Dora Maar

Tate Modern (London, UK) from 20 Nov 2019 until 15 Mar 2020.

Cecil Beaton
(1904-1980)

Cecil Beaton, Dora Maar behind one of her works, in her studio at 6 rue de Savoie, Paris, 1944

X76627
Dora Maar behind one of her works, in her studio at 6 rue de Savoie, Paris

[Dora Maar derrière une de ses oeuvres, dans son atelier du 6 rue de Savoie, Paris] 1944
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 91 x 65 mm mount: 405 x 530 mm frame: 585 x 460 x 30 mm
MP1998-304 Purchased 1998, previous collection of Dora Maar Musée national Picasso-Paris Musée national Picasso-Paris
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d. 1997];
Acquired by the current owner, Musée national Picasso-Paris, as pre-emptive buyer before the Dora Maar estate sales of October-December 1998
Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France

Exhibition History:
Selected Literature:
This work has a complete provenance for the period 1933-1945.

Brassaï
(1899-1984, born: Brasov, died: Beaulieu)

Brassaï, Dora Maar presenting a painting in her studio at rue de Savoie in 1944, 1944

X77564
Dora Maar presenting a painting in her studio at rue de Savoie in 1944

1944
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 225 x 335 mm mount: 405 x 530 mm frame: 460 x 585 x 30 mm
MP1996-310 Purchased in 1996 Musée national Picasso-Paris
Provenance:
The Artist;
Thence by descent to Gilberte Brassaï [b. 1920, d. 2005];
Purchased by the current owner, Musée national Picasso-Paris in 1996

Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French
Identifying Marks:
Place of Manufacture: Paris, France

Exhibition history

Selected literature

This work has a complete provenance for the period 1933-1945.

Paul Eluard
(1895-1952, born: Saint Denis-de-l'Hôtel, died: Charenton-le-Pont)

Paul Eluard, Untitled, 1920-30

X74203
Untitled

1920-30
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 50 x 50 mm frame: 427 x 325 x 25 mm
Private Collection
Provenance:
The Artist;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 081 (one of eight photgraphs);
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris, p.64
This work has a complete provenance for the period 1933-45.

Dora Maar
(1907-1997, born: Paris, died: Ménerbes)

Dora Maar, Untitled (Self-portraits),

X76976
Untitled (Self-portraits)


on paper, print
4 photographs, gelatin silver prints on paper
unconfirmed: 60 x 150 mm
Archives Dora Maar, courtesy ADD & Associés
Provenance:
The Artist;
Thence by descent to the heirs of Dora Maar [d. 1997];
ADD Associés, as representatives of the heirs of Dora Maar, by 1998

Lender’s address: Private collection, c/o Matthew Gale, Head of Displays Tate Modern

Nationality of the artist: French
Identifying Marks:
Place of Manufacture:

Exhibition History:
Selected literature:

This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Self-portraits),

X78737
Untitled (Self-portraits)


on paper, print
3 photographs, gelatin silver prints on paper
unconfirmed: 60 x 150 mm
Archives Dora Maar, courtesy ADD & Associés
Provenance:
The Artist;
Thence by descent to the heirs of Dora Maar [d. 1997];
ADD Associés, as representatives of the heirs of Dora Maar, by 1998

Lender’s address: Private collection, c/o Matthew Gale, Head of Displays Tate Modern

Nationality of the artist: French
Identifying Marks:
Place of Manufacture:

Exhibition History:
Selected literature:

This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Self-portraits),

X78738
Untitled (Self-portraits)


on paper, print
4 photographs, gelatin silver prints on paper
unconfirmed: 60 x 150 mm
Archives Dora Maar, courtesy ADD & Associés
Provenance:
The Artist;
Thence by descent to the heirs of Dora Maar [d. 1997];
ADD Associés, as representatives of the heirs of Dora Maar, by 1998

Lender’s address: Private collection, c/o Matthew Gale, Head of Displays Tate Modern

Nationality of the artist: French
Identifying Marks:
Place of Manufacture:

Exhibition History:
Selected literature:

This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Self-portraits),

X78740
Untitled (Self-portraits)


on paper, print
4 photographs, gelatin silver prints on paper
unconfirmed: 60 x 150 mm
Archives Dora Maar, courtesy ADD & Associés
Provenance:
The Artist;
Thence by descent to the heirs of Dora Maar [d. 1997];
ADD Associés, as representatives of the heirs of Dora Maar, by 1998

Lender’s address: Private collection, c/o Matthew Gale, Head of Displays Tate Modern

Nationality of the artist: French
Identifying Marks:
Place of Manufacture:

Exhibition History:
Selected literature:

This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled, c.1930

X74127
Untitled

c.1930
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 264 x 239 mm frame: 472 x 423 x 35 mm
The Museum of Modern Art, New York. Horace W. Goldsmith Fund through Robert B. Menschel
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar, Paris;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 179
Acquired by the current owner, Museum of Modern Art, New York
Lender’s address: Museum of Modern Art, 11 W 53rd St, New York, NY 10019, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris p. 156
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 92
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (As seen through the aquariums on the Quai de la Mégisserie), c. 1930

X74130
Untitled (As seen through the aquariums on the Quai de la Mégisserie)

c. 1930
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 203 x 183 mm frame: 530 x 430 x 30 mm
The Cleveland Museum of Art, John L. Severance Fund 2007.78
Provenance:
The Artist;
Thence by descent to the estate of the artist;
Sale Le Photographies de Dora Maar, une Histoire des ɶuvres, 20 November 1998, Paris lot 181
Acquired by David Raymond;
From whom acquired by the Cleveland Museum of Art through the John L. Severance Fund in 2007
Lender’s address: Cleveland Museum of Art, 11150 East Blvd, Cleveland, OH 44106, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Haus der Kunst October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala May 21-July 15, 2002
Forbidden Games: Surrealist and Modernist Photography. The Cleveland Museum of Art (organizer), October 19, 2014-January 11, 2015
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 84
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p.157
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001 pl. 218; mentioned: pp. 335
Cleveland Museum of Art, Tom E. Hinson, Ian Walker, and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography: the David Raymond Collection in the Cleveland Museum of Art. 2014. Reproduced: p. 117, no. 75; mentioned: pp. 222.
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Self-portrait with fan), c.1930

X74214
Untitled (Self-portrait with fan)

c.1930
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 112 x 68 mm frame: 585 x 460 x 30 mm mount: 530 x 405 mm
MP1998-247 Purchased 1998, previous collection of Dora Maar Musée national Picasso-Paris
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d. 1997];
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 002 [1]
Acquired by the current owner Musée national Picasso-Paris, as pre-emptive buyer at the above sale
Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French
Identifying Marks:
Place of Manufacture: Paris, France
Exhibition History:


Selected Literature:
[1] Picard Audap Solanet & Associés, Millon & Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p. 19
This work has a complete provenance for the period 1933-1945.

