Magic Realism

Tate Modern (London, UK) from 30 Jul 2018 until 14 Jul 2019.

Max Beckmann
(1884-1950, born: Leipzig, died: New York, active: Frankfurt, Berlin, New York, Amsterdam, Saint Louis)

Max Beckmann, Frau Ullstein (Portrait of a Woman), 1920

X68291
Frau Ullstein (Portrait of a Woman)

[Frau Ullstein (Porträt einer Frau)] 1920
on paper, unique
Graphite on paper
support: 330 x 238 mm
The George Economou Collection
Provenance:
The artist;
Hauswedell & Nolte, 27 May 1997, lot 743;
Sammlung Wolf Uecker;
Villa Grisebach, 27 May 2000, lot 172;
Private collection, New York;
Gagosian Gallery, New York;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated in pencil, ‘Beckmann 27.6.20’ (lower left); inscribed (by another hand?) ‘For Frau Ullstein’ on the reverse.
Place of manufacture: ?Frankfurt/Berlin

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Max Beckmann, Anni (Girl with Fan), 1942

X68323
Anni (Girl with Fan)

[Anni (Mädchen mit Fächer)] 1942
painting
Oil paint on canvas
support: 846 x 445 mm
The George Economou Collection
Provenance:
The artist’s studio, Amsterdam;
Galerie Buccholz (according to the artist’s list 1942);
Galerie Otto Stangl, Munich;
Langen Collection, Germany (c.1954);
Villa Grisebach, 2005;
Private collection, southern Germany;
Galerie Thomas, Munich;
From whom acquired by the present owner in 2013.

Nationality of the artist: German
Identifying marks: signed and dated ‘A 42’ (upper right); with the artist’s name stamp on the reverse.
Place of manufacture: Amsterdam, the Netherlands
Max Beckmann catalogue raisonné number 597

This work has a complete provenance for the period 1933-45.

Richard Biringer
(1877 - 1947)

Richard Biringer, Krupp Works, Engers am Rhein, 1925

X68301
Krupp Works, Engers am Rhein

[Krupp-Werke Engers am Rhein] 1925
painting
Oil paint on canvas
support: 675 x 495 mm
The George Economou Collection
Provenance:
the artist;
Private collection, south Germany;
Ketterer, Munich, 3 December 2008, lot 8;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed ‘R. Biringer’ (lower middle); titled and inscribed by hand ‘F. Biringer Ffm Höchst’ on the stretcher.
Place of manufacture: Engers/Frankfurt, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Albert Birkle
(1900 - 1986)

Albert Birkle, The Acrobat Schulz V, 1921

X68292
The Acrobat Schulz V

[Der Akrobat Schulz V] 1921
on paper, unique
Tempera and chalk on paper mounted on cardboard
support: 704 x 500 mm
The George Economou Collection
Provenance:
The artist;
Neue Münchner Galerie;
Private collection, USA;
Ketterer, Munich, 5 December 2006, lot 146;
From whom acquired by the present owner.

Nationality of the artist: German-Austrian
Identifying marks: signed ‘A. Birkle’ and dated ‘1921’ (upper right), signed ‘A. Birkle’ lower left; inscribed probably by the artist ‘Albert Birkle Der Akrobat Schulz 1921’ on the reverse.
Place of manufacture: Berlin, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Albert Birkle, The Hermit, 1921

X68324
The Hermit

[Die Eremit] 1921
painting
Oil paint on canvas
support: 910 x 605 mm
The George Economou Collection
Provenance:
The artist;
Private collection, Austria;
Im Kinsky, Vienna, 14 October 2008, lot 379;
From which acquired by the present owner.

Nationality of the artist: German-Austrian
Identifying marks: none
Place of manufacture: Berlin, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Albert Birkle, Crucifixion, 1921

X68325
Crucifixion

[Kreuzigung] 1921
painting
Oil paint on board
support: 920 x 607 mm frame: 1130 x 810 mm
The George Economou Collection
Provenance:
The artist until 1977;
Collection Joseph Hierling, Tutzing, Germany;
Sold Im Kinsky, Vienna, 9 November 2010, lot 63;
From whom acquired by the present owner.

Nationality of the artist: German-Austrian
Identifying marks: signed ‘A. Birkle’ and dated ‘1921’ with two stamps from the estate of Joseph Hierling, inscribed ‘JOSEPH HIERLING / 8000 MÜNCHEN 40. GEORGENSTR. 62A’ and a label inscribed ‘Albert Birkle (1900 - 1986) / Kreuzigung 1921 / Öl / Platte 90 x 59 cm / SAMMLUNG JOSEPH HIERLING TUTZING’ on the reverse.
Place of manufacture: Berlin, Germany

This work has a complete provenance for the period 1933-45.

Albert Birkle, Passau, 1925

X68300
Passau

1925
painting
Oil paint on hardboard
support: 510 x 710 mm
The George Economou Collection
Provenance:
The artist;
Kunsthaus Lempertz, 1 June 1996, lot 585;
Private collection, Upper Austria;
Sold Im Kinsky, Vienna, 20 November 2007, lot 168;
From whom acquired by the present owner.

Nationality of the artist: German-Austrian
Identifying marks: signed ‘A. Birkle’ (lower left)
Place of manufacture: Berlin, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Heinrich Campendonk
(1889 - 1957)

Heinrich Campendonk, The Rider II, 1919

X68264
The Rider II

[Der Reiter II] 1919
on paper, unique
Watercolour on paper mounted on cardboard
support: 353 x 393 mm
The George Economou Collection
Provenance:
Artist until before 1933 (when Galerie Flechtheim is dissolved);
Galerie Flechtheim, Düsseldorf, before 1933 (when the gallery closed);
Galerie Gerd Rosen, Berlin, after 1945 (when it was founded);
Private collection Nordrhein-Westfalen (since 1953);
Offered Grisebach GmbH, 3 June 2005, lot. 00044 (bought in);
Galerie Utermann, Dortmund;
From whom acquired by the present owner in 2005.

Nationality of the artist: German-Dutch
Identifying marks: monogrammed and dated ‘C. Febr. 19’; titled ‘der Reiter II’ on the reverse
Place of manufacture: Seeshaupt, Germany (based on bio)
Catalogue raisonné number: -

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Heinrich Maria Davringhausen
(1894 - 1970)

Heinrich Maria Davringhausen, The Poet Däubler, 1917

X68262
The Poet Däubler

[Der Dichter Däubler] 1917
painting
Oil paint on canvas
support: 1810 x 1603 mm
The George Economou Collection
Provenance:
The artist’s family, and thence by descent to the previous owner;
Sold Christie’s London, 6 February 2007, lot 79;
From whom acquired by the present owner.

Nationality of artist: German
Identifying marks: signed ‘H.M.D.’ and dated ‘Berlin Januar 17’ on the reverse.
Place of Manufacture: Berlin, Germany

This work has a complete provenance for the period 1933-45.

Prosper de Troyer
(1880 - 1961)

Prosper de Troyer, Erik Satie (The Prelude), 1925

X68318
Erik Satie (The Prelude)

[Erik Satie (Le prélude)] 1925
painting
Oil paint on canvas
support: 2100 x 1450 mm
The George Economou Collection
Provenance:
Private collection of the De Troyer family, Uytterhoeven;
Art trade South Germany (1999);
Private collection, Spain;
Ketterer, Munich, 19 June 2009, lot 272;
From which acquired by the present owner.

Nationality of the artist: Belgian
Identifying marks: signed ‘P. de TROYER’ and dated ‘1925’ (lower left)
Place of manufacture: Belgium

This work has a complete provenance for the period 1933-45.

Harry Heinrich Deierling
(1894-1989)

Harry Heinrich Deierling, The Gardener, 1920

X68265
The Gardener

[Der Gärtner] 1920
painting
Oil paint on canvas
support: 1870 x 1195 mm
The George Economou Collection
Provenance:
The artist;
Estate of Peter Hopf, Berlin;
Villa Grisebach, Berlin, 1 December 2006, lot 1642;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated ‘H. Deierling / 20’ (lower right); signed, located and titled with black pencil ‘Deierling, Berlin (Der Gärtner)’ on the reverse.
Place of manufacture: Berlin, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Rudolf Dischinger
(1904 - 1988)

Rudolf Dischinger, Backyard Balcony, 1935

X68313
Backyard Balcony

[Hinterhaus-Balkon] 1935
painting
Oil paint on canvas
support: 580 x 500 mm
The George Economou Collection
Provenance:
The artist;
New York; Ubu Gallery;
From whom acquired by the present owner on 30 March 2009;
Offered at sale ‘A Prominent 20th Century European Collection Session II’, Tajan, 9 December 2015, lot 137.

Nationality of the artist: German
Identifying marks: signed and dated on recto/ signed, titled and dated on verso
Place of manufacture: Freiburg im Bresigau, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Otto Dix
(1891-1969)

Otto Dix, Portrait of Bruno Alexander Roscher, 1915

X68261
Portrait of Bruno Alexander Roscher

[Bildnis Bruno Alexander Roscher] 1915
painting
Oil paint on board
support: 670 x 505 mm
The George Economou Collection
Provenance:
Artist until 1915 (was commissioned to produce the work);
Private collection, Dresden (collection of the sitter, Bruno Alexander Roscher?);
Neumeister, November 1992, lot 94;
Dresden, November 1994;
Sotheby's London; 9 December 1997, lot 33, ill. p. 134 (bought in);
Hampel, Munich, 4 December 2009, lot 742;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed ‘Dix’, dated ‘1915’ (lower left)
Place of manufacture: Dresden

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Otto Dix, Butcher Shop, 1920

X68268
Butcher Shop

[Fleischerladen] 1920
on paper, print
Etching, drypoint on paper
support: 495 x 338 mm plate: 295 x 258 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated 'Dix 20' (lower right) and titled 'Fleischerladen' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Billiard Players, 1920

X68273
Billiard Players

[Billardspieler] 1920
on paper, print
Etching, drypoint on paper
support: 340 x 488 mm plate: 225 x 333 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '10/20' (lower left) and titled 'Billiardspieler' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Sailor and Girl, 1920

X68274
Sailor and Girl

[Matrose und Mädchen] 1920
on paper, print
Etching, drypoint on paper
support: 487 x 342 mm plate: 300 x 248 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '10/20' (lower left) and titled 'Matrose und Mädchen' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Lust Murderer, 1920

X68275
Lust Murderer

[Lustmörder] 1920
on paper, print
Etching on paper
support: 490 x 341 mm plate: 300 x 257 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed 10/10' (lower left) and titled 'Lustmörder' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Sketch, 1922

X68278
Sketch

1922
on paper, print
Etching, drypoint on paper
support: 497 x 429 mm plate: 394 x 297 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Sketch' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Balancing Act, 1922

X68279
Balancing Act

[Balanceakt] 1922
on paper, print
Etching, drypoint on paper
support: 496 x 429 mm plate: 299 x 197 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Balanceakt' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Maud Arizona (Suleika, The Tattooed Wonder), 1922

X68280
Maud Arizona (Suleika, The Tattooed Wonder)

[Maud Arizona (Suleika, das tätowierte Wunder)] 1922
on paper, print
Etching, drypoint on paper
support: 498 x 428 mm plate: 299 x 198 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: title, date, edition number and signature on lower edge.
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, International Riding Act, 1922

X68281
International Riding Act

[Internationaler Reitakt] 1922
on paper, print
Etching, drypoint on paper
support: 496 x 431 mm plate: 399 x 298 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix 22' (lower right), inscribed '20/50' (lower left) and titled 'Internationaler Reitakt' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, American Riding Act, 1922

X68282
American Riding Act

[Amerikanischer Reitakt] 1922
on paper, print
Etching, drypoint on paper
support: 497 x 429 mm plate: 347 x 309 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Amerikanischer Reitakt' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Technical Personnel, 1922

X68283
Technical Personnel

[Technisches Personal] 1922
on paper, print
Etching, drypoint on paper
support: 497 x 426 mm plate: 300 x 198 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Technisches Personnel' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Lili, The Queen of the Air, 1922

X68284
Lili, The Queen of the Air

[Lili, die Königin der Luft] 1922
on paper, print
Etching, drypoint on paper
support: 497 x 428 mm plate: 299 x 198 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix 22' (lower right), inscribed '20/50' (lower left) and titled 'Lili' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Tamer, 1922

X68285
Tamer

[Dompteuse] 1922
on paper, print
Etching, drypoint on paper
support: 496 x 429 mm plate: 399 x 297 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix 22' (lower right), inscribed '20/50' (lower left) and titled 'Dompteuse' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Performers, 1922

X68286
Performers

[Artisten] 1922
on paper, print
Etching, drypoint on paper
support: 492 x 340 mm plate: 299 x 258 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right) and titled (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Lust Murder, 1922

X68293
Lust Murder

[Lustmord] 1922
on paper, unique
Watercolour, ink and graphite on paper
support: 485 x 365 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed 10/10' (lower left) and titled 'Lustmörder' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Scorners of Death, 1922

X71345
Scorners of Death

[Die Verächter des Todes] 1922
on paper, print
Etching, drypoint on paper
support: 497 x 428 mm plate: 347 x 277 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '6/50' (lower left) and titled 'Verächter des Todes' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Illusion Act, 1922

X71346
Illusion Act

[Illusionsakt] 1922
on paper, print
Etching, drypoint on paper
support: 495 x 429 mm plate: 300 x 257 mm
The George Economou Collection
Provenance:
The artist until 1922;
Galerie Nierendorf, Berlin, until 2010;
Galerie Ritthaler, Hamburg;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed 'Dix' (lower right), inscribed '20/50' (lower left) and titled 'Illusionsakt' (lower middle)
Place of manufacture: Dresden/Berlin?


This work has a complete provenance for the period 1933-45.

Otto Dix, Circus Scene (Riding Act), 1923

X69464
Circus Scene (Riding Act)

[Zirkusszene (Reitakt)] 1923
on paper, unique
Watercolour, pen and ink on paper
support: 381 x 276 mm
The George Economou Collection
Provenance:
The artist;
Galerie Nierendorf, Cologne;
Frank Perls Gallery, Beverly Hills;
Parke-Bernet Galleries, Inc., New York, 3-4 June 1959, lot 31;
From which acquired by a private collection;
Sotheby’s, New York, 4 November 1993, lot 211;
Private collection, (Milan/Miami);
Sotheby’s New York, 4 May 2005, lot 295;
Neumeister, Munich, 23 May 2012;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated in pencil ‘Dix 23’ (lower right) and numbered below ‘244’; titled ‘Zirkusszene’ and number ‘50’ on the reverse.
Place of manufacture: Dresden

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Josef Eberz
(1880 - 1942)

Josef Eberz, Dancer (Beatrice Mariagraete), 1923

X68316
Dancer (Beatrice Mariagraete)

[Tänzerin (Beatrice Mariagraete)] 1923
painting
Oil paint on canvas
support: 1580 x 785 mm
The George Economou Collection
Provenance:
The artist;
Galerie Neue Kunst, Hans Goltz, Munich (with partly torn label on the stretcher);
Private collection, Northern Germany;
Ketterer Kunst, Munich, 12 June 2010, lot 17;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated ‘J. EBERZ 23’ (lower left)
Place of manufacture: Munich

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Conrad Felixmüller
(1897 - 1977)

Conrad Felixmüller, Portrait of Ernst Buchholz, 1921

X70057
Portrait of Ernst Buchholz

[Bildnis Ernst Buchholz] 1921
painting
Oil paint on canvas
support: 900 x 750 mm
The George Economou Collection
Provenance:
The artist;
Estate of Dr Walt(h)er Ruck (died 1926), thence to his son Karlheinz Ruck (died 1997);
Fischer Kunsthandel & Edition, Berlin;
From whom acquired by the present owner in 2014.

Nationality of the artist: German
Identifying marks: signed (upper right); signed, dated and number ‘Felixmüller 1921, Nr. 254’ on the reverse.
Place of manufacture: ?Dresden, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Conrad Felixmüller, The Beggar of Prachatice, 1924

X68299
The Beggar of Prachatice

[Der Bettler von Prachatitz] 1924
on paper, unique
Watercolour, gouache and graphite on paper
support: 500 x 645 mm
The George Economou Collection
Provenance:
The artist;
Dr Heinrich Scherlag, Dresden (acquired directly from the artist);
Alice Hagängen, Sweden;
Ketterer, Munich, 4 December 2010, lot 68;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated (upper right); signed, dated, titled and inscribed ‘Neumann & Nierendorf’ on the reverse.
Place of manufacture: ?Prachatice/Berlin


This work has a complete provenance for the period 1933-45.

Otto Griebel
(1895 - 1972)

Otto Griebel, Two Women, 1924

X68317
Two Women

[Zwei Frauen] 1924
on paper, unique
Watercolour on cardboard
support: 638 x 450 mm
The George Economou Collection
Provenance:
The artist;
Gallery Köhl, Dresden;
Acquired from the above by a private collection, Wiesbaden, 1960s;
Ketterer, Munich, 24 April 2010, lot 434;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed ‘Otto Griebl’, dated ‘1924’, titled ‘Zwei Frauen’ (lower right) and with inscription ‘1920’ (lower right corner); with another inscription ‘GLA 73006’ on the reverse.
Place of manufacture: ?Dresden

Authenticity confirmed by Matthias Griebel, letter dated 11 February 2010 (information provided by present owner)
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Carl Grossberg
(1894 - 1940)

Carl Grossberg, Rokin (Rokin Street, Amsterdam), 1925

X68302
Rokin (Rokin Street, Amsterdam)

1925
painting
Tempera on panel
support: 505 x 603 mm
The George Economou Collection
Provenance:
The artist;
Ubu Gallery, New York;
From whom acquired by the present owner in 2009.

Nationality of the artist: German
Identifying marks: signed and dated ‘CARL GROSSBERG 1926’ (lower left); signed, titled and dates ‘Amsterdam 1925/26’ on the reverse.
Place of manufacture: Amsterdam, the Netherlands.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

George Grosz
(1893-1959, born: Berlin, died: Berlin)

George Grosz, Self-Portrait with Model in the Studio, 1930-1937

X68296
Self-Portrait with Model in the Studio

[Selbstbildnis mit Modell im Atelier] 1930-1937
on paper, unique
Watercolour, gouache, pen and ink on paper
support: 505 x 440 mm frame: 800 x 730 mm
The George Economou Collection
Provenance:
Studio of the artist, Berlin, in 1930;
Studio of the artist, Douglaston, Long Island, in 1937;
Private collection, New York;
Galerie Thomas, Munich;
From whom acquired by the present owner in 2009.

Nationality of the artist: German-American
Identifying marks: signed twice ‘GROSZ’ and dated ‘30’ and ‘37’ (lower right).
Place of manufacture: Berlin, Germany.

To be included in the forthcoming catalogue raisonné of Grosz’s works on paper, prepared by Ralph Jentsch, administrator for the artist’s Estate.
This work has a complete provenance for the period 1933-45.

Hans Grundig
(1901 - 1958)

Hans Grundig, Girl with Pink Hat, 1925

X68303
Girl with Pink Hat

[Mädchen mit rosa Hut] 1925
painting
Oil paint on cardboard
support: 704 x 500 mm
The George Economou Collection
Provenance:
Lea Grundig, Dresden, by descent circa 1972;
Villa Grisebach, Berlin, 27 November 2009, lot 26;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated 'GRUNDIG 25' (lower left)
Place of manufacture: ?Dresden
This work has a complete provenance for the period 1933-45.

Lea Grundig
(1906 - 1977)

Lea Grundig, Into the Abyss, 1943

X68328
Into the Abyss

[In den Abgrund] 1943
on paper, unique
Pen and ink on cardboard
support: 440 x 560 mm frame: 713 x 818 mm
The George Economou Collection
Provenance:
The artist;
Private Collection John Phillips, photo journalist for Life Magazine, during the 1940s, he spent a longer period of time in Palestine as a war correspondent;
Galerie St. Etienne, New York;
Ketterer, Munich, 22 October 2010, lot 15;
Acquired from the above by the present owner.

Nationality of the artist: German
Identifying marks: signed 'LEA GRUNDIG', dated '1943' (lower right) and barely legibly inscribed (middle right).
Place of manufacture: Israel

This work has a complete provenance for the period 1933-45.

Herbert Gurschner
(1901-1975, born: Innsbruck)

Herbert Gurschner, Triumph of Death, 1927

X68326
Triumph of Death

[Triumph des Todes] 1927
painting
Oil paint on canvas
support: 1090 x 895 mm
The George Economou Collection
Provenance:
The artist;
Kunsthandel Widder, Vienna;
Acquired directly from the above in 2006.

