
painting
Oil paint on board
support: 670 x 505 mm
The George Economou Collection
Provenance:
Artist until 1915 (was commissioned to produce the work);
Private collection, Dresden (collection of the sitter, Bruno Alexander Roscher?);
Neumeister, November 1992, lot 94;
Dresden, November 1994;
Sotheby's London; 9 December 1997, lot 33, ill. p. 134 (bought in);
Hampel, Munich, 4 December 2009, lot 742;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed ‘Dix’, dated ‘1915’ (lower left)
Place of manufacture: Dresden

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Otto Dix, Butcher Shop, 1920

X68268
Butcher Shop

[Fleischerladen] 1920
on paper, print
Etching, drypoint on paper
support: 495 x 338 mm plate: 295 x 258 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated 'Dix 20' (lower right) and titled 'Fleischerladen' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Billiard Players, 1920

X68273
Billiard Players

[Billardspieler] 1920
on paper, print
Etching, drypoint on paper
support: 340 x 488 mm plate: 225 x 333 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '10/20' (lower left) and titled 'Billiardspieler' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Sailor and Girl, 1920

X68274
Sailor and Girl

[Matrose und Mädchen] 1920
on paper, print
Etching, drypoint on paper
support: 487 x 342 mm plate: 300 x 248 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '10/20' (lower left) and titled 'Matrose und Mädchen' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Lust Murderer, 1920

X68275
Lust Murderer

[Lustmörder] 1920
on paper, print
Etching on paper
support: 490 x 341 mm plate: 300 x 257 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed 10/10' (lower left) and titled 'Lustmörder' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Sketch, 1922

X68278
Sketch

1922
on paper, print
Etching, drypoint on paper
support: 497 x 429 mm plate: 394 x 297 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Sketch' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Balancing Act, 1922

X68279
Balancing Act

[Balanceakt] 1922
on paper, print
Etching, drypoint on paper
support: 496 x 429 mm plate: 299 x 197 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Balanceakt' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Maud Arizona (Suleika, The Tattooed Wonder), 1922

X68280
Maud Arizona (Suleika, The Tattooed Wonder)

[Maud Arizona (Suleika, das tätowierte Wunder)] 1922
on paper, print
Etching, drypoint on paper
support: 498 x 428 mm plate: 299 x 198 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: title, date, edition number and signature on lower edge.
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, International Riding Act, 1922

X68281
International Riding Act

[Internationaler Reitakt] 1922
on paper, print
Etching, drypoint on paper
support: 496 x 431 mm plate: 399 x 298 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix 22' (lower right), inscribed '20/50' (lower left) and titled 'Internationaler Reitakt' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, American Riding Act, 1922

X68282
American Riding Act

[Amerikanischer Reitakt] 1922
on paper, print
Etching, drypoint on paper
support: 497 x 429 mm plate: 347 x 309 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Amerikanischer Reitakt' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Technical Personnel, 1922

X68283
Technical Personnel

[Technisches Personal] 1922
on paper, print
Etching, drypoint on paper
support: 497 x 426 mm plate: 300 x 198 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Technisches Personnel' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Lili, The Queen of the Air, 1922

X68284
Lili, The Queen of the Air

[Lili, die Königin der Luft] 1922
on paper, print
Etching, drypoint on paper
support: 497 x 428 mm plate: 299 x 198 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix 22' (lower right), inscribed '20/50' (lower left) and titled 'Lili' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Tamer, 1922

X68285
Tamer

[Dompteuse] 1922
on paper, print
Etching, drypoint on paper
support: 496 x 429 mm plate: 399 x 297 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix 22' (lower right), inscribed '20/50' (lower left) and titled 'Dompteuse' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Performers, 1922

X68286
Performers

[Artisten] 1922
on paper, print
Etching, drypoint on paper
support: 492 x 340 mm plate: 299 x 258 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right) and titled (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Lust Murder, 1922

X68293
Lust Murder

[Lustmord] 1922
on paper, unique
Watercolour, ink and graphite on paper
support: 485 x 365 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed 10/10' (lower left) and titled 'Lustmörder' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Scorners of Death, 1922

X71345
Scorners of Death

[Die Verächter des Todes] 1922
on paper, print
Etching, drypoint on paper
support: 497 x 428 mm plate: 347 x 277 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '6/50' (lower left) and titled 'Verächter des Todes' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Illusion Act, 1922

X71346
Illusion Act

[Illusionsakt] 1922
on paper, print
Etching, drypoint on paper
support: 495 x 429 mm plate: 300 x 257 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Illusionsakt' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Circus Scene (Riding Act), 1923

X69464
Circus Scene (Riding Act)

[Zirkusszene (Reitakt)] 1923
on paper, unique
Watercolour, pen and ink on paper
support: 381 x 276 mm
The George Economou Collection
Provenance:
The artist;
Galerie Nierendorf, Cologne;
Frank Perls Gallery, Beverly Hills;
Parke-Bernet Galleries, Inc., New York, 3-4 June 1959, lot 31;
From which acquired by a private collection;
Sotheby’s, New York, 4 November 1993, lot 211;
Private collection, (Milan/Miami);
Sotheby’s New York, 4 May 2005, lot 295;
Neumeister, Munich, 23 May 2012;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated in pencil ‘Dix 23’ (lower right) and numbered below ‘244’; titled ‘Zirkusszene’ and number ‘50’ on the reverse.
Place of manufacture: Dresden

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Josef Eberz
(1880 - 1942)

Josef Eberz, Dancer (Beatrice Mariagraete), 1923

X68316
Dancer (Beatrice Mariagraete)

[Tänzerin (Beatrice Mariagraete)] 1923
painting
Oil paint on canvas
support: 1580 x 785 mm
The George Economou Collection
Provenance:
The artist;
Galerie Neue Kunst, Hans Goltz, Munich (with partly torn label on the stretcher);
Private collection, Northern Germany;
Ketterer Kunst, Munich, 12 June 2010, lot 17;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated ‘J. EBERZ 23’ (lower left)
Place of manufacture: Munich

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Conrad Felixmüller
(1897 - 1977)

Conrad Felixmüller, Portrait of Ernst Buchholz, 1921

X70057
Portrait of Ernst Buchholz

[Bildnis Ernst Buchholz] 1921
painting
Oil paint on canvas
support: 900 x 750 mm
The George Economou Collection
Provenance:
The artist;
Estate of Dr Walt(h)er Ruck (died 1926), thence to his son Karlheinz Ruck (died 1997);
Fischer Kunsthandel & Edition, Berlin;
From whom acquired by the present owner in 2014.

Nationality of the artist: German
Identifying marks: signed (upper right); signed, dated and number ‘Felixmüller 1921, Nr. 254’ on the reverse.
Place of manufacture: ?Dresden, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Conrad Felixmüller, The Beggar of Prachatice, 1924

X68299
The Beggar of Prachatice

[Der Bettler von Prachatitz] 1924
on paper, unique
Watercolour, gouache and graphite on paper
support: 500 x 645 mm
The George Economou Collection
Provenance:
The artist;
Dr Heinrich Scherlag, Dresden (acquired directly from the artist);
Alice Hagängen, Sweden;
Ketterer, Munich, 4 December 2010, lot 68;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated (upper right); signed, dated, titled and inscribed ‘Neumann & Nierendorf’ on the reverse.
Place of manufacture: ?Prachatice/Berlin


This work has a complete provenance for the period 1933-45.

Otto Griebel
(1895 - 1972)

Otto Griebel, Two Women, 1924

X68317
Two Women

[Zwei Frauen] 1924
on paper, unique
Watercolour on cardboard
support: 638 x 450 mm
The George Economou Collection
Provenance:
The artist;
Gallery Köhl, Dresden;
Acquired from the above by a private collection, Wiesbaden, 1960s;
Ketterer, Munich, 24 April 2010, lot 434;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed ‘Otto Griebl’, dated ‘1924’, titled ‘Zwei Frauen’ (lower right) and with inscription ‘1920’ (lower right corner); with another inscription ‘GLA 73006’ on the reverse.
Place of manufacture: ?Dresden

Authenticity confirmed by Matthias Griebel, letter dated 11 February 2010 (information provided by present owner)
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Carl Grossberg
(1894 - 1940)

Carl Grossberg, Rokin (Rokin Street, Amsterdam), 1925

X68302
Rokin (Rokin Street, Amsterdam)

1925
painting
Tempera on panel
support: 505 x 603 mm
The George Economou Collection
Provenance:
The artist;
Ubu Gallery, New York;
From whom acquired by the present owner in 2009.

Nationality of the artist: German
Identifying marks: signed and dated ‘CARL GROSSBERG 1926’ (lower left); signed, titled and dates ‘Amsterdam 1925/26’ on the reverse.
Place of manufacture: Amsterdam, the Netherlands.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

George Grosz
(1893-1959, born: Berlin, died: Berlin)

George Grosz, Self-Portrait with Model in the Studio, 1930-1937

X68296
Self-Portrait with Model in the Studio

[Selbstbildnis mit Modell im Atelier] 1930-1937
on paper, unique
Watercolour, gouache, pen and ink on paper
support: 505 x 440 mm frame: 800 x 730 mm
The George Economou Collection
Provenance:
Studio of the artist, Berlin, in 1930;
Studio of the artist, Douglaston, Long Island, in 1937;
Private collection, New York;
Galerie Thomas, Munich;
From whom acquired by the present owner in 2009.

Nationality of the artist: German-American
Identifying marks: signed twice ‘GROSZ’ and dated ‘30’ and ‘37’ (lower right).
Place of manufacture: Berlin, Germany.

To be included in the forthcoming catalogue raisonné of Grosz’s works on paper, prepared by Ralph Jentsch, administrator for the artist’s Estate.
This work has a complete provenance for the period 1933-45.

Hans Grundig
(1901 - 1958)

Hans Grundig, Girl with Pink Hat, 1925

X68303
Girl with Pink Hat

[Mädchen mit rosa Hut] 1925
painting
Oil paint on cardboard
support: 704 x 500 mm
The George Economou Collection
Provenance:
Lea Grundig, Dresden, by descent circa 1972;
Villa Grisebach, Berlin, 27 November 2009, lot 26;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated 'GRUNDIG 25' (lower left)
Place of manufacture: ?Dresden
This work has a complete provenance for the period 1933-45.

Lea Grundig
(1906 - 1977)

Lea Grundig, Into the Abyss, 1943

X68328
Into the Abyss

[In den Abgrund] 1943
on paper, unique
Pen and ink on cardboard
support: 440 x 560 mm frame: 713 x 818 mm
The George Economou Collection
Provenance:
The artist;
Private Collection John Phillips, photo journalist for Life Magazine, during the 1940s, he spent a longer period of time in Palestine as a war correspondent;
Galerie St. Etienne, New York;
Ketterer, Munich, 22 October 2010, lot 15;
Acquired from the above by the present owner.

Nationality of the artist: German
Identifying marks: signed 'LEA GRUNDIG', dated '1943' (lower right) and barely legibly inscribed (middle right).
Place of manufacture: Israel

This work has a complete provenance for the period 1933-45.

Herbert Gurschner
(1901-1975, born: Innsbruck)

Herbert Gurschner, Triumph of Death, 1927

X68326
Triumph of Death

[Triumph des Todes] 1927
painting
Oil paint on canvas
support: 1090 x 895 mm
The George Economou Collection
Provenance:
The artist;
Kunsthandel Widder, Vienna;
Acquired directly from the above in 2006.

Nationality of the artist: Austrian-British
Identifying marks: none

This work has a complete provenance for the period 1933-45.

Herbert Gurschner, Bean Ingram, 1928

X68306
Bean Ingram

1928
painting
Oil paint on canvas
support: 1070 x 675 mm
The George Economou Collection
Provenance:
The artist;
Bonhams, London, 29 November 1995, lot 106;
Im Kinsky, Vienna, 16 May 2006, lot 117
Acquired directly from the above

Nationality of the artist: Austrian-British
Identifying marks: signed 'Herbert Gurschner' and inscribed 'Bean Ingram habe ich gemalt 1928 mit einer Maske weil das leben verlangt Masken' (lower right); with a label 'Herbert Gurschner Tyrol 43' on the reverse

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Herbert Gurschner, Lazarus (The Workers), 1928

X68327
Lazarus (The Workers)

[Lazarus (Die Arbeiter)] 1928
painting
Oil paint on canvas
support: 920 x 690 mm
The George Economou Collection
Provenance:
The estate of the artist
Kunsthandel Widder, Vienna
Acquired directly from the above in 2006

Nationality of the artist: Austrian-British
Identifying marks: signed 'Gurschner' (lower left corner)

This work has a complete provenance for the period 1933-45.

Herbert Gurschner, Japanese Lady, 1932

X68310
Japanese Lady

[Japanische Dame] 1932
painting
Oil paint on canvas
support: 870 x 610 mm
The George Economou Collection
Provenance:
The estate of the artist
Kunsthandel Widder, Vienna
Acquired directly from the above in 2006

Nationality of the artist: Austrian-British
Identifying marks: signed 'Gurschner' (lower left)

This work has a complete provenance for the period 1933-45.

August Heitmüller
(1873 - 1935)

August Heitmüller, Self-Portrait, 1926

X68314
Self-Portrait

[Selbstbildnis] 1926
painting
Oil paint on canvas
support: 900 x 705 mm
The George Economou Collection
Provenance:
The artist;
Villa Grisebach, Berlin, 29 November 2008, lot 224
Acquired directly from the above

Nationality of the artist:
Identifying mark: signed and dated 'HEITMÜLLER 1926' (upper right)
Place of manufacture: unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Karl Otto Hy
(1904 - 1992)

Karl Otto Hy, Anna, 1932

X68311
Anna

1932
painting
Oil paint on canvas
support: 950 x 675 mm
The George Economou Collection
Provenance:
The artist;
Private Collection, Hesse;
Ketterer, Munich, 3 December 2008, lot 43;
Acquired directly from the above.

Nationality of the artist: German
Identifying marks: signed 'K.O. HY' and dated '32' (lower right); titled on the reverse; signed, inscribed and with the address on the stretcher.
Place of manufacture: Wiesbaden, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Alexander Kanoldt
(1881 - 1939)

Alexander Kanoldt, Monastery Chapel of Säben, 1920

X70056
Monastery Chapel of Säben

[Kapelle in Südtirol] 1920
painting
Oil paint on canvas
support: 350 x 290 mm
The George Economou Collection
Provenance:
The artist;
Collection Franz Friedrich Kästner, Erfurt
Private Collection, South Germany
Ketterer, Munich, 28 April 2009, lot 441
Acquired directly from the above.

Nationality of the artist: German
Identifying marks: signed 'Kanoldt', dated '1920' (lower right); signed, dated and inscribed 'XXI No. 137' on the stretcher.
Place of manufacture: ?Munich

To be included in forthcoming catalogue raisonné, compiled by Dr Michael Koch.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Jeanne Mammen
(1890 - 1976)

Jeanne Mammen, Boring Dolls, 1929

X68320
Boring Dolls

[Langweilige Puppen] 1929
on paper, unique
Watercolour and graphite on paper mounted on cardboard
support: 384 x 286 mm
The George Economou Collection
Provenance:
The artist;
Galerie Brockstedt, Hamburg
Gallery La Boétie, New York
Hauswedell and Nolte, Hamburg
Marvin and Janet Fishman Collection, Milwaukee
Private collection, Spain
Villa Grisebach, Berlin, 27 November 2009, lot 28
Acquired directly from the above

Nationality of the artist: German
Identifying marks: signed 'J. Mammen' (upper left), titled 'Langweilige Puppen' (on the cardboard lower left); several exhibition labels on the reverse.
Place of manufacture: Berlin
This work has a complete provenance for the period 1933-45.

Jeanne Mammen, At the Shooting Gallery, 1929

X68321
At the Shooting Gallery

[An der Schießbude] 1929
on paper, unique
Watercolour and graphite on vellum
support: 445 x 360 mm
The George Economou Collection
Provenance:
The artist;
Galerie Brockstedt, Hamburg
Private Collection, Munich
Ketterer Kunst, Auktion 207, Munich 4 December 1995, Lot 89
Marvin and Janet Fishman Collection, Milwaukee
Karl & Faber, Munich, 28 October 2010, lot 101
Acquired directly from the above

Nationality of the artist: German
Identifying marks: signed 'J. Mammen' (upper left)
Place of manufacture: Berlin

This work has a complete provenance for the period 1933-45.

Jeanne Mammen, Brüderstrasse (Free Room), 1930

X68322
Brüderstrasse (Free Room)

[Brüderstrasse (Zimmer frei)] 1930
on paper, unique
Watercolour, ink and graphite on vellum
support: 475 x 345 mm frame: 835 x 635 mm
The George Economou Collection
Provenance:
The artist;
Galerie Brockstedt, Hamburg
La Boetie Inc. (Helen Serger), New York
Christie´s London, Auktion 19 October 1997, Lot 239
Marvin and Janet Fishman Collection, Milwaukee
Karl & Faber, Munich, 28 October 2010, lot 102
Acquired directly from the above

Nationality of the artist: German
Identifying marks: signed 'J. Mammen' (lower right)
Place of manufacture: Berlin

This work has a complete provenance for the period 1933-45.

Josef Mangold
(1884 - 1937)

Josef Mangold, Flower Still Life with Playing Card, N.D.

X68315
Flower Still Life with Playing Card

[Blumenstilleben mit Spielkarte] N.D.
painting
Oil paint on panel
support: 410 x 317 mm
The George Economou Collection
Provenance:
The artist;
Villa Grisebach, Berlin, 5 June 2010, lot 201
Acquired directly from the above

Nationality of the artist: German
Identifying marks: signed 'Jos. Mangold'
Place of manufacture: unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Carlo Mense
(1886 - 1965)

Carlo Mense, Self-Portrait, 1918

X68263
Self-Portrait

[Selbstbildnis] 1918
painting
Oil paint on canvas
support: 457 x 343 mm frame: 660 x 545 mm
The George Economou Collection
Provenance:
The artist;
Van Ham, Cologne, Auction 31 May 2006, Lot 248
Galerie Berinson, Berlin
Acquired directly from the above in 2009

Nationality of the artist: German
Identifying marks: signed 'C. Mense' (lower right)
Place of manufacture:

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Carlo Mense, Portrait of Don Domenico, 1924

X68298
Portrait of Don Domenico

[Bildnis Don Domenico] 1924
painting
Oil paint on cardboard
support: 536 x 420 mm
The George Economou Collection
Provenance:
The artist;
Private Collection, South Germany;
Ketterer, Munich, 19 June 2009, lot 268;
Acquired directly from the above.

Nationality of the artist: German
Identifying marks: signed 'C. MENSE' (lower right); signed, dated and titled 'Don Domenicho' on the reverse.
Place of manufacture: Munich, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Richard Müller
(1874 - 1954)

Richard Müller, In the Studio, 1926

X68304
In the Studio

[Im Atelier] 1926
painting
Oil paint on canvas
support: 1070 x 755 mm frame: 1250 x 940 mm
The George Economou Collection
Provenance:
Probably the estate of the artist
Private Collection, South Germany
Fischer, Lucerne, 15 June 2009, lot 46
Acquired directly from the above

Nationality of the artist: Austrian
Identifying marks: monogrammed 'R.M.' and dated '1926' (upper middle)
Place of manufacture: Dresden

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Sergius Pauser
(1896 - 1970)

Sergius Pauser, Self-Portrait with Mask, 1926

X68319
Self-Portrait with Mask

[Selbstbildnis mit Maske] 1926
painting
Oil paint on canvas
support: 600 x 730 mm
The George Economou Collection
Provenance:
Private property, USA
Private property, Schütz
Schütz, Vienna
Acquired directly from the above in 2008

Nationality of artist: Austrian
Identifying marks: signed 'Sergius Pauser' (lower left)
Place of manufacture: ?Waidhofen/Vienna

Pauser catalogue raisonné number 116
This work has a complete provenance for the period 1933-45.

Franz Radziwill
(1895 - 1983)

Franz Radziwill, Conversation About a Paragraph, 1929/1960

X68307
Conversation About a Paragraph

[Gespräch über einen Paragraphen] 1929/1960
painting
Oil paint on canvas laid on wood
support: 793 x 1010 mm
The George Economou Collection
Provenance:
The artist;
Galleria del Levante, Milan/Munich; [which seemed to be particularly active in 1960s?]
Private collection, Modena;
Ketterer, Munich, 4 June 2011, lot 62;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated ‘Fr. Radziwill 29’ (lower right); numbered ‘102’ on the reverse.
Place of manufacture: ?Berlin and Dangast

This work was completed after the operative period 1933-45.

Christian Schad
(1894-1982, born: Miesbach, died: Stuttgart)

Christian Schad, Prof. Holzmeister, 1926

X68295
Prof. Holzmeister

1926
on paper, unique
Charcoal on paper
support: 542 x 400 mm
The George Economou Collection
Provenance:
The artist;
Kunstkabinett G.A. Richter, Stuttgart, by 1974;
Dorotheum Vienna, 25 May 2000;
Christie’s London, 16 June 2007, lot 175
Im Kinsky, Vienna, 23 June 2009, lot 6;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed ‘SCHAD’ and dated ‘(19)26’ (lower right); titled ‘Prof. Holzmeister’ and dated ‘Wien 1926’ with pencil by the hand of the artist on the reverse.
Place of manufacture: Vienna, Austria.

Authenticated by G.A. Richter from the Christian Schad Archive


This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Josef Scharl
(1896 - 1954)

Josef Scharl, Conference / The Group, 1927

X68305
Conference / The Group

[Konferenz / Die Gruppe] 1927
painting
Oil paint on canvas
support: 810 x 645 mm
The George Economou Collection
Provenance:
The artist;
Galerie Nierendorf, Berlin, until at least 1964;
Villa Grisebach, Berlin, 29 November 2008, lot 213;
From whom acquired by the present owner.

Nationality of the artist: German-American
Identifying marks: signed and dated ‘Jos. Scharl 1927’
Place of manufacture: Munich [based on bio]
*Exhibited in monographic exhibition in the rooms of the German Artist Association, Munich, in 1929.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Otto Rudolf Schatz
(1900 - 1961)

Otto Rudolf Schatz, Moon Women, 1930

X68308
Moon Women

[Mondfrauen] 1930
painting
Oil paint on canvas
support: 1915 x 1110 mm frame: 1955 x 1150 mm
The George Economou Collection
Provenance:
The artist;
Private collection of Prof. Dr. Wilfried Daim;
Im Kinsky, Vienna, 20 November 2007, lot 59;
From whom acquired by the present owner.