Dora Maar, Mont Saint Michel, Le Cloître, galerie sud (Mont Saint Michel, cloister, southern gallery)
, 1931

X73889
Mont Saint Michel, Le Cloître, galerie sud (Mont Saint Michel, cloister, southern gallery)

[Le Cloitre, Galerie Sud] 1931
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 173 x 126 mm mount: 299 x 241 mm frame: 374 x 297 x 30 mm
The Museum of Fine Arts, Houston, Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund, The Manfred Heiting Collection, 2002.266
Provenance:

The artist;
from whom acquired by the Galerie 1900-2000, Paris in 1991;
from whom acquired by Manfred Heiting on 3 April 1995;
from whom acquired by the current owner, Museum of Fine Arts Houston in 2002
Lender’s address: 1001 Bissonnet St, Houston, TX 77005, USA
Nationality of the artist: French
Identifying marks: Stamped on verso of print: KÉFER-DROA MAAR MENTION OBLIGATOIRE and 45 bis BD. RICHARD-WALLACE/NEUILLY-SUR-SEINE
Place of manufacture: Paris, France

Exhibtion History

Dora Maar - Fotógrafa, Centre Cultural, Banxaixa, Valencia, Spain, January– March, 1995
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature

Maar, Dora Dora Maar, fotoigrafa exhibtion Centre Cultural Bancaiza, 1995. Bancaja, Obra Social, 1995. Reproduced p. 133

Combalia, Vicotira. Dora Maar: fotografa. Valencia: Bancaja, 1995. Plate 74.

This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Carousel at night), c. 1931

X74068
Untitled (Carousel at night)

c. 1931
on paper, print
Photograph, gelatin silver print
unconfirmed: 250 x 198 mm frame: 530 x 430 x 30 mm
The Cleveland Museum of Art, John L. Severance Fund 2007.79
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 180
Acquired by David Raymond;
From whom acquired by the Cleveland Museum of Art through the John L. Severance Fund in 2007
Lender’s address: Cleveland Museum of Art, 11150 East Blvd, Cleveland, OH 44106, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar: Bataille, Picasso, et les Surréalistes. Haus der Kunst October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala May 21-July 15, 2002
Dora Maar: Photographer, Dorsky Gallery, Long Island, USA April 25 – June 28, 2004
Forbidden Games: Surrealist and Modernist Photography. The Cleveland Museum of Art (organizer), October 19, 2014-January 11, 2015
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 83
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris p. 157
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001 p.101, pl.57; mentioned: p.322
Combalia, Victoria Dora Maar: Bataille, Picasso et les surreìalistes. [Marseille]: Museìes de Marseille, 2002, p.85, no.56; mentioned: p.265
Johnson, Anabella and Marcello Marvelli, Dora Maar: Photographer, Dorsky Gallery, Long Island City, New York, 2004
Cleveland Museum of Art, Tom E. Hinson, Ian Walker, and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography: the David Raymond Collection in the Cleveland Museum of Art. 2014. Reproduced: p. 111, no. 69; reproduced and mentioned: p. 222

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Gypsy palmist), 1932

X74785
Untitled (Gypsy palmist)

1932
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 340 x 290 mm frame: 524 x 447 x 35 mm
The Museum of Modern Art, New York. Gift of Agnes Gund
Provenance:
The Artist;
Thence by descent to Estate of the artist, Paris;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 113
Acquired by the current owner, Museum of Modern Art, New York
Lender’s address: Museum of Modern Art, 11 W 53rd St, New York, NY 10019, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature: Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris p.91

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Woman with three children in front of Somorrostro barracks), 1933

X73972
Untitled (Woman with three children in front of Somorrostro barracks)

1933
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 610 x 438 mm frame: 630 x 502 x 20 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale "Les Photographies de Dora Maar, une histoire des ɶuvres", 20 November 1998, Paris, Lot 089.
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: PIASA wet stamp "DM 1998"
Place of Manufacture: Paris, France
Exhibition History:
Dora Dora Maar, Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala, May 21-July 15, 2002
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p.74, Illustrated p.75
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001, pl. 108
This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Children playing, Barcelona), 1933

X73977
Untitled (Children playing, Barcelona)

1933
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 304 x 241 mm frame: 580 x 480 x 33 mm
The Cleveland Museum of Art, John L. Severance Fund 2007.71
Provenance:
The Artist;
Thence by descent to the estate of the artist;
Sale Le Photographies de Dora Maar, une histoire des ɶuvres, 20 November 1998, Paris Lot 88
Acquired by David Raymond
From whom acquired by the Cleveland Museum of Art through the John L. Severance Fund in 2007
Lender’s address: Cleveland Museum of Art, 11150 East Blvd, Cleveland, OH 44106, USA
Nationality of the artist: French
Identifying Marks: Dora Maar estate stamp on verso of print: DM/1998
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar: Bataille, Picasso, et les Surréalistes. Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala, May 21-July 15, 2002
Dora Maar: Photographer. Dorsky Gallery, April 25-June 28, 2004
Forbidden Games: Surrealist and Modernist Photography. The Cleveland Museum of Art (organizer), October 19, 2014-January 11, 2015
Dora Maar, Centre Pompidou, Paris, 05 June-29 July, 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p. 72, Illustrated p. 73
Maar, Dora. Dora Maar: Bataille, Picasso et les surreìalistes. [Marseille]: Museìes de Marseille, 2000 Reproduced: p. 88, no. 59; mentioned: pp. 265
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001 Reproduced: p. 102, pl. 60; mentioned: pp. 323
Cleveland Museum of Art, Tom E. Hinson, Ian Walker, and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography : the David Raymond Collection in the Cleveland Museum of Art. 2014. Mentioned: p. 101; reproduced: p. 109; mentioned: p. 223
[NB. incorrectly referenced in backmatter as lot 088 in 19 November 1999 estate sale catalogue]
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, pl. 74, p. 68

This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (The grimace), 1933

X73981
Untitled (The grimace)

1933
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 283 x 229 mm frame: 530 x 428 x 32 mm
The Cleveland Museum of Art, John L. Severance Fund 2007.88
Provenance:
The Artist;
From whom acquired by Galerie 1900-2000 in 1991, in their procession until at least 2002;
David Raymond, New York;
From whom acquired by the Cleveland Museum of Art through the John L. Severance Fund in 2007
Lender’s address: Cleveland Museum of Art, 11150 East Blvd, Cleveland, OH 44106, USA
Nationality of the artist: French
Identifying Marks: Purple stamp on verso of print: MENTION OBLIGATOIRE / DORA MAAR
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Fotógrafa. Centre Cultura Bancaixa, January 1-March 31, 1995
Dora Maar, Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala May 21-July 15, 2002
Forbidden Games: Surrealist and Modernist Photography. The Cleveland Museum of Art (organizer) October 19, 2014-January 11, 2015
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Maar, Dora. Dora Maar, fotoìgrafa: [exposicioìn] Centre Cultural Bancaixa, enero-marzo 1995. [Valencia]: Bancaja, Obra Social, 1995. Reproduced: p. 83, no. 23; mentioned: pp. 157
Combaliìa Dexeus, Victoria. Pariìs y los surrealistas. Bilbao: Museo de Bellas Artes de Bilbao, 2005. Reproduced: p. 174
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001. Reproduced: p. 89, pl. 46; mentioned: pp. 321
Maar, Dora. Dora Maar: Bataille, Picasso et les surreìalistes. [Marseille]: Museìes de Marseille, 2000. Reproduced: p. 73, no. 44; mentioned: pp. 265
Cleveland Museum of Art, Tom E. Hinson, Ian Walker, and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography : the David Raymond Collection in the Cleveland Museum of Art. 2014. Reproduced: p. 118, no. 76; mentioned: pp. 223

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (The "Zone," Paris), 1933

X73997
Untitled (The "Zone," Paris)