Nationality of the artist: Austrian-British
Identifying marks: none

This work has a complete provenance for the period 1933-45.

Herbert Gurschner, Bean Ingram, 1928

X68306
Bean Ingram

1928
painting
Oil paint on canvas
support: 1070 x 675 mm
The George Economou Collection
Provenance:
The artist;
Bonhams, London, 29 November 1995, lot 106;
Im Kinsky, Vienna, 16 May 2006, lot 117
Acquired directly from the above

Nationality of the artist: Austrian-British
Identifying marks: signed 'Herbert Gurschner' and inscribed 'Bean Ingram habe ich gemalt 1928 mit einer Maske weil das leben verlangt Masken' (lower right); with a label 'Herbert Gurschner Tyrol 43' on the reverse

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Herbert Gurschner, Lazarus (The Workers), 1928

X68327
Lazarus (The Workers)

[Lazarus (Die Arbeiter)] 1928
painting
Oil paint on canvas
support: 920 x 690 mm
The George Economou Collection
Provenance:
The estate of the artist
Kunsthandel Widder, Vienna
Acquired directly from the above in 2006

Nationality of the artist: Austrian-British
Identifying marks: signed 'Gurschner' (lower left corner)

This work has a complete provenance for the period 1933-45.

Herbert Gurschner, Japanese Lady, 1932

X68310
Japanese Lady

[Japanische Dame] 1932
painting
Oil paint on canvas
support: 870 x 610 mm
The George Economou Collection
Provenance:
The estate of the artist
Kunsthandel Widder, Vienna
Acquired directly from the above in 2006

Nationality of the artist: Austrian-British
Identifying marks: signed 'Gurschner' (lower left)

This work has a complete provenance for the period 1933-45.

August Heitmüller
(1873 - 1935)

August Heitmüller, Self-Portrait, 1926

X68314
Self-Portrait

[Selbstbildnis] 1926
painting
Oil paint on canvas
support: 900 x 705 mm
The George Economou Collection
Provenance:
The artist;
Villa Grisebach, Berlin, 29 November 2008, lot 224
Acquired directly from the above

Nationality of the artist:
Identifying mark: signed and dated 'HEITMÜLLER 1926' (upper right)
Place of manufacture: unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Karl Otto Hy
(1904 - 1992)

Karl Otto Hy, Anna, 1932

X68311
Anna

1932
painting
Oil paint on canvas
support: 950 x 675 mm
The George Economou Collection
Provenance:
The artist;
Private Collection, Hesse;
Ketterer, Munich, 3 December 2008, lot 43;
Acquired directly from the above.

Nationality of the artist: German
Identifying marks: signed 'K.O. HY' and dated '32' (lower right); titled on the reverse; signed, inscribed and with the address on the stretcher.
Place of manufacture: Wiesbaden, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Alexander Kanoldt
(1881 - 1939)

Alexander Kanoldt, Monastery Chapel of Säben, 1920

X70056
Monastery Chapel of Säben

[Kapelle in Südtirol] 1920
painting
Oil paint on canvas
support: 350 x 290 mm
The George Economou Collection
Provenance:
The artist;
Collection Franz Friedrich Kästner, Erfurt
Private Collection, South Germany
Ketterer, Munich, 28 April 2009, lot 441
Acquired directly from the above.

Nationality of the artist: German
Identifying marks: signed 'Kanoldt', dated '1920' (lower right); signed, dated and inscribed 'XXI No. 137' on the stretcher.
Place of manufacture: ?Munich

To be included in forthcoming catalogue raisonné, compiled by Dr Michael Koch.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Jeanne Mammen
(1890 - 1976)

Jeanne Mammen, Boring Dolls, 1929

X68320
Boring Dolls

[Langweilige Puppen] 1929
on paper, unique
Watercolour and graphite on paper mounted on cardboard
support: 384 x 286 mm
The George Economou Collection
Provenance:
The artist;
Galerie Brockstedt, Hamburg
Gallery La Boétie, New York
Hauswedell and Nolte, Hamburg
Marvin and Janet Fishman Collection, Milwaukee
Private collection, Spain
Villa Grisebach, Berlin, 27 November 2009, lot 28
Acquired directly from the above

Nationality of the artist: German
Identifying marks: signed 'J. Mammen' (upper left), titled 'Langweilige Puppen' (on the cardboard lower left); several exhibition labels on the reverse.
Place of manufacture: Berlin
This work has a complete provenance for the period 1933-45.

Jeanne Mammen, At the Shooting Gallery, 1929

X68321
At the Shooting Gallery

[An der Schießbude] 1929
on paper, unique
Watercolour and graphite on vellum
support: 445 x 360 mm
The George Economou Collection
Provenance:
The artist;
Galerie Brockstedt, Hamburg
Private Collection, Munich
Ketterer Kunst, Auktion 207, Munich 4 December 1995, Lot 89
Marvin and Janet Fishman Collection, Milwaukee
Karl & Faber, Munich, 28 October 2010, lot 101
Acquired directly from the above

Nationality of the artist: German
Identifying marks: signed 'J. Mammen' (upper left)
Place of manufacture: Berlin

This work has a complete provenance for the period 1933-45.

Jeanne Mammen, Brüderstrasse (Free Room), 1930

X68322
Brüderstrasse (Free Room)

[Brüderstrasse (Zimmer frei)] 1930
on paper, unique
Watercolour, ink and graphite on vellum
support: 475 x 345 mm frame: 835 x 635 mm
The George Economou Collection
Provenance:
The artist;
Galerie Brockstedt, Hamburg
La Boetie Inc. (Helen Serger), New York
Christie´s London, Auktion 19 October 1997, Lot 239
Marvin and Janet Fishman Collection, Milwaukee
Karl & Faber, Munich, 28 October 2010, lot 102
Acquired directly from the above

Nationality of the artist: German
Identifying marks: signed 'J. Mammen' (lower right)
Place of manufacture: Berlin

This work has a complete provenance for the period 1933-45.

Josef Mangold
(1884 - 1937)

Josef Mangold, Flower Still Life with Playing Card, N.D.

X68315
Flower Still Life with Playing Card

[Blumenstilleben mit Spielkarte] N.D.
painting
Oil paint on panel
support: 410 x 317 mm
The George Economou Collection
Provenance:
The artist;
Villa Grisebach, Berlin, 5 June 2010, lot 201
Acquired directly from the above

Nationality of the artist: German
Identifying marks: signed 'Jos. Mangold'
Place of manufacture: unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Carlo Mense
(1886 - 1965)

Carlo Mense, Self-Portrait, 1918

X68263
Self-Portrait

[Selbstbildnis] 1918
painting
Oil paint on canvas
support: 457 x 343 mm frame: 660 x 545 mm
The George Economou Collection
Provenance:
The artist;
Van Ham, Cologne, Auction 31 May 2006, Lot 248
Galerie Berinson, Berlin
Acquired directly from the above in 2009

Nationality of the artist: German
Identifying marks: signed 'C. Mense' (lower right)
Place of manufacture:

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Carlo Mense, Portrait of Don Domenico, 1924

X68298
Portrait of Don Domenico

[Bildnis Don Domenico] 1924
painting
Oil paint on cardboard
support: 536 x 420 mm
The George Economou Collection
Provenance:
The artist;
Private Collection, South Germany;
Ketterer, Munich, 19 June 2009, lot 268;
Acquired directly from the above.

Nationality of the artist: German
Identifying marks: signed 'C. MENSE' (lower right); signed, dated and titled 'Don Domenicho' on the reverse.
Place of manufacture: Munich, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Richard Müller
(1874 - 1954)

Richard Müller, In the Studio, 1926

X68304
In the Studio

[Im Atelier] 1926
painting
Oil paint on canvas
support: 1070 x 755 mm frame: 1250 x 940 mm
The George Economou Collection
Provenance:
Probably the estate of the artist
Private Collection, South Germany
Fischer, Lucerne, 15 June 2009, lot 46
Acquired directly from the above

Nationality of the artist: Austrian
Identifying marks: monogrammed 'R.M.' and dated '1926' (upper middle)
Place of manufacture: Dresden

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Sergius Pauser
(1896 - 1970)

Sergius Pauser, Self-Portrait with Mask, 1926

X68319
Self-Portrait with Mask

[Selbstbildnis mit Maske] 1926
painting
Oil paint on canvas
support: 600 x 730 mm
The George Economou Collection
Provenance:
Private property, USA
Private property, Schütz
Schütz, Vienna
Acquired directly from the above in 2008

Nationality of artist: Austrian
Identifying marks: signed 'Sergius Pauser' (lower left)
Place of manufacture: ?Waidhofen/Vienna

Pauser catalogue raisonné number 116
This work has a complete provenance for the period 1933-45.

Franz Radziwill
(1895 - 1983)

Franz Radziwill, Conversation About a Paragraph, 1929/1960

X68307
Conversation About a Paragraph

[Gespräch über einen Paragraphen] 1929/1960
painting
Oil paint on canvas laid on wood
support: 793 x 1010 mm
The George Economou Collection
Provenance:
The artist;
Galleria del Levante, Milan/Munich; [which seemed to be particularly active in 1960s?]
Private collection, Modena;
Ketterer, Munich, 4 June 2011, lot 62;
From which acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed and dated ‘Fr. Radziwill 29’ (lower right); numbered ‘102’ on the reverse.
Place of manufacture: ?Berlin and Dangast

This work was completed after the operative period 1933-45.

Christian Schad
(1894-1982, born: Miesbach, died: Stuttgart)

Christian Schad, Prof. Holzmeister, 1926

X68295
Prof. Holzmeister

1926
on paper, unique
Charcoal on paper
support: 542 x 400 mm
The George Economou Collection
Provenance:
The artist;
Kunstkabinett G.A. Richter, Stuttgart, by 1974;
Dorotheum Vienna, 25 May 2000;
Christie’s London, 16 June 2007, lot 175
Im Kinsky, Vienna, 23 June 2009, lot 6;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: signed ‘SCHAD’ and dated ‘(19)26’ (lower right); titled ‘Prof. Holzmeister’ and dated ‘Wien 1926’ with pencil by the hand of the artist on the reverse.
Place of manufacture: Vienna, Austria.

Authenticated by G.A. Richter from the Christian Schad Archive


This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Josef Scharl
(1896 - 1954)

Josef Scharl, Conference / The Group, 1927

X68305
Conference / The Group

[Konferenz / Die Gruppe] 1927
painting
Oil paint on canvas
support: 810 x 645 mm
The George Economou Collection
Provenance:
The artist;
Galerie Nierendorf, Berlin, until at least 1964;
Villa Grisebach, Berlin, 29 November 2008, lot 213;
From whom acquired by the present owner.

Nationality of the artist: German-American
Identifying marks: signed and dated ‘Jos. Scharl 1927’
Place of manufacture: Munich [based on bio]
*Exhibited in monographic exhibition in the rooms of the German Artist Association, Munich, in 1929.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Otto Rudolf Schatz
(1900 - 1961)

Otto Rudolf Schatz, Moon Women, 1930

X68308
Moon Women

[Mondfrauen] 1930
painting
Oil paint on canvas
support: 1915 x 1110 mm frame: 1955 x 1150 mm
The George Economou Collection
Provenance:
The artist;
Private collection of Prof. Dr. Wilfried Daim;
Im Kinsky, Vienna, 20 November 2007, lot 59;
From whom acquired by the present owner.

Nationality of the artist: Austrian
Identifying marks: monogrammed ‘ORS’ and dated ‘30’ (lower right)
Place of manufacture: Vienna, Austria

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Rudolf Schlichter
(1890 - 1955)

Rudolf Schlichter, The Artist with Two Hanged Women, 1924

X68294
The Artist with Two Hanged Women

[Der Künstler mit zwei erhängten Frauen] 1924
on paper, unique
Watercolour and graphite on paper
support: 453 x 340 mm frame: 645 x 535 mm
The George Economou Collection
Provenance:
The artist;
Private collection, Karlsruhe;
Villa Grisebach Berlin, 26 November 2010, lot 42;
From whom acquired by the present owner.

Nationality of the artist: German
Identifying marks: verso: ‘Motion sketches of horses with riders’. Charcoal horizontal format.
Place of manufacture: Berlin

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Rudolf Schlichter, Lady with Red Scarf (Speedy with the Moon), 1933

X68312
Lady with Red Scarf (Speedy with the Moon)

[Frauenportrait (Speedy)] 1933
painting
Oil paint on canvas
support: 925 x 645 mm
The George Economou Collection
Provenance:
The artist;
Porro & C., Mailand, Auction 19 May 2009; lot 20
Fischer Kunsthandel, Berlin; (founded 1992)
Galerie Michael Haas, Berlin; (founded 1976)
Private collection, Germany; (Nannen collection??)
Galerie Thomas Schneider, Munich; (founded 1997)
From whom acquired by the present owner in 2012.

Nationality of the artist: German
Identifying marks: signed ‘R. Schlichter’ (lower right), dated ‘1933’ (lower left)
Place of manufacture: Rottenburg, Germany

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Werner Schramm
(1898 - 1970)

Werner Schramm, Portrait of a Lady in front of the Pont des Arts, 1930

X68309
Portrait of a Lady in front of the Pont des Arts

[Damenbildnis vor der Pont des Arts] 1930
painting
Oil paint on panel
support: 810 x 610 mm frame: 1025 x 825 mm
The George Economou Collection
Provenance:
[Estate of the artist] until at least 1980:
Remmert und Barth, Düsseldorf; [founded 1980; preceding sales must have been after this time]
Fine Art Trade, Berlin;
Private collection, Germany, before 1997;
Galerie Thomas Schneider, Munich; [founded 1997; preceding sales must have been after this time]
From whom acquired by the present owner in 2012.

Nationality of the artist: German
Identifying marks: monogrammed ‘SW’ and dated ‘1930’ (lower right)
Place of manufacture: Paris [based on artist bio; lived in Meudon between 1926-31]
This work has a complete provenance for the period 1933-45.

Nicolai Wassilieff
(1901 - 1977)

Nicolai Wassilieff, Interior, 1923

X68297
Interior

[Innere] 1923
painting
Oil paint on canvas
support: 410 x 300 mm frame: 595 x 485 mm
The George Economou Collection
Provenance:
Artist until ??;
Ubu Berinson;
From whom acquired by the present owner in 2008.

Nationality of the artist: Russian (-German?)
Identifying marks: signed ‘N. Wassiljeff / Barotinsky’ (lower right)
Verso: ‘Tree’
Place of manufacture: unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Van Gogh and Britain

Tate Britain (London, UK) from 27 Mar 2019 until 11 Aug 2019.

Vincent van Gogh
(1853-1890, born: Zundert, died: Auvers-sur-Oise, active: Paris, Arles, France)

Vincent van Gogh, Road in Etten, Etten, October 1881

X68470
Road in Etten

Etten, October 1881
on paper, unique
Chalk, grapite, pastel, watercolour and ink on paper
support: 394 x 578 mm
Lent by The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.774)
Provenance:
X68470
Vincent van Gogh, Dutch, 1853-1890
Road in Etten, 1881
Chalk, pencil, pastel, watercolor. Underdrawing in pen and brown ink.
39.4 x 57.8 cm
The Metropolitan Museum of Art, New York
Provenance
L. Oosterijk, Etten; J. Oosterijk, Etten; J.B. (Minus) Oosterijk, Etten; Jan de Visser, Etten; [Myrtil Frank, The Hague]; [Dr. Fritz Nathan und Dr. Peter Nathan Kunsthandlung, Zurich]. Acquired by Robert Lehman from Fritz and Peter Nathan in February 1962.
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Etten, The Netherlands
Catalogue raisonne:
F1678

Vincent van Gogh, Bleachery at Scheveningen, The Hague, July 1882

X68552
Bleachery at Scheveningen

The Hague, July 1882
on paper, unique
Watercolour and gouache on paper
support: 318 x 540 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
X68552
Blanchisserie à Scheveningen" Bleachery at Scheveningen (recto); "Femme de Scheveningen" Woman from
Scheveningen (verso)
Bleaching Ground at Scheveningen
Bleachery at Scheveningen
1882
Vincent van Gogh [1853 - 1890]
Watercolor heightened with white gouache
318 × 540 mm
The J. Paul Getty Museum, Los Angeles
Dutc
Nationality of artist: Dutch
Identifying marks: None or not recorded
Place of Manufacture: Scheveningen, Netherlands
Catalogue Raisonné:
J.B. de La Faille, The Works of Vincent van Gogh. HIs Paintings and Drawings (Amsterdam, 1970), nos. 946 and 946v.
J. Hulsker, The New Complete Van Gogh, Paintings, Drawings, Sketches: Revised and Enlarged Edition of the Catalogue Raisonné. (Amsterdam, 1996), nos. 158 (recto) and 95 (verso).
Provenance:
1884 Miss Margot Begemann (Neunen, Netherlands), gift from the artist
Miss C.M.C. Begemann (Amstelveen, Netherlands), by gift from her aunt, the previous owner.
1956 Stedelijk Museum, on loan
A. Buysman (Noordwijk, Netherlands)
W. Brinkman (Schipluiden, Netherlands)
Private Collection (France) [Sotheby's, New York, May 16, 1984, lot 103]
Source: sale catalogue, Sotheby's, New York, May 16, 1984, lot 103
Didier Imbert Fine Art S.A., sold to the J. Paul Getty Museum, 1998.
The J. Paul Getty Museum
 
EXHIBITION HISTORY:
Vincent van Gogh [Vlaardingen] (March 27 to April 19, 1953)
De Visbank, Vlaardingen (recto)
Vincent van Gogh: Leben und Schaf Dokumentation, Gemälde, Zeichnungen (October 16 to December 15,
1957)
Villa Hügel (Essen) (138, recto)
Vincent van Gogh [1960] (February to March 1960)
Musée Jacquemart-André (Paris) (84, recto)
Landscape Drawings 1500 - 1900 (June 9 to August 23, 1998)
The J. Paul Getty Museum at the Getty Center (Los Angeles) (recto)
To Create a Living Art: 19th Century Drawings (May 1 to July 15, 2001)
The J. Paul Getty Museum at the Getty Center (Los Angeles) (recto)
The Prismatic Palette: Four Centuries of Watercolors (October 5, 2004 to January 2, 2005)
The J. Paul Getty Museum at the Getty Center (Los Angeles) (recto)
Capturing Nature's Beauty: Three Centuries of French Landscapes (July 28 to November 1, 2009)
The J. Paul Getty Museum at the Getty Center (Los Angeles) (recto)
The Real Van Gogh: The Artist and His Letters (January 23 to April 18, 2010)
Royal Academy of Arts (London) (15, recto)
Becoming Van Gogh: His Years in Paris, 1886-1888 (October 20, 2012 to January 20, 2013)
Denver Art Museum (Denver) (Cat. 23, recto)

Vincent van Gogh, The Dustman, The Hague, 1883

X73237
The Dustman

The Hague, 1883
on paper, unique
Graphite on paper
support: 220 x 310 mm
Fine Arts Museums of San Francisco. Anonymous gift in memory of Dr. Walter S. Heil
Provenance:
X73237
Vincent van Gogh, Dutch, 1853–1890
The Dustman, 1883
Graphite on wove paper
220 x 310 mm (8 11/16 x 12 3/16 in.)
Anonymous gift in memory of Dr. Walter S. Heil
Fine Arts Museum of San Francisco 1991.2.102  
Provenance:
Arnold Otto Meyer, Hamburg;
C.G. Boerner, Leipzig, March 1914, no. 330, repr.;
Dr. Voss for the Museum der bildenden Kunste, Leipzig (until 1928);
Dr. W. Raeber, Basel (art dealer);
Gutekunst und Klipstein, Bern, auction 56 (December 1949), nr. 62 repr.;
Dr. Z. Bruck;
Galerie Kornfeld, Bern, auction 192 (June 18-20, 1986), nr. 289, repr. pl. 40;
Pasquale Iannetti Art Galleries, Inc., San Francisco;
Ann Witter Gillette, San Francisco;
TREASURES95
Note about the provenance: The 1970 de la Faille catalogue reportedly states that the drawing disappeared from the Leipzig museum in the 1920s. Dr. Dieter Gleisberg of the Leipzig museum wrote in a letter to Steve Nash (8/20/91) that the drawing had been removed from the museum under circumstances that have not been clarified sometime around 1928. See the Kornfeld auction catalogue for the statement that the work was included in the "Entartete Kunst" auction of 1937. In his letter to Nash, Gleisberg writes that this cannot be substantiated.
According to information provided by the donor: The English title, "The Dustman" stems from Van Gogh's time spent working in England in 1873-1875 at the Goupil Gallery, London, when he learned English. The drawing was executed in The Hague in 1883. 
Exhibition History:
CPLH, TREASURES, 11 Nov 1995 - 3 March 1996. 
Nationality of artist: Dutch
Identifying marks: SLL in graphite: Vincent;
ILR in graphite: The Dustman;
Collector's stamp in black ink at LR on verso: ZB encircled (not in Lugt; for Z. Bruck) (note: mark is faint and difficult to read);
Place of Manufacture: The Hague, The Netherlands
Catalogue raisonne:
F1078a