Nationality of the artist: Austrian
Identifying marks: monogrammed ‘ORS’ and dated ‘30’ (lower right)
Place of manufacture: Vienna, Austria

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Rudolf Schlichter
(1890 - 1955)

Rudolf Schlichter, The Artist with Two Hanged Women, 1924

X68294
The Artist with Two Hanged Women

[Der Künstler mit zwei erhängten Frauen] 1924
on paper, unique
Watercolour and graphite on paper
support: 453 x 340 mm frame: 645 x 535 mm
The George Economou Collection
Provenance:
The artist;
Private collection, Karlsruhe;
Villa Grisebach Berlin, 26 November 2010, lot 42;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: verso: ‘Motion sketches of horses with riders’. Charcoal horizontal format.
Place of manufacture: Berlin

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Rudolf Schlichter, Lady with Red Scarf (Speedy with the Moon), 1933

X68312
Lady with Red Scarf (Speedy with the Moon)

[Frauenportrait (Speedy)] 1933
painting
Oil paint on canvas
support: 925 x 645 mm
The George Economou Collection
Provenance:
The artist;
Porro & C., Mailand, Auction 19 May 2009; lot 20
Fischer Kunsthandel, Berlin; (founded 1992)
Galerie Michael Haas, Berlin; (founded 1976)
Private collection, Germany; (Nannen collection??)
Galerie Thomas Schneider, Munich; (founded 1997)
From whom acquired by the present owner in 2012.

Nationality of the artist: German
Identifying marks: signed ‘R. Schlichter’ (lower right), dated ‘1933’ (lower left)
Place of manufacture: Rottenburg, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Werner Schramm
(1898 - 1970)

Werner Schramm, Portrait of a Lady in front of the Pont des Arts, 1930

X68309
Portrait of a Lady in front of the Pont des Arts

[Damenbildnis vor der Pont des Arts] 1930
painting
Oil paint on panel
support: 810 x 610 mm frame: 1025 x 825 mm
The George Economou Collection
Provenance:
[Estate of the artist] until at least 1980:
Remmert und Barth, Düsseldorf; [founded 1980; preceding sales must have been after this time]
Fine Art Trade, Berlin;
Private collection, Germany, before 1997;
Galerie Thomas Schneider, Munich; [founded 1997; preceding sales must have been after this time]
From whom acquired by the present owner in 2012.

Nationality of the artist: German
Identifying marks: monogrammed ‘SW’ and dated ‘1930’ (lower right)
Place of manufacture: Paris [based on artist bio; lived in Meudon between 1926-31]
This work has a complete provenance for the period 1933-45.

Nicolai Wassilieff
(1901 - 1977)

Nicolai Wassilieff, Interior, 1923

X68297
Interior

[Innere] 1923
painting
Oil paint on canvas
support: 410 x 300 mm frame: 595 x 485 mm
The George Economou Collection
Provenance:
Artist until ??;
Ubu Berinson;
From whom acquired by the present owner in 2008.

Nationality of the artist: Russian (-German?)
Identifying marks: signed ‘N. Wassiljeff / Barotinsky’ (lower right)
Verso: ‘Tree’
Place of manufacture: unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dorothea Tanning

Tate Modern (London, UK) from 27 Feb 2019 until 09 Jun 2019.

Dorothea Tanning
(1910-2012, born: Galesburg, died: New York City)

Dorothea Tanning, Birthday, 1942

X69132
Birthday

1942
painting
Oil paint on canvas
object: 1022 x 648 mm
Philadephia Museum of Art. 125th Anniversary Acquisition. Purchased with funds contributed by C. K. Williams, II, 1999 1999-50-1
Provenance:
The artist;
From whom acquired by the present owner, 1999.
This work has a complete provenance for the operative period 1933–45.

Dorothea Tanning, Self-Portrait, 1944

X69131
Self-Portrait

1944
painting
Oil paint on canvas
support: 609 x 762 mm
San Francisco Museum of Modern Art. Purchase, by exchange, through a fractional gift of Shirley Ross Davis
Provenance:
The artist;
From whom acquired by Mrs Mary Louise Johnson, Sedona, Arizona;
From whom acquired by Shirley Ross Davis;
From whom acquired by the present owner, 2014.
Nationality of artist: American
Identifying marks: None or not recorded
Place of manufacture: Not recorded
This work was produced during the operative period 1933–45. Dates of transfer are not known but consultation of appropriate sources give no indication of unlawful taking.

Dorothea Tanning, A Mrs. Radcliffe Called Today, 1944

X69154
A Mrs. Radcliffe Called Today

1944
painting
Oil paint on canvas
support: 460 x 394 mm frame: 654 x 591 mm
Private collection
Provenance:
The artist;
From whom acquired by Thomas Fine Howard, New York, by 1948 and until 1983;
Acquired by a private collector, October 2006;
From whom acquired by the present owner, Christie's London (Lot 00124), The Art of The Surreal, February 4, 2014.
This work has a complete provenance for the operative period 1933–45.

Dorothea Tanning, Endgame, 1944

X69281
Endgame

1944
painting
Oil paint on canvas
object: 430 x 430 mm frame: 560 x 560 mm
Harold (†) and Gertrud Parker Collection
Provenance:
The artist;
Julien Levy, New York;
Acquired by the present owner from Sotheby's, New York (Paintings, Drawings, and Sculpture from the Julien Levy Collection, Nov. 4-5, 1981).
This work has a complete provenance for the operative period 1933–45.

Dorothea Tanning, Costume design for Night Shadow, a ballet by George Balanchine, 1945

X71479
Costume design for Night Shadow, a ballet by George Balanchine

1945
on paper, unique
Watercolour on paper
unconfirmed: 359 x 279 mm
Phildelphia Museum of Art. Gift of Judith Young-Mallin, 2015 2015-65-13
Provenance:
The artist;
From whom acquired by an unknown collector;
From whom purchased by Judith Mallin, The Young-Mallin Archives Collection, New York - Sotheby’s auction “Dance, Theatre, Opera: Costume and Decor Designs, Sculpture Photographs and Books” (Sale no. 4063), New York, cat. no. 113 (one of eight designs), December 15, 1977;
By whom gifted to the present owner, 2015.
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dorothea Tanning, Costume design for Night Shadow, a ballet by George Balanchine, 1945

X71481
Costume design for Night Shadow, a ballet by George Balanchine

1945
on paper, unique
Watercolour and graphite on paper
unconfirmed: 343 x 244 mm
Phildelphia Museum of Art. Gift of Judith Young-Mallin, 2015 2015-65-11
Provenance:
The artist;
From whom acquired by an unknown collector;
From whom purchased by Judith Mallin, The Young-Mallin Archives Collection, New York - Sotheby’s auction “Dance, Theatre, Opera: Costume and Decor Designs, Sculpture Photographs and Books” (Sale no. 4063), New York, cat. no. 113 (one of eight designs), December 15, 1977;
By whom gifted to the present owner, 2015.
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dorothea Tanning, Max in a Blue Boat, 1947

X69133
Max in a Blue Boat

1947
painting
Oil paint on canvas
support: 670 x 570 mm
Max Ernst Museum Brühl des LVR, Kreissparkasse Köln
Provenance:
The artist;
By whom gifted to Max Ernst, 1947;
Thence by descent to Dorothea Tanning, New York, 1976;
By whom gifted to the present owner, 2006.
This work was produced after the operative period 1933–45.

Dorothea Tanning, Maternity, 1946-7

X69190
Maternity

1946-7
painting
Oil paint on canvas
support: 1422 x 1219 mm frame: 1635 x 1305 mm
Private collection
Provenance:
The artist;
By whom consigned to Daniel Varenne Gallery, Switzerland, 1981;
From whom acquired by the present owner, 1980s.
This work was produced after the operative period 1933–45.

Dorothea Tanning, L'Auberge, 1949

X69151
L'Auberge

[The Inn] 1949
on paper, unique
Graphite and collage on paper
object: 502 x 648 mm
Des Moines Art Center's Louise Noun Collection of Art by Women through Bequest, 2003.353
Provenance:
The artist;
From whom acquired by Deedie and Rusty Rose and the Dallas Museum of Art through the General Acquisitions Fund, 2005.
This work was produced after the operative period 1933–45.

Dorothea Tanning, Musical Chairs, 1951

X69223
Musical Chairs

1951
(no classification assigned)
Oil paint on canvas
object: 1162 x 889 mm
Private collection of James J. Apostolakis
Provenance:
The artist;
Alexander Iolas Gallery, New York;
From whom acquired by Ann Apostolakis, 1952;
From whom inherited by the present owner, 2012.
This work was produced after the operative period 1933–45.

Dorothea Tanning, The Guest Room, 1950-2

X69157
The Guest Room

1950-2
painting
Oil paint on canvas
object: 1530 x 1070 mm frame: 1580 x 1120 mm
Private Collection. Courtesy Malingue S.A., Paris
Provenance:
The artist;
From whom acquired by Baron and Baroness Bertie Urvater, Brussels, 1954;
From whom acquired by a private collector;
From whom acquired by the present owner.
This work was produced after the operative period 1933–45.

Dorothea Tanning, The Philosophers, 1952

X69194
The Philosophers

1952
painting
Oil paint on canvas
support: 743 x 908 mm frame: 832 x 983 mm
Private collection
Provenance:
The artist;
From whom acquired by Collection Nellens, Knock-le-Zoute, Belgium 1974;
From whom acquired by the present owner through Francis Briest, Artcurial, 19 June 1990.
This work was produced after the operative period 1933–45.

Dorothea Tanning, La Truite au bleu (Poached Trout), 1952

X69196
La Truite au bleu (Poached Trout)

1952
painting
Oil paint on canvas
support: 400 x 550 mm frame: 533 x 686 mm
Michael Wilkinson, New Orleans, LA
Provenance:
The artist;
From whom purchased by Peter R. Morris, Chicago, IL through Kent Fine Art, New York, 1980s;
Acquired by the present owner through Francis Naumann Gallery, c.2010.
This work was produced after the operative period 1933–45.

Dorothea Tanning, Bayou, 1953

X73287
Bayou

1953
painting
Oil paint on cardboard
support: 380 x 515 mm frame: 508 x 686 x 19 mm
The Byrd Collection, USA
Provenance:
The artist;
By whom gifted to Arturo Schwarz Collection, Milan;
From whom acquired by JSC Modern Art Gallery, Paris;
From whom acquired by the present owner, Blindarte Auction House, Milan (Lot 00055), 4 June 2018.
This work was produced after the operative period 1933–45.

Dorothea Tanning, Touristes de Prague III (Tourists of Prague III), 1961

X69224
Touristes de Prague III (Tourists of Prague III)

1961
painting
Oil paint on canvas
support: 1461 x 981 mm
The Menil Collection, Houston
Provenance:
The artist;
From whom acquired by Alexander Iolas Gallery, New York;
From whom acquired by John and Dominique de Menil, 1963;
From whom acquired by The Menil Foundation, Inc., 1998.
This work was produced after the operative period 1933–45.

Dorothea Tanning, Xmas, 1969

X69213
Xmas

1969
sculpture
Fabric, metal and wool
Body: 1768.5 x 501.7 x 520.7 mm Appendage: 111.1 x 88.9 x 22.2 mm
Los Angeles County Museum of Art, Purchased with funds provided by the 2010 Collectors Committee, with additional funds generously provided by Jodie Evans with Lekha Singh, The Rosenthal Family Foundation, Peg Yorkin, the Kayne Foundation, Susan Adelman in honor of the artist’s 100th birthday, Irene Christopher, Viveca Paulin-Ferrell, American Art Deaccession Funds, Janice G. Gootkin, The Eileen F. and Mort H. Singer, Jr. Family fund in honor of Ilene Susan Fort, and J. Patrice Marandel
Provenance:
The artist (1969 - 1974);
From whom acquired by Galerie Jan Krugier (via Galerie Le Pont Cardinal, Paris, the artist's representative), 1974;
From whom acquired by a private collector, Switzerland (1974-2009);
By whom consigned to Kent Gallery, New York;
From whom acquired by Los Angeles County Museum of Art, 2010.
This work was produced after the operative period 1933–45.

Dorothea Tanning, Study for De quel amour (By What Love), 1969

X69216
Study for De quel amour (By What Love)

1969
on paper, unique
Ink on paper
object: 149 x 60 mm
Suzanne Murphy Collection
Provenance:
The artist;
Thence by descent to The Estate of Dorothea Tanning;
From which purchased by the present owner, Marianne Boesky Gallery / Alison Jacques Gallery, April 2015.
This work was produced after the operative period 1933–45.

Dorothea Tanning, Emma, 1970

X69212
Emma

1970
sculpture
Fabric, wool and lace
object: 6096 x 8128 x 5588 mm
The Nelson-Atkins Museum of Art, Kansas City, Missouri (Purchase: acquired through the generosity of the William T. Kemper Foundation - Commerce Bank, Trustee) 2006.27
Provenance:
The artist;
Kent Fine Art, New York, N.Y.;
From whom acquired by the present owner, 2006.
This work was produced after the operative period 1933–45.

Dorothea Tanning, Cousins, 1970

X69217
Cousins

1970
sculpture
Synthetic fur, wool and steel
object: 1524 x 635 x 533 mm
The Menil Collection, Houston
Provenance:
The artist;
From whom acquired by Galerie Le Point Cardinal, Paris (the artist's representative);
From whom acquired by John and Dominique de Menil, 1971;
From whom acquired by The Menil Foundation, Inc., 1998.
This work was produced after the operative period 1933–45.

Dorothea Tanning, Pincushion to Serve as Fetish, 1979

X69210
Pincushion to Serve as Fetish

1979
sculpture
Black velvet, wood, metal, paint and copper
object: 1079 x 1244 x 1270 mm
Collection of Deedie and Rusty Rose and the Dallas Museum of Art through the General Acquisitions Fund
Provenance:
The artist;
From whom acquired by Deedie and Rusty Rose and the Dallas Museum of Art through the General Acquisitions Fund, 2005.
This work was produced after the operative period 1933–45.

Dorothea Tanning, Maternity V, 1980

X69193
Maternity V

1980
painting
Oil paint on canvas
support: 400 x 500 mm frame: 432 x 530 x 38 mm
Private collection, New York
Provenance:
The artist;
Thence by descent to the Estate of Dorothea Tanning [The Destina Foundation];
By whom consigned to Alison Jacques Gallery, London;
From whom acquired by the present owner, 6 December 2013.
This work was produced after the operative period 1933–45.

Dorothea Tanning
(1910-2012, born: Galesburg, died: New York City)
Max Ernst
(1891-1976, born: Brühl, died: Paris, active: Sedona, Chinon, New York, Cologne, Paris, Bonn)
William N. Copley
(1919-1996, born: New York, active: Paris)

Dorothea Tanning, Max Ernst and William N. Copley, Toy Theater, 1948

X71508
Toy Theater

1948
sculpture
Mixed media
object: 190 x 320 x 90 mm
Private collection
Provenance:
The artist;
By whom gifted to Julien Levy;
From whom purchased at auction by William N. Copley, New York, Sotheby Parke Bernet, New York, Sale 4719M, "Paintings, Drawings, and Sculpture from the Julien Levy Collection", Nov. 4-5, 1981;
From whom acquired by Claire Copley and Alan Eisenberg, New York;
From whom purchased at auction by Max Reed, Sims Reed Ltd. (rare books), London, Sotheby Parke Bernet, New York, Sale NO8755, "Fine Books and Manuscripts", lot 111, June 17, 2011;
From whom acquired by the present owner, Sims Reed Rare Books, Tanning Catalogue #48.4.01, Max Ernst catalogue, 24 June 2011.
This work was produced after the operative period 1933–45.

Pierre Bonnard: The Colour of Memory

Tate Modern (London, UK) from 23 Jan 2019 until 06 May 2019.

Pierre Bonnard
(1867-1947, born: Fontenay-aux-Roses, died: Cannet, le)

Pierre Bonnard, In the Bathroom, 1907

X73260
In the Bathroom

[Dans le cabinet de toilette] 1907
painting
Oil paint on board
support: 1060 x 713 mm frame: 1304 x 951 x 100 mm
Asia Private Collection
Provenance:
Provenance:
The artist;
Acquired Bernheim-Jeune, Paris 1907 (until at least 1966) ;
Basil P. Goulandris, Paris;
Private Collection, Europe (by descent from the above) ;
Acquired by private collector from the above in 2005 ;
Sotheby’s Hong Kong (5th April 2018);
Acquired from the above by the current owner, a private collector.
-This work was produced before the operative period 1933–45 and has a complete provenance.
Nationality of the artist: French
Place of manufacture: France
Identifying marks: Signed lower right, Bonnard 07

Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.2, 1906–1919, Edition Bernheim-Jeune, Paris, 1968. P.93, No.473 (Illustrated, P.92)
Partial Exhibition History
New York, Wildenstein & Co., Exhibition of Paintings by Bonnard, 1934, no. 3
Paris, Galerie Bernheim-Jeune, XXXIV peintures de Pierre Bonnard, 1946, no. 5 (with inverted measurements)
Paris, Musée de l'Orangerie, Bonnard, 1947, no. 45 (titled Jeune femme à sa toilette and incorrectly dated circa 1913)
Venice, XXV Esposizione Internazionale Biennale d'Arte, 1950, no. 6
Rotterdam, Museum Boymans-van Beuningen, Bonnard, 1953, no. 39, illustrated (titled Naakt, zich aankledend)
Lyon, Musée des Beaux-Arts, Bonnard, 1954, no. 28
Paris, Galerie Bernheim-Jeune, Le Nu à travers les Ages, 1954, possibly no. 1 (titled Nu à la toilette and incorrectly dated 1909)
Milan, Palazzo della Permanente, Pierre Bonnard, 1955, no. 23, illustrated (titled Nudo alla toilette) 
Basel, Kunsthalle, Pierre Bonnard, 1955, no. 27, illustrated 
Nice, Musée des Ponchettes, Bonnard, 1955, no. 10, illustrated (titled Nu à la toilette)
Paris, Galerie Bernheim-Jeune, Hommage à Bonnard, 1956, no. 11
Amsterdam, Stedelijk Museum, Europa 1907, 1957, no. 7, illustrated 
Paris, Galerie Bernheim-Jeune, Visages et paysages de Bonnard et Vuillard, 1957, no. 10
London, Royal Academy of Arts, Pierre Bonnard, 1966, no. 71, illustrated 
Oslo, Kunstnerforbundet, Pierre Bonnard, 1966, no. 4
Paris, Galerie Bernheim-Jeune, Coup de chapeau à Bonnard, 1967
Zürich, Kunsthaus, Pierre Bonnard, 1984-1985, no. 43, illustrated in color
Lausanne, Fondation de l'Hermitage, De Cézanne à Picasso dans les collections romandes, 1985, no. 7, illustrated in color
Lausanne, Fondation de l'Hermitage, Pierre Bonnard, 1991, no. 31, illustrated in color
London, Tate Modern, 2005-2017, extended loan
Partial Publication History
Léon Werth, Bonnard, Geneva, 1919, pl. 17, illustrated 
F. J. Beer, Bonnard, 1947, p. 17, illustrated 
Raymond Cogniat, Bonnard, Paris, 1968, p. 17, illustrated (titled Nu and incorrectly dated 1914)

Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate

Pierre Bonnard, Mirror above a washstand, 1908

X69929
Mirror above a washstand

[La Glace du cabinet de toilette] 1908
painting
Oil paint on canvas
unconfirmed, each: 1200 x 970 mm frame: 1395 x 1165 x 70 mm
The Pushkin State Museum of Fine Arts, Moscow
Provenance:
Provenance:
The artist (d.1947);
Acquired by Bernheim-Jeune, 8th Sept 1908;
Sale to J.-A Morosoff, Moscow, 3rd October 1908;
1918-1948, collection of Modern Art Moscow;
From 1948 collection of Pushkin State Museum of Fine Arts.
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Nationality of Artist: French
Place of Manufacture: France
Identifying Marks: Signed lower left
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.2, 1906–1919, Edition Bernheim-Jeune, Paris, 1968. P.108, No.488 (Illustrated, P.109)
 
Partial Exhibition History:
Salon d’Automne, 1908, no. 184
Chefs- d’Œuvre de la peinture français dans les musées de l’Ermitage et de Moscou, Bordeaux-Paris, May 1965 – winter 1966, no. 74
Partial Publication History:
Apollon, 1912, no. 3-4;
Werth, L. Bonnard, Paris, 1923;
Catalogue Musée d’Art Occidental Moderne de Moscou, 1928, no. 21
Réau, L. Catalogue de l’Art Français dans le musées russes, Paris, 1929, p. 96, no. 705
Malitskaïa , K. -M. Le Musée de Moscou, Paris, 1963, p. 192, no. 91
Lender’s address: The Pushkin State Museum of Fine Arts, Ulitsa Volkhonka, 12, Moskva, Russia, 119019

Pierre Bonnard, Dining Room in the Country, 1913

X69301
Dining Room in the Country

[Salle à manger à la campagne] 1913
painting
Oil paint on canvas
unconfirmed: 1645 x 2057 mm frame: 1866.9 x 2324.1 x 114.3 mm
Lent by the Minneapolis Institute of Art, The John R. Van Derlip Fund.
Provenance:
The artist (d.1947);
Acquired by Bernheim Jeune, Paris on 7th November,1913;
Gaston Bernheim de Villers Collection, Paris;
Galerie Sam Salz Inc., New York in 1954;
Private Collection, United States;
Minneapolis Institute of Arts, Minneapolis, Minnesota (John R. Van Derlip Fund), 1954.
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Nationality of the artist: French
Place of manufacture: France
Identifying marks: Signed and dated on bottom right.
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.2, 1906–1919, Edition Bernheim-Jeune, Paris, 1968. P.311, No.763 (Illustrated, P.310)
Partial Exhibition History:
Salon d’Automne, Grand-Palais, Paris, 15th November 1913 – 5th January 1914, no. 217;
Panama Pacific International Exhibition, San Francisco, 1915, no. 259
Exhibition of French and Belgian art selected from the Panama-Pacific Exhibition, Allbright Gallery, Buffalo, 11th March – 19th April 1916, no. 38
Contemporary Art, San Francisco, 1939, no. 4
Paintings and Sculptures from the Minneapolis Institute of Art, New York, Knoedler Galleries, 14th Jan – 2nd Feb 1957
Society of the Four Arts, Palm Beach, 1957, The Phillips Gallery, Washington, Jan – Feb 1958
Bonnard and his environment, Museum of Modern Art, 1964-1965, p.71
Pierre Bonnard, Acquavella Galleries, New York, November 9–December 11, 1965, no. 16 (as "Nappe à carreaux, nature morte").
Summer Loan Exhibition: Paintings, Drawings, and Sculpture from Private Collections, The Metropolitan Museum of Art, New York. July 8–September 6, 1966, checklist no. 3 (as "The Checkered Tablecloth," lent by Mr. and Mrs. Douglas C. Dillon).
New York Collects, The Metropolitan Museum of Art, New York. July 3–September 2, 1968, no. 16 (as "The Checkered Tablecloth," lent anonymously).
Partial Publication History:
Fosca, Fr. Bonnard, p. 52, plate 16
Coquiot, G. Bonnard, p.53
Terrasse, Ch. Bonnard, p.134 and p.136, reproduced. Page 139
Bonnard in L’Amour de l’Art XIVe, no. 04, Germain Bazin, April 1933, p. 83 and p. 89
Besson, G. Bonnard, 1934, plate 34
Courthion, P. Bonnard, peintre du Merveilleux, , p. 36 and p. 39
Art News Annual no.23, p. 36
Pierre Bonnard’s Dining Room in the Country in Minneapolis Institute Bulletin, November 1955, p.41-51
Post-impressionist Bonnard in Art News, May 1956, p. 30, p. 31
Vaillant, A. Bonnard, Neuchâtel, Ides et Calendes, 1965, p.195
Lender’s address: Minneapolis Institute of Art, 2400 3rd Ave S, Minneapolis, MN 55404, USA

Pierre Bonnard, The Misty Bay (Mistral Sky), 1914

X69294
The Misty Bay (Mistral Sky)

[Le Golfe embrumé (Ciel de mistral)] 1914
painting
Oil paint on canvas
unconfirmed: 341 x 531 mm
Kunstmuseum Basel
Provenance:
Provenance:
The artist (d.1947);
Acquired by Bernheim-Jeune;
By sale in 1956 to Richard Doetsch-Benziger, Basel;
Kunstmuseum Basel, legacy Dr. med. h.c. Richard Doetsch-Benziger, Basel 1960. Inv. G 1960.16
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Nationality of Artist: French
Place of Manufacture: France
Identifying Marks: Signed lower left: Bonnard
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.2, 1906–1919, Edition Bernheim-Jeune, Paris, 1968. P.334, No.799 (Illustrated, P.335)
Partial Exhibition History:
Pierre Bonnard, Kunsthalle, Basel, 28th May – 17th June 1955, no. 52
Bonnard, Nice, Musée des Ponchettes, Aug-Sept 1955, no. 17
Pierre Bonnard, Brunsiwck, Haus Salve Hospes, 11th Nov -16th Dec 1956, Musée des Beaux-Arts, 30th Dec 1956 – 3rd Feb 1957, Kunsthaus Lempertz, Cologne, 10th Feb – 10th March 1957, no. 25
Lender Address: Kunstmuseum Basel, St. Alban-Graben 8, Postfach, CH-4010 Basel, Switzerland

Pierre Bonnard, The Checkered Tablecloth, 1916

X69297
The Checkered Tablecloth

[Nappe à carreaux] 1916
painting
Oil paint on canvas
unconfirmed: 508 x 673 mm frame: 584 x 746 x 51 mm
Lent by The Metropolitan Museum of Art, Partial and Promised Gift of Mr. and Mrs. Douglas Dillon, 1998 (1998.412.1)
Provenance:
Provenance:
The artist (d.1947);
Succession Bonnard (Dauberville 883);
Acquavella Galleries, New York;
From whom acquired by Mr. and Mrs. Douglas Dillon, New York (by 1966);
Partial and promised gift to Metropolitan Museum of Art, 1998.