[Façade délabréed'une baraque "Réparation de pianos"] 1933
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 240 x 267 mm frame: 435 x 560 x 40 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 017 (one of three photographs);
Acquired by the current owner, a private collector
Lender’s address: Private Collection, c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: Verso - PIASA wet stamp DM 1998
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 74
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris p. 22, Illustrated p. 21
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Boy on his back, asleep in front of storefront iron shutter, Barcelona), 1933

X74078
Untitled (Boy on his back, asleep in front of storefront iron shutter, Barcelona)

1933
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 435 x 565 mm frame: 530 x 602 x 25 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
From whom acquired by the current owner, a private collector at PIASA, at sale titled "Les Photographies de Dora Maar, une histoire des ɶuvres", 20 November 1998, Paris, Lot 073
Lender’s address: Private collection c/o Matthew Gale, Head of Display, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Barcelona, Spain
Exhibition History:
Dora Maar, Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala, May 21-July 15, 2002
Selected Literature:
Picard Audap Solanet and Associés, Million and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p.62, Illustrated p.63
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001 pl. 103
Baring, Louise, and Dora Maar Dora Maar: Paris in the Time of Man Ray, Jean Cocteau, and Picasso New York, NY : Rizzoli International Publications, Inc., 2017 reproduced p.99.
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, pl. 73, p. 68
This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Street orchestra, blind musicians, Barcelona), 1933

X74087
Untitled (Street orchestra, blind musicians, Barcelona)

1933
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 400 x 300 mm frame: 631 x 530 x 32 mm
The Cleveland Museum of Art, John L. Severance Fund 2007.89
Provenance:
The Artist;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 069;
Acquired by Edwynn Houk Gallery (in their possession until at least 2002);
From whom acquired by David Raymond;
From whom acquired by the Cleveland Museum of Art through the John L. Severance Fund; in 2007
Lender’s address: Cleveland Museum of Art, 11150 East Blvd, Cleveland, OH 44106, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Haus der Kunst, October 13, 2001-January 6, 2002; Centre d'Art Tecla Sala, May 21-July 15, 2002
Dora Maar: Photographer. Dorsky Gallery, April 25-June 28, 2004
Forbidden Games: Surrealist and Modernist Photography. The Cleveland Museum of Art (organizer), October 19, 2014-January 11, 2015
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019

Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 56
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p.58, Illustrated p.59
Maar, Dora. Dora Maar: Bataille, Picasso et les surreìalistes. [Marseille]: Museìes de Marseille, 2000. Reproduced: p. 61, no. 35; mentioned: pp. 265 Caws, Mary Ann. Dora Maar without and without Picasso. A Biography. Thames and Hudson Ltd, London, 2000. Reproduced p. 44
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001 Reproduced: p. 75, no. 36; mentioned: pp. 321
Johnson, Anabella and Marcello Marvelli, Dora Maar: Photographer, Dorsky Gallery, Long Island City, New York, 2004
Cleveland Museum of Art, Tom E. Hinson, Ian Walker, and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography: the David Raymond Collection in the Cleveland Museum of Art. 2014. Reproduced: p. 100; mentioned p. 101; mentioned: p. 224; reproduced: p. 225
Tani, Ellen Y., and Amanda Cachia. Second sight: the paradox of vision in contemporary art. Brunswick, Maine: Bowdoin College Museum of Art; New York, New York: Scala Arts & Heritage Publishers Inc., 2018 Reproduced and mentioned: p. 19, fig. 7

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Headstand, Barcelona), 1933

X74096
Untitled (Headstand, Barcelona)

1933
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 242 x 179 mm frame: 582 x 478 x 35 mm
The Cleveland Museum of Art, John L. Severance Fund 2007.86
Provenance:
The Artist;
Thence by descent to the estate of the artist;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 088 (one of two photographs)
Acquired by David Raymond, New York;
From whom acquired by the Cleveland Museum of Art through the John L. Severance Fund; in 2007
Lender’s address: Cleveland Museum of Art, 11150 East Blvd, Cleveland, OH 44106, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Barcelona, Spain
Exhibition History:
Dora Maar: Photographer. Dorsky Gallery, April 25-June 28, 2004
Forbidden Games: Surrealist and Modernist Photography. The Cleveland Museum of Art (organizer), October 19, 2014-January 11, 2015
Selected Literature:
Picard Audap Solanet & Associés, Millon & Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p. 72, Illustrated p. 73
Cleveland Museum of Art, Tom E. Hinson, Ian Walker, and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography: the David Raymond Collection in the Cleveland Museum of Art. 2014. Reproduced: p. 108, no. 66; mentioned: pp. 223
Baring, Louise. Dora Maar. Paris in the Time of Man Ray, Jean Cocteau and Picasso, Rizzoli International Publications, 2017, Reproduced p. 85
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Beggar woman, Barcelona), 1933

X74097
Untitled (Beggar woman, Barcelona)

1933
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 310 x 240 mm frame: 480 x 378 x 33 mm
The Cleveland Museum of Art, John L. Severance Fund 2007.83
Provenance:
The Artist;
….
Sale TAJAN Photographies des 19e et 20e siècles, 18 November 2000, lot 345; Acquired David Raymond, New York;
From whom acquired by the Cleveland Museum of Art through the John L. Severance Fund in 2007
Lender’s address: Cleveland Museum of Art, 11150 East Blvd, Cleveland, OH 44106, USA
Nationality of the artist: French
Identifying Marks: Written in black ink on verso: "522 DM" and "Mediante Barcelone", Black stamp on verso of print: KÉFER-DROA MAAR MENTION OBLIGATOIRE and 45 bis BD. RICHARD-WALLACE/NEUILLY-SUR-SEINE , purple stamp on verso of print: Edition "Tilleul" Paris
Place of Manufacture: Paris, France
Exhibition History:
Forbidden Games: Surrealist and Modernist Photography. The Cleveland Museum of Art (organizer), October 19, 2014-January 11, 2015

Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Cleveland Museum of Art, Tom E. Hinson, Ian Walker, and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography : the David Raymond Collection in the Cleveland Museum of Art. 2014. Reproduced: p. 38, no. 13; reproduced and mentioned: p. 101, pp. 266.
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dora Maar, Untitled (Blind street peddler, Barcelona), 1933

X75893
Untitled (Blind street peddler, Barcelona)

1933
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 412 x 312 mm frame: 632 x 530 x 32 mm
The Cleveland Museum of Art, Gift of David Raymond 2008.173
Provenance:
The Artist;
Thence by descent to the estate of the artist;
Sale Les Photographies de Dora Maar, une histoire des ɶuvres, 20 November 1998, Paris, Lot 83
Acquired by Galerie Michelle Chomette;
From whom acquired by David Raymond (by 2002);
By whom gifted to the current owner, the Cleveland Museum of Art
Lender’s address: Cleveland Museum of Art, 11150 East Blvd, Cleveland, OH 44106, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Barcelona, Spain
Exhibition History:
Dora Maar: Œuvres anciennes (Old works), Galerie 1900–2000, Paris, July 10–27, 1990
Dora Maar, Fotógrafa, Centro Cultura Bancaixi January 1-March 31, 1995
Dora Maar, Haus der Kunst October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala May 21-July 15, 2002
Dora Maar: Photographer, Dorsky Gallery April 25-June 28, 2004
Accommodations of Desire: Surrealist Works on Paper Collected by Julien Levy. Palmer Museum of Art (September 14-December 5, 2004); McMullen Museum of Art, Boston College, MA January 16-March 27, 2005; Crocker Art Museum, Sacaramento, CA July 9-September 11, 2005; Portland Museum of Art January 1-March 19, 2006
Forbidden Games: Surrealist and Modernist Photography. The Cleveland Museum of Art (organizer) October 19, 2014-January 11, 2015
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019