Vincent van Gogh, Alley Bordered by Trees, 1884

X73231
Alley Bordered by Trees

1884
on paper, unique
Graphite, ink and chalk on paper
support: 210 x 120 mm
Private collection, Greenwich CT
Provenance:
X73231
Vincent van Gogh, Dutch, 1853-1890
Alley Bordered by Trees, October 1884
Pencil, brush and ink and white chalk on paper.
20.6 x 12.5 cm
Private collection
Provenance
Mme. W.C. Pet-Meiner, Amsterdam; H.P. Bremmer, The Hague; Kunsthandel E.J. van Wisselingh & Co., Amsterdam; S. Polak, Amsterdam; Sale: Mak van Waay, Amsterdam, November 15, 1976, lot 101; Private Collection, Amsterdam; Sotheby’s, New York, Thursday November 6, 2003, lot 132A; Private Collection, Greenwich, Connecticut.
Nationality of artist: Dutch
Identifying marks: Signed ‘Vincent’ lower right
Place of Manufacture: Nuenen, The Netherlands
Catalogue raisonne:
F1246

Vincent van Gogh, Still Life, Basket of Apples, Paris, autumn 1887

X68473
Still Life, Basket of Apples

Paris, autumn 1887
painting
Oil paint on canvas
support: 467 x 553 mm frame: 724 x 813 x 95 mm
Saint Louis Art Museum, Gift of Sydney M. Shoenberg Sr.
Provenance:
Vincent van Gogh, Dutch, 1853-1890
Still Life, Basket of Apples, 1887
oil on canvas
Saint Louis Art Museum, Gift of Sydney M. Shoenberg Sr.
43:1972
Provenance
1887 -
Alexander Reid (1854-1932), Paris, France; Glasgow, Scotland, gift of the artist; James Gardner Reid, Glasgow, Scotland [1]
c.1889 -
Jos Hessel Art Gallery, Paris, France [2]
c.1905 - 1925
Félix Vallotton (1865-1925), Paris, France, acquired from Jos Hessel, by exchange [3]
1925 - still in 1928
Paul Vallotton Art Gallery (Paul Vallotton), Lausanne, Switzerland, acquired from Félix
Vallotton [4]
by 1935 - still in 1943
Wildenstein Art Gallery, New York, NY, USA [5]
c.1943 - c.1950
Millicent Rogers, Taos, NM; New York, NY [6]
by 1954 -
Joan Whitney Payson (Mrs. Charles S. Payson), New York, NY
M. Knoedler & Co., New York, NY
- 1972
Mr. and Mrs. Sydney M. Shoenberg Sr., St. Louis, MO
1972 -
Saint Louis Art Museum, given by Sydney M. Shoenberg Sr. [7]
Notes:
The main source for this provenance is de la Faille's catalogue raisonné, the 1970 revised edition, cat. no. 379 [Faille, J.-B. de la. "The Works of Vincent van Gogh: His Paintings and Drawings."Amsterdam, Meulenhoff International, 1970]. Exceptions and other supporting documents are noted.
[1] The artist gave the painting shortly after it was completed in 1887 to Alexander Reid, with whom he was living in Paris [Pickvance, Ronald. "Van Gogh in Arles." New York: Harry N. Abrams, 1984; Cooper, Douglas. "Alex Reid, van Gogh, and the Lefevre Gallery," in "Yearbook and Directory of Members of the Society of London Art Dealers," 1994]. When Reid moved to Glasgow in 1888, he took the painting with him. He later left the painting in the care of his father, James Reid, who sold it along with van Gogh's "Portrait of Alexander Reid" to a French dealer for £10 [Cooper 1994]. This transfer occurred around 1889, according to research supplied by the organizers of the exhibition "Van Gogh and Britain: Pioneer Collectors" [letter from Michael Clarke and Richard Gray dated April 4, 2003, SLAM document files].
[2] Alexander Reid's son, A. J. McNeill Reid, reports that Jos Hessel most likely purchased the painting from James Reid on a visit to Glasgow [letter from Martin Bailey, dated December 31, 2002, referencing McNeill Reid's notes in the National Library, Scotland, SLAM document files]. As confirmation of the transfer of the painting from Hessel to Vallotton, Bailey cites a footnote in a publication by Sasha Newman, which references a letter from Jos Hessel to Vallotton, dated November 19, 1920. It indicates that Hessel bought a painting from Vallotton in exchange for a still life by van Gogh. Vallotton notes at the foot of the letter that the exchange was made in 1897 [Newman, Sasha M. "Félix Vallotton." New Haven: Yale University Art Gallery, 1991, p. 287; SLAM document files].
[3] See note [2].
[4] Upon Felix Vallotton's death in 1925, the painting was acquired by the Paul Vallotton Art
Gallery. It was recorded as being in the collection of Paul Vallotton (Felix Vallotton's brother) at the time of de la Faille's 1928 first edition of his catalogue raisonne [Faille, J.-B. de la. "L'oeuvre de Vincent van Gogh: Catalogue Raisonne." Paris; Bruxelle: Les Editions G. van Oest, 1928].
[5] The painting is documented in the collection of Wildenstein, New York, in exhibition catalogues from 1935, 1941, and 1943 ["One Hundred Years of French Painting, 1820-1920."
Kansas City, MO: The William Rockhill Nelson Gallery of Art, 1935; "Aspects of French Painting from Cezanne to Picasso." Los Angeles: Los Angeles County Museum, 1941; "The Art and Life of Vincent Van Gogh: A Loan Exhibition in Aid of American and Dutch War Relief." New York: Wildenstein, 1943].
[6] According to staff members at the Millicent Rogers Museum in Taos, NM, Millicent Rogers might have purchased the painting from Wildenstein around 1943. She exhibited it in the 1940's in her Taos home where it hung in the dining room, and sold it in the late 1940s or early 1950s [SLAM document files].
[7] Minutes of the Acquisitions Committee of the Board of Trustees, Saint Louis Art Museum, April 17, 1972.
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Paris, France
Catalogue raisonne:
Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F379, p. 65

Vincent van Gogh, Portrait of Alexander Reid, Paris, winter c. 1887

X68474
Portrait of Alexander Reid

Paris, winter c. 1887
(no classification assigned)
Oil paint on canvas
support: 460 x 320 mm
Fred Jones Jr. Museum of Art, The University of Oklahoma, Norman; Aaron M. and Clara Weitzenhoffer Bequest, 2000
Provenance:
X68474
Fred Jones Jr Museum of Art, Oklahoma
Vincent van Gogh
Portrait of Alexander Reid, 1887
410 x 330 mm
2000-present Fred Jones Jr. Museum of Art, University of Oklahoma,
Norman
October 1, 1957 - 2000 Aaron M. (1895-1960) and Clara Weitzenhoffer
(1912 -2000), Oklahoma City and La Jolla, California (purchased from David B.
Findlay, Inc., New York: October 1, 1957)
1957 - October 1, 1957 David B. Findlay Galleries, New York (owned in
1957; from Wildenstein, New York)
1953 - 1957 Wildenstein & Co., New York [1]
? - 1953 Myrtil Frank, New York (possibly "an American source" that sold picture
to Wildenstein, or possibly owned jointly ca. 1955-7)
1890 - 1942? Jos Hessel, Paris
1887 - ca. 1890 Alexander Reid, Glasgow (gift from the artist; sold by
Reid's father to an unnamed French dealer in ca. 1890, but thought to be Jos
Hessel)
 
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Paris, France
Catalogue raisonne: Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F270, p. 38
[1] Wildenstein said they purchased it from "an American source" possibly Myrtil Frank.

Vincent van Gogh, Self-Portrait, Paris, autumn 1887

X68488
Self-Portrait

Paris, autumn 1887
painting
Oil paint on canvas
support: 440 x 355 mm
Musée d’Orsay, Paris. Donation de Jacques Laroche, 1947
Provenance:
X68488
Vincent van Gogh, Dutch, 1853-1890
Self Portrait, 1887
Oil paint on canvas
34 x 35.5 cm
Musee d’Orsay, Paris
Provenance
Mrs. J. Van Gogh-Bonger Collection, Amsterdam
Paul Rosenberg Gallery, Paris
until 1976, in the Jacques Laroche collection
1947, accepted by the State as a donation subject to the usufruct of Jacques Laroche (decree of 07/07/1947)
1947, attributed to the Louvre Museum
1976, Louvre Museum, Jeu de Paume Gallery, Paris (end of the usufruct)
1986, assigned to the Musee d'Orsay, Paris
 
Exhibition history
Vincent Van Gogh, London, United Kingdom, 1923
[untitled], London, United Kingdom, 1924
Great Masters of the 19th Century, Paris, France, 1931
Vincent Van Gogh, 172 Artworks, Geneva, Switzerland, 1947
Van Gogh, Paris, France, 1947
[untitled], Paris, France, 1960
Van Gogh Monticelli, Marseille, France, 2008
Van Gogh, Gauguin, Cezanne & Beyond, Post-Impressionism from the Orsay Museum, Canberra, Australia, 2009
Post-Impressionism - 115 Masterpieces from the Musée d'Orsay Collection, Tokyo, Japan, 2010
Van Gogh, Gauguin, Cezanne & Beyond, Post-Impressionism from the Orsay Museum, San Francisco, USA, 2009
El triunfo del color. From Van Gogh to Matisse: Colecciones de los Museos d'Orsay and the Orangery, Barcelona, ​​Spain, 2015
Self-portraits of the Musee d'Orsay, 2015
Self-portraits of the Musee d'Orsay, Quimper, France, 2015
 
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Paris, France
Catalogue raisonne: La Faille, J.-B. de, L'Oeuvre de Vincent Van Gogh - Catalogue raisonne, G. Van Oest, Paris, 1928
F320

Vincent van Gogh, Entrance to Voyer d'Argenson Park at Asnières, Paris, spring 1887

X68526
Entrance to Voyer d'Argenson Park at Asnières

Paris, spring 1887
on paper, unique
Oil paint on canvas
support: 546 x 668 mm
Bequest of Ignace Hellenberg, Paris, to the State of Israel, in memory of his parents Sigmund and Betty Hellenberg. On permanent loan to The Israel Museum, Jerusalem, from the Administrator General of the State of Israel
Provenance:
Vincent van Gogh, Dutch, 1853-1890
Entrance of Voyer d’Argenson Park at Asnieres, 1887
oil on canvas
The Israel Museum
Provenance
Gift of the artist to Theo van Gogh;
Passed to Johanna van Gogh-Bonger;
Passed to V. W. van Gogh; Ambroise Vollard, Paris (KB August 1897)
Cornelius Hoogendijk, Amsterdam
Hoogendijk Sale, F. Muller Amsterdam 21.05.1912, no. 29
A.M. Baron van Tuyll-van Serooskerken, Amsterdam
Marcel Kapferer, Paris (1938)
Wildenstein, New York (1942)
Charles Gilman, New York (1955)
Christie’s Sale, New York, 08.05.2000, no. 34
On permanent loan to The Israel Museum, Jerusalem (since 2006, bequest of Ignace Hellenberg).
 
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Paris, France
Catalogue raisonne:
Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F305, p. 81

Vincent van Gogh, Starry Night, Arles, August 1888

X73130
Starry Night

Arles, August 1888
painting
Oil paint on canvas
support: 725 x 920 mm
Musée d'Orsay, Paris. Donation of M. et Mme Robert KahnSriber, souvenir of M. et Mme Fernand Moch, 1975
Provenance:
X73130
Vincent van Gogh, Dutch, 1853-1890
Starry Night Over the Rhone, 1888
Oil paint on canvas
72 x 92 cm
Musee d’Orsay, Paris
Provenance
1889, Theo Van Gogh, sent by the artist to his brother shortly before 02/05/1889
until 1905, in the collection Mrs. J. Van Gogh-Bonger, Amsterdam
from 1905 to 1922, in the collection Bas Veth, Bussum
1922, sale Low Veth, Amsterdam, Fred Muller, June 20, 1922, No. 3
art gallery Buffa, Amsterdam
circa 1930, Fernand Moch collection
until 1995, in the collection Marguerite and Robert Kahn-Sriber, Paris
1975, accepted by the State as a gift subject to usufruct of Mr and Mrs Robert Kahn-Sriber, in memory of Mr and Mrs Fernand Moch (decree of 07/10/1975)
1975, awarded to the Louvre Museum, Paris
assigned to the Orsay Museum, Paris
1995, Musée d'Orsay, Paris
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Arles, The Netherlands
Catalogue raisonne:
F474

Vincent van Gogh, Augustine Roulin (Rocking a Cradle), Arles, March 1889

X68376
Augustine Roulin (Rocking a Cradle)

Arles, March 1889
painting
Oil paint on canvas
support: 920 x 725 mm
Stedelijk Museum Amsterdam, gift of ir. V.W. van Gogh, Laren (NL)
Provenance:
X68376
Vincent van Gogh
Augustine Roulin (Rocking a Cradle) 1889
Oil paint on canvas
92 x 72,5 cm
Provenance:
The artist;
sent to Theo van Gogh 2 May 1889,
passed to Johanna van Gogh-Bonger;
V. W. van Gogh
Acquired from Vincent Willem van Gogh in 1945, Laren

Nationality of artist: Dutch
Identifying marks: None or not recorded
Place of Manufacture: Arles, France
Catalogue Raisonné: Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F507, p. 118.

Vincent van Gogh, The Stone Bench in the Asylum at Saint-Rémy, Saint-Rémy, autumn 1889

X68487
The Stone Bench in the Asylum at Saint-Rémy

Saint-Rémy, autumn 1889
painting
Oil paint on canvas
support: 390 x 460 mm
Museu de Arte de São Paulo Assis Chateaubriand. Purchased 1954
Provenance:
X68487
The Stone Bench in the Asylum at Saint-Rémy, 1889
(F732) 
Provenance;
The artist
Sent to Theo van Gogh 29 April 1890
Passed to Johanna van Gogh-Bonger (died 02/19/1925)
Passed to V.W. van Gogh (died 28/01/1978)
C.M van Gogh, Amsterdam (KB Feb 1910)
Hoeij Smith-van Stolk, Rotterdam (1910)
Wildenstein, New York
São Paulo Museu de Arte. Purchased 19/04/1954
 
Nationality of artist: Dutch
Identifying marks: None or not recorded
Place of Manufacture: Saint-Rémy de Provence, France
Catalogue Raisonné: Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F732, p. 227.
Recent exhibition history (outside of Brazil):
21/06/2000 to 26/11/2000 Fondation Pierre Gianadda. Martigny, Switzerland. Van Gogh.
07/09/2002 to 04/11/2002 Hyogo Prefectural Museum of Modern Art. Vincent & Theo Van Gogh
05/07/2002 to 25/08/2002 The Hokkaido Museum of Modern Art. Vincent & Theo Van Gogh.
19/10/2002 to 26/01/2003 Kunsthalle Bremen. Van Gogh: Fields. The Poppy Field and the Artist's Debate.
10/10/2003 to 07/03/2004. Fondazione Cassamarca. L'oro e l'azzurro. I colori del Sud da Cézanne a Bonnard.
26.04/2017 to 12/07/2017 National Gallery of Victoria. Van Gogh and the Seasons: Images of Nature and Humanity.

Vincent van Gogh, Hospital at Saint-Rémy, 1889

X73116
Hospital at Saint-Rémy

1889
painting
Oil paint on canvas
support: 922 x 734 mm frame: 1270 x 1092 x 140 mm
The Armand Hammer Collection, Gift of the Armand Hammer Foundation. Hammer Museum, Los Angeles.
Provenance:
Vincent van Gogh, Dutch, 1853-1890
Hospital at Saint-Remy, 1889
oil on canvas
Armand Hammer Museum, Los Angeles
Provenance
Schuffenecker, Paris;
Galerie E. Druet, Paris, 1907;
Dr. J. Keller, Paris, 1908-10,
Galerie E. Druet, Paris, 1910;
Paul von Mendelssohn-Bertholdy, Berlin, 1911;
Paul Rosenberg & Co., New York, likely by 1934;
Norton Simon, Los Angeles, 1961 (sold Parke-Bernet Galleries, Inc., New York, May 5, 1971 [no. 48]);
to Armand Hammer Collection, 1971.
 
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Saint-Remy, France
Catalogue raisonne:
Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F643, p. 223

Vincent van Gogh, Self-Portrait, Saint-Rémy, autumn 1889

X73132
Self-Portrait

Saint-Rémy, autumn 1889
painting
Oil paint on canvas
support: 578 x 445 mm frame: 829 x 692 x 67 mm
National Gallery of Art, Washington, Collection of Mr and Mrs John Hay Whitney 1998.74.5
Provenance:
X73132
National Gallery of Art, Washington
Vincent van Gogh
Self-Portrait
J.J. Isaacson [1859-1942], The Hague. (H.P. Bremmer, The Hague); Hugo Tutein Nolthenius [1863-1944], Delft, by 1904;[1] by inheritance to his brother, Jacques Tutein Nolthenius; on consignment with (Katz Gallery, Switzerland), probably by 1945;[2] on consignment with (M. Knoedler and Co., New York, no. 2845); sold 9 June 1947 to Mr. and Mrs. John Hay Whitney, New York;[3] gift 1998 to NGA.
[1] According to J.-B. de la Faille, The Works of Vincent van Gogh: His Paintings and Drawings, rev. ed., Amsterdam, 1970: F626, the painting was lent by Nolthenius to a 1904 exhibition in Rotterdam. Thea Sternheim, wife of the German playwright Carl Sternheim, writes in her diary that they saw the portrait on exhibition in Rotterdam in 1910, lent by Tutein Nolthenius. Nolthenius' collection was dispersed by his heirs following his death in 1944. An appraisal of the collection dated February 1944 included the Self Portrait with the annotation "sold" (copy, documentation center, van Gogh Museum, Amsterdam)
[2] Knoedler had the painting on consignment from the Katz Gallery when it was sold to Whitney in April 1947 (see Commission Book no. 4, M. Knoedler and Co Records, Getty Research Institute, copy National Gallery of Art curatorial files). Katz is probably the "private collection" which lent the painting to a 1945 exhibition at the Galerie Schulthess, Basel and a 1946 exhibition at the Kunsthalle Bern.
[3] Acquisition date and source according to Whitney records in National Gallery of Art curatorial files.
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Saint-Remy de Provence, France
Catalogue raisonne:
Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F626, p. 183

Vincent van Gogh, The Prison Courtyard, Saint-Rémy, February 1890

X68468
The Prison Courtyard

Saint-Rémy, February 1890
painting
Oil paint on canvas
support: 800 x 640 mm
The Pushkin State Museum of Fine Arts, Moscow
Provenance:
X68468
Pushkin State Museum of Fine Arts
Vincent van Gogh
The Prison Courtyard, February 1890
Oil paint on canvas
80 x 64 cm
Provenance:
The artist;
Sent to Theo van Gogh probably on 29 April 1890;
Passed to Johanna van Gogh-Bonger;
Maria Slavona Collection, Paris
Galerie Druet, Paris (no. 542), 1906
Alexandre Berthier, Prince de Wagram collection, Beziers
Galerie Druet, Paris, 1909
Acquired from Druet by I.A. Morozov, 1909 until 1919
Then part of the 2nd MMWP
SMMWA (inv. 303), 1923
Pushkin Museum acquired 1948
 
Nationality of artist: Dutch
Identifying marks: None
Place of Manufacture: Saint-Remy de Provence, France
Catalogue raisonne:
Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F669, p. 202

Vincent van Gogh, The Arlésienne, Saint-Rémy, January-February 1890

X68486
The Arlésienne

Saint-Rémy, January-February 1890
painting
Oil paint on canvas
support: 650 x 540 mm frame: 900 x 785 x 120 mm
Museu de Arte de São Paulo Assis Chateaubriand. Gift, Evaristo Fernandes, Alfredo Ferreira, Walther Moreira Salles, Fúlvio Morganti, Ricardo Jafet, Carlos Rochas Faria, J. Silvério de Souza Guise, Assis Chateaubriand, Angelina Boeris Audrá, Louis La Saigne, Rui de Almeida, Henryk Spitzman Jordan, Mário Audra, Centro do Comércio de Café do Rio de Janeiro, Um espanhol, Moinho Fluminense S.A., Moinho Inglês S.A., Companhia América Fabril S.A., 1952
Provenance:
X68486
L’Arlésienne, 1890 (F542)
Provenance;
Theo van Gogh; Presented to Paul Gauguin
Georges Chaudet, Pont-Aven (died 1899)
Ambroise Vollard, Paris (I/3909 Tête d’Arlésienne, fond rouge 64:54)
Bernheim-Jeune, Paris (21.2.1900)
Paul Cassirer, Berlin (Oct 1909)
Tilla Durieux-Cassirer, Berlin (Tilla Durieux died Feb 1971)
Paul Cassirer, Berlin (died 1926)
Neue Galerie, Vienna
Oskar Federer, Mahrisch-Ostrau*
Galerie St Etienne, Paris (1939)**
Transferred to Galerie St Etienne, New York
Returned to Oskar Federer, Mahrisch-Ostrau (1943)
Knoedler and Co. New York
São Paulo Museu de Arte. Purchased 1952.
* according to Sotheby’s he fled Czechoslovakia in 1939 and settled in Montreal, Canada, in August 1940, taking ten paintings with him, including most of his collection of Van Goghs. The Nazis confiscated the remaining 100 works, 22 of which ended up in the Gallery of Fine Art of the Municipal Museum of Ostrava by November 1943. In 2007 after a ten-year litigation, a group of 22 works were restituted to Oskar Federer’s heirs.
** according to the archives of Galerie St Etienne, the painting was sent from the Stedelijk Museum, Amsterdam, to Otto Kallir at the Galerie St Etienne in Paris in 1939, on behalf of Oskar Federer. After Kallir emigrated to the US, the painting was shipped to the Galerie St Etienne in New York. The consignment between Federer and Kallir lasted for a number of years, during which period Federer emigrated to Canada. Kallir was unsuccessful in selling the work and it was returned to Federer in 1943.
Recent exhibition history (outside Brazil):
21/06/2000 to 26/11/2000 Fondation Pierre Gianadda. Martigny, Switzerland. Van Gogh.
07/09/2002 to 04/11/2002 Hyogo Prefectural Museum of Modern Art. Vincent & Theo Van Gogh
05/07/2002 to 25/08/2002 The Hokkaido Museum of Modern Art. Vincent & Theo Van Gogh.
7/11/2002 to 30/3/2003 Casa dei Carraresi, Treviso, Italy. L'Impressionismo e l'età di Van Gogh. La rivoluzione di un'arte nuova.
Nationality of artist: Dutch
Identifying marks: None or not recorded
Place of Manufacture: Saint-Rémy de Provence, France
Catalogue Raisonné: Feilchenfeldt, W. ‘Vincent van Gogh: The Years in France, Complete Paintings 1886-1890’, F542, p. 201

Huguette Caland

Tate St Ives (St Ives, UK) from 24 May 2019 until 01 Sep 2019.