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Nationality of the artist: French
Place of manufacture: France
Identifying marks: Signed (lower left): Bonnard
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.2, 1906–1919, Edition Bernheim-Jeune, Paris, 1968. P.395, No.883 (Illustrated, P.395)

Partial Exhibition History:
New York. Acquavella Galleries. "Pierre Bonnard," November 9–December 11, 1965, no. 16 (as "Nappe à carreaux, nature morte").

New York. The Metropolitan Museum of Art. "Summer Loan Exhibition: Paintings, Drawings, and Sculpture from Private Collections," July 8–September 6, 1966, checklist no. 3 (as "The Checkered Tablecloth," lent by Mr. and Mrs. Douglas C. Dillon).

New York. The Metropolitan Museum of Art. "New York Collects," July 3–September 2, 1968, no. 16 (as "The Checkered Tablecloth," lent anonymously).
Partial Publication History:
Jean and Henry Dauberville. Bonnard: Catalogue raisonné de l'œuvre peint. Vol. 2, 1906–1919. Paris, 1968, p. 395, no. 883, ill., as "Nappe à carreaux" or "Nature morte".

Sabine Rewald in "Recent Acquisitions: A Selection 1998–1999." Metropolitan Museum of Art Bulletin 57 (Autumn 1999), p. 49, ill. (color).
Lender’s address: The Metropolitan Museum of Art, 1000 5th Ave, New York, NY 10028, USA

Pierre Bonnard, Estérel, 1917

X69330
Estérel

[L'Estérel] 1917
painting
Oil paint on canvas
unconfirmed: 560 x 730 mm frame: 923 x 1096 x 128 mm
Stedelijk Museum, Amsterdam
Provenance:
The artist (d.1947);
from whom acquired by Bernheim-Jeune 1917;
where acquired by Paul Vallotton collection, Lausanne, Switzerland;
By sale in 1947 to Stedelijk Museum, Amsterdam.

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Nationality of the artist: French
Place of manufacture: France
Identifying marks: Signed, lower right

Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.2, 1906–1919, Edition Bernheim-Jeune, Paris, 1968. P.407, No.901 (Illustrated, P.407)

Partial Exhibition History:

Bonnard, Œuvres récentes, Galerie Bernheim-Jeune, Paris 25th Oct – 03rd November 1917;
Pierre Bonnard, Cleveland, New York, 1948, no. 36;
Bonnard, Musée Boymans, Rotterdam, 1953
Bonnard, Nive, Musée des Ponchettes, 1955, no. 19
Paintings from the Stedelijk Museum, Amsterdam, Boston, Milwaukee, Colombus, Minneapolis, 1959
Partial Publication History:

Rewald, John, Pierre Bonnard, John Rewald, p.86
Vaillant, A. Bonnard, Neuchâtel, Ides et Calendes, 1965, p.196

Lender’s address: The Stedelijk Museum Amsterdam, Museumplein 10, 1071 DJ Amsterdam, Netherlands

Pierre Bonnard, The Open Window, Yellow Wall, c. 1919

X72674
The Open Window, Yellow Wall

[La Fenêtre ouverte, mur jaune] c. 1919
painting
Oil paint on Canvas
support: 600 x 530 mm frame: 870 x 818 mm
Private Collection
Provenance:
The artist;
Succession Bonnard;
Private collection.

This work was produced before the operative period 1933–45 and has a complete provenance.
Nationality of the artist: French
Place of manufacture: France
Identifying marks: Estate stamp, lower centre
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol. 4 1940–1947 et Supplément 1887–1939, Edition Bernheim-Jeune, Paris, 1974. P.407, No.02151 (Illustrated, P.407)

Lender’s address: Private Collection, c/o Matthew Gale, Head of Displays, Tate Modern

Pierre Bonnard, The Open French Window, Vernon, c.1921

X69733
The Open French Window, Vernon

[Porte-fenêtre ouvèrte, Vernon] c.1921
painting
Oil paint on canvas
unconfirmed: 1140 x 1120 mm frame: 1240 x 1220 x 270 mm
Private Collection
Provenance:
The artist;
Succession no.5121;
Private collection, United Kingdom.

This work was produced before the operative period 1933–45 and has a complete provenance.
Nationality of the artist: French
Place of manufacture: France
Identifying marks: Signed lower right
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.83, No.1065 (Illustrated, P.83)
Partial Exhibition History
Pierre Bonnard, London, 1966 no. 121, p. 103
Partial Publication History
A. Vaillant, Bonnard, 1965, p. 87

Lender’s address: Private Collection, c/o Matthew Gale, Head of Displays, Tate Modern

Pierre Bonnard, Woman at a Table, 1923

X69708
Woman at a Table

[Femme à table] 1923
painting
Oil paint on canvas
unconfirmed: 654 x 420 mm frame: 850.9 x 616 x 76.2 mm
Private Collection
Provenance:
The artist;
By sale in 1923 to Bernheim-Jeune;
By sale to Henri Canonne, Paris (Henri-Edmond Cannone 1899-1961);
By Whom sold to Acquavella Galleries, Inc., New York;
Acquired from the above in September 1983 by A. Alfred Taubman;
Sale Sotheby’s, The Collection of A. Alfred Taubman: Masterworks, 04th November 2015, New York;
To the current owner, a private collector.

This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Nationality of the artist: French
Place of manufacture: France
Identifying marks: Stamped with the signature Bonnard (lower right)

Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.177, No.1211 (Illustrated, P.177)

Partial Exhibition History:

XIX & XX Century Master Paintings, Acquavella Galleries, Inc., New York, 1983, no. 13, illustrated in color in the catalogue 
Pierre Bonnard Retrospective, Kunsthaus Zurich, Zurich, 1984-85, no. 100, illustrated in the catalogue
Walker's Exhibits: Works of Art from the Private Collections of Alumnae Families of The Ethel Walker School, Sotheby's, New York, 1998
Partial Publication History:

La Bulletin de la Vie Artistique, no. 10, Paris, May 5, 1924, illustrated p. 328
Verve, vol. I, no. 3, Paris, 1938, illustrated in color p. 64
Raymond Cogniat, Bonnard, New York, 1968, illustrated in color p. 41 (titled Le déjeuner and as dating from 1922)
Jean & Henry Dauberville, Bonnard, Catalogue Raisonné de l'oeuvre peint 1920-1939, vol. III, Paris, 1973, no. 1211, illustrated p. 177
Architectural Digest, New York, May-June, 1976, illustrated in color p. 66
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate

Pierre Bonnard, Door Opening onto the Garden, c.1924

X69713
Door Opening onto the Garden

[La Porte ouverte sur le jardin] c.1924
painting
Oil paint on canvas
unconfirmed: 1090 x 1040 mm
Private Collection Courtesy of Jill Newhouse Gallery, New York
Provenance:
Provenance:
The artist;
Acquired from the artist by Galerie Bernheim-Jeune, Paris in 1939;
Acquired by Paul Kavli from the above in c. 1940;
By descent, private collection, Norway;
Giraud Pissarro Segalot, New York;
Private collection, USA;
Sold to private collector via Jill Newhouse Gallery in 2014.
- This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Nationality of Artist: French
Place of Manufacture: France
Identifying Marks: Signed lower right

Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.194, No.1232 (Illustrated, P.195)
Partial Publication History:
Pierre Bonnard, Rolf Söderberg, Stockholm, Forum, 1949, p. 58

Pierre Bonnard, Terrace in the South of France, c.1925

X69710
Terrace in the South of France

[Terrasse dans le Midi] c.1925
painting
Oil paint on canvas
unconfirmed: 680 x 730 mm frame: 960 x 1000 x 90 mm
Fonds Glénat, Grenoble, France
Provenance:
The artist (d.1947);
Succession Bonnard no.5 (Dauberville 1295)
Charles Terrasse, Paris, by descent from the above;
Phillip Schuman Foundation, San Francisco, by whom acquired in 1965;
Acquired from the above by the private collector in 1969;
Acquired from the above by present owner in 2016 (Sale 11791-Impressionist & Modern Art Day Sale, Christie’s London; 3 February 2016, Lot 322)

Nationality of Artist: French
Identifying Marks: Estate Stamp (Lugt 3886; lower right)
Place of Manufacture: France
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.243, No.1295 (Illustrated, P.243)
 
Partial Exhibition History:
Bonnard, Wildenstein Gallery, Buenos Aires, 1965, no. 21, p. 35
Buenos Aires, Galerie Wildenstein, Bonnard, July - September 1965, no. 21, p. 19 (illustrated p. 35; titled 'Les terrasses' and dated '1936').
Tokyo, Ninonbashi Takashimaya Art Galleries, Pierre Bonnard, October - November 1980, no. 53 (illustrated pl. 53; titled 'Les terrasses'); this exhibition later travelled to Kobe, Hyogo Prefectural Museum of Modern Art, November - December 1980, Nagoya, Aichi Cultural Centre, January 1981, and Fukuoka, Municipal Museum, January - February 1981.
Geneva, Musée Rath, Pierre Bonnard, April - June 1981, no. 57 (illustrated; titled 'Les terrasses').
New York, Wildenstein, The Inquiring Eye of Pierre Bonnard, November - December 1981, no. 38 (illustrated pl. XXI, p. 69; titled 'Les terrasses').
Madrid, Fundación Juan March, Bonnard, September - November 1983, no. 36 (illustrated); this exhibition later travelled to Barcelona, Sala de la Caixa, December 1983 - January 1984.
Lausanne, Fondation de l'Hermitage, Pierre Bonnard et son monde enchanté, June - October 1991, no. 55, p. 160 (illustrated pl. 55 & p. 160; titled 'Les terrasses').
New York, Pace Wildenstein, Bonnard, Rothko: Color and Light, February - March 1997, pp. 24 & 65 (illustrated p. 25; titled 'The terraces').
Paris, Fondation Dina Vierny - Musée Maillol, Pierre Bonnard, May - October 2000, no. 41, p. 101 (illustrated p. 65).
Tel Aviv, Tel Aviv Museum of Art, Bonnard, November 2000 - February 2001, no. 45, pp. 53 & 122 (illustrated p. 102).
Tokyo, Museum of Fine Arts Sompo Japan Seiji Togo, Exposition Pierre Bonnard, April - June 2004, no. 50, pp. 126, 200 & 206 (illustrated p. 127); this exhibition later travelled to Kagoshima, Municipal Museum of Fine Arts, July - September 2004, and Tokushima, Prefectural Museum of Modern Art, September - November 2004.
Partial Publication History:
A. Vaillant, Bonnard ou le bonheur de voir, Neuchâtel, 1965, no. 139, p. 226 (illustrated pl. 139, dated '1941').
M. Terrasse, Bonnard et Le Cannet, Paris, 1987, p. 122 (titled 'Les murs jaunes', and dated 'circa 1927').

Pierre Bonnard, Basket of Bananas, 1926

X69299
Basket of Bananas

[La Corbeille de bananes] 1926
painting
Oil paint on canvas
unconfirmed: 600 x 641 mm frame: 794 x 832 x 70 mm
Lent by The Metropolitan Museum of Art, Jacques and Natasha Gelman Collection, 1998 (1999.363.7)
Provenance:
Provenance:
The artist (d. 1947)
By sale, December 1928, Bernheim-Jeune, Paris;
[Galerie de l'Art Moderne, Lucerne];
Private collection, Switzerland (in 1948);
Sam Salz, New York, 1949;
By sale Mr. and Mrs. Albert D. Lasker, New York (1949–his d. 1952);
Mrs. Albert D. Lasker, New York (1952–53);
Sam Salz, New York, 1953;
By sale, April 6, 1953, for $14,000, to Jacques and Natasha Gelman, Mexico City and New York (1953–his d. 1986);
Natasha Gelman, Mexico City and New York (1986–d. 1998);
Her bequest to the current owner, The Metropolitan Museum of Art.
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.

Nationality of Artist: French
Place of Manufacture: France
Identifying Marks: Signed lower left
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.256, No.1312 (Illustrated, P.1312)
Lender’s address: The Metropolitan Museum of Art, 1000 5th Ave, New York, NY 10028, USA

Pierre Bonnard, Landscape at Le Cannet, 1928

X72578
Landscape at Le Cannet

[Paysage au Cannet] 1928
painting
Oil paint on canvas
support: 1230 x 2750 mm frame: 1438.3 x 2930.5 x 76.2 mm
Kimbell Art Museum, Fort Worth, Texas. Acquired in 2018, in honour of Kay Fortson, President of the Kimbell Art Foundation, 1975-2017.
Provenance:
Provenance:
Henri Kapferer (1870-1958), Boulogne-Billancourt, France.
Aimé Maeght (1906-1981), Cannes and Paris, by early 1950s;
By descent to his son Adrien (b. 1930) and Paule Maeght, Cannes and Paris;
Acquired by (Richard L. Feigen, New York, 1997);
Private Collection, Chicago;
Private Collection;
(New York, Sotheby’s, November 2, 2005, lot 39);
Wildenstein & Co., New York;
Purchased by Kimbell Art Foundation, 2018.
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Nationality of Artist: French
Place of Manufacture: France
Identifying Marks: Signed lower right
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.319, No.1396 (Illustrated, P.319)
Partial Publication History:
Bonnard, A. Lhote, Ed. du Chêne, 1948, pl. III-IV
Le Bonnard que je propose, Thadee Natanson, 1951, pl. 76
Lender’s address: Kimbell Art Museum, 3333 Camp Bowie Blvd., Fort Worth, Texas 76107.

Pierre Bonnard, Still Life with Bouquet of Flowers or Venus of Cyrene, 1930

X69295
Still Life with Bouquet of Flowers or Venus of Cyrene

[Nature morte au bouquet de fleurs or La Vénus de Cyrène] 1930
painting
Oil paint on canvas
unconfirmed: 600 x 1303 mm
Kunstmuseum Basel
Provenance:
Provenance:
The artist (d. 1947);
Acquired by Bernheim-Jeune;
Galerie Beyeler, Basel;
Fondation Esther Mengold, 1956;
Kunstmuseum Basel, purchase 1997. Inv. G 1956.3.
This work was produced before the operative period 1933–45. Its provenance during these years is fully documented.
Nationality of Artist: French
Place of Manufacture: France
Identifying Marks: Signed and dated lower right: Bonnard / 30 (date only slightly readable)
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.347, No.1437 (Illustrated, P.347)
Partial Exhibition History:
Maîtres de l’Art Moderne, Galerie Beyeler, Basel, 1955, no. 04
Partial Publication History:
André Fermigier: Pierre Bonnard, Paris: Éditions cercle d'art, 1969, p. 37, ill. P. 26
Lender Address: Kunstmuseum Basel, St. Alban-Graben 8, Postfach, CH-4010 Basel, Switzerland

Pierre Bonnard, Grey Nude in Profile, c.1933

X69275
Grey Nude in Profile

[Nu gris de profil] c.1933
painting
Oil paint on canvas
unconfirmed: 1140 x 610 mm frame: 1365 x 842 x 65 mm
The Albertina Museum, Vienna. The Batliner Collection
Provenance:
The artist (d.1947);
Succession Bonnard no.5122;
By descent to Collection Bowers, Paris;
Private Collection, Paris;
Gallery Beyeler, Basel;
Private collection, Principality of Liechtenstein;
The Albertina Museum, Vienna. The Batliner Collection.

This work has a complete provenance for the operative period 1933-45.
Nationality of the artist: French
Place of manufacture: France
Identifying marks: Signed r. u. "Bonnard" (r.u. estate stamp)
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.427, No.1548 (Illustrated, P.428)
Partial Exhibition History:
Venice Biennale, 1950, no. 20
Pierre Bonnard, Haus der Kunst, Munich, 1966-67, no. 118
Pierre Bonnard, Musée de l'Orangerie, Paris, 1967, no. 135
Bonnard, Musée Cantini, 1967, no. 28
Partial Publication History:
VERVE: Couleur de Bonnard, Vol. V, no. 17-18, 1947
R. & H. Batliner Art Foundation (Hg.), Rudolf Koella (Konzept und Red.)/Felix Billeter (Wiss. Mitarb.), Verborgene Meisterwerke (Kat. Best. R. & H. Batliner Art Foundation, Vaduz 2005), Wien 2005, S. 52, Nr. 15, Abb. S. 53;
Klaus Albrecht Schröder (Hg.), Monet bis Picasso. Die Sammlung Batliner, Albertina, Wien 2007/2008, S. 85, Kat. 41;
Ausstellungen (laut Koella/Billeter): XXV. Biennale, Venedig 1950, Nr. 20;
Pierre Bonnard, Royal Academy of Arts, London 1966, Nr. 115;
Pierre Bonnard, Haus der Kunst, München 1966/1967, Nr. 118;
Pierre Bonnard, Orangerie des Tuileries, Paris, 1967, Nr. 135;
Pierre Bonnard, Musée Cantini, Marseille 1967, Nr. 28;
Nudes - Nus - Nackte, Galerie Beyeler, Basel 1984, Nr. 10;
Pierre Bonnard, Kunsthaus Zürich/Städel, Frankfurt am Main, 1984/1985, Nr. 141;
Bonnard. Galerie Salis, Salzburg 1991, Nr. 21;
I love Yellow, Galerie Beyeler, Basel 1996, Nr. 13;
Das Auge des Sammlers - Monet bis Picasso, Bank Austria Kunstforum Wien, 1998, S. 35, Abb. S. 37, Kat. 5;
Bonnard, Tate Gallery London /The Museum of Modern Art, New York 1998, Nr. 74;
Bonnard, Fondation Pierre Gianadda, Martigny 1999, Nr. 56;
Monet bis Picasso. Die Sammlung Batliner, Albertina, Wien 2007/2008, S. 85, Kat. 41
Lender’s address: The Albertina Museum Vienna, Albertinaplatz 1, 1010 Wien, Austria

Pierre Bonnard, Nude in an Interior, c.1935

X69579
Nude in an Interior

[Nu dans un intérieur] c.1935
painting
Oil paint on canvas
unconfirmed, each: 1340 x 692 mm unconfirmed, frame: 1397 x 762 x 38 mm
National Gallery of Art, Washington, Collection of Mr. and Mrs. Paul Mellon, 2006.128.8
Provenance:
Provenance:
The artist (d.1947);
Estate of the artist and the Bowers family (heirs of Mme Pierre Bonnard);
(Acquavlla Galleries, Inc., New York), in 1965;
Paul Mellon [1907-1999], Upperville, Virginia, by 1966;
Bequest 1999 to NGA, with life interest to Mrs. Mellon; life interest released 2006.
The work has a complete provenance for the operative period 1933-45.
Nationality of Artist: French
Place of Manufacture: France
Identifying Marks: Signed upper right: Bonnard
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.2, 1906–1919, Edition Bernheim-Jeune, Paris, 1968. P.273, No.712 (Illustrated, P.273) *dated 1912-1914
 
Partial Exhibition History:
Pierre Bonnard, Acquavella Galleries, New York, 1965, no. 24, repro.
French Paintings from the Collections of Mr. and Mrs. Paul Mellon and Mrs. Mellon Bruce. Twenty-Fifth Anniversary Exhibition 1941-1966. National Gallery of Art, Washington, D.C., 1966, no. 167, repro.
Pierre Bonnard, Fondation Beyeler, Basel, 2012, unnumbered catalogue, repro.
Pierre Bonnard (1867-1947): Painting Arcadia, Musée d'Orsay, Paris; Instituto de Cultura, Fundación MAPFRE, Madrid; California Palace of the Legion of Honor, The Fine Arts Museums of San Francisco, 2015-2016, no. 58, ill. 91 (French cat.); no. 32, cover and repro. (Spanish cat.); no. 97, repro. (English cat.).
Lender’s address: The National Gallery of Art, Constitution Ave NW, Washington, DC 20565, USA

Pierre Bonnard, Large Dining Room Overlooking the Garden, 1934-5

X69702
Large Dining Room Overlooking the Garden

[Grande salle à manger sur le jardin] 1934-5
painting
Oil paint on canvas
unconfirmed: 1268 x 1353 mm
Solomon R. Guggenheim Museum, New York Solomon R. Guggenheim Founding Collection, By gift, 38.432.
Provenance:
Provenance
The artist (d.1947);
Private collection;
from whom purchased by Bernheim-Jeune in 1935;
Pierre Loeb Collection, Paris;
From whom acquired by Solomon R. Guggenheim, New York;
Gift from the above to the Solomon R. Guggenheim Museum in 1938.
The work has a complete provenance for the operative period 1933-45.
Nationality of the artist: French
Place of manufacture: France
Identifying marks: Signed on the bottom left
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.409, No.1524 (Illustrated, P.410)
Partial Exhibition History:
Salon d’Automne, 1935, no. 184
Les Maîtres de l’Art Indépendant, Paris, Petit-Palaid, Jun-Oct 1937, no. 25;
Solomon R. Guggenheim, New York, l’Ateneum Museum, Helsinki, 17th Sept-20th Oct 1957, no. 02
Bonnard and his Environment, New York, Los Angeles, Chicago, 1964-65, no. 57
Pierre Bonnard: The Work of Art, Suspending Time, Musée d’Art Moderne de la Ville de Paris 2006.
Partial Publication History:
VERVE, vol. 1 Dec 1937, p.87
Rewald, J. Bonnard, 1948, p.116
ARTS, no. 668, 30th April 1958
Terrasse, A. Pierre Bonnard, 1964, p. 80
Vaillant, A. Bonnard, 1965, p.209
Lender’s address: Solomon R Guggenheim Museum, 1071 5th Ave, New York, NY 10128, USA

Pierre Bonnard, Self-Portrait, c.1938

X69879
Self-Portrait

[Autoportrait] c.1938
painting
Oil paint on canvas
unconfirmed: 560 x 685 mm frame: 813 x 889 mm
Private Collection
Provenance:
The artist;
from whom acquired by Georges Wildenstein;
Wildenstein Collection, New York.
-This work has a complete provenance for the operative period 1933-45.