Selected Literature:
Maar, Dora. Dora Maar, fotoìgrafa: [exposicioìn] Centre Cultural Bancaixa, enero-marzo 1995. [Valencia]: Bancaja, Obra Social, 1995. Reproduced: p. 72
Picard Audap Solanet & Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p. 68
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001, p. 72, pl. 35; mentioned: pp. 320
Schaffner, Ingrid, Julien Levy, and Colin Westerbeck. Accommodations of Desire: Surrealist Works on Paper Collected by Julien Levy. Pasadena, Calif: Curatorial Assistance, Inc, 2004. Mentioned: p. 123Maar, Dora. Dora Maar: Bataille, Picasso et les surreìalistes. [Marseille]: Museìes de Marseille, 2002, Reproduced: p. 58, no. 34; mentioned: pp. 264. Johnson, Anabella and Marcello Marvelli, Dora Maar: Photographer, Dorsky Gallery, Long Island City, New York, 2004
Combalia, Victoria. Dora Maar, La Femme Inivisble, Circe Ediciones, Barcelona. 2013
Cleveland Museum of Art, Tom E. Hinson, Ian Walker, and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography : the David Raymond Collection in the Cleveland Museum of Art. 2014. Mentioned: p. 101; reproduced: p. 103; Mentioned: pp. 223
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p.57, pl.59
This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Assia), c. 1934

X73922
Untitled (Assia)

c. 1934
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 343 x 140 mm frame: 660 x 540 x 40 mm
Collection of David Raymond, North Carolina
Provenance:
The Artist;
Thence by descent to estate of the artist, Paris;
PIASA, "Les Photographies de Dora Maar, une histoire des ɶuvres", 20 November 1998, Paris, Lot 058;
From whom acquired by Collection Premiere Heure [1];
Phillips New York, "Photographs", April 24 2003, Lot 021.
From whom acquired by the current owner, Collection David Raymond, North Carolina
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala May 21-July 15, 2002
Dora Maar, Dorsky Gallery, New-York, April 25 – June 28, 2004
Dora Maar, Tecla Sala, Spain and Galerie de la Vie Marseille, 2002
Begierde im Blick, Surrealistische Photographie, Hamburger Kunsthalle, Hamburg, 2005
Twilight Visions, Surrealism and Paris, Frist Center for the Arts, Nashville; ICP, New York and Telfair Museum of Art, Georgia, 2009-2010
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Secrets de Paris, n9, January 1935 (illustrated)
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une histoire des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p.53
Caws, Mary Ann Dora Maar with and without Picasso, Thames and Hudson, London, 2000 p. 34
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001 Pl. 146
Baring, Louise, and Dora Maar Dora Maar: Paris in the Time of Man Ray, Jean Cocteau, and Picasso New York, NY : Rizzoli International Publications, Inc., 2017 reproduced p. 62
Dora Maar, La fotografia, Picasso y los Surrealistas, Barcelona. Centre Cultural Tecla Sala exhibition catalogue, 2002. Reproduced p.188
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 pl. 46, p. 44

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Jacqueline Lamba), c. 1934

X73932
Untitled (Jacqueline Lamba)

c. 1934
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 303 x 248 mm frame: 324 x 268 x 14 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the heirs of Dora Maar [d. 1997]; [1]
By sale in 2015 to the current owner, a private collector
[1] In Haus der Kunst catalogue, Pl. 119, from 2002 listed as "private collection, Rennes".

Note: Another print of same image circulated at Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, dimensions 22.7x16.5cm, Lot 073


Lenders address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Nationality of the artist: French

Identifying marks: none

Place of manufacture: unknown

Exhibition history
Exposición Surrealista, Ateneo de Santa Cruz, Teneriffa, 1935
Women on the Edge. Twenty Photographers in Europe, 1919-1939, Malibu, Paul J. Getty Museum, 1993
Las mujeres artistas y el surrealismo, Fundacion Museo Picasso Malaga, Oct 10 2017 - Jan 28 2018
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 35, p.35
Las mujeres artistas y el surrealismo, Nova Era Publications, Barcelona, 2017, pl. 89, p. 229
Baring, Louise, and Dora Maar Dora Maar: Paris in the Time of Man Ray, Jean Cocteau, and Picasso New York, NY, Rizzoli International Publications, Inc., 2017 reproduced p.124.
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001 Pl. 119

This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Child with coat on his head), 1932-4

X73969
Untitled (Child with coat on his head)

1932-4
on paper, print
Photograph, gelatin silver print on paper
support: 295 x 230 mm frame: 660 x 560 x 40 mm
Private Collection
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 086
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: London, United Kingdom
Exhibition History:
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p. 70
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p.70, pl. 76
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Four men on a park bench, London), 1934

X73993
Untitled (Four men on a park bench, London)

1934
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 250 x 230 mm frame: 435 x 560 x 40 mm
Collection of David Raymond, North Carolina
Provenance:
The Artist;
Thence by descent to Estate of the artist, Paris;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 93 (one of eight photographs);
Acquired by Collection of David Raymond, North Carolina
[Note: an edition of the print with different dimensions: 23.5 x 29 cm, 24 x 29.7 cm support]
was sold at Le Photographies de Dora Maar, une Histoire des ɶuvres, PIASA, 20 November 1998 (Page 92, Lot 116)
Lender’s address: Private collection, c/o Matthew Gale, Head of Display, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: London, UK
Exhibition History:
Dora Maar, Dorsky Gallery, New-York, April 25 – June 28, 2004
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Johnson, Anabella and Marcello Marvelli, Dora Maar: Photographer, Dorsky Gallery, Long Island City, New York, 2004
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 58
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Group of workers waiting on a sidewalk for pay or canteen, Paris), c. 1934

X73995
Untitled (Group of workers waiting on a sidewalk for pay or canteen, Paris)

c. 1934
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 262 x 238 mm frame: 560 x 433 x 40 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 028 (one of two photographs);
Acquired by the current owner, a private collector
Lender’s address: Private Collection, c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: Verso - PIASA wet stamp DM 1998
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 59
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris p. 27, Illustrated p. 28
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Woman with baby in front of astrology booth, Paris), c.1934

X73998
Untitled (Woman with baby in front of astrology booth, Paris)

c.1934
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 180 x 110 mm frame: 422 x 322 x 30 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 016 (one of three photographs);
Acquired by the current owner, a private collector
Lender’s address: Private Collection, c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: Verso - PIASA wet stamp "DM 1999"
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 71
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris p. 22

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Ragpicker), c.1934

X74018
Untitled (Ragpicker)

c.1934
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 400 x 296 mm frame: 610 x 500 mm
The Museum of Modern Art, New York. Horace W. Goldsmith Fund through Robert B. Menschel
Provenance:
The Artist;
Thence by descent to Estate of the artist, Paris;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 084
Acquired by the current owner, Museum of Modern Art, New York
Lender’s address: Museum of Modern Art, 11 W 53rd St, New York, NY 10019, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris p.69
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 66