Huguette Caland
(born 1931, born: Beirut)

Huguette Caland, Untitled, 1978

X76880
Untitled

1978
painting
Oil paint on linen
object: 495 x 984 mm
Courtesy of private collection, New York
Provenance:
Acquired from the artist, 2018
Nationality of artist: Lebanese

Natalia Goncharova

Tate Modern (London, UK) from 06 Jun 2019 until 08 Sep 2019.

Distaff, Vologada District, circa 1850-1900

X69000
Distaff, Vologada District

circa 1850-1900
sculpture
Oil paint on wood
overall: 920 x 220 x 510 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;
...
Acquired by the State Russian Museum after the research expedition led by Nikandr Maltsev to the Vologda Provice in 1968.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: maker unknown
Identifying marks: None recorded
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, Igor Stravinsky, Léonide Massine, Mikhail Larionov and Léon Bakst, Ouchy, 1915, 1915

X76667
Natalia Goncharova, Igor Stravinsky, Léonide Massine, Mikhail Larionov and Léon Bakst, Ouchy, 1915

1915
on paper, print
Photograph, gelatin silver print on paper
overall: 167 x 225 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: maker unknown
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova in San Sebastián, 1916, 1916

X76664
Natalia Goncharova in San Sebastián, 1916

1916
on paper, print
Photograph, gelatin silver print on paper
support: 135 x 85 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: maker unknown
Identifying marks: None recorded. Place of manufacture: San Sebastián, Spain. This work has a complete provenance for the period 1933-45.

Rehearsal of the ballet Liturgy, circa 1915, circa 1915

X76673
Rehearsal of the ballet Liturgy, circa 1915

circa 1915
on paper, print
Photograph, gelatin silver print on paper
overall: 150 x 230 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

A scene from Colonel W. de Basil's Ballet Russe de Monte Carlo production of the ballet Le Coq d'or, 1937, 1937

X76672
A scene from Colonel W. de Basil's Ballet Russe de Monte Carlo production of the ballet Le Coq d'or, 1937

1937
on paper, print
Photograph, gelatin silver print on paper
overall: 186 x 250 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: maker unknown
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

A scene from The Royal Ballet production of ballet The Firebird, 1954, 1954

X76671
A scene from The Royal Ballet production of ballet The Firebird, 1954

1954
on paper, print
Photograph, gelatin silver print on paper
overall: 143 x 195 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: maker unknown
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Hand towel border, Kostroma Province, Late 19th century

X72351
Hand towel border, Kostroma Province

Late 19th century
sculpture
Textile, embroidery
image: 380 x 340 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;
...
The collection of the St Petersburg Artisinal Museum, until 1938;
From which received by the State Russian Museum.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: maker unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Textile printing woodblock, Late 19th century

X72352
Textile printing woodblock

Late 19th century
sculpture
Wood
object: 167 x 172 x 50 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;
...
Acquired by the State Russian Museum after the research expedition to the Vologda Provice in 1968.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: maker unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Hand-printed textile, Late 19th century

X72353
Hand-printed textile

Late 19th century
sculpture

overall: 1050 x 670 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;
...
The collection of the St Petersburg Artisinal Museum, until 1938;
From which received by the State Russian Museum.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: artist unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Blouse. Part of festive female costume. Epifansk district, Tula province., 19th century

X75735
Blouse. Part of festive female costume. Epifansk district, Tula province.

19th century
sculpture
Textile, lace, embroidery, beadwork
unconfirmed: 1570 x 1280 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;

Acquired by the State Russian Museum through the Directorate of Exhbitions and Panoramas in 1954.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: maker unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Skirt. Part of festive female costume. Epifansk district, Tula province., 19th century

X75736
Skirt. Part of festive female costume. Epifansk district, Tula province.

19th century
sculpture
Textile, lace, embroidery, beadwork
unconfirmed: 840 x 650 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;

Acquired by the State Russian Museum through the Directorate of Exhbitions and Panoramas in 1954.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: maker unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Vest. Part of festive female costume. Epifansk district, Tula province., 19th century

X75737
Vest. Part of festive female costume. Epifansk district, Tula province.

19th century
sculpture
Textile, lace, embroidery, beadwork
unconfirmed: 760 x 820 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;

Acquired by the State Russian Museum through the Directorate of Exhbitions and Panoramas in 1954.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: maker unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Headscarf. Part of festive female costume. Epifansk district, Tula province., 19th century

X75738
Headscarf. Part of festive female costume. Epifansk district, Tula province.

19th century
sculpture

unconfirmed: 1050 x 1080 mm
The State Russian Museum, St Petersburg
Provenance:
The maker;

Acquired by the State Russian Museum through the Directorate of Exhbitions and Panoramas in 1954.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: maker unknown

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Anonymous

Anonymous, Our Lady of Jerusalem, after 1850

X75170
Our Lady of Jerusalem

after 1850
on paper, print
Lithograph on paper with hand-colouring
support: 442 x 354 mm plate: 370 x 305 mm frame: 690 x 540 mm
State Tretyakov Gallery, Moscow
Provenance:
The maker;

Collection of Mikhail Koniukov, until 1930;
From whom acquired by the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: ?Russian (maker unknown)
Identifying marks: None recorded
Place of manufacture: Russia


This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Anonymous, Maiden on a beast ('A Horrible and Terrifying Morality Tale'), 1850–1900

X75169
Maiden on a beast ('A Horrible and Terrifying Morality Tale')

1850–1900
on paper, print
Lithograph on paper with hand-colouring
support: 533 x 426 mm frame: 690 x 540 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The maker
...
The collection of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian (maker unknown)
Identifying marks: None recorded. Place of manufacture: Russia.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Anonymous, A Siren, 1850–1900

X75171
A Siren

1850–1900
on paper, print
Lithograph on paper with hand-colouring
support: 330 x 280 mm frame: 690 x 540 mm
State Tretyakov Gallery, Moscow
Provenance:
The artist;

Collection of the Moscow Institute of Technology and Philosophy 1933;
From whom acquired by the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: ?Russian (maker unknown)
Identifying marks: None recorded
Place of manufacture: Russia

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Baron Photo Studios
(1954 - 1956)

Baron Photo Studios, A Scene from the ballet Les Noces, 1923, circa 1955

X76674
A Scene from the ballet Les Noces, 1923

circa 1955
on paper, print
Photograph, gelatin silver print on paper
overall: 280 x 355 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland.
This work has a complete provenance for the period 1933-45.

André Derain
(1880-1954, born: Chatou, died: Garches)

André Derain, Tree Trunks (Pine Grove), 1912-1913

X68997
Tree Trunks (Pine Grove)

1912-1913
painting
Oil paint on canvas
support: 920 x 730 mm
The State Pushkin Museum of Fine Arts, Moscow
Provenance:
The artist;

From whom acquired by D.-H.Kahnweiler, 1912;
From whom acquired by I. A. Morozov, until 1918;
From whom acquired by the Museum of New Western Art-2, until 1923;
From which transferred to the State Museum of New Western Art, until 1948;
From which transferred to The State Pushkin Museum of Fine Arts.

Lender's address: State Pushkin Museum of Fine Arts, 12 Volkhonka Street, Moscow 119019, Russia
Nationality of the artist: French
Identiyfing marks: None recorded
Place of manufacture: Martigues, France

This work has a complete provenance for the period 1933-45.

Natalia Goncharova
(1881-1962, born: Tula, died: Paris, active: Moscow, Paris)

Natalia Goncharova, Circus, 1907

X67176
Circus

1907
painting
Oil paint on canvas
support: 570 x 740 mm frame: 615 x 775 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Self-Portrait in a Period Costume, 1907-1908

X67180
Self-Portrait in a Period Costume

1907-1908
painting
Oil paint on canvas
support: 980 x 740 mm frame: 1020 x 785 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Mountain Ash: Panino near Vyazma, 1907-1908

X67196
Mountain Ash: Panino near Vyazma

1907-1908
painting
Oil paint on canvas
support: 994 x 690 mm frame: 1114 x 807 x 50 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, Moscow, until 1913;
From whom acquired by the Council of the Tretyakov Gallery.


Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.

Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia.



This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Self-Portrait with Yellow Lilies, 1907-1908

X67198
Self-Portrait with Yellow Lilies

1907-1908
painting
Oil paint on canvas
support: 775 x 582 mm frame: 935 x 645 x 60 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, Moscow, until 1927;
From whom acquired by the State Tretyakov Gallery.


Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia.



This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Hay Cutting, 1907-1908

X75758
Hay Cutting

1907-1908
painting
Oil paint on canvas
support: 980 x 1180 mm
Collection Krystyna Gmurzynska
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov;
Thence by descent to Alexandra Larionov-Tomilina, in 1964;
From whom acquired by the present owner.

Lender’s address: private collection c/o Matthew Gale, Head of Displays, Tate Modern.
Nationality of the artist: Russian; naturalised French in 1938
Identifying marks: Inscribed on the reverse ‘N.C. Goncharova / Mower [in Russian] / M. H. P. S. I. [Moscow Repository of works of Modern Art] No. 1219 [in Russian]
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Orchard in Autumn, 1909

X67175
Orchard in Autumn

1909
painting
Oil paint on canvas
support: 718 x 1033 mm frame: 794 x 1087 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist;
Collection of Ivan Morozov, until 1917;
The State Museum Fund, until 1929;
From which acquired by the State Tretyakov Gallery.


Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian; naturalised French in 1938.
Identifying marks: none recorded
Place of manufacture: Moscow, Russia


This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Bunch of Flowers and a Bottle of Paints, 1909

X67197
Bunch of Flowers and a Bottle of Paints

1909
painting
Oil paint on canvas
support: 1010 x 715 mm frame: 1090 x 775 x 60 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, Moscow, until 1913;
From whom acquired by the Council of the Tretyakov Gallery.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Autumn: A Park, 1909

X67199
Autumn: A Park

1909
painting
Oil paint on canvas
support: 793 x 1166 mm frame: 830 x 1205 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, Moscow;
From whom acquired by N.F. Nesrakov, until 1918;
From whom acquired by the State Tretyakov Gallery.


Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia.

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Wrestlers, 1908-1909

X69027
Wrestlers

1908-1909
painting
Oil paint on canvas
support: 1000 x 1220 mm
The State Russian Museum, St Petersburg
Provenance:
The studio of the artist;
From whom acquired by the Museum of Artistic Culture, Leningrad, until 1926;
From which received by the State Russian Museum.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: in Cyrillic
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Washing the Canvases, 1910

X67182
Washing the Canvases

1910
painting
Oil paint on canvas
support: 1060 x 1180 mm frame: 1120 x 1242 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, Moscow;
From whom acquired by the Museum of Painterly Culture, until 1927;
Transferred to the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia.


This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Peasant Woman from Tula Province, 1910

X67183
Peasant Woman from Tula Province

1910
painting
Oil paint on canvas
support: 1035 x 730 mm frame: 1155 x 855 x 50 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Parrots, 1910

X67205
Parrots

1910
painting
Oil paint on canvas
support: 990 x 1043 mm frame: 1090 x 1140 x 50 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, A Model (Against a Blue Background), 1909-1910

X67218
A Model (Against a Blue Background)

1909-1910
painting
Oil paint on canvas
support: 1110 x 870 mm frame: 1165 x 872 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia.
This work has a complete provenance for the period 1933-45.

Natalia Goncharova, The Deity of Fertility, 1909-1910

X67219
The Deity of Fertility

1909-1910
painting
Oil paint on canvas
support: 705 x 575 mm frame: 813 x 662 x 65 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Elder with Seven Stars (Apocalypse), 1910

X67253
Elder with Seven Stars (Apocalypse)

1910
painting
Oil paint on canvas
support: 1470 x 1885 mm frame: 1565 x 1982 x 60 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Round Dance, 1910

X69019
Round Dance

1910
painting
Oil paint on canvas
support: 1000 x 1330 mm
Serpukhov History and Art Museum
Provenance:
The studio of the artist, until 1919;
From whom acquired by the State Museum Fund, until 1924;
From which received by the Serpukhov History and Art Museum, Serpukhov.

Lender's address: Serpukhov History and Art Museum, Chekhova Street, 87, Serpukhov, Moskovskaya oblast, Russian Federation 142206
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Peasants Picking Apples, 1911

X67174
Peasants Picking Apples

1911
painting
Oil paint on canvas
support: 1045 x 980 mm frame: 1115 x 1045 x 60 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist;
Collection of Ivan Morozov, Moscow, until 1917;
The Museum of Artistic Culture, Moscow, until 1929;
From which acquired by the State Tretyakov Gallery, Moscow.


Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian; naturalised French in 1938.
Identifying marks: none recorded
Place of manufacture: Moscow, Russia


This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Peacock (in the Style of Russian Embroidery), 1911

X67181
Peacock (in the Style of Russian Embroidery)

1911
painting
Oil paint on canvas
support: 1303 x 1450 mm frame: 1337 x 1486 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Winter: Gathering Firewood, 1911

X67203
Winter: Gathering Firewood

1911
painting
Oil paint on canvas
support: 1335 x 1045 mm frame: 1397 x 1107 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, Moscow;
From whom acquired by the Museum of Painterly Culture, until 1929;
Transferred to the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, A Smoker (in the Style of a Tray-Painting), 1911

X67204
A Smoker (in the Style of a Tray-Painting)

1911
painting
Oil paint on canvas
object: 1000 x 810 mm frame: 1032 x 842 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia.
This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Harvest: A Prophet, 1911

X67210
Harvest: A Prophet

1911
painting
Oil paint on canvas
support: 1660 x 920 mm frame: 1720 x 980 x 60 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Harvest: The Phoenix, 1911

X67211
Harvest: The Phoenix

1911
painting
Oil paint on canvas
support: 920 x 975 mm frame: 965 x 1025 x 60 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia.
This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Harvest: Angels Throwing Stones on the City, 1911

X67212
Harvest: Angels Throwing Stones on the City

1911
painting
Oil paint on canvas
support: 1000 x 1290 mm frame: 1067 x 1365 x 60 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Harvest: Harvest, 1911

X67214
Harvest: Harvest

1911
painting
Oil paint on canvas
support: 1000 x 930 mm
Omsk Regional Museum of Fine Arts named after M.A. Vrubel
Provenance:
The studio of the artist;
The Museum of Painterly Culture, Moscow, until 1928;
From which transferred to the State Treytakov Gallery, until 1932;
From which received by The M.A. Vrubel Omsk Regional Museum of Fine Arts.

Lender's address: The M.A. Vrubel Omsk Regional Museum of Fine Arts, 23 Lenina Street, Omsk 644024, Russia
Nationality of the artist: Russian; naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Harvest: Maiden on the Beast, 1911

X67215
Harvest: Maiden on the Beast

1911
painting
Oil paint on canvas
support: 1670 x 1285 mm
Kostroma State Historical-Architectural and Art Museum-Reserve
Provenance:
The studio of the artist, until 1920;
The Museum of Painterly Culture, Kostroma, until 1922;
From which acquired by The Kostroma State Historical, Architectural and Arts Museum Reserve.

Lender's address: The Kostroma State Historical, Architectural and Arts Museum Reserve, Prospect Mira, 7, Kostroma, Russia
156000
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Nude Black Woman, 1911

X67220
Nude Black Woman

1911
painting
Oil paint on canvas
support: 1080 x 960 mm frame: 1105 x 995 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Mother of God: The Ornament. Flowers, 1911

X67223
Mother of God: The Ornament. Flowers

1911
painting
Oil paint on canvas
support: 995 x 1035 mm frame: 1026 x 1065 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Mother of God: Mother of God, 1911

X67224
Mother of God: Mother of God

1911
painting
Oil paint on canvas
support: 980 x 890 mm frame: 1023 x 937 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Mother of God: The Ornament. Flowers, 1911

X67225
Mother of God: The Ornament. Flowers

1911
painting
Oil paint on canvas
support: 980 x 1045 mm frame: 1040 x 1080 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Christ the Saviour: Archangel (in Green), 1910-1911

X67250
Christ the Saviour: Archangel (in Green)

1910-1911
painting
Oil paint on canvas
support: 1320 x 695 mm frame: 1360 x 727 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Christ the Saviour: Christ the Saviour (with Grapevines), 1910-1911

X67251
Christ the Saviour: Christ the Saviour (with Grapevines)

1910-1911
painting
Oil paint on canvas
support: 1325 x 1195 mm frame: 1360 x 1220 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Christ the Saviour: Archangel (in White), 1910-1911

X67252
Christ the Saviour: Archangel (in White)

1910-1911
painting
Oil paint on canvas
support: 1320 x 695 mm frame: 1360 x 727 x 4 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Frost, 1910-1911

X69022
Frost

1910-1911
painting
Oil paint on canvas
support: 1010 x 1320 mm
The State Russian Museum, St Petersburg
Provenance:
The studio of the artist;
From whom acquired by the Museum of Artistic Culture, Leningrad, until 1926;
From which received by the State Russian Museum.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Portrait of Mikhail Larionov and His Platoon Commander, 1911

X69029
Portrait of Mikhail Larionov and His Platoon Commander

1911
painting
Oil paint on canvas
support: 1170 x 970 mm
The State Russian Museum, St Petersburg
Provenance:
The studio of the artist;
From whom acquired by the Museum of Artistic Culture, Leningrad, until 1926;
From which received by the State Russian Museum.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: [in Cyrillic]
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, The Evangelists [Grey], 1911

X69034
The Evangelists [Grey]

1911
painting
Oil paint on canvas
support: 2040 x 580 mm
The State Russian Museum, St Petersburg. Gift of A.K. Larionova-Tomilina, Paris 1966
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Donated by the above the State Russian Museum in 1966.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, The Evangelists [Green], 1911

X69035
The Evangelists [Green]

1911
painting
Oil paint on canvas
support: 2040 x 580 mm
The State Russian Museum, St Petersburg. Gift of A.K. Larionova-Tomilina, Paris 1966
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Donated by the above the State Russian Museum in 1966.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, The Evangelists [Purple], 1911

X69036
The Evangelists [Purple]

1911
painting
Oil paint on canvas
support: 2040 x 580 mm
The State Russian Museum, St Petersburg. Gift of A.K. Larionova-Tomilina, Paris 1966
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Donated by the above the State Russian Museum in 1966.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, The Evangelists [Blue], 1911

X69037
The Evangelists [Blue]

1911
painting
Oil paint on canvas
support: 2040 x 580 mm
The State Russian Museum, St Petersburg. Gift of A.K. Larionova-Tomilina, Paris 1966
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Donated by the above the State Russian Museum in 1966.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Jews on a Street (A Jewish Shop), 1912

X67206
Jews on a Street (A Jewish Shop)

1912
painting
Oil paint on canvas
support: 1590 x 1360 mm frame: 1670 x 1430 x 60 mm
State Tretyakov Gallery, Moscow. Presented by A.K. Larionova-Tomilina, Paris 1968
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Donated by the above the State Tretyakov Gallery in 1968.


Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia.

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Factory (Futurist), 1912

X69038
Factory (Futurist)

1912
painting
Oil paint on canvas
support: 1025 x 800 mm (TBC)
The State Russian Museum, St Petersburg
Provenance:
The studio of the artist;
From whom acquired by the Museum of Artistic Culture, Leningrad, until 1926;
From which received by the State Russian Museum.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Dress design for Nadezhda Lamanova fashion house, 1912-1913

X67186
Dress design for Nadezhda Lamanova fashion house

1912-1913
on paper, unique
Graphite and gouache on paper
support: 380 x 240 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia.
This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Dress design for Nadezhda Lamanova fashion house, 1912-1913

X67187
Dress design for Nadezhda Lamanova fashion house

1912-1913
on paper, unique
Graphite and gouache on paper
object: 382 x 243 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia.
This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Dress design for Nadezhda Lamanova fashion house, 1912-1913

X67188
Dress design for Nadezhda Lamanova fashion house

1912-1913
on paper, unique
Graphite and gouache on paper
support: 382 x 243 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Textile design for Nadezhda Lamanova fashion house, 1912-1913

X67193
Textile design for Nadezhda Lamanova fashion house

1912-1913
on paper, unique
Gouache on paper
support: 240 x 380 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Textile design for Nadezhda Lamanova fashion house, 1912-1913

X67194
Textile design for Nadezhda Lamanova fashion house

1912-1913
on paper, unique
Gouache on paper
support: 240 x 380 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Void, 1913

X67268
Void

1913
painting
Oil paint and gouache on canvas
support: 800 x 1060 mm frame: 855 x 1115 x 60 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Cat on a Roof: Study for Konstantin Bolshakov's Le Futur, 1913

X67271
Cat on a Roof: Study for Konstantin Bolshakov's Le Futur

1913
on paper, unique
Graphite on paper
support: 203 x 160 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Sunset: Study for Konstantin Bolshakov's Le Futur, 1913

X67272
Sunset: Study for Konstantin Bolshakov's Le Futur

1913
on paper, unique
Graphite on paper
support: 203 x 160 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Forest: Study for Konstantin Bolshakov's Le Futur, 1913

X67273
Forest: Study for Konstantin Bolshakov's Le Futur

1913
on paper, unique
Graphite on paper
support: 210 x 160 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, The Universe: Study for Konstantin Bolshakov's Le Futur, 1913

X67274
The Universe: Study for Konstantin Bolshakov's Le Futur

1913
on paper, unique
Graphite on paper
support: 200 x 158 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Aeroplane Over a Train, 1913

X69041
Aeroplane Over a Train

1913
painting
Oil paint on canvas
support: 780 x 1050 mm
State Museum of Fine Arts of the Republic of Tatarstan, Kazan
Provenance:
The studio of the artist, until 1919;
State Museum Bureau, 1Z0 NKP, until 1920;
From which received by the State Museum of the Tatar Autonomous Soviet Socialist Republic, until 1962;
Which became the State Museum of the Tatar Soviet Republic, Kazan (State Museum of the Visual Arts of Tatarstan, Kazan) (Inv. Zh-1243)

Lender's address: The State Museum of Fine Arts of Tatarstan Republic, Marksa Street, 64, Kazan, The Republic of Tatarstan,
Russian Federation 420015
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded : inscribed on the reverse with the artist’s initials; other inscriptions obscured by stretcher
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Cyclist, 1913

X69042
Cyclist

1913
painting
Oil paint on canvas
support: 790 x 1050 mm
The State Russian Museum, St Petersburg
Provenance:
The studio of the artist;
From whom acquired by the Museum of Artistic Culture, Leningrad, until 1926;
From which received by the State Russian Museum.

Lender's address: The State Russian Museum, 4 Inzhenernaya ul., St. Petersburg 191011, Russia
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Orchids, 1913

X69049
Orchids

1913
painting
Oil paint on canvas
support: 930 x 710 mm
Nizhny Novgorod State Art Museum
Provenance:
The studio of the artist;
The Museum of Painterly Culture, Moscow, until 1921;
From which received by the Nizhny Novgorod State Art Museum, Nizhny Novgorod.

Lender's address: Nizhny Novgorod State Art Museum, Kremlin, korp. 3, Nizhny Novgorod, Russia 603082
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Letter, 1913

X69052
Letter

1913
painting
Oil paint on canvas
support: 430 x 550 mm
Serpukhov History and Art Museum. Received from the Moscow Regional Museum in 1924
Provenance:
The artist;
From whom acquired by the Moscow Regional Museum, until 1924;
From which acquired by Serpukhov History and Art Museum.

Lender's address: Serpukhov History and Art Museum, Chekhova Street, 87, Serpukhov, Moskovskaya oblast, Russian Federation 142206
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: on the reverse is a painting of a moonlit landscape, with wooden grave markers in the foreground.
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Saint Barbara from the New Russian Luboks series, 1912-1913

X76675
Saint Barbara from the New Russian Luboks series

1912-1913
on paper, unique
Watercolour and white wash on paper on card
support: 670 x 540 mm frame: 820 x 680 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, until 1913;
From whom purchased by the Council of the Tretyakov Gallery.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded [could Tretyakov send an image of the reverse?]
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Mystical Images of War: Saint George, 1914

X67255
Mystical Images of War: Saint George

1914
on paper, print
Lithograph, gouache and ink on paper
support: 324 x 248 mm image: 304 x 226 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Mystical Images of War: Maiden on the Beast, 1914

X67259
Mystical Images of War: Maiden on the Beast

1914
on paper, print
Lithograph, gouache and ink on paper
support: 323 x 245 mm image: 325 x 245 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Electric Ornament, 1914

X67270
Electric Ornament

1914
painting
Oil paint on canvas
support: 905 x 770 mm frame: 985 x 832 x 60 mm
State Tretyakov Gallery, Moscow
Provenance:
The studio of the artist, Moscow;
From whom acquired by the Museum of Painterly Culture, until 1928;
Transferred to the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded [could Tretyakov send an image of the reverse?]
Place of manufacture: Moscow, Russia.

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Peasants Gathering Grapes, 1913-1914

X69053
Peasants Gathering Grapes

1913-1914
painting
Oil paint on canvas
support: 1450 x 1300 mm
Bashkir State Art Museum named after M.V. Nesterov, Ufa
Provenance:
The studio of the artist, until 1919;
State Art Fund, Moscow, until 1920;
Museum Bureau of IZO NKP;
From which transferred to Bashkir State Art Museum, Ufa.

Lender’s address: Bashkir State Art Museum, Goglya Street, 27, Ufa, The Republic of Bashkortostan, Russian Federation, 450077
Nationality of the artist: Russian, naturalised French 1938
Identifying marks: None recorded
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Picking Apples, circa 1909

X75757
Picking Apples

circa 1909
painting
Oil paint on canvas
support: 889 x 1234 mm frame: 1500 x 1800 mm
Alex Lachmann collection
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, until 1962*;
Private collection, United States, until 2007;
When sold at Christie’s London, Impressionist and Modern Art sale, 18 June 2007 (lot 19);
From which acquired by the present owner.
*exhibited as part of the artists' Arts Council UK touring exhibition in 1961.

Lender’s address: private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: Russian; naturalised French in 1938
Identifying marks: signed ‘N.g.’ (upper left)
Place of manufacture: Moscow, Russia

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Apostle Peter. Costume design for Liturgy, 1915

X67308
Apostle Peter. Costume design for Liturgy

1915
on paper, unique
Gouache, graphite and paper on paper mounted on cardboard
support: 535 x 379 mm frame: 800 x 580 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Magus. Costume design for Liturgy, 1915

X67310
Magus. Costume design for Liturgy

1915
on paper, unique
Gouache, graphite and paper on paper mounted on cardboard
support: 600 x 475 mm frame: 800 x 580 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Cherub. Costume design for Liturgy, 1915

X67311
Cherub. Costume design for Liturgy

1915
on paper, unique
Gouache, graphite and paper on paper mounted on cardboard
support: 470 x 300 mm frame: 810 x 580 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Jellyfish. Costume design for Sadko, 1915-1916

X67315
Jellyfish. Costume design for Sadko

1915-1916
on paper, unique
Gouache and graphite on paper mounted on cardboard
support: 226 x 200 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Coral. Costume design for Sadko, 1915-1916

X67316
Coral. Costume design for Sadko

1915-1916
on paper, unique
Gouache and graphite on paper mounted on cardboard
support: 375 x 239 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Seaweed. Costume design for Sadko, 1915-1916

X67317
Seaweed. Costume design for Sadko

1915-1916
on paper, unique
Gouache, graphite, bronze and aluminium on paper mounted on cardboard
support: 223 x 198 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Composition with Factory Chimneys. Set design for Les Noces, 1916-1917

X67318
Composition with Factory Chimneys. Set design for Les Noces

1916-1917
on paper, unique
Gouache and graphite on paper mounted on cardboard
support: 560 x 788 mm frame: 750 x 950 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Lausanne, Switzerland. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Russian Woman, Late 1910s - early 1920s

X69057
Russian Woman

Late 1910s - early 1920s
painting
Oil paint on canvas
support: 2300 x 1180 mm
Musée d'Art Moderne de la Ville de Paris
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Donated by the above to Musée d’Art Moderne de la Ville de Paris in 1964.

Lender’s address: Musée d’Art Moderne de la Ville de Paris, 11 Avenue du Président Wilson, 75116, Paris, France.
Nationality of the artist: Russian; naturalised French in 1938.
Identifying marks: not recorded
Place of manufacture: ?Paris, France

This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Bathers, 1922

X67291
Bathers

1922
painting
Oil paint on canvas
support: 2600 x 1495 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Bathers, 1922

X67292
Bathers

1922
painting
Oil paint on canvas
support: 2600 x 1990 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Bathers, 1922

X67293
Bathers

1922
painting
Oil paint on canvas
support: 2600 x 1495 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Study for a mask for 1923 Grand Bal des artistes travesti transmental, 1923

X75167
Study for a mask for 1923 Grand Bal des artistes travesti transmental

1923
on paper, unique
Ink and graphite on paper
support: 370 x 285 mm frame: 490 x 380 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Study for a poster advertising Grand Bal de nuit, 1923

X75168
Study for a poster advertising Grand Bal de nuit

1923
on paper, unique
Gouache, ink and graphite on paper
support: 1570 x 1107 mm frame: 1600 x 1140 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Design for 'Caucasus' dress for House of Myrbor, 1922-1928

X67185
Design for 'Caucasus' dress for House of Myrbor

1922-1928
on paper, unique
Graphite and gouache on paper
object: 380 x 240 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia.
This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Design for 'Algae' coat for House of Myrbor, 1927-1928

X67300
Design for 'Algae' coat for House of Myrbor

1927-1928
on paper, unique
Gouache, graphite and aluminium on paper
support: 657 x 505 mm frame: 850 x 670 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Pattern with blue flowers. Study for textile design for House of Myrbor, 1925-1928

X67303
Pattern with blue flowers. Study for textile design for House of Myrbor

1925-1928
on paper, unique
Gouache and graphite on paper
support: 375 x 284 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Pattern with burgundy-coloured branches. Study for textile design for House of Myrbor, 1925-1928

X67306
Pattern with burgundy-coloured branches. Study for textile design for House of Myrbor

1925-1928
on paper, unique
Gouache, graphite and varnish on paper
support: 378 x 282 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Design with birds and flowers. Study for textile design for House of Myrbor, 1925-1928

X67307
Design with birds and flowers. Study for textile design for House of Myrbor

1925-1928
on paper, unique
Gouache and graphite on embossed paper
support: 745 x 670 mm frame: 875 x 760 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Textile design, 1922–1929

X67192
Textile design

1922–1929
on paper, unique
Gouache on paper
support: 405 x 323 mm frame: 640 x 450 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Moscow, Russia. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Spanish Woman with a Fan, 1925-1929

X67290
Spanish Woman with a Fan

1925-1929
painting
Oil paint on canvas
support: 1660 x 1240 mm frame: 1680 x 1256 x 40 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova, Dress pattern with moons and stars for House of Myrbor, 1920-1929

X72399
Dress pattern with moons and stars for House of Myrbor

1920-1929
on paper, unique
Gouche, gold paint, charcoal and paper on paper laid on cardboard
support: 1450 x 2380 mm frame: 1800 x 3000 mm
Private collection, France
Provenance:
The studio of the artist;
From whom acquired by Lucien Lefebvre-Foinet, Paris;
By descent to Josette Lefebvre;
From whom acquired by the present owner in 2008.

Lender’s address: private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: Russian; naturalised French in 1938
Identifying marks: inscribed in Cyrillic ‘I.I.’ and numbered ‘MLF098’ lower right.
Place of manufacture: Paris, France


This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, Theatre costume for the Golden Cockerel in Le Coq d'Or, 1937

X69079
Theatre costume for the Golden Cockerel in Le Coq d'Or

1937
sculpture
Lamé, metallic knit thread, silk, silk knit, gilded leather, net
displayed: 1150 x 1400 x 870 mm
Los Angeles County Museum of Art, Costume Council Fund
Provenance:
The maker

Sotheby's London, 17 July 1968,
From which acquired by the Los Angeles County Museum of Art, with funds provided by the Costume Council.

Lender's address: Los Angeles County Museum of Art, 5905 Wilshire Blvd, Los Angeles, CA 90036, United States
Nationality of the artist: Russian; naturalised French in 1938
Identifying marks: none recorded
Place of manufacture: London, United Kingdom

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, King Dodon. Costume design for Le Coq d'Or, 1937

X71730
King Dodon. Costume design for Le Coq d'Or

1937
on paper, unique
Watercolour, bronze paint and graphite on paper
support: 455 x 299 mm frame: 510 x 350 mm
State Tretyakov Gallery, Moscow. Presented by Evelyn Cournand 1983
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
From whom acquired by Evelyn Cournand, until 1983;
From whom gifted to the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Paris, France.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, Peasant woman. Costume design for Le Coq d'Or, 1937

X71731
Peasant woman. Costume design for Le Coq d'Or

1937
on paper, unique
Watercolour, bronze paint and graphite on paper
support: 455 x 300 mm frame: 510 x 350 mm
State Tretyakov Gallery, Moscow. Presented by Evelyn Cournand 1983
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
From whom acquired by Evelyn Cournand, until 1983;
From whom gifted to the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Paris, France.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, Shemakha Queen. Costume design for Le Coq d'Or, 1937

X71732
Shemakha Queen. Costume design for Le Coq d'Or

1937
on paper, unique
Watercolour, bronze paint and graphite on paper
support: 465 x 298 mm frame: 510 x 350 mm
State Tretyakov Gallery, Moscow. Presented by Evelyn Cournand 1983
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
From whom acquired by Evelyn Cournand, until 1983;
From whom gifted to the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Paris, France.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, Bogatyr. Costume design for Le Coq d'Or, 1937

X72396
Bogatyr. Costume design for Le Coq d'Or

1937
on paper, unique
Watercolour, bronze paint and graphite on paper
support: 455 x 300 mm frame: 510 x 350 mm
State Tretyakov Gallery, Moscow. Presented by Evelyn Cournand 1983
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
From whom acquired by Evelyn Cournand, until 1983;
From whom gifted to the State Tretyakov Gallery, Moscow.

Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded
Place of manufacture: Paris, France.

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova, Ukrainan Village. Set design for The Fair at Sorochinsk, 1930s

X67319
Ukrainan Village. Set design for The Fair at Sorochinsk

1930s
on paper, unique
Gouache and graphite on paper mounted on cardboard
support: 655 x 980 mm frame: 830 x 1030 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Natalia Goncharova
(1881-1962, born: Tula, died: Paris, active: Moscow, Paris)
Barbara Karinska
(1886 - 1983)

Natalia Goncharova and Barbara Karinska, Theatre costume for a Female Subject of King Dodon in Le Coq d'Or, 1937

X69077
Theatre costume for a Female Subject of King Dodon in Le Coq d'Or

1937
sculpture
Cotton, linen, stencilled cotton, cotton braid, embroidered appliqués
displayed: 1651 x 1905 x 204 mm
Los Angeles County Museum of Art, Costume Council Fund
Provenance:
The studio of Barbara Karinska

Sotheby's London, 17 July 1968,
From which acquired by the Los Angeles County Museum of Art, with funds provided by the Costume Council.

Lender's address: Los Angeles County Museum of Art, 5905 Wilshire Blvd, Los Angeles, CA 90036, United States
Nationality of the artist: Russian; naturalised French in 1938
Identifying marks: none recorded
Place of manufacture: London, United Kingdom

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova and Barbara Karinska, Theatre costume for a Female Subject of King Dodon in Le Coq d'Or, 1937

X69078
Theatre costume for a Female Subject of King Dodon in Le Coq d'Or

1937
sculpture
Cotton, embroidered appliqués, cotton lace
displayed: 1651 x 1905 x 204 mm
Los Angeles County Museum of Art, Costume Council Fund
Provenance:
The studio of Barbara Karinska

Sotheby's London, 17 July 1968,
From which acquired by the Los Angeles County Museum of Art, with funds provided by the Costume Council.

Lender's address: Los Angeles County Museum of Art, 5905 Wilshire Blvd, Los Angeles, CA 90036, United States
Nationality of the artist: Russian; naturalised French in 1938
Identifying marks: none recorded
Place of manufacture: London, United Kingdom

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Natalia Goncharova
(1881-1962, born: Tula, died: Paris, active: Moscow, Paris)
State Tretyakov Gallery (Moscow, Russia)

Natalia Goncharova and State Tretyakov Gallery (Moscow, Russia), Design for 'Myriame' dress for House of Myrbor, 1927-1928

X67299
Design for 'Myriame' dress for House of Myrbor

1927-1928
on paper, unique
Gouache, aluminium, bronze, graphite, crayon and paper on paper
support: 1015 x 681 mm frame: 1060 x 730 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: Russian, naturalised French in 1938
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Alexander Liberman
(1912-1999, born: Kiev)

Alexander Liberman, Natalia Goncharova on the staircase of her apartment building, 16 rue Jacques Callot, Paris, late 1950s, circa 1960

X76670
Natalia Goncharova on the staircase of her apartment building, 16 rue Jacques Callot, Paris, late 1950s

circa 1960
on paper, print
Photograph, gelatin silver print on paper
overall: 315 x 270 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: maker unknown
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Photography Studio of Boris Lipnitzki

Photography Studio of Boris Lipnitzki, Natalia Goncharova with Spanish Women 1924 in the background, in her studio at 13 rue Visconti, Paris, 1924-1934

X76666
Natalia Goncharova with Spanish Women 1924 in the background, in her studio at 13 rue Visconti, Paris

1924-1934
on paper, print
Photograph, gelatin silver print on paper
overall: 230 x 155 mm
State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989
Provenance:
The studio of Natalia Goncharova and Mikhail Larionov, Paris;
Thence by descent to Alexandra Larionova-Tomilina, in 1964;
Bequeathed by the above to the Soviet State, upon her death in 1987;
Donated by the above to the State Tretyakov Gallery in 1989.
Lender’s address: State Tretyakov Gallery, Lavrushinsky pereulok 10, Moscow 119017, Russian Federation.
Nationality of the artist: maker unknown
Identifying marks: None recorded. Place of manufacture: Paris, France. This work has a complete provenance for the period 1933-45.