Nationality of the artist: French
Place of manufacture: France
Identifying marks: Signed lower right
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.442, No.1565 (Illustrated, P.442)
Partial Exhibition History:
Bonnard, Cleveland and New York, 1948, no. 74, p. 121
L’Œuvre du XXe Siècle, Musée d’Art modern, 1952, no. 06;
Masterpieces of French Paintings through five centuries, 1400 – 1900, Idssc Delgado Museum of Art, 17th October 1953 – 10th January 1954, no. 82
Bonnard, Society of the Four Arts, 4-27 Jan 1957, no. 25
Bonnard and His Environment, New York, Los Angeles, Chicago, 1964-65, no. 66, p. 49
Bonnard, Wildenstein Gallery, Buenos Aires, 1965, no. 1
Partial Publication History:
Bonnard, J. Rewald, 1948, p. 121
Bonnard, G. Besson, Paris ed. S.d., plate. 50
Vogue, Paris, June 1952, p. 45

Lenders address: Private Collection, c/o Matthew Gale, Head of Displays, Tate Modern.

Pierre Bonnard, The Checkered Tablecloth, 1939

X69277
The Checkered Tablecloth

[Corbeille et assiette de fruits sur la nappe à carreaux rouges] 1939
painting
Oil paint on canvas
unconfirmed: 584 x 584 mm
The Art Institute of Chicago, Gift of Mary and Leigh Block, 1988.141.4
Provenance:
Provenance:
The artist (d.1947);
Galerie O. Pétrides, Paris, by 1943;
Jacques Lindon, New York, by August 1948;
Sold to Mr. and Mrs. Leigh B. Block, Chicago, August 1948;
Given to the Art Institute, April 1988 (Gift of Mary and Leigh Block, 1988.141.4).
This work has a complete provenance for the operative period 1933-45.
Nationality of Artist: French
Place of Manufacture: France
Identifying Marks: Signed, l.r.: "Bonnard"
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.448, No.1575 (Illustrated, P.448)
Exhibition History
Paris, Galerie Pétridès June-July 1943, no.12 (repr.)
Chicago, Art Institute, Chicago Collectors, September 20–October 27, 1963, n.p., as Still Life, 1939.
Washington, D.C., National Gallery of Art, 100 European Paintings & Drawings from the Collection of Mr. & Mrs. Leigh B. Block, May 4–June 11, 1967, n.p. (ill.), cat. 28, as Still Life, c. 1939; traveled to Los Angeles, County Museum of Art, September 21–November 2, 1967.
Boston, Museum of Fine Arts, One Hundred European Paintings & Drawings from the Collection of Mr. & Mrs. Leigh B. Block, February 2–April 11, 1968, n.p. (ill.), cat. 29, as Still Life, c. 1939.
Saint Paul-de-Vence, Fondation Maeght, Bonnard dans sa lumière, July 12–September 28, 1975, pp. 88, cat. 59, opp. 88 (ill.), 118, as Sur la nappe a carreaux, c. 1939.
Tokyo, Art Life, Ltd. (organizer), Pierre Bonnard; traveled to Tokyo, Isetan Museum of Art, Shinjuku, July 4–30, 1991, n.p., cat. 54 (ill.), p. 157, as Corbeille et assiette de fruits sur la nappe à carreaux rouges, c. 1939; traveled to Nara, Sogo Museum of Art, August 7–September 1, 1991; Yokohama, Sogo Museum of Art, September 7–October 10, 1991; and Fukuoka, Art Museum, October 17–November 10, 1991.
Chicago, Arts Club, Seventy-Fifth Anniversary Exhibition, 1916-1991, May 11–June 26, 1992, pp. 83 (ill.), 101, as The Checkered Tablecloth, 1939.
Art Institute of Chicago and Asahi Shimbun (organizers), Masterworks of Modern Art from The Art Institute of Chicago, pp. 128, 129 (ill.), cat. 40, as The Checkered Tablecloth, 1939; traveled to Nagaoka, Niigata Prefectural Museum of Modern Art, April 20–May 29, 1994; Nagoya, Aichi Prefectural Museum of Art, June 10–July 24, 1994; and Yokohama Museum of Art, August 6–September 25, 1994.

Pierre Bonnard, Seashore, Red Field, c.1939

X69881
Seashore, Red Field

[Bord de la mer, champ rouge] c.1939
painting
Oil paint on canvas
unconfirmed: 345 x 500 mm
Private Collection
Provenance:
Provenance:
The artist;
Succession the Estate of the Artist;
Salander-O'Reilly Galleries, New York;
Mitchell Innes and Nash, New York;
Steven Hahn & Co., New York (before 1993);
Sale: Sotheby's, New York, 11th November 1999, lot 293
Purchased at the above sale by a private collector;
Sale: Sotheby’s, London, 9th February 2005, lot 441
Purchased at the above sale by the present owner, a private collector.
-This work has a complete provenance for the operative period 1933-45.
Nationality of Artist: French
Place of Manufacture: France
Identifying Marks: Signed lower right, Stamped P. Bonnard (lower left)
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.439, No.1561 (Illustrated, P.439)
Partial Exhibition History:
Humblebæk, Louisiana Museum, Pierre Bonnard, 1992-3, no. 96, illustrated in the catalogue
Hamburg, Kunstsammlung Nordrhein-Westfalen, Pierre Bonnnard: Das Glück zu Malen, 1993, no. 55, illustrated in the catalogue
New York, Pace Wildenstein Gallery, Bonnard / Rothko, Color and Light, 1997
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate

Pierre Bonnard, Landscape in the South of France, 1939

X72949
Landscape in the South of France

[Paysage du Midi] 1939
painting
Oil paint on canvas
unconfirmed: 400 x 750 mm
Private collection, Germany
Provenance:
Provenance:
The artist (d.1947);
Robert de Bolli, Paris (Dauberville 1569);
Marlborough Fine Art Ltd. London;
M. Knoedler & Co., New York (in March 1953);
Acquired from the above by Fine Art Associates (Otto Gerson), New York, in June 1953;
Gwendolyn Carfitz, Washington;
By whom sold Parke-Bernet, New York, April 26, 1972 (No. 26);
Where acquired by Marlborough Galery Inc., New York;
Private collection, Japan
By whom sold Sotheby's New York, Impressionist & Modern Art Part One, 9.
November 2000, Lot No. 53.;
Where acquired by a private collection;
By whom sold Christie's London, Impressionist & Modern Art Day Sale, 5 February 2002, Lot No. 213;
Where acquired by Salis & Vertes, Salzburg;
Acquired from the above by Private Collector (2003).
This work has a complete provenance for the operative period 1933-45.
Nationality of Artist: French
Place of Manufacture: France
Identifying Marks: Signed, low centre
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.445, No.1569 (Illustrated, P.445)
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate

Pierre Bonnard, Woods in Autumn, c.1939

X73357
Woods in Autumn

[Bois en automne] c.1939
painting
Oil paint on canvas laid down on panel
image: 460 x 710 mm frame: 620 x 870 x 50 mm
Nahmad Collection
Provenance:
Provenance:
The artist [d. 1947];
Collection Bernheim-Jeune, Paris [in 1953];
By sale to Daniel Wildenstein, Paris;
Sale Galerie Charpentier, Paris, 12 December 1953, lot 5;
Galerie Beyeler, Basel (1957);
Emil Hartmann, Zurich & André Hegnauer, Geneva (by 1958);
Sale Galerie Charpentier, Paris, 6 June 1959, lot E
To Private Collection (purchased at the above sale);
Sale Hôtel Drouot, Paris, 15th November 1994, lot 18
To Private Collection (purchased at the above sale);
Sale Christie's New York: Thursday, May 7, 2009 [Lot 00259] Impressionist and Modern Day Sale
To Private Collection (purchased at the above sale);
Sale Sotheby's London: Thursday, February 4, 2016 [Lot 00203] Impressionist & Modern Art Day Sale
To Current Owner (purchased at the above sale).
This work has a complete provenance for the operative period 1933-45.
Nationality of the artist: French
Place of manufacture: France
Identifying marks: Signed lower right: Bonnard
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.444, No.1567 (Illustrated, P.444)
Partial Exhibition History:
O'Hana Gallery, French Masters of the XIXth and XXth Centuries, London, 10 June-31 July 1953, no. 4.
Paris, Maison de la Pensée Française, Bonnard, 1955, no. 38
Brunswick, Haus Salve Hospes; Kunsthalle Bremen and Cologne, Kunsthaus Lempertz, Pierre Bonnard, November 1956 – March 1957, no. 41
Partial Publication History:
Spar, Francis, Annuaire du Collectionneur, 1951 à 1955, Paris, 1956, p.112
Arts, no. 728, 24 June 1959, p. 15
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate

Pierre Bonnard, The Dessert, c.1940

X69289
The Dessert

[Le Dessert] c.1940
painting
Oil paint on canvas
unconfirmed: 463 x 653 mm frame: 536 x 726 x 48 mm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Provenance:
Provenance:
The artist (d.1947);
Collection Pétrides by 1944 (when published by Andre Lhote);
Probably acquired by Tannenbaum Gallery, New York (date unknown);
Acquired by Sonja Henie and Niels Onstad, New York/Oslo by 1957;
From 1963, Niels Onstad Foundation, Oslo;
From 1968, Henie Onstad, Kunstsenter, Hovikodden;
By whom sold at Christie’s London 7th Feb 2005 (Lot 18);
Where acquired by Fondation Beyeler Riehen/Basel, Beyeler Collection 2005.
This work has a complete provenance for the operative period 1933-45.
Nationality of Artist: French
Place of Manufacture: France
Identifying Marks: signed lower right: Bonnard
Catalogue Raisonné:
Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol. 4 1940–1947 et Supplément 1887–1939, Edition Bernheim-Jeune, Paris, 1974. P.31, No.1589(Illustrated, P.31)
Lender’s address: Fondation Beyeler, Baselstrasse 101, 4125 Basel, Switzerland

Pierre Bonnard, Red Roofs at Le Cannet, c.1941

X69732
Red Roofs at Le Cannet

[Toits rouges au Cannet] c.1941
painting
Oil paint on canvas
unconfirmed: 570 x 960 mm frame: 749.3 x 1124 x 63.5 mm
Private Collection
Provenance:
The artist;
Succession Bonnard (Dauberville 1605);
Private Collector, Germany, by 1966;
Collection L.F., Great Britain;
Purchased by Private Collector from Wildenstein & Co., New York, NY 10021 in March 2003.

This work has a complete provenance for the operative period 1933-45.
Nationality of the artist: French
Place of manufacture: France
Identifying marks: Stamped lower right: Bonnard

Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol. 4 1940–1947 et Supplément 1887–1939, Edition Bernheim-Jeune, Paris, 1974. P.43, No.1605 (Illustrated, P.43)
Partial Exhibition History:


Melbourne, National Gallery of Victoria; Adelaide, Art Gallery of South Australia; Sydney, Art Gallery of New South Wales; Perth, Western Australian Art Gallery, Pierre Bonnard, 23 June – 30 September, 1972, no. 21, illustrated
Johannesburg, Art Gallery, Pierre Bonnard, 6 December 9171 – 9 January 1972, No. 21, illustrated.
São Paulo, Museu de Arte, Pierre Bonnard, March 1972, no. 21 Illustrated, Albi, Musée Toulouse-Lautrec, Pierre Bonnard, June – September 1972, no. 21.
Saint-Paul, Fondation Maeght, Bonnard dans sa lumière, 12 July – 28 September 1975, no. 64, Illustrated, p. 95.
London, Tate Gallery, Bonnard, catalogue by S. Whitfield, 12 February -17 May, 1998, no. 82, Illustrated in color. New York, The Museum of Modern Art 17 June – 13 October 1998

Partial Publication History:

A. Vaillant. Bonnard ou le bonheur de voir. Neuchâtel, 1965, illustrated, p. 159 (in colour).
Denis Sutton, Pierre Bonnard, Royal Academy of Arts, London. 6 January- 13 March, 1966, No. 195
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate

Pierre Bonnard, Panoramic view of Le Cannet, 1941

X69873
Panoramic view of Le Cannet

[Vue panoramique du Cannet] 1941
painting
Oil paint on canvas
unconfirmed: 800 x 1040 mm frame: 1021 x 1244 x 305 mm
Private Collection
Provenance:
The artist;
Succession Bonnard (Dauberville 1606);
Private collection, U.S.A.
-This work has a complete provenance for the operative period 1933-45.
Partial Exhibition History:
Pierre Bonnard, London, 1966, bo. 192, p. 98 (titled: Paysage, vu des toits, ca. 1926-30)
Partial Publication History:
Bonnard, A. Vaillant, 1965, p. 141
Nationality of the artist: French
Place of manufacture: France
Identifying marks: Estate stamp, lower right
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol. 4 1940–1947 et Supplément 1887–1939, Edition Bernheim-Jeune, Paris, 1974. P.44, No.1606 (Illustrated, P.44)
Lender’s address: Private Collection, c/o Matthew Gale, Head of Displays, Tate

Pierre Bonnard, Still Life with Bottle of Red Wine, 1942

X69697
Still Life with Bottle of Red Wine

[Nature morte à la bouteille de vin rouge] 1942
painting
Oil paint on canvas
unconfirmed: 650 x 540 mm
Pilar Crespi Robert and Stephen Robert Collection
Provenance:
The Artist (d.1947);
Costa de Beauregard, Paris;
Vente Palais Galleria, Paris, 1961-June-21, lot 38;
Heinz Berggruen, Paris (acquired in 1961);
Collection Wendell Cherry;
Galerie Cazeau-Beraudiere;
Collection of Stephen Robert and Pilar Crespi Robert, New York (acquired in 1999).
Nationality of Artist: French
Place of Manufacture: France
Identifying Marks: Signed on bottom left.
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol. 4 1940–1947 et Supplément 1887–1939, Edition Bernheim-Jeune, Paris, 1974. P.53, No.1621 (Illustrated, P.53)

Partial Exhibition History:
Saint-Paul-de-Vence, Fondation Maeght, Bonnard dans sa Lumière, 1975, no. 66
Paris, Centre Georges Pompidou, Musée National d’art modern, Bonnard, 1984, no. 55
Washington, D.C., The Phillips Collection; Dallas, Dallas Museum of Art, Bonnard: The Late Paintings, 1984, no. 58
Yamanashi, Shirakaba Kiyoharu Museum of Art; Yamaguchi, Municipal Museum; Yokohama, Takashimaya Art Museum, Verve, Hommage à Tériade, 1987-88, no. 17
Genève, Musée d’art et d’histoire, Collection Berggruen, 1988, no. 28
Martigny, Fondation Pierre Gianadda, Bonnard, 299-June-11—1999-November-14, no. 62, p. 158 (illus. in color, p. 159)
New York, The Metropolitan Museum of Art, Pierre Bonnard: the Late Still Lives and Interiors, 2009-January-27—2009-April-19, no. 65 (illus. in color, p. 158)

Partial Publication History:
Art & Auction, vol. 5, no.110, 1961-September-15, p. 336

Pierre Bonnard, The Bath, 1942

X71663
The Bath

[La Baignoire] 1942
on paper, unique
Gouache, pastel and crayon on paper
unconfirmed: 502 x 654 mm
Art Cuéllar-Nathan, Zurich
Provenance:
Provenance:
The artist (d.1947);
Louis Carré, Paris;
JPL Fine Arts, London;
Mr. J. Dellal (until at least 1998);
Neffe-Degandt Fine Art, London;
Acquired from the above by private collector;
Sale: Sotheby’s, London, February 5, 2014, [lot 22];
Acquired from the above by private collector;
Sale: Sotheby's New York: Friday, November 6, 2015 [Lot 00199];
Acquired from the above by private collector.
Nationality of Artist: French
Place of Manufacture: France
Identifying Marks: Signed Bonnard (lower left)
Partial Exhibition History:
Pierre Bonnard, Ker-Xavier Rouseel, Edouard Vuillard, JLP Fine Art, London, March-May 1981, no.10.
London, Hayward Gallery, Bonnard at Le Bosquet, 1994, no. 41

London, Tate Gallery, Bonnard, 1998, no. 110, illustrated in color in the catalogue

Pierre Bonnard, Peaches and Grapes on a Red Tablecloth, c.1943

X69869
Peaches and Grapes on a Red Tablecloth

[Pêches et raisins sur une nappe rouge] c.1943
painting
Oil paint on canvas
unconfirmed: 470 x 320 mm frame: 648 x 501 x 45 mm
Private Collection
Provenance:
The artist;
Succession Bonnard (Dauberville 1631);
Private collection.
This work has a complete provenance for the operative period 1933-45.
Nationality of the artist: French
Place of manufacture: France
Identifying marks: Estate stamp, lower right
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol. 4 1940–1947 et Supplément 1887–1939, Edition Bernheim-Jeune, Paris, 1974. P.62, No.1631 (Illustrated, P.62)
Partial Exhibition History:
Bonnard and His Environment, New York, Los Angeles, Chicago, 1964-65, no. 70, p. 59
Bonnard, Wildenstein Gallery, Buenos Aires, 1965, no. 1
Bonnard, Tokyo-Kyoto, 1968, no. 71, plate. 132
Partial Publication History:
A. Vaillant, Bonnard, 1965, p. 143
R. Cogniat, Bonnard, 1968, p. 82

Lender’s address: Private Collection, c/o Matthew Gale, Head of Displays, Tate Modern

Pierre Bonnard, Steps in the Artist's Garden, 1942-4

X69580
Steps in the Artist's Garden

[L'Escalier dans le jardin de l'artiste] 1942-4
painting
Oil paint on canvas
support: 630 x 730 mm unconfirmed, frame: 924 x 1022 x 95 mm
National Gallery of Art, Washington, Alisa Mellon Bruce Collection, 1970.17.11
Provenance:
Provenance:
The artist (d.1947);
By inheritance to the Bonnard-Terrasse family, Paris;
Private collection, Los Angeles;
Wildenstein Gallery, New York;
Sold to Alice Mellon Bruce Collection [1901-1969], New York on 15 June 1965;
Gift to the National Gallery of Art, Washington, USA in 1970
The work has a complete provenance for the operative period 1933-45.
Nationality of the artist: French
Place of manufacture: France
Identifying marks: Estate Stamp on bottom left.
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol. 4 1940–1947 et Supplément 1887–1939, Edition Bernheim-Jeune, Paris, 1974. P.28, No.1583 (Illustrated, P.28)
Lender’s address: The National Gallery of Art, Constitution Ave NW, Washington, DC 20565, USA

Pierre Bonnard, Self-Portrait, 1945

X69288
Self-Portrait

[Autoportrait] 1945
painting
Oil paint on canvas
unconfirmed: 555 x 460 x 20 mm frame: 785 x 685 x 85 mm
Foundation Bemberg Toulouse, France
Provenance:
The artist (d.1947);
Galerie Sam Saltz, New York;
By sale 3rd May 1949 to Mr and Mrs Donald S. Stralem collection;
Mr and Mrs Donald S. Stralem collection, Chicago and New York, 1965;
George Bemberg Collection;
Fondation Bemberg, Toulouse.