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Strange fountain), c. 1934

X74040
Untitled (Strange fountain)

c. 1934
on paper, print
Photograph, gelatin silver print on paper (photomontage)
unconfirmed: 219 x 160 mm frame: 550 x 450 x 15 mm
Private Collection
Provenance:
The Artist;
From whom acquired by Christian Bouqueret (b. 1950, d. 2013) in 1985;
From whom acquired by the current owner, a private collector, in 2008.
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Picasso and the Camera, Gagosian Gallery, New York 28 Oct 2014 – 03 Jan 2015
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Combalia, Victoria Dora Maar: Bataille, Picasso et les surreìalistes. [Marseille]: Museìes de Marseille, 2002, p.11, mentioned: p.146
Richardson, John et al. Picasso and the Camera, Gagosian Gallery New York, 2014, p. 221
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 pl.123, p.117

This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Medically unfit), 1934

X74055
Untitled (Medically unfit)

1934
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 182 x 227 mm frame: 378 x 480 x 31 mm
The Cleveland Museum of Art, John L. Severance Fund 2007.75
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 093 (one of eight photographs);
Acquired by David Raymond;
From whom acquired by the Cleveland Museum of Art through the John L. Severance Fund in 2007
Lender’s address: Cleveland Museum of Art, 11150 East Blvd, Cleveland, OH 44106, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Forbidden Games: Surrealist and Modernist Photography. The Cleveland Museum of Art (organizer) October 19, 2014-January 11, 2015
Dora Maar, Centre Pompidou, Paris, 05 June-29 July, 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris p.68 [titled: deux hommes chantant pres d’un bus]
Cleveland Museum of Art, Tom E. Hinson, Ian Walker, and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography : the David Raymond Collection in the Cleveland Museum of Art. 2014. Reproduced: p. 39, no. 14; reproduced and mentioned: pp. 224
This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Disabled war veteran begging beside miniature tin boat, London), 1934

X74063
Untitled (Disabled war veteran begging beside miniature tin boat, London)

1934
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 293 x 397 mm frame: 662 x 540 x 40 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 028 (one of two photographs);*
Acquired by the current owner, a private collector
*Other print of the same image sold found in Drouot sales catalogue Le Photographies de Dora Maar, une historie des ɶuvres 20 Nov 1999 [Page 68 Lot 094]
Lender’s address: Private collection, c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: London, United Kingdom
Exhibition History:
Dora Maar: Photographer, Dorsky Gallery, Long Island, USA April 25 – June 28, 2004
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 62
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris p. 27
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001, pl. 50 (separate print of the same image)
Johnson, Anabella and Marcello Marvelli, Dora Maar: Photographer, Dorsky Gallery, Long Island City, New York, 2004

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Repent for the kingdom of heaven is at hand, London), 1934

X74065
Untitled (Repent for the kingdom of heaven is at hand, London)

1934
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 243 x 180 mm frame: 504 x 378 x 40 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The Artist;
Thence by descent to the Estate of Dora Maar;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 082;
Acquired by David Raymond, New York;
By whom gifted to the J. Paul Getty Museum in 2002
Lender’s address: J. Paul Getty Museum 1200 Getty Center Drive, Los Angeles, CA 90049-1679
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: London, United Kingdom
Exhibition History:
Dora Maar, Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala, May 21-July 15, 2002
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019

Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p. 66

Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001, pl. 42
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 pl.70, p. 65

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Kew Gardens, London), 1934

X74104
Untitled (Kew Gardens, London)

1934
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 305 x 240 mm frame: 530 x 430 x 30 mm
The Cleveland Museum of Art, John L. Severance Fund 2007.76
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 087 (1 of 9 photographs)
Acquired by David Raymond;
From whom acquired by Cleveland Museum of Art through the John F. Severance Fund in 2007
Lender’s address: Cleveland Museum of Art, 11150 East Blvd, Cleveland, OH 44106, USA
Nationality of the artist: French
Identifying Marks: Written in red pencil on verso: "Kew Garden"
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala (May 21-July 15, 2002)
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019

Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris, p.66 [potentially one of four prints from a series titled: quatre photographies des plantes tropicales]
Maar, Dora. Dora Maar: Bataille, Picasso et les surreìalistes. [Marseille]: Museìes de Marseille, 2000. Reproduced: p. 106, no. 76; mentioned: pp. 266
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001, Reproduced: p. 124, pl. 78; mentioned: pp. 324
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 97, pl. 107
This work has a complete provenance for the period 1933-45.

Dora Maar, Shampoo or Woman's hair with soap, 1934

X74702
Shampoo or Woman's hair with soap

1934
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 288 x 394 mm mount: 430 x 467 mm frame: 645 x 795 x 40 mm
Collection Société Française de Photographie, Paris
Provenance:
The Artist;
From whom gifted to the Société Française de la Photographie, Paris in 1934
Lender’s address: Collection Société Française de Photographie, 71, rue de Richelieu
75002 Paris, France
Nationality of the artist: French
Identifying Marks: Signed "KÉFER-DORA MAAR" 45 Boulevard Richard-Wallace, Neuilly-sur-Seine
Exhibition History:
XXIXe Salon international d'art photographique, Société française de photographie et la cinématographie, 51 rue de Clichy, Paris 6 - 21 October, 1934
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
XXIXe Salon international d'art photographique 1934, Paris : Société française de photographie et de cinématographie, 1934, pg. 36

Revue française de photographie et de cinématographie, Paris "Illustrations du XXIXe Salon international de la photographie:" no. 357(November 1, 1934): 330

Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 pl. 36, p. 187, p. 193
This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Beggar, London), 1934

X74709
Untitled (Beggar, London)

1934
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 393 x 296 mm frame: 640 x 565 x 40 mm
Private Collection, Paris
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 075
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala, May 21-July 15, 2002
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p.64, Illustrated p. 65
Caws, Mary Ann Dora Maar with and without Picasso, Thames & Hudson, London, 2000 p. 45
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001 pl. 45
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Pearly princess, London), 1934

X75331
Untitled (Pearly princess, London)

1934
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 305 x 240 mm frame: 472 x 405 x 20 mm
From the Collection of Annastacia Wollmering, New York, NY
Provenance:
The Artist;
Thence by descent to the Estate of Dora Maar [d.1997];
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot095
[titled: Pearls’ Queen le Jour de L’Empire Day, no dimensions given] ;
OR Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot078 [titled: Pearl’s Queen le Jour de l’Empire Day, dimensions 29 x 23cm]

Private Collection, New York (by 2014);
Sale "Photographs" Signature Auction, Heritage Auctions, New York, Saturday, April 5, 2014,
Lot 74004
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: Artist's stamp twice in left mount margin with 'Peerless Queen' in red pencil recto; artist's stamp verso
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 68, p.64

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dora Maar, Untitled (Photograph for advertisement), c. 1935

X73894
Untitled (Photograph for advertisement)

c. 1935
on paper, unique
Collage of photographs, gelatin silver prints with gouache
unconfirmed: 334 x 245 mm frame: 560 x 435 x 40 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 036 (one of two photographs);
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: PIASA wet stamp "DM 1999"
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar: Photographer, Dorsky Gallery, Long Island, USA April 25 – June 28, 2004
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris p. 40, Illustrated p. 41
Johnson, Anabella and Marcello Marvelli, Dora Maar: Photographer, Dorsky Gallery, Long Island City, New York, 2004
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p.37


This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Fashion study), 1935

X73915
Untitled (Fashion study)