Pablo Picasso
(1881-1973, born: Málaga, died: Mougins)

Pablo Picasso, Queen Isabeau, 1909

X68995
Queen Isabeau

1909
painting
Oil paint on canvas
support: 918 x 732 mm
The State Pushkin Museum of Fine Arts, Moscow
Provenance:
The artist;

From whom acquired by D.-H.Kahnweiler, around 1910;
From whom acquired by S. I. Shchukin, until 1918;
From whom acquired by the Museum of New Western Art-1, until 1923;
From which transferred to the State Museum of New Western Art, until 1948;
From which transferred to The State Pushkin Museum of Fine Arts.

Lender's address: State Pushkin Museum of Fine Arts, 12 Volkhonka Street, Moscow 119019, Russia
Nationality of the artist: Spanish
Identiyfing marks: None recorded
Place of manufacture: ?Paris

This work has a complete provenance for the period 1933-45.

Keith Haring

Tate Liverpool (Liverpool, UK) from 14 Jun 2019 until 10 Nov 2019.

Keith Haring
(1958-1990)

Keith Haring, Untitled (Spaceship with Ray), 1980

X74586
Untitled (Spaceship with Ray)

1980
on paper, unique
Ink, enamel and spray paint on paper
support: 1219 x 1156 mm
Benatar Collection
Provenance:
X74586
Keith Haring (1958-1990)
Untitled (Spaceship with Ray) 1980
Ink, enamel and spray paint on paper
1219 x 1156 mm
Benatar Collection
L0989/6419
Nationality of artist: American
Signatures, Inscriptions, and Markings
Markings on recto: signed, inscribed K. Haring P.S. 122 NYC and date stamped Aug 29 1980
Provenance
Tony Shafrazi Gallery, New York, NY
André Emmerich Gallery, New York
Private Collection, New York
Sotheby's New York, 11 May 2005, Lot 442.
Private Collection
Sotheby's New York, 14 November 2013, Lot 247.
Private collection, New York
Macrh 2017, acquired by current owner through Skarstedt Gallery New York
Exhibition History
Keith Haring - The Political Line, Kunsthalle Rotterdam, the Netherlands, September 19, 2015 - February 8, 2016
Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, May 1 - August 30, 2015
de Young Museum, San Francisco, CA, November 8, 2014 - February 16, 2015, Illustrated p. 110, no. 6
Keith Haring: 1978-1982, May 2010-July 2012, Kunsthalle Wien, Vienna, Contemporary Arts Center, Cincinnati, Brooklyn Museum, Brooklyn, Illustrated pp. 61 and p. 162
Keith Haring, 20th anniversary , February 13 – April 24, 2010, Tony Shafrazi Gallery, New York
New York, Skarstedt Gallery, Keith Haring, May July, 2008
Musée des Beaux Arts de Montreal, Keith Haring, November 1998 - January 1999
Keith Haring, June 26 – September 21, 1997, Whitney Museum of American Art, New York, Illustrated in colour, p. 10-11
Keith Haring, Important Early Works from the Estate of Keith Haring, October 31 1991 – January 9 1992, Tony Shafrazi Gallery, New York
New York P.S. 122, 1980
 
 

Keith Haring, Untitled, 1980

X74827
Untitled

1980
on paper, unique
Acrylic and enamel paint and ink on paper
support: 1219 x 2946 mm
Private Collection
Provenance:
X74827
Keith Haring (1958-1990)
Untitled 1980
Acrylic, enamel and sumi ink on paper
1219 x 2946 mm
Private collection
Nationality of artist: American
Provenance
Tony Shafrazi Gallery, New York 
Private Collection, Europe
Christie's New York May 2011 lot 362
Private Collection
Exhibition History
New York, Queens Museum; Normal, Illinois, University Galleries, Illinois State University and Tampa Museum of Art, Keith Haring: Future Primeval, September 1990-August 1991, p. 51 (illustrated).

Keith Haring, Untitled, c. 1980

X76473
Untitled

c. 1980
on paper, unique
Ink on paper
unconfirmed: 406 x 355 mm
Collection of Larry Warsh
Provenance:
X76473
Keith Haring (1958-1990)
Untitled c. 1980
Ink on paper
406 x 355 mm
Collection of Larry Warsh
Nationality of artist: American
Provenance
Acquired from collector Bruno Schmidt

Keith Haring, Untitled, c. 1980

X76474
Untitled

c. 1980
on paper, unique
Ink on paper
unconfirmed: 406 x 355 mm
Collection of Larry Warsh
Provenance:
X76474
Keith Haring (1958-1990)
Untitled c. 1980
Ink on paper
406 x 355 mm
Collection of Larry Warsh
Nationality of artist: American
Provenance
Acquired from collector Bruno Schmidt

Keith Haring, Untitled, c. 1980

X76475
Untitled

c. 1980
on paper, unique
Ink on paper
unconfirmed: 406 x 355 mm
Collection of Larry Warsh
Provenance:
X76475
Keith Haring (1958-1990)
Untitled c. 1980
Ink on paper
406 x 355 mm
Collection of Larry Warsh
Nationality of artist: American
Provenance
Acquired from collector Bruno Schmidt

Keith Haring, Untitled, c. 1980

X76476
Untitled

c. 1980
on paper, unique
Ink on paper
unconfirmed: 406 x 355 mm
Collection of Larry Warsh
Provenance:
X76476
Keith Haring (1958-1990)
Untitled c. 1980
Ink on paper
406 x 355 mm
Collection of Larry Warsh
Nationality of artist: American
Provenance
Acquired from collector Bruno Schmidt

Keith Haring, Untitled, c. 1980

X76477
Untitled

c. 1980
on paper, unique
Ink on paper
unconfirmed: 406 x 355 mm
Collection of Larry Warsh
Provenance:
X76477
Keith Haring (1958-1990)
Untitled c. 1980
Ink on paper
406 x 355 mm
Collection of Larry Warsh
Nationality of artist: American
Provenance
Acquired from collector Bruno Schmidt

Keith Haring, Untitled, c. 1980

X76478
Untitled

c. 1980
on paper, unique
Ink on paper
unconfirmed: 406 mm
Collection of Larry Warsh
Provenance:
X76478
Keith Haring (1958-1990)
Untitled c. 1980
Ink on paper
406 x 355 mm
Collection of Larry Warsh
Nationality of artist: American
Provenance
Acquired from collector Bruno Schmidt

Keith Haring, Untitled, c. 1980

X76479
Untitled

c. 1980
on paper, unique
Ink on paper
unconfirmed: 406 x 355 mm
Collection of Larry Warsh
Provenance:
X76479
Keith Haring (1958-1990)
Untitled c. 1980
Ink on paper
406 x 355 mm
Collection of Larry Warsh
Nationality of artist: American
Provenance
Acquired from collector Bruno Schmidt

Keith Haring, Untitled, c. 1980

X76480
Untitled

c. 1980
on paper, unique
Ink on paper
unconfirmed: 406 x 355 mm
Collection of Larry Warsh
Provenance:
X76480
Keith Haring (1958-1990)
Untitled c. 1980
Ink on paper
406 x 355 mm
Collection of Larry Warsh
Nationality of artist: American
Provenance
Acquired from collector Bruno Schmidt

Keith Haring, Untitled, c. 1980

X76481
Untitled

c. 1980
on paper, unique
Ink on paper
unconfirmed: 406 x 355 mm
Collection of Larry Warsh
Provenance:
X76481
Keith Haring (1958-1990)
Untitled c. 1980
Ink on paper
406 x 355 mm
Collection of Larry Warsh
Nationality of artist: American
Provenance
Acquired from collector Bruno Schmidt

Keith Haring, Untitled, 1981

X73119
Untitled

1981
painting
Enamel on fibreboard
support: 1219 x 1219 mm
Private Collection
Provenance:
X73119
Keith Haring (1958-1990)
Untitled 1981
Enamel on fibreboard
1219 x 1219 mm
Private Collection
Nationality of artist: American
Provenance
December 1981, acquired from Annina Nosei gallery
Exhibition history
Keith Haring – The Alphabet, The Albertina Museum, Vienna, 16 March - 24 June 2018, illustrated catalogue p. 105
Future Primeval: Queens Museum, Illinois State University Galleries Norman, Illinois, Tampa Museum of Art, September 15-November 25, 1990, reproduced in catalogue p. 60

Keith Haring, Untitled, 1981

X74585
Untitled

1981
painting
Vinyl ink on tarpaulin
support: 1829 x 1829 mm
Private Collection, Europe
Provenance:
X74585
Keith Haring (1958-1990)
Untitled 1981
Vinyl ink on tarpaulin
1829 x 1829 mm
Private collection, Europe
Nationality of artist: American
Provenance
Rene Ricard, New York
Private Collection, London
Skarstedt Gallery
Private Collection
Exhibition History
Keith Haring A New Humanism, curated by Gianni Mercurio, Zidoun Bossuyt, Luxembourg, 2019 Keith Haring: The Political Line, de Young Museum, San Francisco, November 2014 –
February 2015 Keith Haring: The Political Line, Musée d'Art Moderne de la Ville de Paris, Paris, April –
August 2013 Future Primeval, University Galleries, Illinois State University, Normal, January -
February 1991 Future Primeval, Tampa Museum of Art, Tampa, June – August 1991 Future Primeval, Queens Museum, New York, September - November 1990
Literature
Buchhart, Dieter (ed.), Keith Haring - The Political Line. San Francisco: Fine Arts Museum of San Francisco in conjunction with DelMonic Books and Prestel, 2014. Print. Illustrated p.191
Buchhart, Dieter (ed.), Keith Haring - The Political Line. Paris: Paris-Musées, les musée de la Ville de Paris, 2013. Print. Illustrated p.199
Mercurio, Gianni, and Demetrio Paparoni, eds. The Keith Haring Show. Milan: Skira Editore, 2005. Print. Illustrated p. 165 Keith Haring. Future Primeval, University Galleries, Illinois State University Normal, Illinois, 1991. Print. Illustrated p. 56 Keith Haring. Tony Shafrazi Gallery. Fall 1982. Print. Illustrated p. 54 Keith Haring. A New Humanism, Zidoun Bossuyt Gallery, Luxembourg, 2019. Print. p.31, 109

Keith Haring, Untitled, 1981

X76456
Untitled

1981
on paper, unique
Ink on paper
support: 953 x 1257 mm
Private collection, courtesy Martin Lawrence Galleries
Provenance:
X76456
Keith Haring (1958-1990)
Untitled 1981
Sumi ink on paper
953 x 1257 mm
Private Collection, Courtesy Martin Lawrence Galleries
Nationality of artist: American
Signatures, Inscriptions, and Markings
Markings on recto: Signed verso "Sept 5, 1981 – K. Haring NYC"
 
Provenance
Tony Shafrazi Gallery, NYC
Mr. & Mrs. Arthur Jacobson, NY
Acquired from Heather James Fine Art, Feb 21, 2017

Keith Haring, Untitled, 1981-1982

X72916
Untitled

1981-1982
painting
Acrylic paint on wood
unconfirmed: 1803 x 400 mm
Richard P. Emerson
Provenance:
X72916
Keith Haring (1958-1990)
Untitled 1981-82
Acrylic paint on wood
1803 x 400 mm
Richard P. Emerson
Nationality of artist: American
Provenance
Private collection, United Kingdom
Martos Gallery, New York
Private collection
Acquired by the current owner through Christie’s, New York, 16 November 2018, Sale 15976, lot 827
Exhibition History
San Francisco, de Young Museum, Keith Haring: The Political Line, November 2014-February 2015, pp. 73 and 97 (illustrated).
Munich, Kunsthalle der Hypo-Kulturstiftung and Kunsthal Rotterdam, Keith Haring: Gegen den Strich, May 2015-February 2016, p. 121, pl. 83 (illustrated).
New York, The Peninsula, Works from Celebrated Artists of the 1980s, June-October 2018.
Literature
J. Deitch, ed., Keith Haring, New York, Tony Shafrazi Gallery, 1982, p. 16 (installation view illustrated).
Galerie Laurent Strouk, Keith Haring, Paris, 2014, p. 22 (illustrated).

Keith Haring, Untitled, 1982

X73067
Untitled

1982
sculpture
Baked enamel on steel
unconfirmed: 1092 x 1092 mm
Private Collection
Provenance:
X73067
Keith Haring (1958-1990)
Untitled 1982
Baked enamel on metal
1092 x 1092 mm
Collection of Larry Warsh
Nationality of artist: American
Provenance
Acquired from Tony Shafrazi Gallery, NY
Exhibition History
Keith Haring – The Alphabet, Albertina Museum, Vienna, Austria , March 15 – June 24, 2018
Keith Haring: The Political Line, Kunsthal Rotterdam, Rotterdam, Netherlands, September 19, 2015 – February 8, 2016
Keith Haring: The Political Line, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, May 1 – August 30, 2015
Keith Haring: The Political Line, de Young Museum, San Francisco, CA, November 8, 2014 – February 16, 2015

Keith Haring, Untitled (Russian Doll), 1982

X75081
Untitled (Russian Doll)

1982
painting
Day-glo paint on wood
unconfirmed: 812 x 635 x 533 mm
Private Collection
Provenance:
X75081
Keith Haring (1958-1990)
Untitled 1982
Day-glo paint on wood
812 x 635 x 533 x 590 mm
Collection of Larry Warsh
Nationality of artist: American
Provenance
Acquired from Tony Shafrazi Gallery, NY
Exhibition History
Keith Haring – The Alphabet, Albertina Museum, Vienna, Austria , March 15 – June 24, 2018
Keith Haring: The Political Line, Kunsthal Rotterdam, Rotterdam, Netherlands, September 19, 2015 – February 8, 2016
Keith Haring: The Political Line, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, May 1 – August 30, 2015
Keith Haring: The Political Line, de Young Museum, San Francisco, CA, November 8, 2014 – February 16, 2015

Keith Haring, Untitled, 1982

X76455
Untitled

1982
painting
Acrylic paint on vinyl tarpaulin with metal grommets
support: 1835 x 1835 mm
Private Collection, Courtesy Martin Lawrence Galleries
Provenance:
X76455
Keith Haring (1958-1990)
Untitled 1982
Acrylic on vinyl tarpaulin with metal grommets
1835 x 1835 mm
Private Collection, Courtesy Martin Lawrence Galleries
Nationality of artist: American
Signatures, Inscriptions, and Markings
Markings on recto: signed and dated April 1982
 
Provenance
Private Collection, California
Sotheby’s NY, 11/10/10 sale (lot 454)
Acquired from CHR HK, May 26, 2018 (Chalk & Vermilion Art LLC)

Keith Haring, Untitled, 1982

X76457
Untitled

1982
on paper, unique
Marker on paper
support: 762 x 1016 mm
Private Collection, Courtesy Martin Lawrence Galleries
Provenance:
X76457
Keith Haring (1958-1990)
Untitled 1982
Marker on paper
762 x 1016 mm
Private Collection, Courtesy Martin Lawrence Galleries
Nationality of artist: American
Signatures, Inscriptions, and Markings
Markings on recto: signed and dated in pencil on reverse "K. Haring '82 +"
 
Provenance
Acquired from Ikon Gallery in 2003
Martin Lawrence Galleries
Private collection 2004
Martin Lawrence Galleries 2015
Private collection
Acquired from CHR NY, March 4th, 2016 (Chalk & Vermilion Art LLC)

Keith Haring, Poster for Nuclear Disarmament, 1982

Z08756
Poster for Nuclear Disarmament

1982
on paper, print
Offset lithograph on paper
unconfirmed: 654 x 505 mm
Collection Noirmontartproduction, Paris
Provenance:
Z08756
Keith Haring (1958-1990)
Poster for Nuclear Disarmament 1982
Print on paper
654 x 505 mm
Collection Noirmontartproduction, Paris
Edition of 20,000 copies
Signed and dated on the plate ‘K, Haring 1982’ on lower right
Poster was created and distributed for free at the antinuclear protest ‘Rally for Nuclear Disarmament’, Central Park in New York on June 12th, 1982
Exhibition history
Keith Haring, Posters, Museum fur Kunst und Gewerbe, Hamburg, Germany, 31 May- 5 November 2017 (reproduced in catalogue, p. 31 and p. 106)
Keith Haring, Affiches Vintage, Quartier libre SIG, Geneva, 17 October 2014 – 18 January 2015
Keith Haring, Short Messages – Posters, Versicherungskammer Bayern Munich, Germany, 13 November 2002 – 15 January 2003; Museum fur Kunst und Gewerbe, Hambourg, Germany, 13 February – 4 May 2003; Kunstmuseum Heidenheim, Heidenheim, Germany, 17 May – 20 June 2003; Kunsthaus Kaufbeuren, Kaufbeuren, Germany, August - September 2003 (reproduced in catalogue, p. 8)

Keith Haring, Duck rock, 1982

Z08781
Duck rock

1982
supporting material
Record
unconfirmed: 315 x 315 mm
Collection Noirmontartproduction, Paris
Provenance:
Signed and dated 'Keith Haring 1982' on top left
Literature:
'Art Record Covers', Cologne, Germany, 2017, illustrated p. 217

Keith Haring, Untitled, 1983

X72913
Untitled

1983
painting
Vinyl paint on tarpaulin
unconfirmed: 3068 x 3020 mm
Collection of KAWS
Provenance:
X72913
Keith Haring (1958-1990)
Untitled 1983
Vinyl paint on tarpaulin
3068 x 3020 mm
Collection of KAWS
Inv. Nr. 3144
Provenance
Joost De Clercq, Knokke
Private Collection, Switzerland
Sale: Sotheby's, London, Contemporary Art, 22 June 2005, Lot 48
Private Collection, Belgium
Sale: Sotheby's, London, Contemporary Art Evening Auction, 5 February 2009, Lot 18
Private Collection, New York
Acquired directly from the above by the present owner
Sale: Sotheby's London, Contemporary Evening Auction, October 12, 2012, Lot 12
Exhibition history
Knokke, Casino, Keith Haring, 1987
New York, Whitney Museum of American Art; Toronto, Art Gallery of Ontario,
Keith Haring, 1997 p. 32, illustrated in color
Milan, Fondazione La Triennale, The Keith Haring Show, 2005, p. 192, no. 32,
Illustrated in colour
Lyon, Musee d'art contemporain, Keith Haring, 2008, p. 160, no. 38, illustrated in colour
Musee d'Art moderne de la Ville de Paris, Keith Haring: The Political Line. April 19-August 18, 2013, illustrated in catalogue, p.139
Keith Haring, Albertina Museum, Vienna, Austria, March 16 - June 24, 2018
Literature
Germano Celant, Ed., Keith Haring, Munich 1997, no. 38, illustrated in colour

Keith Haring, Untitled, 1983

X73263
Untitled

1983
sculpture
Acrylic paint on leather
support: 1346 x 2946 mm
Private Collection
Provenance:
X73263
Keith Haring (1958-1990)
Untitled 1983
acrylic on leather
1346 x 2946 mm
Private Collection
Nationality of artist: American
Signatures, Inscriptions, and Markings
Markings on recto:
Provenance
Martos Gallery, New York, NY
Fun Gallery, New York, NY
Tony Shafrazi Gallery, New York, NY
Christie's New York (May 20, 1999), New York, NY
Private Collection
Acquired 18 July 2017
Exhibition History
Keith Haring, About Art, Curated by Gianni Mercurio, Palazzo Reale, Milan, Italy, February 20, 2017 – June 18, 2017, Illustrated p. 163
Keith Haring - The Political Line, Kunsthalle Rotterdam, Rotterdam, the Netherlands, September 19, 2015 - February 8, 2016
Keith Haring - The Political Line, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, May 1 - August 30, 2015, Illustrated p. 88
Keith Haring - The Political Line, de Young Museum, San Francisco, CA, November 8, 2014 - February 16, 2015, Illustrated p. 90
Keith Haring: Paintings, Sculptures and Drawings, Tony Shafrazi Gallery, New York, NY, June 20 - July 31, 1997
Keith Haring and LA II, Fun Gallery, New York, NY, 1983

Keith Haring, Keith Haring at Fun Gallery, 1983

Z08758
Keith Haring at Fun Gallery

1983
on paper, print
Poster
unconfirmed: 791 x 634 mm
Collection Noirmontartproduction, Paris
Provenance:
Z08758
Keith Haring (1958-1990)
Keith Haring at Fun Gallery 1983
Lithograph on paper
743 x 583,5 mm
Collection Noirmontartproduction, Paris
Created for the exhibition at the Fun Gallery, New York, February 3-27, 1983.
This poster was distributed at the opening of the exhibition
Exhibition history
Keith Haring, Posters, Museum fur Kunst und Gewerbe, Hamburg, Germany, 31 May- 5 November 2017 (reproduced in catalogue, p. 34 and p. 106)
Keith Haring, Affiches Vintage, Quartier libre SIG, Geneva, 17 October 2014 – 18 January 2015
Keith Haring, Short Messages – Posters, Versicherungskammer Bayern Munich, Germany, 13 November 2002 – 15 January 2003; Museum fur Kunst und Gewerbe, Hambourg, Germany, 13 February – 4 May 2003; Kunstmuseum Heidenheim, Heidenheim, Germany, 17 May – 20 June 2003; Kunsthaus Kaufbeuren, Kaufbeuren, Germany, August - September 2003 (reproduced in catalogue, p. 88 and p. 23)