The work has a complete provenance for the operative period 1933-45.
Nationality of the artist: French
Place of manufacture: France
Identifying marks: Signed on bottom right
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol. 4 1940–1947 et Supplément 1887–1939, Edition Bernheim-Jeune, Paris, 1974. P.83, No.1663 (Illustrated, P.83)
Partial Exhibition History:

Portrait de Bonnard, Nice, 1945
Galerie Maeght, Paris, 1946
Impressionists and Post-Impressionists, Virginia Museum of Art, Richmond, 1950
Bonnard, Musée Boymans, Rotterdam, 1953
Fort Worth Art Center, Texas, 1954
Pierre Bonnard, Paul Rosenberg & Co. 12th March – 17th April 1956, no. 22, reproduced p. 19
Pierre Bonnard, The Society of the Four Arts, Palm Beach, Florida, 4-27 January, 1957, no. 27
Bonnard and his Environment, New York, Los Angeles, Chicago, 1964-65, no. 80
Pierre Bonnard, Musée de l'Orangerie, Paris, 1967, no. 151
Bonnard, Tate Gallery, London, 12th February – 17th May 1998
Bonnard, The Museum of Modern Art, 17th June – 13th October 1998
Partial Publication History:

France-Illustration, no. 71 (8th Feb 1947), p.145
Beer , François-Joachim Pierre Bonnard, 1947, Marseilles, reproduced in colour pl. XXIV, p.148
Natanson, Thadee, Le Bonnard que je propose, 1951, pl. 93
Bonnard, H Rumpel, Berne, Scherz Verlad, 1952, no. 53
Art News, t. 55, no. 02, April 1956
Bonnard, A. Terrase, 1964, p.84;
Les plus beaux tableaux de Bonnard à l’Orangerie, in Nouvelles Littéraires, A. Vaillant, 12th January 1967, p.9
Bonnard, A. Fermigier, 1967, p.41
Whitfield, Sarah and Elderfield, John Bonnard, The Museum of Modern Art, Harry N. Abrams, Inc., Publishers (New York), 1998, p.242
Lender’s address: Fondation Bemberg, Place d'Assezat, 31000 Toulouse, France

Pierre Bonnard, Young Women in the Garden, 1921-3/1945-6

X69726
Young Women in the Garden

[Jeunes femmes au jardin] 1921-3/1945-6
painting
Oil paint on canvas
unconfirmed: 605 x 770 mm
Private Collection
Provenance:
Provenance:
The artist (d.1947);
Succession Bonnard no.5155 (Dauberville 1103);
Collection Charles Terrasse.
This work has a complete provenance for the operative period 1933-45
Nationality of the artist: French
Place of manufacture: France
Identifying marks: Signed lower left
Catalogue Raisonné: Jean and Henry Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol.3, 1920–1939, Edition Bernheim-Jeune, Paris, 1973. P.107, No.1103 (Illustrated, P.107)
Partial Exhibition History:
Pierre Bonnard, London, 1966, no. 51
Pierre Bonnard, Kunstnerforbunfet, Oslo, 24 Mar – 26 April 1966, no. 26
Bonnard, Galerie Kruhier, Geneva, June 1969, no, 17
Bonnard, Villa Médicis, 18th Nov 1971 – 23rd Jan 1972, Musée d’Art Moderne, Turin, 01st – 28th Feb 1972, no.11
Partial Publication History:
Terrasse A., Pierre Bonnard, 1967, p.129
Vaillant A. Les plus beaux tableaux de Bonnard à l’Orangerie, in Nouvelles Littéraires, 12th January 1967, p.9
Bonnard in Suites 23, ed. Galerie Krugier, Geneva, June 1969, no. 17
Bonnard-Matissem L’Art modern du Monde, 1972, p.120, plate. 22
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate

Franz West

Tate Modern (London, UK) from 19 Feb 2019 until 02 Jun 2019.

Franz West
(1947-2012, born: Vienna)

Franz West, Empörung, 1972

X71411
Empörung

1972
on paper, unique
Gouache on paper
support: 145 x 205 mm
Private collection. Courtesy David Zwirner New York/London/Hong Kong
Provenance:
The artist;
Private Collection, 1972;
Private collection, New York, acquired 12 May 2015, Im Kinsky, Vienna (lot 74)
Lender’s address: Private collection c/o David Zwirner, 537 West 20th Street, New York, NY 10011, USA
Nationality of Artist: Austrian
Identifying marks: Signed and dated centre right
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Sex Trivial, 1972

X71412
Sex Trivial

1972
on paper, unique
Gouache on paper
143 x 210 mm
Private collection. Courtesy David Zwirner New York/London/Hong Kong
Provenance:
The artist;
Private collection, 1972;
Private collection, acquired 12 May 2015, Im Kinsky, Vienna (lot 71)
Lender’s address: Private collection c/o David Zwirner, 537 West 20th Street, New York, NY 10011, USA
Nationality of Artist: Austrian
Identifying marks: Signed and dated centre right
Place of manufacture: Vienna
This work was made after the operative period 1933-45.

Franz West, Untitled, 1972

X71413
Untitled

1972
on paper, unique
Gouache on paper
support: 135 x 205 mm
Private collection. Courtesy David Zwirner New York/London/Hong Kong
Provenance:
The artist;
Private collection, 1972;
Private collection, New York, acquired 12 May 2015, Im Kinsky, Vienna (lot 79)
Lender’s address: Private collection c/o David Zwirner, 537 West 20th Street, New York, NY 10011, USA
Nationality of Artist: Austrian
Identifying marks: Signed and dated, bottom left
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Untitled, 1972

X71414
Untitled

1972
on paper, unique
Gouache on paper
support: 142 x 210 mm
Private collection. Courtesy David Zwirner New York/London/Hong Kong
Provenance:
The artist;
Private Collection, Vienna, 1970s;
Private collection, New York, acquired 12 May 2015, Im Kinsky, Vienna (lot 80)
Lender’s address: Private collection c/o David Zwirner, 537 West 20th Street, New York, NY 10011, USA
Nationality of Artist: Austrian
Identifying marks: Signed and dated centre left
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Untitled, 1972

X71415
Untitled

1972
on paper, unique
Gouache on paper
support: 135 x 205 mm
Private collection. Courtesy David Zwirner New York/London/Hong Kong
Provenance:
The artist;
Private collection, Vienna;
Private collection, New York, acquired 12 May 2015, Im Kinsky, Vienna (lot 75)
Lender’s address: Private collection c/o David Zwirner, 537 West 20th Street, New York, NY 10011, USA
Nationality of Artist: Austrian
Identifying marks: Signed and dated centre left
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Untitled, 1972

X71416
Untitled

1972
on paper, unique
Gouache on paper
support: 150 x 210 mm
Private collection. Courtesy David Zwirner New York/London/Hong Kong
Provenance:
The artist;
Private Collection, Vienna, 1970s;
Private collection, New York, acquired 12 May 2015, Im Kinsky, Vienna (lot 76)
Lender’s address: Private collection c/o David Zwirner, 537 West 20th Street, New York, NY 10011, USA
Nationality of Artist: Austrian
Identifying marks: Signed and dated centre right
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Untitled, 1972

X71417
Untitled

1972
on paper, unique
Gouache on paper
support: 145 x 210 mm
Private collection. Courtesy David Zwirner New York/London/Hong Kong
Provenance:
The artist;
Private collection, Vienna, 1970s;
Private collection, New York, acquired 12 May 2015, Im Kinsky, Vienna (lot 72)
Lender’s address: Private collection c/o David Zwirner, 537 West 20th Street, New York, NY 10011, USA
Nationality of Artist: Austrian
Identifying marks: Signed and dated centre right
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Untitled, 1972

X71418
Untitled

1972
on paper, unique
Gouache on paper
143 x 210 mm
Private collection. Courtesy David Zwirner, New York/London/Hong Kong
Provenance:
The artist;
Private collection, Vienna, 1970s;
David Zwirner, New York, acquired 12 May 2015, Im Kinsky, Vienna (lot 73)
Lender’s address: Private collection c/o David Zwirner, 537 West 20th Street, New York, NY 10011, USA
Nationality of Artist: Austrian
Identifying marks: Signed and dated centre right
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Untitled, 1972

X71419
Untitled

1972
on paper, unique
Gouache on paper
143 x 210 mm
Private collection. Courtesy David Zwirner, New York/London/Hong Kong
Provenance:
The artist;
Private collection, Vienna, 1970s;
David Zwirner, New York, acquired 12 May 2015, Im Kinsky, Vienna (lot 78)
Lender’s address: Private collection c/o David Zwirner, 537 West 20th Street, New York, NY 10011, USA
Nationality of Artist: Austrian
Identifying marks: Signed and dated centre left
Place of manufacture: Vienna, Austria
 
This work was made after the operative period 1933-45.

Franz West, Untitled, 1972

X71420
Untitled

1972
on paper, unique
Gouache on paper
support: 115 x 205 mm
Private collection. Courtesy David Zwirner New York/London/Hong Kong
Provenance:
The artist;
Private collection;
Galerie 10, Vienna, Austria;
Private collection, New York, 2015
Lender’s address: Private collection c/o David Zwirner, 537 West 20th Street, New York, NY 10011, USA
Nationality of Artist: Austrian
Identifying marks: Signed and dated centre
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Untitled, 1974

X70139
Untitled

1974
sculpture
Rubber sandals, lacquer and wood
1290 x 800 x 115 mm
Matthys-Colle Collection / Museum Dhondt-Dhaenens, Deurle, Belgium
Provenance:
The artist;
Bärbel Grässlin, Frankfurt am Main
Matthys-Colle Collection, May 1994
Lender’s address: Matthys-Colle Collection c/o Museum Dhondt-Dhaenens, Museumlaan 14, BE-9831 Deurle, Belgium
Nationality of Artist: Austrian
Identifying marks: none
Place of manufacture: Vienna
This work was made after the operative period 1933-45.

Franz West, Untitled (Zeichnung im Aktionismusgeschmack), 1974

X71422
Untitled (Zeichnung im Aktionismusgeschmack)

1974
on paper, unique
Pen, colouring pen on paper
support: 210 x 145 mm
Private collection. Courtesy David Zwirner New York/London/Hong Kong
Provenance:
The artist;
Franz West Privatstiftung, Vienna;
Private collection, New York, 2014
Lender’s address: Private collection c/o David Zwirner Gallery, 537 West 20th Street, New York, NY 10011, USA
Nationality of Artist: Austrian
Identifying marks: Signed and dated bottom left
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Untitled (Serie: Das Kritische Blatt), 1975

X65909
Untitled (Serie: Das Kritische Blatt)

1975
on paper, unique
Ballpoint pen on coloured paper
image: 194 x 194 mm
Robert Lehman Endowment Fund for Acquisitions by the Department of Drawings, The Museum of Modern Art, New York
Provenance:
The artist;
Private collection, Vienna
Private dealer, Innsbruck
Galerie Eva Presenhuber, Zürich, 2003
The Museum of Modern Art, New York. Purchased from the above, 2016
Lender’s address: 11 West 53 Street, New York, NY 10019
Nationality of Artist: Austrian
Identifying marks: Signed and dated top right
Place of manufacture: Austria
This work was made after the operative period 1933-45.
Bibliography:
Franz West, Proforma. ed. Eva Badura-Triska (Vienna: Museum moderner Kunst Stiftung Ludwig, 1996)

Franz West, Untitled (Series: The Tendentiously Marxist), 1975

X65910
Untitled (Series: The Tendentiously Marxist)

1975
on paper, unique
Ballpoint pen and graphite on coloured paper
image: 197 x 279 mm
Robert Lehman Endowment Fund for Acquisitions by the Department of Drawings, The Museum of Modern Art, New York
Provenance:
The artist;
Private collection, Vienna
Private dealer, Innsbruck
Galerie Eva Presenhuber, Zürich, 2005
The Museum of Modern Art, New York. Purchased from the above, 2016
Lender’s address: 11 West 53 Street, New York, NY 10019
Nationality of Artist: Austrian
Identifying marks: Signed and dated center
Place of manufacture: Austria
This work was made after the operative period 1933-45.
Bibliography: Franz West, Proforma. ed. Eva Badura-Triska (Vienna: Museum moderner Kunst Stiftung Ludwig, 1996)

Franz West, Untitled, 1975

X65911
Untitled

1975
on paper, unique
Ballpoint pen on coloured paper
image: 225 x 318 mm
Robert Lehman Endowment Fund for Acquisitions by the Department of Drawings, The Museum of Modern Art, New York
Provenance:
The artist;
Private collection, Vienna
Private dealer, Innsbruck
Galerie Eva Presenhuber, Zürich, 2005
The Museum of Modern Art, New York. Purchased from the above, 2016
Lender’s address: 11 West 53 Street, New York, NY 10019
Nationality of Artist: Austrian
Identifying marks: Signed and dated center
Place of manufacture: Austria
This work was made after the operative period 1933-45.
Bibliography: Franz West, Proforma. ed. Eva Badura-Triska (Vienna: Museum moderner Kunst Stiftung Ludwig, 1996)

Franz West, Untitled (Serie: Experimentelle Auslotung und Durchleuchtung rein verbaler Ausdrucksmittel in der Graphik heute), 1975

X65912
Untitled (Serie: Experimentelle Auslotung und Durchleuchtung rein verbaler Ausdrucksmittel in der Graphik heute)

1975
on paper, unique
Ballpoint pen on coloured envelope
image: 229 x 375 mm
Robert Lehman Endowment Fund for Acquisitions by the Department of Drawings, The Museum of Modern Art, New York
Provenance:
The artist;
Private collection, Vienna
Private dealer, Innsbruck
Galerie Eva Presenhuber, Zürich, 2005
The Museum of Modern Art, New York. Purchased from the above, 2016
Lender’s address: 11 West 53 Street, New York, NY 10019
Nationality of Artist: Austrian
Identifying marks: Signed and dated bottom right
Place of manufacture: Austria
This work was made after the operative period 1933-45.
Bibliography: Franz West, Proforma. ed. Eva Badura-Triska (Vienna: Museum moderner Kunst Stiftung Ludwig, 1996)

Franz West, Untitled (Serie: kritisches Blatt), 1975

X65913
Untitled (Serie: kritisches Blatt)

1975
on paper, unique
Ballpoint pen on coloured paper
image: 184 x 194 mm
Robert Lehman Endowment Fund for Acquisitions by the Department of Drawings, The Museum of Modern Art, New York
Provenance:
The artist;
Private collection, Vienna
Private dealer, Innsbruck
Galerie Eva Presenhuber, Zürich, 2005
The Museum of Modern Art, New York. Purchased from the above, 2016
Lender’s address: 11 West 53 Street, New York, NY 10019
Nationality of Artist: Austrian
Identifying marks: Signed and dated top right
Place of manufacture: Austria
This work was made after the operative period 1933-45.
Bibliography: Franz West, Proforma. ed. Eva Badura-Triska (Vienna: Museum moderner Kunst Stiftung Ludwig, 1996)

Franz West, Untitled, 1975

X65914
Untitled

1975
on paper, unique
Ballpoint pen on coloured paper
image: 175 x 248 mm
Robert Lehman Endowment Fund for Acquisitions by the Department of Drawings, The Museum of Modern Art, New York
Provenance:
The artist;
Private collection, Vienna
Private dealer, Innsbruck
Galerie Eva Presenhuber, Zürich, 2005
The Museum of Modern Art, New York. Purchased from the above, 2016
Lender’s address: 11 West 53 Street, New York, NY 10019
Nationality of Artist: Austrian
Identifying marks: Signed and dated centre
Place of manufacture: Austria
This work was made after the operative period 1933-45.
Exhibitions: "Franz West, To Build a House You Start with the Roof: Work, 1972–2008," Los Angeles County Museum of Art (March 12 –June 7, 2009)
Bibliography: Franz West, To Build a House You Start with the Roof: Work, 1972–2008 ed. Darsie Alexander (Massachusetts: MIT Press, 2008)

Franz West, Untitled, 1975

X65915
Untitled

1975
on paper, unique
Felt-tipped pen on coloured paper
image: 279 x 210 mm
Robert Lehman Endowment Fund for Acquisitions by the Department of Drawings, The Museum of Modern Art, New York
Provenance:
The artist;
Private collection, Vienna
Private dealer, Innsbruck
Galerie Eva Presenhuber, Zürich, 2005
The Museum of Modern Art, New York. Purchased from the above, 2016
Lender’s address: 11 West 53 Street, New York, NY 10019
Nationality of Artist: Austrian
Identifying marks: Signed and dated top right
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Untitled, early 1970s

X71387
Untitled

early 1970s
on paper, unique
Ballpoint pen on paper
object: 163 x 120 mm
Private Collection, Switzerland
Provenance:
The artist;
Galerie Konzett;
Private collection;
Private collection;
Private collection;
Gagosian Gallery;
Private collection, Switzerland, 2017
Lender’s address: Private collection, Switzerland c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of Artist: Austrian
Identifying marks: Signed central
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Passstück, 1983

X71403
Passstück

1983
sculpture
Paint, papier mâché, plaster and burlap
170 x 1190 x 800 mm
Private collection
Provenance:
The artist;
Private collection, 1983
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of Artist: Austrian
Identifying marks: None
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Untitled, 1984

X67975
Untitled

1984
sculpture
Wood, polyester, glue and pigment
440 x 1200 x 260 mm
Filiep & Mimi Libeert Collection
Provenance:
The artist
Private collection, Belgium
The Mimi and Filiep Libeert collection, 1987
Lender’s address: Kasteel de la Motte, Stationsstraat 3, 8210 Loppem, Belgium
Nationality of Artist: Austrian
Identifying marks: none
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Alles (tutti), 1984

X70226
Alles (tutti)

1984
on paper, unique
Oil and gouache on glued cardboard
310 x 1400 mm
Jacky Cukier, Paris
Provenance:
The artist;
Private collection;
Dorotheumn 5.12.1989, lot 367;
Private collection;
Im Kinsky, Palais Kinsky, Wien, Tuesday, April 03, 2001, Lot 520;
Private collection;
Galerie Konzett;
Jacky Cukier, Paris
Lender’s address: Jacky Cukier c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of Artist: Austrian
Identifying marks: Signed and dated bottom centre
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Demagog, 1984

X71425
Demagog

1984
on paper, unique
Gouache, graphite, collage, gauze, metal, plaster, cardboard and newspaper on Masonite
521 × 1359 × 25 mm
Charlotte Feng Ford Collection, New York
Provenance:
The artist;
David Zwirner Gallery;
Charlotte Feng Ford Collection, New York, 2015
Lender’s address: Charlotte Feng Ford Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of Artist: Austrian
Identifying marks: Signed and dated bottom right
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Idiosyngramm, 1985

X70707
Idiosyngramm

1985
sculpture
Cardboard, papier mâché, gold leaf
340 x 1280 x 90 mm
Private collection
Provenance:
The artist;
Private collection, 1985
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of Artist: Austrian
Identifying marks: None
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Kollega, 1988

X70153
Kollega

1988
sculpture
Papier mâché, paint and wood
sculpture: 600 x 740 x 260 mm pedestal: 1218 × 567 × 402 mm
Private collection
Provenance:
The artist;
Private collection, 1988
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of Artist: Austrian
Identifying marks: None
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Untitled (Sitz), 1988-9

X67994
Untitled (Sitz)

1988-9
sculpture
Steel and newspaper
object: 1550 x 630 x 450 mm base: 970 x 1070 x 90 mm
Vanhaerents Art Collection, Brussels
Provenance:
The artist;
Galerie Max Hetzler, Berlin;
Vanhaerents Art Collection, Brussels, 1991
Lender’s address: Vanhaerents Art Collection, Brussels c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of Artist: Austrian
Identifying marks: None
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Untitled, 1990

X67976
Untitled

1990
sculpture
Papier mâché, metal
relief: 1760 × 2010 × 120 mm seat: 750 × 1640 × 570 mm
Filiep & Mimi Libeert Collection
Provenance:
The artist;
Galleria Minini S.R.L., Brescia, Italy
The Mimi and Filiep Libeert collection, 1995
Lender’s address: Kasteel de la Motte, Stationsstraat 3, 8210 Loppem, Belgium
Nationality of Artist: Austrian
Identifying marks: none
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Plakatentwurf (Galerie Peter Pakesch, Wien), 1990

X70155
Plakatentwurf (Galerie Peter Pakesch, Wien)

1990
on paper, unique
Gouache and collage on paper
850 x 1270 mm
Private collection
Provenance:
The artist;
Private collection, 1991
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of Artist: Austrian
Identifying marks: None
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45

Franz West, Untitled, 1990

X70156
Untitled

1990
on paper, unique
Collage and paint on paper
280 x 500 mm
Private collection
Provenance:
The artist;
Private collection, 1990
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of Artist: Austrian
Identifying marks: None
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, 2 to 2 (do too 2 [too do 2 {to do two}] ), 1994

X67992
2 to 2 (do too 2 [too do 2 {to do two}] )

1994
sculpture
Papier mâché, paint, gauze, gesso, metal and plastic
200 × 460 × 300 mm (1992) 420× 570 × 200 mm (1992) 500 × 480 × 410 mm (1994) 940 × 250 × 160 mm (1991)
Private collection. Courtesy David Zwirner, New York/London/Hong Kong
Provenance:
The artist;
Private collection;
Private collection, New York, 2014
Lender’s address: Private collection c/o David Zwirner Gallery, 537 West 20th Street, New York, NY 10011, USA
Nationality of Artist: Austrian
Identifying marks: None
Place of manufacture: Austria (?)
 
This work was made after the operative period 1933-45.

Franz West, Plakatentwurf (Gagosian Gallery, London), 2001

X71389
Plakatentwurf (Gagosian Gallery, London)

2001
on paper, unique
Acrylic paint and collage on cardboard
1040 x 152 mm
Private Collection, Gernot Schauer
Provenance:
The artist;
Gagosian Gallery, London;
Private collection, Austria, 2005;
Gagosian Gallery, London;
Private collection, Gernot Schauer, 2017
Lender’s address: Private collection, Gernot Schauer c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of Artist: Austrian
Identifying marks: None
Place of manufacture: Vienna, Austria and London (?)
This work was made after the operative period 1933-45.
Exhibitions: Franz West, Gagosian Gallery, London, 06.09.2001 - 20.10.2001.
Bibliography: Gagosian Gallery (ed.), Franz West, exhibition catalogue, London 2001
Notes: In the exhibition catalogue Gagosian Gallery (ed.), Franz West, London 2001, the work is depicted in an initial condition with the lettering „FRANZ WEST 6.9-20.10.2001 GAGOSIAN GALLERY LONDON" shown at the bottom of the work. Before the opening of the exhibition, Franz West has decided to redo the work and attached the lettering at the top with an accompanying change of the exhibition dates. This adaption is documented in the Franz West Privatstiftung Archiv, Vienna, and has been confirmed accordingly.

Franz West, Plakatentwurf (Drei Skulpturen im Aussenraum Zürich), 2006

X70229
Plakatentwurf (Drei Skulpturen im Aussenraum Zürich)

2006
on paper, unique
Collage and paint on foamboard
444 x 503 mm
Galerie Eva Presenhuber, Zurich/New York
Provenance:
The artist;
Galerie Eva Presenhuber, Zurich;
Private Collection (2006)
Galerie Eva Presenhuber, Zurich, acquired 17 October 2015, Christie’s Post War and Contemporary Art Day Auction (Lot 357)
Lender’s address: Galerie Eva Presenhuber, Maag Areal Zahnadstrasse 21, 8005 Zurich, Suisse
Nationality of Artist: Austrian
Identifying marks: None
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West, Cool Book, 2007

X70185
Cool Book

2007
sculpture
Lacquered aluminium
550 x 2000 x 1950 mm
Private collection Courtesy Tim Van Laere Gallery, Antwerp
Provenance:
The artist;
Tim Van Laere Gallery, Antwerp;
Private collection
Lender’s address: Private collection c/o Tim Van Laere Gallery, Verlatstraat 23, 2000 Antwerpen, Belgien
Nationality of Artist: Austrian
Identifying marks: None
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West
(1947-2012, born: Vienna)
Herbert Brandl
(born 1959)

Franz West and Herbert Brandl, Untitled, 1984

X71533
Untitled

1984
painting
Oil paint on gauze, papier mâché and plaster on wood
925 x 955 x 80 mm
Courtesy Alexandre Carel, London
Provenance:
The artist;
Private collection, Austria;
Im Kinsky, Vienna, Sale of Contemporary Art, October 7, 2014;
Gagosian Geneva;
Private Collection, 2017
Lender’s address: Private Collection c/o c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of Artist: Austrian
Identifying marks: None
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.