1935
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 298 x 235 mm frame: 495 x 381 x 30 mm
Richard and Ellen Sandor Family Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar [d.1997];
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 129 129 (Portrait de profil avec effet de chapeau", dimensions 29.3 x 23.8cm);
OR Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 045 ("Portrait de profil avec effet de chapeau", dimensions: 29.5 x 23.7cm);
Private collection, New York;
Sale Swann Galleries, Photographs, Tuesday 27th April 1999, Lot 362;
Acquired by the current owner, a private collector
Lender’s address: Private Collection, c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: PIASA wet stamp "DM 1998"
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Element for fashion photograph), 1935, printed 1980s

X73956
Untitled (Element for fashion photograph)

1935, printed 1980s
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 230 x 170 mm frame: 560 x 443.5 x 40 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 053;
Acquired by the current owner, a private collector
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: PIASA wet stamp "DM 1999"
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar: Photographer, Dorsky Gallery, Long Island, USA April 25 – June 28, 2004
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris p. 47, Illustrated p. 46
Johnson, Anabella and Marcello Marvelli, Dora Maar: Photographer, Dorsky Gallery, Long Island City, New York, 2004
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 22
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (René Crevel), 1930-5

X74015
Untitled (René Crevel)

1930-5
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 291 x 227 mm frame: 525 x 425 x 30 mm
The Museum of Fine Arts, Houston, Gift of Anne Wilkes Tucker in honor of Louisa Stude Sarofim, 2000.668
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 138;
Acquired by Anne Wilkes Tucker, Houston, USA;
By whom gifted to the current owner, Museum of Fine Arts Houston, in 2000
[Note: another print of same image sold at Piasa on Thursday, October 29, 1998 [Lot 00390] at sale titled Pablo Picasso et Dora Maar: Photographies de 1906, dimensions 20.6 x 23.6]
Lender’s address: Museum of Fine Arts, 1001 Bissonnet St, Houston, TX 77005, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Haus der Kunst, Munich, October 12, 2001–January 13, 2002; La vielle Charite, Marseille, France, February 7–April 30, 2002; Centre Cultural Tecla Sala, Barcelona, Spain, May 21–July 14, 2002
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p. 113
Caws, Mary Ann Dora Maar with and without Picasso, Thames & Hudson, London, 2000 p. 67
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001 pl. 126
Combalía Dexeus, Victoria and Musées de Marseille. Dora Maar: Bataille, Picasso et les surréalistes. Marseille: Musées de Marseille, 2002, cat. 120

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Nude with candelabra), 1935

X74050
Untitled (Nude with candelabra)

1935
on paper, print
Photograph, gelatin silver print on paper (photomontage)
unconfirmed: 335 x 267 mm unconfirmed, frame: 520 x 460 x 25 mm
Private Collection
Provenance:
The Artist;

Gerard Levy [b.1934, d.2016];
Thence by descent to the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala May 21-July 15, 2002

Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001 pl. 113

Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, pl. 108, p.105
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dora Maar, Untitled (Sphinx Hotel), c.1935

X74061
Untitled (Sphinx Hotel)

c.1935
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 585 x 485 mm frame: 628 x 525 x 25 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot117 (one of two photographs)
Acquired by the current owner, a private collector
Lender’s address: Private collection, c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: Recto: Label with contact information Kefer/Dora Maar Verso: Double stamp KEFER-DORA MAAR – MANDATORY LABELLING – 45 BIS BD RICHARD WALLACE NEUILLY SUR SEINE
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar: Œuvres anciennes (Old works), Galerie 1900–2000, Paris, July 10–27 1990
Dora Maar,Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala, May 21-July 15, 2002
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p.92
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001 pl.112
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 88

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (The pisser), c. 1935

X74081
Untitled (The pisser)

c. 1935
on paper, print
Photograph, gelatin silver print on paper (photomontage)
unconfirmed: 214 x 260 mm frame: 580 x 680 x 40 mm
Private Collection
Provenance:
The Artist;

Gerard Levy [b.1934, d.2016];
Thence by descent to the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:

Dora Maar, Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala May 21-July 15, 2002


Las mujeres artistas y el surrealismo, Fundacion Museo Picasso Malaga, Oct 10 2017 - Jan 28 2018

Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001, pl. 91
Las mujeres artistas y el surrealismo, Nova Era Publications, Barcelona, 2017, pl.29, p. 105
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, pl. 109, p.106

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dora Maar, Untitled (Forbidden games), 1935

X74083
Untitled (Forbidden games)

1935
on paper, print
Photograph, gelatin silver print on paper (photomontage)
frame: 532 x 630 x 32 mm image: 280 x 216 mm mount: 452 x 300 mm
The Cleveland Museum of Art, John L. Severance Fund 2007.85
Provenance:
The Artist;
Andre Breton [b. 1896, d. 1966];
Thence by descent to the Estate of André Breton;
Sale André Breton - 42, rue Fontaine: Photographies, Calmels Cohen, Paris, Tuesday, April 15, 2003, Lot 05055;
Acquired by David Raymond, New York;
From whom acquired by the Cleveland Museum of Art through the John L. Severance Fund in 2007
Lender’s address: Cleveland Museum of Art, 11150 East Blvd, Cleveland, OH 44106, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar: Bataille, Picasso, et les Surréalistes. Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala, May 21-July 15, 2002
Dora Maar: Photographer. Dorsky Gallery, April 25-June 28, 2004
París y los Surrealistas. Centre de Cultura Contemporània de Barcelona, Spain, February 18-May 22, 2005; Museo de Bellas Artes, Bilbao, June 20-September 18, 2005
Forbidden Games: Surrealist and Modernist Photography. The Cleveland Museum of Art (organizer), October 19, 2014-January 11, 2015
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019

Selected Literature:
Caws, Mary Ann, Dora Maar without and without Picasso. A Biography, Thames and Hudson Ltd, London, 2000, Reproduced p. 55
Maar, Dora. Dora Maar: Bataille, Picasso et les surreìalistes. [Marseille]: Museìes de Marseille, 2000 Reproduced: p. 116, no. 87; mentioned: pp. 267 Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001, p.134, pl.88; mentioned: pp. 325
Johnson, Anabella and Marcello Marvelli, Dora Maar: Photographer, Dorsky Gallery, Long Island City, New York, 2004
Combaliìa Dexeus, Victoria. Pariìs y los surrealistas. Bilbao: Museo de Bellas Artes de Bilbao, 2005 Reproduced: p. 206
Combalia, Victoria, Dora Maar. Mas alla de Picasso, Circe Ediciones, Barcelona, 2013
Cleveland Museum of Art, Tom E. Hinson, Ian Walker, and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography : the David Raymond Collection in the Cleveland Museum of Art. 2014. Mentioned: p. 34; reproduced: p. 35; reproduced and mentioned: p. 101; mentioned: pp. 225
Baring, Louise, Dora Maar. Paris in the Time of Man Ray, Jean Cocteau and Picasso, Rizzoli International Publications, 2017 Reproduced p. 107
Ferrandou, Dominique and Julien Ferrandou: Dora Maar décor pour une tragédie. [S.l.]: SevenDoc, 2018
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p.107, pl.110
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Covered statues), 1935

X74129
Untitled (Covered statues)