Keith Haring, Malcolm McLaren, 1983

Z08782
Malcolm McLaren

1983
supporting material
Record
unconfirmed: 307 x 304 mm
Collection Noirmontartproduction, Paris
Provenance:

Keith Haring, Life is something special, 1983

Z08783
Life is something special

1983
supporting material
Record
unconfirmed: 315 x 315 mm
Collection Noirmontartproduction, Paris
Provenance:
Literature:
'Art Record Covers', Cologne, germany, 2017, illustrated p. 212

Keith Haring, Untitled (Apartheid), 1984

X70879
Untitled (Apartheid)

1984
painting
Acrylic paint on canvas
support: 2980 x 3650 mm
Stedelijk Museum, Amsterdam
Provenance:
X70879
Keith Haring (1958-1990)
Untitled (Apartheid) 1984
Acrylic paint on canvas
2980 x 3650 mm
Stedelijk Museum Amsterdam
Accession Number: A40046
Nationality of artist: American 
Provenance
Acquisition by Stedelijk Museum Amsterdam at Gallery Tony Shafrazi in New York in 1986.
Exhibition History
Zomeropstelling, Stedelijk Museum Amsterdam, 11 August –end of August 1987
Aanwinsten / Acquisitions 1985 -1992. Aanwinsten tijdens het directoraat Wim Beeren, Stedelijk Museum Amsterdam, 20 December 1992 – 7 February 1993
Keith Haring retrospective exhibition, Whitney Museum of American Art, 18 June 1997 – 21 September 1997
Art Gallery of Ontario, 17 October 1997 – 18 January 1998
Museum of Contemporary Art, Miami, 12 February 1998 – 26 April 1998
Museum of Modern Art (Ibaraki), 08 May 1998 – 06 September 1998
Museum of Fine Arts, Houston, 05 November 1998 – 10 January 1999
City Gallery, Wellington (NZ), 13 March 1999 – 13 June 1999
Rondom Hopper : een keuze uit de eigen collectie Amerikaanse kunst, fotografie en toegepaste kunst, Stedelijk Museum Amsterdam, 10 March 2001 – 03 June 2001
- The Keith Haring show, Fondazione La Triennale di Milano, 27 September 2005 – 29 January 2006
- Keith Haring : the political line, Musée d'Art Moderne de la ville de Paris, 19 April 2013 – 18 August 2013
- Keith Haring : the political line, De Young, San Francisco, 08 November 2014 – 16 February 2015, Kunsthalle der Hypo-Kulturstiftung, 01 May 2015 – 30 August 2015

Keith Haring, Untitled, 1984

X73348
Untitled

1984
painting
Acrylic paint on canvas
support: 2388 x 2388 mm
Private Collection
Provenance:
X73348
Keith Haring (1958-1990)
Untitled 31 May 1984
Acrylic on canvas
2388 x 2388 mm
Private collection
Nationality of artist: American
Provenance
Salvatore Ala, Milan
Private Collection
Exhibition History
Salvatore Ala Gallery, Milan, Italy 1984.
Karlsruhe. Museum Für Neue Kunst. Keith Haring - Heaven Hell. Sept. 23, 2001 - Jan. 6, 2002. Travelled to: Rotterdam. Museum Boymans van Beuningen. May 10 - July 21, 2002. Illustration on page 35.
Milan. Fondazione Triennale di Milano. The Keith Haring Show. Sept. 27, 2005 - Jan. 29, 2006. Illustration #33, page 193.
New York, Skarstedt Gallery, Keith Haring, April 15-June 30, 2008.
Paris, France. Musée d'Art moderne de la Ville de Paris, "Keith Haring,"April 19-August 18, 2013.
San Francisco, United States. Fine Arts Museums of San Francisco, "Keith Haring: The Political Line," November 8, 2014-February 16, 2015.
New York, Skarstedt Gallery, "Keith Haring: Heaven and Hell," March 5 - April 18, 2015.

Keith Haring, Untitled (Pop Shop poster), 1984

X75083
Untitled (Pop Shop poster)

1984
on paper, unique
Mixed media on board
unconfirmed: 1524 x 1016 mm
Private Collection
Provenance:
X75083
Keith Haring (1958-1990)
Untitled 1984
Mixed media on board
1524 x 1016 mm
Collection of Larry Warsh
Nationality of artist: American
Provenance
Acquired directly from Keith Haring Pop Shop/Private Collection, NY

Keith Haring, Scratchin, 1984

Z08784
Scratchin

1984
supporting material
Record
unconfirmed: 313 x 315 mm
Collection Noirmontartproduction, Paris
Provenance:
Signed 'Keith Haring' top right

Keith Haring, Untitled, 1985

X70822
Untitled

1985
painting
Acrylic and enamel paint on canvas
support: 3048 x 3048 mm
Ludwig Forum für Internationale Kunst Aachen, loan of the Peter and Irene Ludwig Foundation
Provenance:
X70822
Keith Haring (1958-1990)
Untitled 1985
Oil and acrylic on canvas
2960 x 3030 mm
Ludwig Forum für Internationale Kunst Aachen, loan of the Peter and Irene Ludwig
Foundation
Inv. Nr. 1447
Provenance
Acquired 1985 at Tony Shafrazi Gallery, New York
Exhibition history
New York Graffiti, Koblenz 1988;
Graffiti New York - Paris. Neue Galerie Sammlung Ludwig Aachen, Musée des Beaux-Arts, Verviers 18.06.1989 - 27.08.1989;
Figuration libre and the new figuratives, Ludwig Forum für Internationale Kunst, Aachen 03.10.1991 - 17.11.1991;
Try to mourn. Masterpieces from the Ludwig Collection from antiquity to the present. From the exhibition series: "Touching", Ludwig Institut Schloss Oberhausen 06.05.1995 - 02.07.1995 (Haus Ludwig für Kunstausstellungen Saarlouis: 24.09.1995 - 31.12.1995);
Our century. People pictures - picture worlds. Museum Ludwig, Köln 09.07.1995 - 08.10.1995;
Keith Haring, Whitney Museum of American Art, New York 18.06.1997 - 21.09.1997;
Keith Haring, Palazzo Lanfranchi, Pisa 08.12.1999 - 12.03.2000;
Streit-Lust – for argument´s sake: art of the last 30 years and the Sammlung Ludwig, Ludwig Forum für Internationale Kunst 28.10.2001 - 10.02.2002;
Gezeichnet Graffiti, Kunsthalle Darmstadt 04.04.2004 - 30.05.2004;
Keith Haring. Life as a Drawing, Ludwig Museum im Deutschherrenhaus, Koblenz 26.08.2007 - 28.10.2007;
Keith Haring, Musée d´art contemporain de Lyon 22.02.2008 - 30.06.2008
Dublin City Gallery The Hugh Lane 01.10.2008 - 28.02.2009;
Keith Haring, Kunsthalle Weihaupt, Ulm 17.05.2009 - 01.11.2009;
Keith Haring - The Political Line, Musée d´art moderne, Paris 19.04.2013 - 18.08.2013;
Keith Haring. About Art, Palazzo Reale, Milano/Mailand 21.02.2017 - 18.06.2017;
Keith Haring: The Alphabet – Retrospective for 60th birthday, Albertina, Wien 18.03.2018 - 24.06.2018;

Keith Haring, Raindance, 1985

Z08762
Raindance

1985
on paper, print
Poster
unconfirmed: 836 x 607 mm
Collection Noirmontartproduction, Paris
Provenance:
Z08762
Keith Haring (1958-1990)
Rain Dance 1985
Lithograph on paper
786.5 x 558 mm
Collection Noirmontartproduction, Paris
In collaboration with: Jean-Michel Basquiat, Roy Lichtenstein, Yoko Ono, Andy Warhol
Artist’s credit; copyright 1985 Keith Haring, Andy Warhol, Yoko Ono, Roy Lichtenstein, Jean-Michel Basquiat
Signed on the plate ‘Jean-Michel Basquiat’, ‘Andy Warhol’, ‘Roy Lichtenstein’, ‘Yoko Ono’, ‘Keith Haring’ on the left side
Poster created for the charitable evening in favor of ‘The African Emergency Relief Fund’ with support from UNICEF in the Paradise Garage discotheque in New York on January 30th 1985 and the exhibition ‘Rain Dance’ held at 292 Lafayette Street in New York from 2-23 February 1985
Exhibition history
Keith Haring, Posters, Museum fur Kunst und Gewerbe, Hamburg, Germany, 31 May- 5 November 2017 (reproduced in catalogue, p. 57 and p. 110)
Keith Haring, Affiches Vintage, Quartier libre SIG, Geneva, 17 October 2014 – 18 January 2015
Keith Haring, Short Messages – Posters, Versicherungskammer Bayern Munich, Germany, 13 November 2002 – 15 January 2003; Museum fur Kunst und Gewerbe, Hambourg, Germany, 13 February – 4 May 2003; Kunstmuseum Heidenheim, Heidenheim, Germany, 17 May – 20 June 2003; Kunsthaus Kaufbeuren, Kaufbeuren, Germany, August - September 2003 (reproduced in catalogue, p. 89 and p. 79)
Literature
Andy Warhol: The Complete Commissioned Posters 1964-1987, 2014, illustrated p. 116 and 117

Keith Haring, New York is Book Country, 1985

Z08763
New York is Book Country

1985
on paper, print
Poster
unconfirmed: 695 x 550 mm
Collection Noirmontartproduction, Paris
Provenance:
Z08763
Keith Haring (1958-1990)
New York is Book Country 1985
Lithograph on paper
645 x 500 mm
Collection Noirmontartproduction, Paris
Signed and dated on plate ‘K. Haring 1985’ on lower right
Poster created for the book sale ‘NEW YORK IS BOOK COUNTRY’ held on 5th avenue, New York, 22 September 1985
Exhibition history
Keith Haring, Posters, Museum fur Kunst und Gewerbe, Hamburg, Germany, 31 May- 5 November 2017 (reproduced in catalogue, p. 59 and p. 112)
Keith Haring, Affiches Vintage, Quartier libre SIG, Geneva, 17 October 2014 – 18 January 2015
Keith Haring, Short Messages – Posters, Versicherungskammer Bayern Munich, Germany, 13 November 2002 – 15 January 2003; Museum fur Kunst und Gewerbe, Hambourg, Germany, 13 February – 4 May 2003; Kunstmuseum Heidenheim, Heidenheim, Germany, 17 May – 20 June 2003; Kunsthaus Kaufbeuren, Kaufbeuren, Germany, August - September 2003 (reproduced in catalogue, p. 89 and p. 56)
 

Keith Haring, Untitled, 1986

X72701
Untitled

1986
painting
Acrylic and oil paint on tarpaulin
support: 2438 x 2438 mm
Private collection
Provenance:
X72701
Keith Haring (1958-1990)
Untitled September 23 1986
Acrylic and oil on tarpaulin
2438 x 2438 mm
Private collection
Signed and dated Sept 23/1986 on reverse
Provenance
Galerie Jérôme de Noirmont, Paris
Galerie Daniel Templon, Paris, no. 25555
Acquired directly from the artist
Exhibition history
Keith Haring – The Alphabet, Albertina Museum, Vienna, Austria, March 16 - June 24, 2018 (illustrated catalogue, p. 193)
Keith Haring – About Art, Palazzo Reale, Milan, Italy, 21 February – 18 June 2017
Keith Haring – The Political Line, Kunsthal Rotterdam, the Netherlands, 19 September 2015 – 8 February 2016; Kunsthalle Munich, Germany, 1 May – 30 August 2015; Musee d'Art moderne de la Ville de Paris, 19 April – 18 August 2013 (illustrated catalogue, p. 203)
Keith Haring, Lyon, Musee d'art contemporain, 22 February – 19 June 2008, (illustrated catalogue, p. 197)
The Keith Haring Show, Milan, Fondazione La Triennale, 27 September 2005 – 29 January 2006 (illustrated catalogue, p. 231)
Keith Haring – Recent Works, Daniel Templon Gallery, Paris, 18 October – 22 November 1986
Literature
Keith Haring – About Art, Guinti Arte Mostre Musei et Ore Cultura, Milan, Italy, 2017, p. 133-135
Alexandra Kolosa, Keith Haring 1958-1990 – A Life of Art, Cologne, Germany, 2016, p. 61
Keith Haring, Heaven and Hell, Museum fur Neue Kunst – ZKM Karlsruhe, 2001, p. 11
Keith Haring, Japan, 1992, p. 153
John Gruen, Keith Haring – the Authorized Biography, London 1991, p. 173

Keith Haring, Club DV 8 Unveils the Keith Haring Room, 1986

Z08768
Club DV 8 Unveils the Keith Haring Room

1986
on paper, print
Poster
unconfirmed: 455 x 558 mm
Collection Noirmontartproduction, Paris
Provenance:
Z08768
Keith Haring (1958-1990)
Club DV 8 Unveils the Keith Haring Room 1986
Lithograph on paper
406.5 x 508 mm
Collection Noirmontartproduction, Paris
Signed and dated on the plate ‘copyright K Haring’ on the right
Poster created for the opening of the Keith Haring Room at Club DV8 in San Francisco on June 5 1986
Provenance
Keith Haring Foundation, New York
Exhibition history
Keith Haring, Posters, Museum fur Kunst und Gewerbe, Hamburg, Germany, 31 May- 5 November 2017 (reproduced in catalogue, p. 114)
Keith Haring, Affiches Vintage, Quartier libre SIG, Geneva, 17 October 2014 – 18 January 2015
Keith Haring, Short Messages – Posters, Versicherungskammer Bayern Munich, Germany, 13 November 2002 – 15 January 2003; Museum fur Kunst und Gewerbe, Hambourg, Germany, 13 February – 4 May 2003; Kunstmuseum Heidenheim, Heidenheim, Germany, 17 May – 20 June 2003; Kunsthaus Kaufbeuren, Kaufbeuren, Germany, August - September 2003 (reproduced in catalogue, p. 90 and p. 55)
 

Keith Haring, City Kids Speak on Liberty '86, 1986

Z08770
City Kids Speak on Liberty '86

1986
on paper, print
Poster
unconfirmed: 659 x 533 mm
Collection Noirmontartproduction, Paris
Provenance:
Z08770
Keith Haring (1958-1990)
City Kids Speak on Liberty 1986
Lithograph on paper
609 x 483 mm
Collection Noirmontartproduction, Paris
Signed and dated on the plate ‘copyright K Haring 86’ on the right
Poster created for the unveiling of the banner of 30 meters high representing the Statue of Liberty painted by Keith Haring and 1000 children deployed on a building in New York on 2 July 1986, to celebrate the centenary of the Statue of Liberty
Provenance
Keith Haring Foundation, New York
Exhibition history
Keith Haring, Posters, Museum fur Kunst und Gewerbe, Hamburg, Germany, 31 May- 5 November 2017 (reproduced in catalogue, p. 79 and p. 114)
Keith Haring, Affiches Vintage, Quartier libre SIG, Geneva, 17 October 2014 – 18 January 2015
Keith Haring, Short Messages – Posters, Versicherungskammer Bayern Munich, Germany, 13 November 2002 – 15 January 2003; Museum fur Kunst und Gewerbe, Hambourg, Germany, 13 February – 4 May 2003; Kunstmuseum Heidenheim, Heidenheim, Germany, 17 May – 20 June 2003; Kunsthaus Kaufbeuren, Kaufbeuren, Germany, August - September 2003 (reproduced in catalogue, p. 91)
 

Keith Haring, POP-Shop, 1986

Z08771
POP-Shop

1986
on paper, print
Poster
unconfirmed: 912 x 607 mm
Collection Noirmontartproduction, Paris
Provenance:
Z08771
Keith Haring (1958-1990)
Pop Shop 1986
Lithograph on paper
862.5 x 558.5 mm
Collection Noirmontartproduction, Paris
Signed and dated on the plate ‘copyright K Haring’ on the right
Poster created to promote the Pop Shop in New York in 1986
Provenance
Private collection, USA
Exhibition history
Keith Haring, Posters, Museum fur Kunst und Gewerbe, Hamburg, Germany, 31 May- 5 November 2017 (reproduced in catalogue, p. 113)
Keith Haring, Affiches Vintage, Quartier libre SIG, Geneva, 17 October 2014 – 18 January 2015
Keith Haring, Short Messages – Posters, Versicherungskammer Bayern Munich, Germany, 13 November 2002 – 15 January 2003; Museum fur Kunst und Gewerbe, Hambourg, Germany, 13 February – 4 May 2003; Kunstmuseum Heidenheim, Heidenheim, Germany, 17 May – 20 June 2003; Kunsthaus Kaufbeuren, Kaufbeuren, Germany, August - September 2003 (reproduced in catalogue, p. 91 and p. 47)
 

Keith Haring, Crack Down!, 1986

Z08772
Crack Down!

1986
on paper, print
Poster
unconfirmed: 608 x 481 mm
Collection Noirmontartproduction, Paris
Provenance:
Z08772
Keith Haring (1958-1990)
Crack Down! 1986
Lithograph on paper
558 x 432.5 mm
Collection Noirmontartproduction, Paris
Signed and dated on the plate ‘copyright K Haring 86’ on the right
Poster created to fight against the use of drugs
 
Exhibition history
Keith Haring, Posters, Museum fur Kunst und Gewerbe, Hamburg, Germany, 31 May- 5 November 2017 (reproduced in catalogue, p. 69 and p. 114)
Keith Haring, Affiches Vintage, Quartier libre SIG, Geneva, 17 October 2014 – 18 January 2015
Keith Haring, Short Messages – Posters, Versicherungskammer Bayern Munich, Germany, 13 November 2002 – 15 January 2003; Museum fur Kunst und Gewerbe, Hambourg, Germany, 13 February – 4 May 2003; Kunstmuseum Heidenheim, Heidenheim, Germany, 17 May – 20 June 2003; Kunsthaus Kaufbeuren, Kaufbeuren, Germany, August - September 2003 (reproduced in catalogue, p. 91 and p. 76)
 

Keith Haring, Someone like you, 1986

Z08785
Someone like you

1986
supporting material
Record
unconfirmed: 315 x 315 mm
Collection Noirmontartproduction, Paris
Provenance:
Signed and dated 'Keith Haring 1986' bottom right
Literature:
'Art Record Covers', Cologne, Germany, 2017, illustrated p. 213

Keith Haring, Emanon - "The Baby Beat Box", 1986

Z08786
Emanon - "The Baby Beat Box"

1986
supporting material
Record
unconfirmed: 313 x 313 mm
Collection Noirmontartproduction, Paris
Provenance:
Signed and dated 'copyright K Haring 86' on lower right
Literature:
'Art Record Covers', Cologne, Germany, 2017, illustrated p. 215

Keith Haring, Safe Sex!, 1987

Z08773
Safe Sex!

1987
on paper, print
Poster
unconfirmed: 798 x 743 mm
Collection Noirmontartproduction, Paris
Provenance:
Z08773
Keith Haring (1958-1990)
Safe Sex! 1987
Lithograph on paper
748.5 x 693 mm
Collection Noirmontartproduction, Paris
Signed and dated on the plate ‘copyright K Haring 87’ on the center bottom
Poster created to promote the use of condoms and the fight against AIDS.
 