Franz West and Herbert Brandl, Die Ernte des Tantalos, 1988

X70716
Die Ernte des Tantalos

1988
sculpture
Papier mâché and paint on wire, steel base
400 x 360 x 50 mm
Allegra Arts, S.L., Madrid
Provenance:
The artist;
Galerie Konzett, Vienna;
Private collection;
Gagosian Gallery, Geneva;
Allegra Arts, S.L., Madrid, 2017
Lender’s address: Allegra Arts, S.L., Ctra. Fuencarral a Alcobendas, 3, 28049 Madrid, España
Nationality of Artist: Austrian
Identifying marks: None
Place of manufacture: Vienna, Austria
This work was made after the operative period 1933-45.
Exhibitions:
Galerie Peter Pakesch, Vienna (September 16 – October 15, 1988)
Gagosian Gallery, Geneva (September 22 – December 16, 2017)

Van Gogh and Britain

Tate Britain (London, UK) from 27 Mar 2019 until 11 Aug 2019.

Vincent van Gogh
(1853-1890, born: Zundert, died: Auvers-sur-Oise, active: Paris, Arles, France)

Vincent van Gogh, Road in Etten, Etten, October 1881

X68470
Road in Etten

Etten, October 1881
on paper, unique
Chalk, grapite, pastel, watercolour and ink on paper
support: 394 x 578 mm
Lent by The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.774)
Provenance:
X68470
Vincent van Gogh, Dutch, 1853-1890
Road in Etten, 1881
Chalk, pencil, pastel, watercolor. Underdrawing in pen and brown ink.
39.4 x 57.8 cm
The Metropolitan Museum of Art, New York
Provenance
L. Oosterijk, Etten; J. Oosterijk, Etten; J.B. (Minus) Oosterijk, Etten; Jan de Visser, Etten; [Myrtil Frank, The Hague]; [Dr. Fritz Nathan und Dr. Peter Nathan Kunsthandlung, Zurich]. Acquired by Robert Lehman from Fritz and Peter Nathan in February 1962.
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Etten, The Netherlands
Catalogue raisonne:
F1678

Vincent van Gogh, Bleachery at Scheveningen, The Hague, July 1882

X68552
Bleachery at Scheveningen

The Hague, July 1882
on paper, unique
Watercolour and gouache on paper
support: 318 x 540 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
X68552
Blanchisserie à Scheveningen" Bleachery at Scheveningen (recto); "Femme de Scheveningen" Woman from
Scheveningen (verso)
Bleaching Ground at Scheveningen
Bleachery at Scheveningen
1882
Vincent van Gogh [1853 - 1890]
Watercolor heightened with white gouache
318 × 540 mm
The J. Paul Getty Museum, Los Angeles
Dutc
Nationality of artist: Dutch
Identifying marks: None or not recorded
Place of Manufacture: Scheveningen, Netherlands
Catalogue Raisonné:
J.B. de La Faille, The Works of Vincent van Gogh. HIs Paintings and Drawings (Amsterdam, 1970), nos. 946 and 946v.
J. Hulsker, The New Complete Van Gogh, Paintings, Drawings, Sketches: Revised and Enlarged Edition of the Catalogue Raisonné. (Amsterdam, 1996), nos. 158 (recto) and 95 (verso).
Provenance:
1884 Miss Margot Begemann (Neunen, Netherlands), gift from the artist
Miss C.M.C. Begemann (Amstelveen, Netherlands), by gift from her aunt, the previous owner.
1956 Stedelijk Museum, on loan
A. Buysman (Noordwijk, Netherlands)
W. Brinkman (Schipluiden, Netherlands)
Private Collection (France) [Sotheby's, New York, May 16, 1984, lot 103]
Source: sale catalogue, Sotheby's, New York, May 16, 1984, lot 103
Didier Imbert Fine Art S.A., sold to the J. Paul Getty Museum, 1998.
The J. Paul Getty Museum
 
EXHIBITION HISTORY:
Vincent van Gogh [Vlaardingen] (March 27 to April 19, 1953)
De Visbank, Vlaardingen (recto)
Vincent van Gogh: Leben und Schaf Dokumentation, Gemälde, Zeichnungen (October 16 to December 15,
1957)
Villa Hügel (Essen) (138, recto)
Vincent van Gogh [1960] (February to March 1960)
Musée Jacquemart-André (Paris) (84, recto)
Landscape Drawings 1500 - 1900 (June 9 to August 23, 1998)
The J. Paul Getty Museum at the Getty Center (Los Angeles) (recto)
To Create a Living Art: 19th Century Drawings (May 1 to July 15, 2001)
The J. Paul Getty Museum at the Getty Center (Los Angeles) (recto)
The Prismatic Palette: Four Centuries of Watercolors (October 5, 2004 to January 2, 2005)
The J. Paul Getty Museum at the Getty Center (Los Angeles) (recto)
Capturing Nature's Beauty: Three Centuries of French Landscapes (July 28 to November 1, 2009)
The J. Paul Getty Museum at the Getty Center (Los Angeles) (recto)
The Real Van Gogh: The Artist and His Letters (January 23 to April 18, 2010)
Royal Academy of Arts (London) (15, recto)
Becoming Van Gogh: His Years in Paris, 1886-1888 (October 20, 2012 to January 20, 2013)
Denver Art Museum (Denver) (Cat. 23, recto)

Vincent van Gogh, The Dustman, The Hague, 1883

X73237
The Dustman

The Hague, 1883
on paper, unique
Graphite on paper
support: 220 x 310 mm
Fine Arts Museums of San Francisco. Anonymous gift in memory of Dr. Walter S. Heil
Provenance:
X73237
Vincent van Gogh, Dutch, 1853–1890
The Dustman, 1883
Graphite on wove paper
220 x 310 mm (8 11/16 x 12 3/16 in.)
Anonymous gift in memory of Dr. Walter S. Heil
Fine Arts Museum of San Francisco 1991.2.102  
Provenance:
Arnold Otto Meyer, Hamburg;
C.G. Boerner, Leipzig, March 1914, no. 330, repr.;
Dr. Voss for the Museum der bildenden Kunste, Leipzig (until 1928);
Dr. W. Raeber, Basel (art dealer);
Gutekunst und Klipstein, Bern, auction 56 (December 1949), nr. 62 repr.;
Dr. Z. Bruck;
Galerie Kornfeld, Bern, auction 192 (June 18-20, 1986), nr. 289, repr. pl. 40;
Pasquale Iannetti Art Galleries, Inc., San Francisco;
Ann Witter Gillette, San Francisco;
TREASURES95
Note about the provenance: The 1970 de la Faille catalogue reportedly states that the drawing disappeared from the Leipzig museum in the 1920s. Dr. Dieter Gleisberg of the Leipzig museum wrote in a letter to Steve Nash (8/20/91) that the drawing had been removed from the museum under circumstances that have not been clarified sometime around 1928. See the Kornfeld auction catalogue for the statement that the work was included in the "Entartete Kunst" auction of 1937. In his letter to Nash, Gleisberg writes that this cannot be substantiated.
According to information provided by the donor: The English title, "The Dustman" stems from Van Gogh's time spent working in England in 1873-1875 at the Goupil Gallery, London, when he learned English. The drawing was executed in The Hague in 1883. 
Exhibition History:
CPLH, TREASURES, 11 Nov 1995 - 3 March 1996. 
Nationality of artist: Dutch
Identifying marks: SLL in graphite: Vincent;
ILR in graphite: The Dustman;
Collector's stamp in black ink at LR on verso: ZB encircled (not in Lugt; for Z. Bruck) (note: mark is faint and difficult to read);
Place of Manufacture: The Hague, The Netherlands
Catalogue raisonne:
F1078a

Vincent van Gogh, Alley Bordered by Trees, 1884

X73231
Alley Bordered by Trees

1884
on paper, unique
Graphite, ink and chalk on paper
support: 210 x 120 mm
Private collection, Greenwich CT
Provenance:
X73231
Vincent van Gogh, Dutch, 1853-1890
Alley Bordered by Trees, October 1884
Pencil, brush and ink and white chalk on paper.
20.6 x 12.5 cm
Private collection
Provenance
Mme. W.C. Pet-Meiner, Amsterdam; H.P. Bremmer, The Hague; Kunsthandel E.J. van Wisselingh & Co., Amsterdam; S. Polak, Amsterdam; Sale: Mak van Waay, Amsterdam, November 15, 1976, lot 101; Private Collection, Amsterdam; Sotheby’s, New York, Thursday November 6, 2003, lot 132A; Private Collection, Greenwich, Connecticut.
Nationality of artist: Dutch
Identifying marks: Signed ‘Vincent’ lower right
Place of Manufacture: Nuenen, The Netherlands
Catalogue raisonne:
F1246

Vincent van Gogh, Still Life, Basket of Apples, Paris, autumn 1887

X68473
Still Life, Basket of Apples

Paris, autumn 1887
painting
Oil paint on canvas
support: 467 x 553 mm frame: 724 x 813 x 95 mm
Saint Louis Art Museum, Gift of Sydney M. Shoenberg Sr.
Provenance:
Vincent van Gogh, Dutch, 1853-1890
Still Life, Basket of Apples, 1887
oil on canvas
Saint Louis Art Museum, Gift of Sydney M. Shoenberg Sr.
43:1972
Provenance
1887 -
Alexander Reid (1854-1932), Paris, France; Glasgow, Scotland, gift of the artist; James Gardner Reid, Glasgow, Scotland [1]
c.1889 -
Jos Hessel Art Gallery, Paris, France [2]
c.1905 - 1925
Félix Vallotton (1865-1925), Paris, France, acquired from Jos Hessel, by exchange [3]
1925 - still in 1928
Paul Vallotton Art Gallery (Paul Vallotton), Lausanne, Switzerland, acquired from Félix
Vallotton [4]
by 1935 - still in 1943
Wildenstein Art Gallery, New York, NY, USA [5]
c.1943 - c.1950
Millicent Rogers, Taos, NM; New York, NY [6]
by 1954 -
Joan Whitney Payson (Mrs. Charles S. Payson), New York, NY
M. Knoedler & Co., New York, NY
- 1972
Mr. and Mrs. Sydney M. Shoenberg Sr., St. Louis, MO
1972 -
Saint Louis Art Museum, given by Sydney M. Shoenberg Sr. [7]
Notes:
The main source for this provenance is de la Faille's catalogue raisonné, the 1970 revised edition, cat. no. 379 [Faille, J.-B. de la. "The Works of Vincent van Gogh: His Paintings and Drawings."Amsterdam, Meulenhoff International, 1970]. Exceptions and other supporting documents are noted.
[1] The artist gave the painting shortly after it was completed in 1887 to Alexander Reid, with whom he was living in Paris [Pickvance, Ronald. "Van Gogh in Arles." New York: Harry N. Abrams, 1984; Cooper, Douglas. "Alex Reid, van Gogh, and the Lefevre Gallery," in "Yearbook and Directory of Members of the Society of London Art Dealers," 1994]. When Reid moved to Glasgow in 1888, he took the painting with him. He later left the painting in the care of his father, James Reid, who sold it along with van Gogh's "Portrait of Alexander Reid" to a French dealer for £10 [Cooper 1994]. This transfer occurred around 1889, according to research supplied by the organizers of the exhibition "Van Gogh and Britain: Pioneer Collectors" [letter from Michael Clarke and Richard Gray dated April 4, 2003, SLAM document files].
[2] Alexander Reid's son, A. J. McNeill Reid, reports that Jos Hessel most likely purchased the painting from James Reid on a visit to Glasgow [letter from Martin Bailey, dated December 31, 2002, referencing McNeill Reid's notes in the National Library, Scotland, SLAM document files]. As confirmation of the transfer of the painting from Hessel to Vallotton, Bailey cites a footnote in a publication by Sasha Newman, which references a letter from Jos Hessel to Vallotton, dated November 19, 1920. It indicates that Hessel bought a painting from Vallotton in exchange for a still life by van Gogh. Vallotton notes at the foot of the letter that the exchange was made in 1897 [Newman, Sasha M. "Félix Vallotton." New Haven: Yale University Art Gallery, 1991, p. 287; SLAM document files].
[3] See note [2].
[4] Upon Felix Vallotton's death in 1925, the painting was acquired by the Paul Vallotton Art
Gallery. It was recorded as being in the collection of Paul Vallotton (Felix Vallotton's brother) at the time of de la Faille's 1928 first edition of his catalogue raisonne [Faille, J.-B. de la. "L'oeuvre de Vincent van Gogh: Catalogue Raisonne." Paris; Bruxelle: Les Editions G. van Oest, 1928].
[5] The painting is documented in the collection of Wildenstein, New York, in exhibition catalogues from 1935, 1941, and 1943 ["One Hundred Years of French Painting, 1820-1920."
Kansas City, MO: The William Rockhill Nelson Gallery of Art, 1935; "Aspects of French Painting from Cezanne to Picasso." Los Angeles: Los Angeles County Museum, 1941; "The Art and Life of Vincent Van Gogh: A Loan Exhibition in Aid of American and Dutch War Relief." New York: Wildenstein, 1943].
[6] According to staff members at the Millicent Rogers Museum in Taos, NM, Millicent Rogers might have purchased the painting from Wildenstein around 1943. She exhibited it in the 1940's in her Taos home where it hung in the dining room, and sold it in the late 1940s or early 1950s [SLAM document files].
[7] Minutes of the Acquisitions Committee of the Board of Trustees, Saint Louis Art Museum, April 17, 1972.
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Paris, France
Catalogue raisonne:
Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F379, p. 65

Vincent van Gogh, Portrait of Alexander Reid, Paris, winter c. 1887

X68474
Portrait of Alexander Reid

Paris, winter c. 1887
(no classification assigned)
Oil paint on canvas
support: 460 x 320 mm
Fred Jones Jr. Museum of Art, The University of Oklahoma, Norman; Aaron M. and Clara Weitzenhoffer Bequest, 2000
Provenance:
X68474
Fred Jones Jr Museum of Art, Oklahoma
Vincent van Gogh
Portrait of Alexander Reid, 1887
410 x 330 mm
2000-present Fred Jones Jr. Museum of Art, University of Oklahoma,
Norman
October 1, 1957 - 2000 Aaron M. (1895-1960) and Clara Weitzenhoffer
(1912 -2000), Oklahoma City and La Jolla, California (purchased from David B.
Findlay, Inc., New York: October 1, 1957)
1957 - October 1, 1957 David B. Findlay Galleries, New York (owned in
1957; from Wildenstein, New York)
1953 - 1957 Wildenstein & Co., New York [1]
? - 1953 Myrtil Frank, New York (possibly "an American source" that sold picture
to Wildenstein, or possibly owned jointly ca. 1955-7)
1890 - 1942? Jos Hessel, Paris
1887 - ca. 1890 Alexander Reid, Glasgow (gift from the artist; sold by
Reid's father to an unnamed French dealer in ca. 1890, but thought to be Jos
Hessel)
 
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Paris, France
Catalogue raisonne: Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F270, p. 38
[1] Wildenstein said they purchased it from "an American source" possibly Myrtil Frank.

Vincent van Gogh, Self-Portrait, Paris, autumn 1887

X68488
Self-Portrait

Paris, autumn 1887
painting
Oil paint on canvas
support: 440 x 355 mm
Musée d’Orsay, Paris. Donation de Jacques Laroche, 1947
Provenance:
X68488
Vincent van Gogh, Dutch, 1853-1890
Self Portrait, 1887
Oil paint on canvas
34 x 35.5 cm
Musee d’Orsay, Paris
Provenance
Mrs. J. Van Gogh-Bonger Collection, Amsterdam
Paul Rosenberg Gallery, Paris
until 1976, in the Jacques Laroche collection
1947, accepted by the State as a donation subject to the usufruct of Jacques Laroche (decree of 07/07/1947)
1947, attributed to the Louvre Museum
1976, Louvre Museum, Jeu de Paume Gallery, Paris (end of the usufruct)
1986, assigned to the Musee d'Orsay, Paris
 
Exhibition history
Vincent Van Gogh, London, United Kingdom, 1923
[untitled], London, United Kingdom, 1924
Great Masters of the 19th Century, Paris, France, 1931
Vincent Van Gogh, 172 Artworks, Geneva, Switzerland, 1947
Van Gogh, Paris, France, 1947
[untitled], Paris, France, 1960
Van Gogh Monticelli, Marseille, France, 2008
Van Gogh, Gauguin, Cezanne & Beyond, Post-Impressionism from the Orsay Museum, Canberra, Australia, 2009
Post-Impressionism - 115 Masterpieces from the Musée d'Orsay Collection, Tokyo, Japan, 2010
Van Gogh, Gauguin, Cezanne & Beyond, Post-Impressionism from the Orsay Museum, San Francisco, USA, 2009
El triunfo del color. From Van Gogh to Matisse: Colecciones de los Museos d'Orsay and the Orangery, Barcelona, ​​Spain, 2015
Self-portraits of the Musee d'Orsay, 2015
Self-portraits of the Musee d'Orsay, Quimper, France, 2015
 
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Paris, France
Catalogue raisonne: La Faille, J.-B. de, L'Oeuvre de Vincent Van Gogh - Catalogue raisonne, G. Van Oest, Paris, 1928
F320

Vincent van Gogh, Entrance to Voyer d'Argenson Park at Asnières, Paris, spring 1887

X68526
Entrance to Voyer d'Argenson Park at Asnières

Paris, spring 1887
on paper, unique
Oil paint on canvas
support: 546 x 668 mm
Bequest of Ignace Hellenberg, Paris, to the State of Israel, in memory of his parents Sigmund and Betty Hellenberg. On permanent loan to The Israel Museum, Jerusalem, from the Administrator General of the State of Israel
Provenance:
Vincent van Gogh, Dutch, 1853-1890
Entrance of Voyer d’Argenson Park at Asnieres, 1887
oil on canvas
The Israel Museum
Provenance
Gift of the artist to Theo van Gogh;
Passed to Johanna van Gogh-Bonger;
Passed to V. W. van Gogh; Ambroise Vollard, Paris (KB August 1897)
Cornelius Hoogendijk, Amsterdam
Hoogendijk Sale, F. Muller Amsterdam 21.05.1912, no. 29
A.M. Baron van Tuyll-van Serooskerken, Amsterdam
Marcel Kapferer, Paris (1938)
Wildenstein, New York (1942)
Charles Gilman, New York (1955)
Christie’s Sale, New York, 08.05.2000, no. 34
On permanent loan to The Israel Museum, Jerusalem (since 2006, bequest of Ignace Hellenberg).
 
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Paris, France
Catalogue raisonne:
Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F305, p. 81

Vincent van Gogh, Starry Night, Arles, August 1888

X73130
Starry Night

Arles, August 1888
painting
Oil paint on canvas
support: 725 x 920 mm
Musée d'Orsay, Paris. Donation of M. et Mme Robert KahnSriber, souvenir of M. et Mme Fernand Moch, 1975
Provenance:
X73130
Vincent van Gogh, Dutch, 1853-1890
Starry Night Over the Rhone, 1888
Oil paint on canvas
72 x 92 cm
Musee d’Orsay, Paris
Provenance
1889, Theo Van Gogh, sent by the artist to his brother shortly before 02/05/1889
until 1905, in the collection Mrs. J. Van Gogh-Bonger, Amsterdam
from 1905 to 1922, in the collection Bas Veth, Bussum
1922, sale Low Veth, Amsterdam, Fred Muller, June 20, 1922, No. 3
art gallery Buffa, Amsterdam
circa 1930, Fernand Moch collection
until 1995, in the collection Marguerite and Robert Kahn-Sriber, Paris
1975, accepted by the State as a gift subject to usufruct of Mr and Mrs Robert Kahn-Sriber, in memory of Mr and Mrs Fernand Moch (decree of 07/10/1975)
1975, awarded to the Louvre Museum, Paris
assigned to the Orsay Museum, Paris
1995, Musée d'Orsay, Paris
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Arles, The Netherlands
Catalogue raisonne:
F474

Vincent van Gogh, Augustine Roulin (Rocking a Cradle), Arles, March 1889

X68376
Augustine Roulin (Rocking a Cradle)

Arles, March 1889
painting
Oil paint on canvas
support: 920 x 725 mm
Stedelijk Museum Amsterdam, gift of ir. V.W. van Gogh, Laren (NL)
Provenance:
X68376
Vincent van Gogh
Augustine Roulin (Rocking a Cradle) 1889
Oil paint on canvas
92 x 72,5 cm
Provenance:
The artist;
sent to Theo van Gogh 2 May 1889,
passed to Johanna van Gogh-Bonger;
V. W. van Gogh
Acquired from Vincent Willem van Gogh in 1945, Laren

Nationality of artist: Dutch
Identifying marks: None or not recorded
Place of Manufacture: Arles, France
Catalogue Raisonné: Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F507, p. 118.

Vincent van Gogh, The Stone Bench in the Asylum at Saint-Rémy, Saint-Rémy, autumn 1889

X68487
The Stone Bench in the Asylum at Saint-Rémy

Saint-Rémy, autumn 1889
painting
Oil paint on canvas
support: 390 x 460 mm
Museu de Arte de São Paulo Assis Chateaubriand. Purchased 1954
Provenance:
X68487
The Stone Bench in the Asylum at Saint-Rémy, 1889
(F732) 
Provenance;
The artist
Sent to Theo van Gogh 29 April 1890
Passed to Johanna van Gogh-Bonger (died 02/19/1925)
Passed to V.W. van Gogh (died 28/01/1978)
C.M van Gogh, Amsterdam (KB Feb 1910)
Hoeij Smith-van Stolk, Rotterdam (1910)
Wildenstein, New York
São Paulo Museu de Arte. Purchased 19/04/1954
 
Nationality of artist: Dutch
Identifying marks: None or not recorded
Place of Manufacture: Saint-Rémy de Provence, France
Catalogue Raisonné: Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F732, p. 227.
Recent exhibition history (outside of Brazil):
21/06/2000 to 26/11/2000 Fondation Pierre Gianadda. Martigny, Switzerland. Van Gogh.
07/09/2002 to 04/11/2002 Hyogo Prefectural Museum of Modern Art. Vincent & Theo Van Gogh
05/07/2002 to 25/08/2002 The Hokkaido Museum of Modern Art. Vincent & Theo Van Gogh.
19/10/2002 to 26/01/2003 Kunsthalle Bremen. Van Gogh: Fields. The Poppy Field and the Artist's Debate.
10/10/2003 to 07/03/2004. Fondazione Cassamarca. L'oro e l'azzurro. I colori del Sud da Cézanne a Bonnard.
26.04/2017 to 12/07/2017 National Gallery of Victoria. Van Gogh and the Seasons: Images of Nature and Humanity.