1935
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 399 x 298 mm frame: 635 x 535 x 30 mm
The Cleveland Museum of Art, John L. Severance Fund 2007.87
Provenance:
The Artist;
Thence by descent to the estate of the artist;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 032
Acquired by Charles Isaacs;
From whom acquired by Michael Mattis, New York;
From whom acquired by David Raymond, New York;
From whom acquired by Cleveland Museum of Art through the John F. Severance Fund in 2007
Lender’s address: Cleveland Museum of Art, 11150 East Blvd, Cleveland, OH 44106, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, fotógrafia, Valencia: Centro Cultural Bancaixi, January 1 – March 31, 1995
Dora Maar: Photographer, Dorsky Gallery, Long Island, USA April 25 – June 28, 2004
Forbidden Games: Surrealist and Modernist Photography. The Cleveland Museum of Art (organizer), October 19, 2014-January 11, 2015
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris p.32, Illustrated p.31
Combalia, Victoria, Dora Maar: Bataille, Picasso et les surreìalistes. [Marseille], Museìes de Marseille, 2002, Mentioned: pp. 268 Johnson, Anabella and Marcello Marvelli, Dora Maar: Photographer, Dorsky Gallery, Long Island City, New York, 2004
Cleveland Museum of Art, Tom E. Hinson, Ian Walker, and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography: the David Raymond Collection in the Cleveland Museum of Art. 2014, p.116, pl.74; mentioned: p.222
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, pl. 92, p. 86
This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (View of the Pont Alexandre III), c. 1935

X74132
Untitled (View of the Pont Alexandre III)

c. 1935
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 347 x 327 mm frame: 410 x 390 x 30 mm
Private Collection
Provenance:
The Artist;
By sale to Galerie 1900-2000;
By sale in 1994 to the current owner, a private collector
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: Stamped ‘KEFER-DORA MAAR 45 Bis, Bd RICHARD-WALLACE NEUILLY-SUR-SEINE MENTION OBLIGATOIRE’, handwritten (assumed by Dora Maar) in pencil on verso: Vue de pont Alexandre III
Exhibition History:
Centre Cultural Bancaixa, 1995
El Jardin de Eros, La Virreina, Centro Cultural Tecla Sala, Barcelona June – October, 1999
Dora Maar, Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala, May 21-July 15, 2002
Selected Literature:
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001 pl. 74
Combaliìa Dexeus, Victoria. Pariìs y los surrealistas. Bilbao: Museo de Bellas Artes de Bilbao, 2005 Reproduced: p. 206
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, pl. 103, p. 94

This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Fashion photograph), c. 1935

X74543
Untitled (Fashion photograph)

c. 1935
on paper, print
Photograph, hand-coloured gelatin silver print on paper
unconfirmed: 260 x 160 mm frame: 560 x 435 x 40 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 036 (one of two photographs);
Acquired by the current owner, a private collector

Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: Verso - PIASA wet stamp DM 1998; Annotated in an unknown hand Branch 39/40 and 3x
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar: Photographer, Dorsky Gallery, Long Island, USA April 25 – June 28, 2004
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris p. 40
Johnson, Anabella and Marcello Marvelli, Dora Maar: Photographer, Dorsky Gallery, Long Island City, New York, 2004
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p.34
This work has a complete provenance for the period 1933-45.

Dora Maar, The years lie in wait for you, c. 1935

X74708
The years lie in wait for you

c. 1935
on paper, print
Photograph, gelatin silver print on paper (photomontage)
unconfirmed: 356 x 254 mm frame: 597 x 485 x 25 mm
The William Talbott Hillman Collection
Provenance:
The artist [d. 1997];

Private collection, Europe;
Sale Photographs, Phillips de Pury & Company, Wednesday April 26 2006, Lot 021;
Acquired by the current owner, a private collector

Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern

Nationality of the artist: French
dentifying Marks: none
Place of Manufacture: France

Exhibition History
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature

Caws, Mary Ann Dora Maar with and without Picasso, a biography, Thames and Hudson, London, 2000, p.65 [credited to Lucien Treillard Collection, Paris, it has not been possible to establish whether this is the same print]

Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 33, p.33

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dora Maar, Silence, 1935–6

X74714
Silence

1935–6
on paper, print
Photograph, gelatin silver print on paper (photomontage)
unconfirmed: 292 x 228 mm frame: 483 x 418 x 37 mm
Private Collection, Canada
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 119
Collection of Howard Stein [b. 1926 d. 2011];
By whom donated to Joy of Giving Something Foundation;
Sale Sotheby's New York: 175 Masterworks To Celebrate 175 Years Of Photography: Property from Joy of Giving Something Foundation, Thursday, December 11, 2014 [Lot 075];
Acquired by the current owner, a private collector
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: Photographer's estate stamp and pencil sketches in an unidentified hand on the reverse
Place of Manufacture: Paris, France
Exhibition History:
New York, Dorsky Gallery, Dora Maar, Photographer, 2004
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p. 96
Caws, Mary Ann, Picasso's Weeping Woman: The Life and Art of Dora Maar, Boston, 2000, p. 75
Johnson, Anabella and Marcello Marvelli, Dora Maar: Photographer, Dorsky Gallery, Long Island City, New York, 2004
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 122
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Photograph for Dolfar advertisement), 1936

X73892
Untitled (Photograph for Dolfar advertisement)

1936
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 330 x 241 mm frame: 629 x 525 x 40 mm
Courtesy Bruce Silverstein Gallery, New York
Provenance:
The Artist;
Thence be descent to the estate of Dora Maar [1997];
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 44;
Private Collection, Netherlands
Sale Sotheby’s Paris on 16 Nov 2012, Lot 028
From whom acquired by the current owner, Bruce Silverstein Gallery
Lender’s address: Bruce Silverstein Gallery, 529 W 20th St, New York, NY 10011, USA
Nationality of the artist: French
Identifying Marks: Estate stamp on verso
Place of Manufacture: Paris, France
Exhibition History:
The Photography Show. Bruce Silverstein, New York, 4-7 April, 2019
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Picard Audap Solanet & Associés, Millon & Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p. 45
Baring, Louise, and Dora Maar Dora Maar: Paris in the Time of Man Ray, Jean Cocteau, and Picasso New York, NY : Rizzoli Interntaional Publications, Inc., 2017 reproduced pp. 120-121, mentioned
p. 77;
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 pl.29, p.31

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Fashion photograph), 1936

X73908
Untitled (Fashion photograph)

1936
on paper, print
PPhotograph, gelatin silver print on paper (photomontage)
unconfirmed: 197 x 167 mm frame: 505 x 379 x 40 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The Artist;

Sale Photographs from the 1920s and 1930s, Phillips, New York, November 13, 1980, lot 103;
Acquired by Samuel Wagstaff Jr [b. 1921, d. 1987];
From whom acquired by the current owner. J. Paul Getty Museum in 1984
Lender’s address: The J. Paul Getty Museum, 1200 Getty Center Dr, Los Angeles, CA 90049, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
"Icons of Style: A Century of Fashion Photography, 1911-2011", exhibition dates: June 26, 2018 to September 22, 2019; display dates for the work: June 26 to October 21, 2018, The J. Paul Getty Museum at the Getty Center (Los Angeles)
Selected Litterature:
Reproduced in Le Figaro illustré, Paris, July–August 1936

Baring, Louise, and Dora Maar Dora Maar: Paris in the Time of Man Ray, Jean Cocteau, and Picasso New York, NY: Rizzoli International Publications, Inc., 2017 reproduced p.71 [NB. credited to Galerie 1900-200]
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dora Maar, Untitled (Double portrait), c.1936