Exhibition history
Keith Haring, Posters, Museum fur Kunst und Gewerbe, Hamburg, Germany, 31 May- 5 November 2017 (reproduced in catalogue, p. 117)
Keith Haring, Affiches Vintage, Quartier libre SIG, Geneva, 17 October 2014 – 18 January 2015
Keith Haring, Short Messages – Posters, Versicherungskammer Bayern Munich, Germany, 13 November 2002 – 15 January 2003; Museum fur Kunst und Gewerbe, Hambourg, Germany, 13 February – 4 May 2003; Kunstmuseum Heidenheim, Heidenheim, Germany, 17 May – 20 June 2003; Kunsthaus Kaufbeuren, Kaufbeuren, Germany, August - September 2003 (reproduced in catalogue, p. 92 and p. 74)
 

Keith Haring, A very special Christmas, 1987

Z08787
A very special Christmas

1987
supporting material
Record
unconfirmed: 314 x 314 mm
Collection Noirmontartproduction, Paris
Provenance:
Signed and dated 'K. Haring 87' on bottom left

Keith Haring, Life is fresh - Crack is wack, 1987

Z08788
Life is fresh - Crack is wack

1987
supporting material
Record
unconfirmed: 315 x 315 mm
Collection Noirmontartproduction, Paris
Provenance:
Signed and dated 'K. Haring 87' lower left

Keith Haring, Man to man, At the gym, 1987

Z08789
Man to man, At the gym

1987
supporting material
Record
unconfirmed: 181 x 181 mm
Collection Noirmontartproduction, Paris
Provenance:

Keith Haring, Break Weapons not Spirits, 1988

Z08775
Break Weapons not Spirits

1988
on paper, print
Poster
unconfirmed: 479 x 329 mm
Collection Noirmontartproduction, Paris
Provenance:
Z08775
Keith Haring (1958-1990)
Break Weapons not Spirits 1988
Lithograph on paper
430.5 x 279 mm
Collection Noirmontartproduction, Paris
Signed and dated on the plate ‘copyright K Haring 88’ on the right
Poster created for the big march ‘Break Weapons Not Spirits’ against the use of weapons and military intervention held in New York and San Francisco on June 11th 1988
Provenance
Keith Haring Foundation, New York
Exhibition history
Keith Haring, Posters, Museum fur Kunst und Gewerbe, Hamburg, Germany, 31 May- 5 November 2017 (reproduced in catalogue, p. 118)
Keith Haring, Affiches Vintage, Quartier libre SIG, Geneva, 17 October 2014 – 18 January 2015
Keith Haring, Short Messages – Posters, Versicherungskammer Bayern Munich, Germany, 13 November 2002 – 15 January 2003; Museum fur Kunst und Gewerbe, Hambourg, Germany, 13 February – 4 May 2003; Kunstmuseum Heidenheim, Heidenheim, Germany, 17 May – 20 June 2003; Kunsthaus Kaufbeuren, Kaufbeuren, Germany, August - September 2003 (reproduced in catalogue, p. 92)
 

Keith Haring, National Coming Out Day, 1988

Z08777
National Coming Out Day

1988
on paper, print
Poster
unconfirmed: 710 x 633 mm
Collection Noirmontartproduction, Paris
Provenance:
Z08777
Keith Haring (1958-1990)
National Coming Out Day 1988
Lithograph on paper
658.5 x 583 mm
Collection Noirmontartproduction, Paris
Signed and dated on the plate ‘copyright K Haring 88’ on the bottom right
Poster created for the ‘National Coming Out Day’ held on October 11, 1988 in the United States
Exhibition history
Keith Haring, Posters, Museum fur Kunst und Gewerbe, Hamburg, Germany, 31 May- 5 November 2017 (reproduced in catalogue, p. 92-93 and p. 120)
Keith Haring, Affiches Vintage, Quartier libre SIG, Geneva, 17 October 2014 – 18 January 2015
Keith Haring, Short Messages – Posters, Versicherungskammer Bayern Munich, Germany, 13 November 2002 – 15 January 2003; Museum fur Kunst und Gewerbe, Hambourg, Germany, 13 February – 4 May 2003; Kunstmuseum Heidenheim, Heidenheim, Germany, 17 May – 20 June 2003; Kunsthaus Kaufbeuren, Kaufbeuren, Germany, August - September 2003 (reproduced in catalogue, p. 93 and p. 81)
 

Keith Haring, Nelson Mandela 70th Birthday Tribute, 1988

Z08779
Nelson Mandela 70th Birthday Tribute

1988
on paper, print
Poster
unconfirmed: 642 x 467 mm
Collection Noirmontartproduction, Paris
Provenance:
Z08779
Keith Haring (1958-1990)
Nelson Mandela 70th Birthday Tribute 1988
Lithograph on paper
594 x 421 mm
Collection Noirmontartproduction, Paris
Signed and dated on the plate ‘copyright K Haring 88’ on the right
Poster created for Nelson Mandela 70th birthday tribute at Wembley Arena on June 11, 1988

Keith Haring, Untitled, 1989

X75826
Untitled

1989
painting
Acrylic paint on canvas
support: 1500 x 1500 mm
Private Collection
Provenance:
X75826
Keith Haring (1958-1990)
Untitled 1989
Acrylic paint on canvas1500 x 1500 mm
Private Collection
Nationality of artist: American
Provenance
May 1989, acquired from Tony Shafrazi Gallery
Literature
Germano Celant, Keith Haring, 1992, p. 181

Keith Haring, Untitled, c.1987-9

X75829
Untitled

c.1987-9
on paper, unique
Gouache, ink and printed papers on paper
support: 622 x 750 mm
Private Collection
Provenance:
X75829
Keith Haring (1958-1990)
Untitled c. 1987-89
Gouache, sumi ink and printed papers on paper
622 x 750 mm
Private Collection
Nationality of artist: American
Provenance
November 1989, acquired from Tony Shafrazi Gallery

Keith Haring, Untitled, c.1987-9

X75832
Untitled

c.1987-9
on paper, unique
Gouache, ink and printed papers on paper
support: 622 x 750 mm
Private Collection
Provenance:
X75832
Keith Haring (1958-1990)
Untitled c. 1987-89
Gouache, sumi ink and printed papers on paper
622 x 750 mm
Private Collection
Nationality of artist: American
Provenance
November 1989, acquired from Tony Shafrazi Gallery

Keith Haring, Ignorance = Fear, 1989

Z08780
Ignorance = Fear

1989
on paper, print
Poster
unconfirmed: 660 x 1141 mm
Collection Noirmontartproduction, Paris
Provenance:
Z08780
Keith Haring (1958-1990)
Ignorance = Fear 1989
Lithograph on paper
611.5 x 1091.5 mm
Collection Noirmontartproduction, Paris
Signed and dated on the plate ‘copyright K Haring 89’ on the bottom right
Poster created for a campaign led by activist group Act Up to raise awareness among the general public to recognize AIDS as a disease
Exhibition history
Keith Haring, Posters, Museum fur Kunst und Gewerbe, Hamburg, Germany, 31 May- 5 November 2017 (reproduced in catalogue, p. 96-97 and p. 121)
Keith Haring, Affiches Vintage, Quartier libre SIG, Geneva, 17 October 2014 – 18 January 2015
Keith Haring, Short Messages – Posters, Versicherungskammer Bayern Munich, Germany, 13 November 2002 – 15 January 2003; Museum fur Kunst und Gewerbe, Hambourg, Germany, 13 February – 4 May 2003; Kunstmuseum Heidenheim, Heidenheim, Germany, 17 May – 20 June 2003; Kunsthaus Kaufbeuren, Kaufbeuren, Germany, August - September 2003 (reproduced in catalogue, p. 95 and p. 82-83)

Keith Haring
(1958-1990)
LA II Angel Ortiz
(born 1967, born: New York)

Keith Haring and LA II Angel Ortiz, Untitled, 1981

X73068
Untitled

1981
sculpture
Marker on taxi hood
unconfirmed: 1600 x 1295 mm
Private Collection
Provenance:
X73068
Keith Haring (1958-1990) in collaboration with LAII
Untitled 1981
Marker on taxi hood
1600 x 1295 mm
Collection of Larry Warsh
Nationality of artist: American
Provenance
Acquired from Tony Shafrazi Gallery, NY
Exhibition History
Keith Haring: The Political Line, Kunsthal Rotterdam, Rotterdam, Netherlands
September 19, 2015 – February 8, 2016
Keith Haring: The Political Line, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany
May 1 – August 30, 2015
Keith Haring: The Political Line, de Young Museum, San Francisco, CA
November 8, 2014 – February 16, 2015

Takis

Tate Modern (London, UK) from 03 Jul 2019 until 27 Oct 2019.

Takis
(born 1925, born: Athens, active: Paris)

Takis, Standing Woman with Horns, 1954

X69083
Standing Woman with Horns

1954
sculpture
Bronze, iron, steel
unconfirmed: 371 x 114 x 102 mm
The Menil Collection, Houston, Gift of Alexander Iolas CA 5835
Provenance:
Provenance:
The artist;
Alexander Iolas, New York, by 1958;
Gift of the above to John and Dominique de Menil, Houston, 1958-1998;
Bequest of Dominique de Menil to the Menil Foundation, Houston, 1998-present.
Nationality of Artist: Greek
-This work was produced after the operative period 1933 - 45.

Takis, Signal, 1955

X69531
Signal

1955
sculpture
Bronze, paint, steel
unconfirmed: 1181 x 822 x 587 mm
The Menil Collection, Houston Y 322
Provenance:
Provenance:
The artist;
Alexander Iolas Gallery, New York, by 1964;
Purchased from the above by Art Investments, Houston,1964-1973;
Upon dissolution of above partnership dispersed to Dominique de Menil, Houston, 1973-1998;
Bequest of Dominique de Menil to Menil Foundation, Houston, 1998-present.
Nationality of Artist: Greek
-This work was produced after the operative period 1933 - 45.

Takis, Animal Elements (Insects), 1956

X69526
Animal Elements (Insects)

[Eléments animaux (Insectes)] 1956
sculpture
Bronze, iron, paint, steel
unconfirmed: 3200 x 2083 x 572 mm
The Menil Collection, Houston 1978-168 E
Provenance:
Provenance:
The artist;
Alexander Iolas Gallery, New York, by 1960;
Purchased from the above by John and Dominique de Menil, Houston, 1960-1978;
Bequest of John de Menil to the Menil Foundation, Houston, 1978-present
Nationality of Artist: Greek
-This work was produced after the operative period 1933 - 45.

Takis, Insect, 1956

X69529
Insect

1956
sculpture
Acrylic sheet, bronze, paint, steel
unconfirmed: 1270 x 660 x 292 mm
The Menil Collection, Houston X 0038
Provenance:
Provenance:
The artist;
Alexander Iolas Gallery, New York, by 1960;
Purchased from the above by John and Dominique de Menil, 1960-1998;
Bequest of Dominique de Menil to the Menil Foundation, Houston, 1998.
Nationality of Artist: Greek
-This work was produced after the operative period 1933 - 45.

Takis, Magnetic Disc, 1960

X69510
Magnetic Disc

1960
sculpture
Aluminium, iron nails, magnet, nylon thread
unconfirmed: 440 x 440 x 200 mm
Exhibition label: "Francesca Martelli, Lugano" Exhibition Catalogue: "Courtesy of Martelli Fine Art, Switzerland"
Provenance:
Provenance:
The artist;
Acquired from the artist by Collection Maria Demetriades (Medusa Art Gallery Athens Greece) in 1983;
By descent to heirs of Maria Demetriades (Medusa Art Gallery Athens, Greece);
Acquired from the above by Martelli Fine Art, Switzerland in 2018.
Nationality of Artist: Greek
-This work was produced after the operative period 1933 - 45.

Takis, Telepainting, 1966

X69527
Telepainting

[Télépeinture] 1966
sculpture
Acrylic sheet, iron nails, magnets, nylon thread, paint, porcelain
unconfirmed: 768 x 768 mm
The Menil Collection, Houston 1978-170 E
Provenance:
Provenance:
The artist;
Alexander Iolas Gallery, New York, by 1968;
Purchased from the above by John and Dominique de Menil, Houston, 1968-1978;
Bequest of John de Menil to the Menil Foundation, Houston, 1978-present.
Nationality of Artist: Greek
-This work was produced after the operative period 1933 - 45.

Takis, Magnetic Fields, 1969

X69605
Magnetic Fields

1969
sculpture
Metal, magnets, wire
object: 635 x 14630.4 x 4876.8 mm (Tall) object, each: 641.4 mm (Medium) object, each: 565.2 mm (Small) object, each: 501.7 mm
Solomon R. Guggenheim Museum, New York. Partial gift, Robert Spitzer, by exchange 1970. 70.1928.
Provenance:
The artist;
Acquired by the Solomon R. Guggenheim Museum, New York through Howard Wise Gallery, New York, 1970.
Nationality of Artist: Greek
Identifying Marks:
Place of Manufacture:
Partial Exhibition History:
Partial Exhibition History:
-Within the Decade: Selections from the Guggenheim Museum Permanent Collection (Solomon R. Guggenheim Museum, 2/12/1974-3/24/1974)
-Museum Pieces of the Post-War Era (Solomon R. Guggenheim Museum, 9/7/1972-10/15/1972)
-Selections from the Museum Collection and Recent Acquisitions, 1971 (Solomon R. Guggenheim Museum, 6/11/1971-9/12/1971)
Partial Publication History:
Takis, Jeu de Paume, 1993. Pg. 183
-This work was produced after the operative period 1933 - 45.

Olafur Eliasson: In real life

Tate Modern (London, UK) from 11 Jul 2019 until 05 Jan 2020.

Olafur Eliasson
(born 1967, born: Copenhagen)

Olafur Eliasson, Wavemachines, 1995

X71709
Wavemachines

1995
installation
Acrylic, transparent plastic sheet, water, ink (yellow), motors, transformer
250 x 9000 x 2120 mm
Kunstmuseum Basel, Ankauf 2012, Inv. G 2012.18
Provenance:
Acquired from the artist through neugerriemschneider, Berlin, 2012
Nationality of the artist: Danish-Icelandic
Identifying marks:
Place of manufacture: Berlin

This work was completed after the operative period 1933--45.

Olafur Eliasson, A description of a reflection or, a pleasant exercise on its qualities, 1995

X71710
A description of a reflection or, a pleasant exercise on its qualities

[Eine Beschreibung einer Reflexion, oder aber eine angenehme Übung zu deren Eigenschaften] 1995
installation
Spotlight, mirrors, projection screen, motor, tripod
Variable
Boros Collection, Berlin
Provenance:
Acquired from the artist through neugerriemschneider, Berlin, 2000
Nationality of the artist: Danish-Icelandic
Identifying marks:
Place of manufacture: Berlin

This work was completed after the operative period 1933--45.

Olafur Eliasson, Your spiral view, 2002

X71717
Your spiral view

2002
installation
Stainless steel mirror, steel
object: 3200 x 3200 x 8000 mm
Boros Collection, Berlin
Provenance:
Acquired from the artist through neugerriemschneider, Berlin, 2002
Nationality of the artist: Danish-Icelandic
Identifying marks:
Place of manufacture: Berlin

This work was completed after the operative period 1933--45.

Olafur Eliasson, Glacial currents (yellow, sienna), 2018

X77174
Glacial currents (yellow, sienna)

2018
on paper, unique
Watercolour, Indian ink and pencil on paper
1525 x 1525 x 80 mm
Collection of Eleanor & Francis Shen
Provenance:
Acquired from the artist through neugerriemschneider, Berlin, November 2018
Nationality of the artist: Danish-Icelandic
Identifying marks:
Place of manufacture: Berlin

This work was completed after the operative period 1933--45.

TM 2019: Dóra Maurer

Tate Modern (London, UK) from 05 Aug 2019 until 05 Jul 2020.

Dóra Maurer
(born 1937, born: Budapest)

Dóra Maurer, What can one do with a paving stone?, 1971

X74276
What can one do with a paving stone?

1971
on paper, print
Silver prints mounted on canvas
unconfirmed: 445 x 1520 mm unconfirmed, frame: 470 x 1550 x 30 mm
Vintage Galéria
Provenance:
The artist through Vintage Galéria; Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer: Traces 1970-1980, Dominik Art Projects Foundation, Krakow 2011
Dóra Maurer: Fotómunkák/Photoworks 1971-1993, exhibition catalogue, Vintage Galéria, Budapest 2007
This work was completed after the operative period 1933-45.

Dóra Maurer, KV's 1st of May Parade on Artificial Ground, 1971

X75343
KV's 1st of May Parade on Artificial Ground

1971
on paper, unique
Silver prints mounted on canvas
unconfirmed: 185 x 1765 mm unconfirmed, frame: 210 x 1790 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: Traces 1970-1980, Dominik Art Projects Foundation, Krakow 2011
Printing / Leaving Traces – The Graphic Oeuvre of Dóra Maurer 1957–1981, exhibition catalogue, Hungarian University of Fine Art, Budapest 2017

This work was completed after the operative period 1933-45.

Dóra Maurer, Reversible & Changeable Phases of Movements No. 3, 1972

X74277
Reversible & Changeable Phases of Movements No. 3

1972
on paper, unique
Silver prints mounted on canvas
unconfirmed: 770 x 1030 mm unconfirmed, frame: 795 x 1050 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria; Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer: Traces 1970-1980, Dominik Art Projects Foundation, Krakow 2011
Dóra Maurer: Fotómunkák/Photoworks 1971-1993, exhibition catalogue, Vintage Galéria, Budapest 2007
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, Reversible & Changeable Phases of Movements No. 6, 1972

X74278
Reversible & Changeable Phases of Movements No. 6

1972
on paper, unique
Silver prints mounted on canvas
unconfirmed: 1000 x 700 mm unconfirmed, frame: 1020 x 720 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: 6 out of 5, exhibition catalogue, White Cube, London 2016
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer: Fotómunkák/Photoworks 1971-1993, exhibition catalogue, Vintage Galéria, Budapest 2007
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, Schautafel 4, 1972

X74279
Schautafel 4

1972
relief
Acrylic, Chinese ink, twigs and graphite on board
unconfirmed: 910 x 630 mm

Provenance:
The artist;
Purchased from the above by Péter Külloi, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was produced after the operative period 1933-45

Dóra Maurer, 5 out of 4, 1975

X74286
5 out of 4

1975
on paper, unique
5 works on paper, tempera
unconfirmed, each: 470 x 385 mm unconfirmed, frame: 480 x 395 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History: Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, (De)Formation 2-2, 1976

X74287
(De)Formation 2-2

1976
painting
Drypoint on canvas
unconfirmed: 1100 x 830 mm
Vintage Galéria
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History: Maurer Gáyor, exhibition catalogue, Az István király Múzeum közleményei, Székesfehérvár 1976

This work was completed after the operative period 1933-45.

Dóra Maurer, (De)Formation 2-1, 1976

X74288
(De)Formation 2-1

1976
painting
Drypoint on canvas
unconfirmed: 830 x 830 mm
Vintage Galéria
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History: Maurer Gáyor, exhibition catalogue, Az István király Múzeum közleményei, Székesfehérvár 1976

This work was completed after the operative period 1933-45.

Dóra Maurer, Hidden Structures I-VI, 1979

X74275
Hidden Structures I-VI

1979
on paper, unique
6 works on paper, chalk
unconfirmed, each: 650 x 500 mm unconfirmed, frame: 700 x 550 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Printing / Leaving Traces – The Graphic Oeuvre of Dóra Maurer 1957–1981, exhibition catalogue, Hungarian University of Fine Art, Budapest 2017
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was completed after the operative period 1933-45.

Dóra Maurer, 5 out of 4, 1979

X74280
5 out of 4

1979
painting
Acrylic on wood
unconfirmed: 1900 x 2400 mm

Provenance:
The artist;
Purchased from the above by Péter Külloi, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer: Traces 1970-1980, Dominik Art Projects Foundation, Krakow 2011
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was produced after the operative period 1933-45.

Dóra Maurer, Projected Quasi Images, 1988

X74283
Projected Quasi Images

1988
painting
3 paintings, acrylic on wood
unconfirmed, each: 1630 x 1300 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, Space Paintings, 1984-1996

X74281
Space Paintings

1984-1996
on paper, unique
4 paintings, silver print, gouache
unconfirmed, each: 1000 x 700 mm unconfirmed, frame: 1020 x 720 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History: Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was completed after the operative period 1933-45.

Dóra Maurer, Poplar, 1996

X74282
Poplar

1996
painting
Acrylic on wood
unconfirmed: 4400 x 950 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014

This work was completed after the operative period 1933-45.

Dóra Maurer, Relative Quasi Images, 1996

X74284
Relative Quasi Images

1996
painting
5 paintings, acrylic on canvas and wood
unconfirmed, each: 1000 x 1000 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, Overlappings 38, 2007

X74289
Overlappings 38

2007
painting
Acrylic on canvas and wood
unconfirmed: 910 x 2400 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was completed after the operative period 1933-45.

Dóra Maurer
(born 1937, born: Budapest)
Zoltán Jeney

Dóra Maurer and Zoltán Jeney, Kalah, 1980

X75342
Kalah

1980
time-based media
Film, 35 mm transferred to video, colour, sound (mono)
unconfirmed: 12min
Dóra Maurer and Zoltán Jeney
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: Filmek/Films 1973-83, exhibition catalogue, Pécsi Galéria, Pécs 1983, p.11
Dóra Maurer: Traces 1970-1980, Dominik Art Projects Foundation, Krakow 2011
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
Dóra Maurer: Folded Time - Film Retrospective, exhibition catalogue, Rómer Flóris Művészeti és Történeti Múzeum, Győr 2018

This work was completed after the operative period 1933-45.