Vincent van Gogh, Hospital at Saint-Rémy, 1889

X73116
Hospital at Saint-Rémy

1889
painting
Oil paint on canvas
support: 922 x 734 mm frame: 1270 x 1092 x 140 mm
The Armand Hammer Collection, Gift of the Armand Hammer Foundation. Hammer Museum, Los Angeles.
Provenance:
Vincent van Gogh, Dutch, 1853-1890
Hospital at Saint-Remy, 1889
oil on canvas
Armand Hammer Museum, Los Angeles
Provenance
Schuffenecker, Paris;
Galerie E. Druet, Paris, 1907;
Dr. J. Keller, Paris, 1908-10,
Galerie E. Druet, Paris, 1910;
Paul von Mendelssohn-Bertholdy, Berlin, 1911;
Paul Rosenberg & Co., New York, likely by 1934;
Norton Simon, Los Angeles, 1961 (sold Parke-Bernet Galleries, Inc., New York, May 5, 1971 [no. 48]);
to Armand Hammer Collection, 1971.
 
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Saint-Remy, France
Catalogue raisonne:
Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F643, p. 223

Vincent van Gogh, Self-Portrait, Saint-Rémy, autumn 1889

X73132
Self-Portrait

Saint-Rémy, autumn 1889
painting
Oil paint on canvas
support: 578 x 445 mm frame: 829 x 692 x 67 mm
National Gallery of Art, Washington, Collection of Mr and Mrs John Hay Whitney 1998.74.5
Provenance:
X73132
National Gallery of Art, Washington
Vincent van Gogh
Self-Portrait
J.J. Isaacson [1859-1942], The Hague. (H.P. Bremmer, The Hague); Hugo Tutein Nolthenius [1863-1944], Delft, by 1904;[1] by inheritance to his brother, Jacques Tutein Nolthenius; on consignment with (Katz Gallery, Switzerland), probably by 1945;[2] on consignment with (M. Knoedler and Co., New York, no. 2845); sold 9 June 1947 to Mr. and Mrs. John Hay Whitney, New York;[3] gift 1998 to NGA.
[1] According to J.-B. de la Faille, The Works of Vincent van Gogh: His Paintings and Drawings, rev. ed., Amsterdam, 1970: F626, the painting was lent by Nolthenius to a 1904 exhibition in Rotterdam. Thea Sternheim, wife of the German playwright Carl Sternheim, writes in her diary that they saw the portrait on exhibition in Rotterdam in 1910, lent by Tutein Nolthenius. Nolthenius' collection was dispersed by his heirs following his death in 1944. An appraisal of the collection dated February 1944 included the Self Portrait with the annotation "sold" (copy, documentation center, van Gogh Museum, Amsterdam)
[2] Knoedler had the painting on consignment from the Katz Gallery when it was sold to Whitney in April 1947 (see Commission Book no. 4, M. Knoedler and Co Records, Getty Research Institute, copy National Gallery of Art curatorial files). Katz is probably the "private collection" which lent the painting to a 1945 exhibition at the Galerie Schulthess, Basel and a 1946 exhibition at the Kunsthalle Bern.
[3] Acquisition date and source according to Whitney records in National Gallery of Art curatorial files.
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Saint-Remy de Provence, France
Catalogue raisonne:
Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F626, p. 183

Vincent van Gogh, The Prison Courtyard, Saint-Rémy, February 1890

X68468
The Prison Courtyard

Saint-Rémy, February 1890
painting
Oil paint on canvas
support: 800 x 640 mm
The Pushkin State Museum of Fine Arts, Moscow
Provenance:
X68468
Pushkin State Museum of Fine Arts
Vincent van Gogh
The Prison Courtyard, February 1890
Oil paint on canvas
80 x 64 cm
Provenance:
The artist;
Sent to Theo van Gogh probably on 29 April 1890;
Passed to Johanna van Gogh-Bonger;
Maria Slavona Collection, Paris
Galerie Druet, Paris (no. 542), 1906
Alexandre Berthier, Prince de Wagram collection, Beziers
Galerie Druet, Paris, 1909
Acquired from Druet by I.A. Morozov, 1909 until 1919
Then part of the 2nd MMWP
SMMWA (inv. 303), 1923
Pushkin Museum acquired 1948
 
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Saint-Remy de Provence, France
Catalogue raisonne:
Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F669, p. 202

Vincent van Gogh, The Arlésienne, Saint-Rémy, January-February 1890

X68486
The Arlésienne

Saint-Rémy, January-February 1890
painting
Oil paint on canvas
support: 650 x 540 mm frame: 900 x 785 x 120 mm
Museu de Arte de São Paulo Assis Chateaubriand. Gift, Evaristo Fernandes, Alfredo Ferreira, Walther Moreira Salles, Fúlvio Morganti, Ricardo Jafet, Carlos Rochas Faria, J. Silvério de Souza Guise, Assis Chateaubriand, Angelina Boeris Audrá, Louis La Saigne, Rui de Almeida, Henryk Spitzman Jordan, Mário Audra, Centro do Comércio de Café do Rio de Janeiro, Um espanhol, Moinho Fluminense S.A., Moinho Inglês S.A., Companhia América Fabril S.A., 1952
Provenance:
X68486
L’Arlésienne, 1890 (F542)
Provenance;
Theo van Gogh; Presented to Paul Gauguin
Georges Chaudet, Pont-Aven (died 1899)
Ambroise Vollard, Paris (I/3909 Tête d’Arlésienne, fond rouge 64:54)
Bernheim-Jeune, Paris (21.2.1900)
Paul Cassirer, Berlin (Oct 1909)
Tilla Durieux-Cassirer, Berlin (Tilla Durieux died Feb 1971)
Paul Cassirer, Berlin (died 1926)
Neue Galerie, Vienna
Oskar Federer, Mahrisch-Ostrau*
Galerie St Etienne, Paris (1939)**
Transferred to Galerie St Etienne, New York
Returned to Oskar Federer, Mahrisch-Ostrau (1943)
Knoedler and Co. New York
São Paulo Museu de Arte. Purchased 1952.
* according to Sotheby’s he fled Czechoslovakia in 1939 and settled in Montreal, Canada, in August 1940, taking ten paintings with him, including most of his collection of Van Goghs. The Nazis confiscated the remaining 100 works, 22 of which ended up in the Gallery of Fine Art of the Municipal Museum of Ostrava by November 1943. In 2007 after a ten-year litigation, a group of 22 works were restituted to Oskar Federer’s heirs.
** according to the archives of Galerie St Etienne, the painting was sent from the Stedelijk Museum, Amsterdam, to Otto Kallir at the Galerie St Etienne in Paris in 1939, on behalf of Oskar Federer. After Kallir emigrated to the US, the painting was shipped to the Galerie St Etienne in New York. The consignment between Federer and Kallir lasted for a number of years, during which period Federer emigrated to Canada. Kallir was unsuccessful in selling the work and it was returned to Federer in 1943.
Recent exhibition history (outside Brazil):
21/06/2000 to 26/11/2000 Fondation Pierre Gianadda. Martigny, Switzerland. Van Gogh.
07/09/2002 to 04/11/2002 Hyogo Prefectural Museum of Modern Art. Vincent & Theo Van Gogh
05/07/2002 to 25/08/2002 The Hokkaido Museum of Modern Art. Vincent & Theo Van Gogh.
7/11/2002 to 30/3/2003 Casa dei Carraresi, Treviso, Italy. L'Impressionismo e l'età di Van Gogh. La rivoluzione di un'arte nuova.
Nationality of artist: Dutch
Identifying marks: None or not recorded
Place of Manufacture: Saint-Rémy de Provence, France
Catalogue Raisonné: Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F542, p. 201

Huguette Caland

Tate St Ives (St Ives, UK) from 24 May 2019 until 01 Sep 2019.

Huguette Caland
(born 1931, born: Beirut)

Huguette Caland, Untitled, 1978

X76880
Untitled

1978
painting
Oil paint on linen
object: 495 x 984 mm
Courtesy of private collection, New York
Provenance:
Acquired from the artist, 2018
Nationality of artist: Lebanese

Natalia Goncharova

Tate Modern (London, UK) from 06 Jun 2019 until 08 Sep 2019.

Goncharova, Stravinsky, Massine, Larionov and Bakst, Ouchy, 1915, 1915

X76667
Goncharova, Stravinsky, Massine, Larionov and Bakst, Ouchy, 1915

1915
on paper, print
Photograph, gelatin silver print on paper
overall: 167 x 225 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: maker unknown
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova in San Sebastián, 1916, 1916

X76664
Natalia Goncharova in San Sebastián, 1916

1916
on paper, print
Photograph, gelatin silver print on paper
support: 135 x 85 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: maker unknown
Identifying marks: None recorded. Place of manufacture: San Sebastián, Spain. This work has a complete provenance for the period 1933-45.

Rehearsal of the ballet Liturgy, circa 1915, circa 1915

X76673
Rehearsal of the ballet Liturgy, circa 1915

circa 1915
on paper, print
Photograph, gelatin silver print on paper
overall: 150 x 230 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

A Scene from the ballet Les Noces, 1923, 1923

X76674
A Scene from the ballet Les Noces, 1923

1923
on paper, print
Photograph, gelatin silver print on paper
overall: 280 x 355 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland.
This work has a complete provenance for the period 1933-45.

Natalia Goncharova in her Paris studio besides her painting Spanish Women, late 1920s - early 1930s, Late 1920s - early 1930s

X76666
Natalia Goncharova in her Paris studio besides her painting Spanish Women, late 1920s - early 1930s

Late 1920s - early 1930s
on paper, print
Photograph, gelatin silver print on paper
overall: 230 x 155 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: maker unknown
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

A scene from the ballet The Golden Cockerel, 1937, 1937

X76672
A scene from the ballet The Golden Cockerel, 1937

1937
on paper, print
Photograph, gelatin silver print on paper
overall: 186 x 250 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: maker unknown
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova on the staircase of her apartment, rue Jacques Callot, Paris, late 1950s, Late 1950s

X76670
Natalia Goncharova on the staircase of her apartment, rue Jacques Callot, Paris, late 1950s

Late 1950s
on paper, print
Photograph, gelatin silver print on paper
overall: 315 x 270 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: maker unknown
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

A scene from the ballet The Firebird, 1950s, 1950s

X76671
A scene from the ballet The Firebird, 1950s

1950s
on paper, print
Photograph, gelatin silver print on paper
overall: 143 x 195 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: maker unknown
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Hand towel border, Kostroma Province, Late 19th century

X72351
Hand towel border, Kostroma Province

Late 19th century
sculpture
Textile, embroidery
image: 380 x 340 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;
...
The collection of the St Petersburg Artisinal Museum, until 1938;
From which received by the State Russian Museum.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: maker unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Textile printing woodblock, Late 19th century

X72352
Textile printing woodblock

Late 19th century
sculpture
Wood
object: 167 x 172 x 50 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;
...
Acquired by the State Russian Museum after the research expedition to the Vologda Provice in 1968.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: maker unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Hand-printed textile, Late 19th century

X72353
Hand-printed textile

Late 19th century
sculpture

overall: 1050 x 670 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;
...
The collection of the St Petersburg Artisinal Museum, until 1938;
From which received by the State Russian Museum.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: artist unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Blouse. Part of festive female costume. Epifansk district, Tula province., 19th century

X75735
Blouse. Part of festive female costume. Epifansk district, Tula province.

19th century
sculpture
Textile, lace, embroidery, beadwork
unconfirmed: 1570 x 1280 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;

Acquired by the State Russian Museum through the Directorate of Exhbitions and Panoramas in 1954.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: maker unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Skirt. Part of festive female costume. Epifansk district, Tula province., 19th century

X75736
Skirt. Part of festive female costume. Epifansk district, Tula province.

19th century
sculpture
Textile, lace, embroidery, beadwork
unconfirmed: 840 x 650 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;

Acquired by the State Russian Museum through the Directorate of Exhbitions and Panoramas in 1954.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: maker unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Vest. Part of festive female costume. Epifansk district, Tula province., 19th century

X75737
Vest. Part of festive female costume. Epifansk district, Tula province.

19th century
sculpture
Textile, lace, embroidery, beadwork
unconfirmed: 760 x 820 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;

Acquired by the State Russian Museum through the Directorate of Exhbitions and Panoramas in 1954.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: maker unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Headscarf. Part of festive female costume. Epifansk district, Tula province., 19th century

X75738
Headscarf. Part of festive female costume. Epifansk district, Tula province.

19th century
sculpture

unconfirmed: 1050 x 1080 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;

Acquired by the State Russian Museum through the Directorate of Exhbitions and Panoramas in 1954.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: maker unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Distaff, Archangel region, Early 20th Century

X69000
Distaff, Archangel region

Early 20th Century
sculpture
Oil paint on wood
overall: 920 x 220 x 510 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;
...
Acquired by the State Russian Museum after the research expedition led by Nikandr Maltsev to the Vologda Provice in 1968.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: maker unknown
Identifying marks: None recorded
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Anonymous

Anonymous, Maiden on a beast ("A Horrible and Terrifying Morality Tale"), 1850

X75169
Maiden on a beast ("A Horrible and Terrifying Morality Tale")

1850
on paper, print
Lithograph on paper with hand-colouring
support: 533 x 426 mm frame: 690 x 540 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The maker
...
The collection of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian (maker unknown)
Identifying marks: None recorded. Place of manufacture: Russia.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Anonymous, Our Lady of Jerusalem, after 1850

X75170
Our Lady of Jerusalem

after 1850
on paper, print
Lithograph on paper with hand-colouring
support: 442 x 354 mm plate: 370 x 305 mm frame: 690 x 540 mm
State Tretyakov Gallery, Moscow
Provenance:
The maker;

Collection of Mikhail Koniukov, until 1930;
From whom acquired by the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: ?Russian (maker unknown)
Identifying marks: None recorded
Place of manufacture: Russia


This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Anonymous, A Siren, 1850–1900

X75171
A Siren

1850–1900
on paper, print
Lithograph on paper with hand-colouring
support: 330 x 280 mm frame: 690 x 540 mm
State Tretyakov Gallery, Moscow
Provenance:
The artist;

Collection of the Moscow Institute of Technology and Philosophy 1933;
From whom acquired by the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: ?Russian (maker unknown)
Identifying marks: None recorded
Place of manufacture: Russia

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

André Derain
(1880-1954, born: Chatou, died: Garches)

André Derain, Tree Trunks (Pine Grove), 1912-1913

X68997
Tree Trunks (Pine Grove)

1912-1913
painting
Oil paint on canvas
support: 920 x 730 mm
The State Pushkin Museum of Fine Arts, Moscow
Provenance:
The artist;

From whom acquired by D.-H.Kahnweiler, 1912;
From whom acquired by I. A. Morozov, until 1918;
From whom acquired by the Museum of New Western Art-2, until 1923;
From which transferred to the State Museum of New Western Art, until 1948;
From which transferred to The State Pushkin Museum of Fine Arts.

Lender's address: State Pushkin Museum of Fine Arts, 12 Volkhonka Street, Moscow 119019, Russia
Nationality of the artist: French
Identiyfing marks: None recorded
Place of manufacture: Martigues, France

This work has a complete provenance for the period 1933-45.

Natalia Goncharova
(1881-1962, born: Tula, died: Paris, active: Moscow, Paris)

Natalia Goncharova, Circus, 1907

X67176
Circus

1907
painting
Oil paint on canvas
support: 570 x 740 mm frame: 615 x 775 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Self-Portrait in a Period Costume, 1907-1908

X67180
Self-Portrait in a Period Costume

1907-1908
painting
Oil paint on canvas
support: 980 x 740 mm frame: 1020 x 785 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Mountain Ash: Panino near Vyazma, 1907-1908

X67196
Mountain Ash: Panino near Vyazma

1907-1908
painting
Oil paint on canvas
support: 994 x 690 mm frame: 1114 x 807 x 50 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, Moscow, until 1913;
From whom acquired by the Council of the Tretyakov Gallery.


Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.

Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia.



This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Self-Portrait with Yellow Lilies, 1907-1908

X67198
Self-Portrait with Yellow Lilies

1907-1908
painting
Oil paint on canvas
support: 775 x 582 mm frame: 945 x 742 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, Moscow, until 1927;
From whom acquired by the State Tretyakov Gallery.


Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia.



This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Hay Cutting, 1907-1908

X75758
Hay Cutting

1907-1908
painting
Oil paint on canvas
support: 980 x 1180 mm
Collection Krystyna Gmurzynska
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov;
Thence by descent to Alexandra Larionov-Tomilina, in 1964;
From whom acquired by the present owner.

Lender’s address: private collection c/o Matthew Gale, Head of Displays, Tate Modern.
Nationality of the artist: Russian; naturalised French in 1938
Identifying marks: Inscribed on the reverse ‘N.C. Goncharova / Mower [in Russian] / M. H. P. S. I. [Moscow Repository of works of Modern Art] No. 1219 [in Russian]
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Orchard in Autumn, 1909

X67175
Orchard in Autumn

1909
painting
Oil paint on canvas
support: 718 x 1033 mm frame: 794 x 1087 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist;
Collection of Ivan Morozov, until 1917;
The State Museum Fund, until 1929;
From which acquired by the State Tretyakov Gallery.


Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian; naturalised French in 1938.
Identifying marks: none recorded
Place of manufacture: Moscow, Russia


This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Autumn: A Park, 1909

X67199
Autumn: A Park

1909
painting
Oil paint on canvas
support: 793 x 1166 mm frame: 830 x 1205 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, Moscow;
From whom acquired by N.F. Nesrakov, until 1918;
From whom acquired by the State Tretyakov Gallery.


Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia.

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Wrestlers, 1908-1909

X69027
Wrestlers

1908-1909
painting
Oil paint on canvas
support: 1000 x 1220 mm
The State Russian Museum, St Petersburg
Provenance:
The studio of the artist;
From whom acquired by the Museum of Artistic Culture, Leningrad, until 1926;
From which received by the State Russian Museum.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: in Cyrillic
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Washing the Canvases, 1910

X67182
Washing the Canvases

1910
painting
Oil paint on canvas
support: 1060 x 1180 mm frame: 1120 x 1242 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, Moscow;
From whom acquired by the Museum of Painterly Culture, until 1927;
Transferred to the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia.


This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Peasant Woman from Tula Province, 1910

X67183
Peasant Woman from Tula Province

1910
painting
Oil paint on canvas
support: 1035 x 730 mm frame: 1155 x 855 x 50 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Bunch of Flowers and a Bottle of Paints, 1910

X67197
Bunch of Flowers and a Bottle of Paints

1910
painting
Oil paint on canvas
support: 1010 x 715 mm frame: 1170 x 875 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, Moscow, until 1913;
From whom acquired by the Council of the Tretyakov Gallery.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Parrots, 1910

X67205
Parrots

1910
painting
Oil paint on canvas
support: 990 x 1043 mm frame: 1090 x 1140 x 50 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, A Model (Against a Blue Background), 1909-1910

X67218
A Model (Against a Blue Background)

1909-1910
painting
Oil paint on canvas
support: 1110 x 870 mm frame: 1165 x 872 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia.
This work has a complete provenance for the period 1933-45.

Natalia Goncharova, The Deity of Fertility, 1909-1910

X67219
The Deity of Fertility

1909-1910
painting
Oil paint on canvas
support: 705 x 575 mm frame: 813 x 662 x 65 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Elder with Seven Stars (Apocalypse), 1910

X67253
Elder with Seven Stars (Apocalypse)

1910
painting
Oil paint on canvas
support: 1470 x 1885 mm frame: 1565 x 1982 x 60 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Round Dance, 1910

X69019
Round Dance

1910
painting
Oil paint on canvas
support: 1000 x 1330 mm
Serpukhov History and Art Museum. Purchased 1924
Provenance:
The studio of the artist, until 1919;
From whom acquired by the State Museum Fund, until 1924;
From which received by the Serpukhov History and Art Museum, Serpukhov.

Lender's address: Serpukhov History and Art Museum, Chekhova Street, 87, Serpukhov, Moskovskaya oblast, Russian Federation 142206
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Peasants Picking Apples, 1911

X67174
Peasants Picking Apples

1911
painting
Oil paint on canvas
support: 1045 x 980 mm frame: 1205 x 1140 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist;
Collection of Ivan Morozov, Moscow, until 1917;
The Museum of Artistic Culture, Moscow, until 1929;
From which acquired by the State Tretyakov Gallery, Moscow.


Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian; naturalised French in 1938.
Identifying marks: none recorded
Place of manufacture: Moscow, Russia


This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Peacock (in the Style of Russian Embroidery), 1911

X67181
Peacock (in the Style of Russian Embroidery)

1911
painting
Oil paint on canvas
support: 1303 x 1450 mm frame: 1337 x 1486 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Winter: Gathering Firewood, 1911

X67203
Winter: Gathering Firewood

1911
painting
Oil paint on canvas
support: 1335 x 1045 mm frame: 1397 x 1107 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, Moscow;
From whom acquired by the Museum of Painterly Culture, until 1929;
Transferred to the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, A Smoker (in the Style of a Tray-Painting), 1911

X67204
A Smoker (in the Style of a Tray-Painting)

1911
painting
Oil paint on canvas
object: 1000 x 810 mm frame: 1032 x 842 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia.
This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Harvest: A Prophet, 1911

X67210
Harvest: A Prophet

1911
painting
Oil paint on canvas
support: 1660 x 920 mm frame: 1820 x 1080 x 50 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Harvest: The Phoenix, 1911

X67211
Harvest: The Phoenix

1911
painting
Oil paint on canvas
support: 920 x 975 mm frame: 1080 x 1135 x 50 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia.
This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Harvest: Angels Throwing Stones on the City, 1911

X67212
Harvest: Angels Throwing Stones on the City

1911
painting
Oil paint on canvas
support: 1000 x 1290 mm frame: 1160 x 1450 x 50 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Harvest: Harvest, 1911

X67214
Harvest: Harvest

1911
painting
Oil paint on canvas
support: 1000 x 930 mm
The M.A. Vrubel Omsk Regional Museum of Fine Arts. Received from the State Tretyakov Gallery in 1932
Provenance:
The studio of the artist;
The Museum of Painterly Culture, Moscow, until 1928;
From which transferred to the State Treytakov Gallery, until 1932;
From which received by The M.A. Vrubel Omsk Regional Museum of Fine Arts.

Lender's address: The M.A. Vrubel Omsk Regional Museum of Fine Arts, 23 Lenina Street, Omsk 644024, Russia
Nationality of the artist: Russian; naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Harvest: Maiden on the Beast, 1911

X67215
Harvest: Maiden on the Beast

1911
painting
Oil paint on canvas
support: 1670 x 1285 mm
Kostroma State Historical-Architectural and Art Museum-Reserve. Transferred from the Museum of Painterly Culture 1922
Provenance:
The studio of the artist, until 1920;
The Museum of Painterly Culture, Kostroma, until 1922;
From which acquired by The Kostroma State Historical, Architectural and Arts Museum Reserve.

Lender's address: The Kostroma State Historical, Architectural and Arts Museum Reserve, Prospect Mira, 7, Kostroma, Russia
156000
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Nude Black Woman, 1911

X67220
Nude Black Woman

1911
painting
Oil paint on canvas
support: 1080 x 960 mm frame: 1105 x 995 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Mother of God: The Ornament. Flowers, 1911

X67223
Mother of God: The Ornament. Flowers

1911
painting
Oil paint on canvas
support: 995 x 1035 mm frame: 1026 x 1065 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Mother of God: Mother of God, 1911

X67224
Mother of God: Mother of God

1911
painting
Oil paint on canvas
support: 980 x 890 mm frame: 1023 x 937 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Mother of God: The Ornament. Flowers, 1911

X67225
Mother of God: The Ornament. Flowers

1911
painting
Oil paint on canvas
support: 980 x 1045 mm frame: 1040 x 1080 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Christ the Saviour: Archangel (in Green), 1910-1911

X67250
Christ the Saviour: Archangel (in Green)

1910-1911
painting
Oil paint on canvas
support: 1320 x 695 mm frame: 1360 x 727 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Christ the Saviour: Christ the Saviour (with Grapevines), 1910-1911

X67251
Christ the Saviour: Christ the Saviour (with Grapevines)

1910-1911
painting
Oil paint on canvas
support: 1325 x 1195 mm frame: 1360 x 1220 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Christ the Saviour: Archangel (in White), 1910-1911

X67252
Christ the Saviour: Archangel (in White)

1910-1911
painting
Oil paint on canvas
support: 1320 x 695 mm frame: 1360 x 727 x 4 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Frost, 1910-1911

X69022
Frost

1910-1911
painting
Oil paint on canvas
support: 1010 x 1320 mm
The State Russian Museum, St Petersburg
Provenance:
The studio of the artist;
From whom acquired by the Museum of Artistic Culture, Leningrad, until 1926;
From which received by the State Russian Museum.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Portrait of Mikhail Larionov and His Platoon Commander, 1911

X69029
Portrait of Mikhail Larionov and His Platoon Commander

1911
painting
Oil paint on canvas
support: 1170 x 970 mm
The State Russian Museum, St Petersburg
Provenance:
The studio of the artist;
From whom acquired by the Museum of Artistic Culture, Leningrad, until 1926;
From which received by the State Russian Museum.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: [in Cyrillic]
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, The Evangelists [Grey], 1911

X69034
The Evangelists [Grey]

1911
painting
Oil paint on canvas
support: 2040 x 580 mm
The State Russian Museum, St Petersburg
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Donated by the above the State Russian Museum in 1966.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, The Evangelists [Green], 1911

X69035
The Evangelists [Green]

1911
painting
Oil paint on canvas
support: 2040 x 580 mm
The State Russian Museum, St Petersburg
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Donated by the above the State Russian Museum in 1966.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, The Evangelists [Purple], 1911

X69036
The Evangelists [Purple]

1911
painting
Oil paint on canvas
support: 2040 x 580 mm
The State Russian Museum, St Petersburg
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Donated by the above the State Russian Museum in 1966.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, The Evangelists [Blue], 1911

X69037
The Evangelists [Blue]

1911
painting
Oil paint on canvas
support: 2040 x 580 mm
The State Russian Museum, St Petersburg
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Donated by the above the State Russian Museum in 1966.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Jews on a Street (A Jewish Shop), 1912

X67206
Jews on a Street (A Jewish Shop)

1912
painting
Oil paint on canvas
support: 1590 x 1360 mm frame: 1750 x 1520 x 50 mm
State Tretyakov Gallery, Moscow. Presented by A.K. Larionova-Tomilina, Paris 1968
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Donated by the above the State Tretyakov Gallery in 1968.


Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia.

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Factory (Futurist), 1912

X69038
Factory (Futurist)

1912
painting
Oil paint on canvas
support: 1025 x 800 mm (TBC)
The State Russian Museum, St Petersburg
Provenance:
The studio of the artist;
From whom acquired by the Museum of Artistic Culture, Leningrad, until 1926;
From which received by the State Russian Museum.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Void, 1913

X67268
Void

1913
painting
Oil paint and gouache on canvas
support: 800 x 1060 mm frame: 960 x 1220 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Cat on a Roof: Study for Konstantin Bolshakov's Le Futur, 1913

X67271
Cat on a Roof: Study for Konstantin Bolshakov's Le Futur

1913
on paper, unique
Graphite on paper
support: 203 x 160 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Sunset: Study for Konstantin Bolshakov's Le Futur, 1913

X67272
Sunset: Study for Konstantin Bolshakov's Le Futur

1913
on paper, unique
Graphite on paper
support: 203 x 160 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Forest: Study for Konstantin Bolshakov's Le Futur, 1913

X67273
Forest: Study for Konstantin Bolshakov's Le Futur

1913
on paper, unique
Graphite on paper
support: 210 x 160 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, The Universe: Study for Konstantin Bolshakov's Le Futur, 1913

X67274
The Universe: Study for Konstantin Bolshakov's Le Futur

1913
on paper, unique
Graphite on paper
support: 200 x 158 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Aeroplane Over a Train, 1913

X69041
Aeroplane Over a Train

1913
painting
Oil paint on canvas
support: 780 x 1050 mm
The State Museum of Fine Arts of Tatarstan Republic. Received from the State Museum Fund in 1920
Provenance:
The studio of the artist, until 1919;
State Museum Bureau, 1Z0 NKP, until 1920;
From which received by the State Museum of the Tatar Autonomous Soviet Socialist Republic, until 1962;
Which became the State Museum of the Tatar Soviet Republic, Kazan (State Museum of the Visual Arts of Tatarstan, Kazan) (Inv. Zh-1243)

Lender's address: The State Museum of Fine Arts of Tatarstan Republic, Marksa Street, 64, Kazan, The Republic of Tatarstan,
Russian Federation 420015
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded : inscribed on the reverse with the artist’s initials; other inscriptions obscured by stretcher
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Cyclist, 1913

X69042
Cyclist

1913
painting
Oil paint on canvas
support: 790 x 1050 mm
The State Russian Museum, St Petersburg
Provenance:
The studio of the artist;
From whom acquired by the Museum of Artistic Culture, Leningrad, until 1926;
From which received by the State Russian Museum.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Orchids, 1913

X69049
Orchids

1913
painting
Oil paint on canvas
support: 930 x 710 mm
Nizhny Novgorod State Art Museum. Transferred from the Museum of Painterly Culture 1921
Provenance:
The studio of the artist;
The Museum of Painterly Culture, Moscow, until 1921;
From which received by the Nizhny Novgorod State Art Museum, Nizhny Novgorod.

Lender's address: Nizhny Novgorod State Art Museum, Kremlin, korp. 3, Nizhny Novgorod, Russia 603082
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Letter, 1913

X69052
Letter

1913
painting
Oil paint on canvas
support: 430 x 550 mm
Serpukhov History and Art Museum. Received from the Moscow Regional Museum in 1924
Provenance:
The artist;
From whom acquired by the Moscow Regional Museum, until 1924;
From which acquired by Serpukhov History and Art Museum.

Lender's address: Serpukhov History and Art Museum, Chekhova Street, 87, Serpukhov, Moskovskaya oblast, Russian Federation 142206
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: on the reverse is a painting of a moonlit landscape, with wooden grave markers in the foreground.
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, St Barbara from the Modern Russian Luboks series, 1912-1913

X76675
St Barbara from the Modern Russian Luboks series

1912-1913
on paper, unique
Watercolour and white wash on paper on card
support: 670 x 540 mm frame: 820 x 680 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, until 1913;
From whom purchased by the Council of the Tretyakov Gallery.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded [could Tretyakov send an image of the reverse?]
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Design for 'Caucasus' dress for Nadezhda Lamanova fashion house, 1910-1914

X67185
Design for 'Caucasus' dress for Nadezhda Lamanova fashion house

1910-1914
on paper, unique
Graphite and gouache on paper
object: 380 x 240 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia.
This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Dress design for Nadezhda Lamanova fashion house, 1910-1914

X67186
Dress design for Nadezhda Lamanova fashion house

1910-1914
on paper, unique
Graphite and gouache on paper
support: 380 x 240 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia.
This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Dress design for Nadezhda Lamanova fashion house, 1910-1914

X67187
Dress design for Nadezhda Lamanova fashion house

1910-1914
on paper, unique
Graphite and gouache on paper
object: 382 x 243 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia.
This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Dress design for Nadezhda Lamanova fashion house, 1910-1914

X67188
Dress design for Nadezhda Lamanova fashion house

1910-1914
on paper, unique
Graphite and gouache on paper
support: 382 x 243 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Textile design for Nadezhda Lamanova fashion house, 1910-1914

X67193
Textile design for Nadezhda Lamanova fashion house

1910-1914
on paper, unique
Gouache on paper
support: 240 x 380 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Textile design for Nadezhda Lamanova fashion house, 1910-1914

X67194
Textile design for Nadezhda Lamanova fashion house

1910-1914
on paper, unique
Gouache on paper
support: 240 x 380 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Mystical Images of War: St George, 1914

X67255
Mystical Images of War: St George

1914
on paper, print
Lithograph, gouache and ink on paper
support: 324 x 248 mm image: 304 x 226 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Mystical Images of War: Maiden on the Beast, 1914

X67259
Mystical Images of War: Maiden on the Beast

1914
on paper, print
Lithograph, gouache and ink on paper
support: 323 x 245 mm image: 325 x 245 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Electric Ornament, 1914

X67270
Electric Ornament

1914
painting
Oil paint on canvas
support: 905 x 770 mm frame: 1065 x 930 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, Moscow;
From whom acquired by the Museum of Painterly Culture, until 1928;
Transferred to the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded [could Tretyakov send an image of the reverse?]
Place of manufacture: Moscow, Russia.

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Peasants Gathering Grapes, 1913-1914

X69053
Peasants Gathering Grapes

1913-1914
painting
Oil paint on canvas
support: 1450 x 1300 mm
Bashkir State Art Museum. Received from the Moscow Museum Fund 1921
Provenance:
The studio of the artist, until 1919;
State Art Fund, Moscow, until 1920;
Museum Bureau of IZO NKP;
From which transferred to Bashkir State Art Museum, Ufa.

Lender’s address: Bashkir State Art Museum, Goglya Street, 27, Ufa, The Republic of Bashkortostan, Russian Federation, 450077
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Picking Apples, circa 1909

X75757
Picking Apples

circa 1909
painting
Oil paint on canvas
support: 889 x 1234 mm frame: 1500 x 1800 mm
Alex Lachmann collection
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, until 1962*;
Private collection, United States, until 2007;
When sold at Christie’s London, Impressionist and Modern Art sale, 18 June 2007 (lot 19);
From which acquired by the present owner.
*exhibited as part of the artists' Arts Council UK touring exhibition in 1961.

Lender’s address: private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: Russian; naturalised French in 1938
Identifying marks: signed ‘N.g.’ (upper left)
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Apostle Peter. Costume design for Liturgy, 1915

X67308
Apostle Peter. Costume design for Liturgy

1915
on paper, unique
Gouache, graphite and paper on paper mounted on cardboard
support: 535 x 379 mm frame: 800 x 580 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Magus. Costume design for Liturgy, 1915

X67310
Magus. Costume design for Liturgy

1915
on paper, unique
Gouache, graphite and paper on paper mounted on cardboard
support: 600 x 475 mm frame: 800 x 580 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Cherub. Costume design for Liturgy, 1915

X67311
Cherub. Costume design for Liturgy

1915
on paper, unique
Gouache, graphite and paper on paper mounted on cardboard
support: 470 x 300 mm frame: 810 x 580 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Jellyfish. Costume design for Sadko, 1915-1916

X67315
Jellyfish. Costume design for Sadko

1915-1916
on paper, unique
Gouache and graphite on paper mounted on cardboard
support: 226 x 200 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Coral. Costume design for Sadko, 1915-1916

X67316
Coral. Costume design for Sadko

1915-1916
on paper, unique
Gouache and graphite on paper mounted on cardboard
support: 375 x 239 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Seaweed. Costume design for Sadko, 1915-1916

X67317
Seaweed. Costume design for Sadko

1915-1916
on paper, unique
Gouache, graphite, bronze and aluminium on paper mounted on cardboard
support: 223 x 198 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Composition with Factory Chimneys. Set design for Les Noces, 1916-1917

X67318
Composition with Factory Chimneys. Set design for Les Noces

1916-1917
on paper, unique
Gouache and graphite on paper mounted on cardboard
support: 560 x 788 mm frame: 750 x 950 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Russian Woman, Late 1910s - early 1920s

X69057
Russian Woman

Late 1910s - early 1920s
painting
Oil paint on canvas
support: 2300 x 1180 mm
Musée d'Art Moderne de la Ville de Paris
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Donated by the above to Musée d’Art Moderne de la Ville de Paris in 1964.

Lender’s address: Musée d’Art Moderne de la Ville de Paris, 11 Avenue du Président Wilson, 75116, Paris, France.
Nationality of the artist: Russian; naturalised French in 1938.
Identifying marks: not recorded
Place of manufacture: ?Paris, France

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Bathers, 1922

X67291
Bathers

1922
painting
Oil paint on canvas
support: 2600 x 1495 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Bathers, 1922

X67292
Bathers

1922
painting
Oil paint on canvas
support: 2600 x 1990 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Bathers, 1922

X67293
Bathers

1922
painting
Oil paint on canvas
support: 2600 x 1495 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Study for the Grand bal de nuit poster, 1923

X75168
Study for the Grand bal de nuit poster

1923
on paper, unique
Gouache, ink and graphite on paper
support: 1570 x 1107 mm frame: 1600 x 1140 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Spanish Woman with a Fan, circa 1925

X67290
Spanish Woman with a Fan

circa 1925
painting
Oil paint on canvas
support: 1660 x 1240 mm frame: 1680 x 1256 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Design for 'Algae' coat for House of Myrbor, 1927-1928

X67300
Design for 'Algae' coat for House of Myrbor

1927-1928
on paper, unique
Gouache, graphite and aluminium on paper
support: 657 x 505 mm frame: 850 x 670 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Textile design, 1922–1929

X67192
Textile design

1922–1929
on paper, unique
Gouache on paper
support: 405 x 323 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Pattern with blue flowers. Study for textile design for House of Myrbor, 1925-1929

X67303
Pattern with blue flowers. Study for textile design for House of Myrbor

1925-1929
on paper, unique
Gouache and graphite on paper
support: 375 x 284 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Pattern with burgundy-coloured branches. Study for textile design for House of Myrbor, 1925-1929

X67306
Pattern with burgundy-coloured branches. Study for textile design for House of Myrbor

1925-1929
on paper, unique
Gouache, graphite and varnish on paper
support: 378 x 282 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Design with birds and flowers. Study for textile design for House of Myrbor, 1925-1929

X67307
Design with birds and flowers. Study for textile design for House of Myrbor

1925-1929
on paper, unique
Gouache and graphite on embossed paper
support: 745 x 670 mm frame: 875 x 760 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Dress pattern with moons and stars for House of Myrbor, 1920-1929

X72399
Dress pattern with moons and stars for House of Myrbor

1920-1929
on paper, unique
Gouche, gold paint, charcoal and paper on paper laid on cardboard
support: 1450 x 2380 mm frame: 1800 x 3000 mm
Private collection, France
Provenance:
The studio of the artist;
From whom acquired by Lucien Lefebvre-Foinet, Paris;
By descent to Josette Lefebvre;
From whom acquired by the present owner in 2008.

Lender’s address: private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: Russian; naturalised French in 1938
Identifying marks: inscribed in Cyrillic ‘I.I.’ and numbered ‘MLF098’ lower right.
Place of manufacture: Paris, France


This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, Study for a mask for 1923 Grand Bal Travesti Transmental, 1920–1930

X75167
Study for a mask for 1923 Grand Bal Travesti Transmental

1920–1930
on paper, unique
Ink and graphite on paper
support: 370 x 285 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Theatre costume for the Golden Cockerel in Le Coq d'Or, 1937

X69079
Theatre costume for the Golden Cockerel in Le Coq d'Or

1937
sculpture
Lamé, metallic knit thread, silk, silk knit, gilded leather, net
displayed: 1150 x 1400 x 870 mm
Los Angeles County Museum of Art, Costume Council Fund
Provenance:
The maker

Sotheby's London, 17 July 1968,
From which acquired by the Los Angeles County Museum of Art, with funds provided by the Costume Council.

Lender's address: Los Angeles County Museum of Art, 5905 Wilshire Blvd, Los Angeles, CA 90036, United States
Nationality of the artist: Russian; naturalised French in 1938
Identifying marks: none recorded
Place of manufacture: London, United Kingdom

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, Tsar. Costume design for Le Coq d'Or, 1937

X71730
Tsar. Costume design for Le Coq d'Or

1937
on paper, unique
Watercolour, bronze paint and graphite on paper
support: 455 x 299 mm frame: 510 x 350 mm
State Tretyakov Gallery, Moscow. Presented by Evelyn Cournand 1983
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
From whom acquired by Evelyn Cournand, until 1983;
From whom gifted to the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Paris, France.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, Peasant woman. Costume design for Le Coq d'Or, 1937

X71731
Peasant woman. Costume design for Le Coq d'Or

1937
on paper, unique
Watercolour, bronze paint and graphite on paper
support: 455 x 300 mm frame: 510 x 350 mm
State Tretyakov Gallery, Moscow. Presented by Evelyn Cournand 1983
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
From whom acquired by Evelyn Cournand, until 1983;
From whom gifted to the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Paris, France.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, Shemakha Princess. Costume design for Le Coq d'Or, 1937

X71732
Shemakha Princess. Costume design for Le Coq d'Or

1937
on paper, unique
Watercolour, bronze paint and graphite on paper
support: 465 x 298 mm frame: 510 x 350 mm
State Tretyakov Gallery, Moscow. Presented by Evelyn Cournand 1983
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
From whom acquired by Evelyn Cournand, until 1983;
From whom gifted to the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Paris, France.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, Bogatyr. Costume design for Le Coq d'Or, 1937

X72396
Bogatyr. Costume design for Le Coq d'Or

1937
on paper, unique
Watercolour, bronze paint and graphite on paper
support: 455 x 300 mm frame: 510 x 350 mm
State Tretyakov Gallery, Moscow. Presented by Evelyn Cournand 1983
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
From whom acquired by Evelyn Cournand, until 1983;
From whom gifted to the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Paris, France.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, Ukrainan Village. Set design for The Fair at Sorochinsk, 1930s

X67319
Ukrainan Village. Set design for The Fair at Sorochinsk

1930s
on paper, unique
Gouache and graphite on paper mounted on cardboard
support: 655 x 980 mm frame: 830 x 1030 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova
(1881-1962, born: Tula, died: Paris, active: Moscow, Paris)
Barbara Karinska
(1886 - 1983)

Natalia Goncharova and Barbara Karinska, Theatre costume for a Female Subject of King Dodon in Le Coq d'Or, 1937

X69077
Theatre costume for a Female Subject of King Dodon in Le Coq d'Or

1937
sculpture
Cotton, linen, stencilled cotton, cotton braid, embroidered appliqués
displayed: 1651 x 1905 x 204 mm
Los Angeles County Museum of Art, Costume Council Fund
Provenance:
The studio of Barbara Karinska

Sotheby's London, 17 July 1968,
From which acquired by the Los Angeles County Museum of Art, with funds provided by the Costume Council.

Lender's address: Los Angeles County Museum of Art, 5905 Wilshire Blvd, Los Angeles, CA 90036, United States
Nationality of the artist: Russian; naturalised French in 1938
Identifying marks: none recorded
Place of manufacture: London, United Kingdom

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova and Barbara Karinska, Theatre costume for a Female Subject of King Dodon in Le Coq d'Or, 1937

X69078
Theatre costume for a Female Subject of King Dodon in Le Coq d'Or

1937
sculpture
Cotton, embroidered appliqués, cotton lace
displayed: 1651 x 1905 x 204 mm
Los Angeles County Museum of Art, Costume Council Fund
Provenance:
The studio of Barbara Karinska

Sotheby's London, 17 July 1968,
From which acquired by the Los Angeles County Museum of Art, with funds provided by the Costume Council.

Lender's address: Los Angeles County Museum of Art, 5905 Wilshire Blvd, Los Angeles, CA 90036, United States
Nationality of the artist: Russian; naturalised French in 1938
Identifying marks: none recorded
Place of manufacture: London, United Kingdom

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova
(1881-1962, born: Tula, died: Paris, active: Moscow, Paris)
State Tretyakov Gallery (Moscow, Russia)

Natalia Goncharova and State Tretyakov Gallery (Moscow, Russia), Design for 'Myriam' dress for House of Myrbor, 1927-1928

X67299
Design for 'Myriam' dress for House of Myrbor

1927-1928
on paper, unique
Gouache, aluminium, bronze, graphite, crayon and paper on paper
support: 1015 x 681 mm frame: 1060 x 730 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Pablo Picasso
(1881-1973, born: Málaga, died: Mougins)

Pablo Picasso, Queen Isabeau, 1909

X68995
Queen Isabeau

1909
painting
Oil paint on canvas
support: 918 x 732 mm
The State Pushkin Museum of Fine Arts, Moscow
Provenance:
The artist;

From whom acquired by D.-H.Kahnweiler, around 1910;
From whom acquired by S. I. Shchukin, until 1918;
From whom acquired by the Museum of New Western Art-1, until 1923;
From which transferred to the State Museum of New Western Art, until 1948;
From which transferred to The State Pushkin Museum of Fine Arts.

Lender's address: State Pushkin Museum of Fine Arts, 12 Volkhonka Street, Moscow 119019, Russia
Nationality of the artist: Spanish
Identiyfing marks: None recorded
Place of manufacture: ?Paris

This work has a complete provenance for the period 1933-45.