X73910
Untitled (Double portrait)

c.1936
on paper, unique
Photograph, gelatin silver print on paper (photomontage)
unconfirmed: 298 x 238 mm frame: 609.6 x 508 mm
The Cleveland Museum of Art, Gift of David Raymond 2008.172
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot047
Acquired by Edwynn Houk Gallery, New York (in their possession until at least 2002);
From whom acquired by David Raymond;
By whom gifted to the current owner, the Cleveland Museum of Art
*Other print of this image found in Drouot sales catalogue 20 Nov 1998 [Page 106 Lot 130] but research (e.g Haus der Kunst catalogue and backmatter of Forbidden Games: Surrealist and Modernist Photography catalogue) indicates that this version sold in the 1999 sale
Lender’s address: Cleveland Museum of Modern Art, 11150 East Blvd, Cleveland, OH 44106, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Partial exhibition History:
Dora Maar, Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala, May 21-July 15, 2002
Dora Maar: Photographer, Dorsky Gallery, Long Island, USA April 25 – June 28, 2004
Forbidden Games: Surrealist and Modernist Photography. The Cleveland Museum of Art (organizer), October 19, 2014-January 11, 2015
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 41
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris p.41
Maar, Dora. Dora Maar: Bataille, Picasso et les surreìalistes. [Marseille]: Museìes de Marseille, 2000 Reproduced: p. 314, no. 184; mentioned: pp. 271
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001 Reproduced: p. 250, pl. 176; mentioned: pp. 332
Johnson, Anabella and Marcello Marvelli, Dora Maar: Photographer, Dorsky Gallery, Long Island City, New York, 2004 Reproduced p. 1
Cleveland Museum of Art, Tom E. Hinson, Ian Walker, and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography: the David Raymond Collection in the Cleveland Museum of Art. 2014. Mentioned: p. 26; reproduced: p. 27; reproduced: p. (x); mentioned p. 102; mentioned: pp. 225
Baring, Louise, and Dora Maar Dora Maar: Paris in the Time of Man Ray, Jean Cocteau, and Picasso New York, NY : Rizzoli International Publications, Inc., 2017 reproduced pp. 120-121, mentioned p. 168

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Portrait in profile), c. 1936

X73911
Untitled (Portrait in profile)

c. 1936
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 300 x 250 mm frame: 505 x 440 x 25 mm
Private Collection, Canada
Provenance:
The Artist;
From whom passed on to the estate of Dora Maar [d. 1997];
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 130 (one of two photographs);
Acquired by Edwynn Houk Gallery, New York;
From whom acquired by Howard Stein [d. 2011];
By whom donated to the Joy of Giving Something Foundation;
Sale The Odyssey of Collecting: Photographs from the Joy of Giving Something Foundation, 3 October 2017, New York, Lot 18;
Acquired by Edwynn Houk Gallery;
By sale from Edwynn Houk Gallery to the current owner, a private collector in 2018
Lender’s address: Private Collection, c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: PIASA wet stamp "DM 1998" on verso
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
[1] Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p. 106, Illustrated p. 107

Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 42, p.40

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Portrait in profile), c. 1936

X73913
Untitled (Portrait in profile)

c. 1936
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 285 x 215 mm frame: 505 x 440 x 25 mm
Private Collection, Canada
Provenance:
The Artist;

Edwynn Houk Gallery, New York;
Collection of Howard Stein [d. 2011];
Corkin Gallery, Toronto;
From whom acquired by the current owner, a private collector, in 2018

NB. A print of this work circulated at the Sale Les Photographies de Dora Maar, Piasa, Drouot, 19 November 1999, lot 46, dimensions: 29.9 x 23.8 cm, at Bloomsbury Auctions, London, 22 May 2012, lot 193 from a PRIVATE VENDOR, ITALY and Phillips New York: Wednesday, October 1, 2014 [Lot 00201], bought-in]. It has not been possible to establish whether any of the sales above relate to this print.
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History :

Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Baring, Louise, Dora Maar. Paris in the Time of Man Ray, Jean Cocteau and Picasso, Rizzoli International Publications, 2017, reproduced p. 101

Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 43, p.40

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dora Maar, Untitled (Lise Deharme), 1936

X74026
Untitled (Lise Deharme)

1936
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 219 x 176 mm frame: 482.5 x 355 x 30 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The Artist;

Sale Photographs from the 1920s and 1930s, Phillips, New York, November 13, 1980, Lot 103;
Acquired by Samuel Wagstaff Jr [b. 1921, d. 1987];
From whom acquired by the current owner. J. Paul Getty Museum in 1984

* A print of this image was offered for Sale Pablo Picasso et Dora Maar: Photographies de 1906 à 1946, October 29, 1998 Lot 0397, dimensions 23.8 x 17.5. It has not been possible to establish whether this relates to the above.

Lender’s address: The J. Paul Getty Museum, 1200 Getty Center Dr, Los Angeles, CA 90049, USA
Nationality of the artist: French
Identifying Marks: In pencil in a later unknown hand on verso of mount: "80.6.21.7" and "Maar #.2"
Place of Manufacture: Paris, France
Exhibition History:
Women On the Edge: Twenty Photographers in Europe, 1919 – 1939, 1993, The J. Paul Getty Museum (Malibu), August 24 to November 28, 1993, Solomon R. Guggenheim Museum (New York), February 24 to May 31, 1994
World Without End (December 1, 2000 to February 25, 2001), Art Gallery of New South Wales (Sydney), December 1, 2000 to February 21, 2001

The Thrill of the Chase: The Wagstaff Collection of Photographs at the J. Paul Getty Museum, The J. Paul Getty Museum at the Getty Center (Los Angeles), March 15 to July 31, 2016, Wadsworth Atheneum (Hartford), September 10 to December 11, 2016, Portland Museum of Art (Portland), February 13 to May 7, 2017
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 pl. 143, p. 134

This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dora Maar, Untitled (Villa for sale), 1936

X74032
Untitled (Villa for sale)

1936
on paper, print
Collage of photographs, gelatin silver prints
unconfirmed: 370 x 285 mm frame: 543 x 450 x 25 mm
David Raymond, Asheville, North Carolina
Provenance:
The Artist;
From whom passed on to ‘Dora Maar’s circle’;
From whom acquired by Galerie Gérard Levy, Paris;
Sale, Photographs, Bonham’s New York, Friday, April 5, 2019, Lot 00055;
Acquired by the current owner, a private collector.
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Nonostante Picasso, Palazzo Fortuny, Venice, March 8-July 14, 2014
Somos Plenamente Libres: las Mujeres Artistas y el Surrealismo, Musee Picasso, Malaga, October 9, 2017-28 January 2018.
Selected Literature:
Dora Maar, Nonostante Picasso, Palazzo Fortuny, exhibition catalogue, Venice, 2014, p.75
Las mujeres artistas y el surrealismo, Nova Era Publications, Barcelona, 2017, pl. 88, p. 227
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dora Maar, Untitled (Sky, pinwheels, and bottles), 1931-6

X74062
Untitled (Sky, pinwheels, and bottles)

1931-6
on paper, print
Photograph, gelatin silver print
unconfirmed: 205 x 183 mm frame: 530 x 430 x 30 mm
The Cleveland Museum of Art, John L. Severance Fund 2007.81
Provenance:
The Artist;
Thence by descent to the estate of the artist;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 87 (one of 9 photographs)
Acquired by Michael Mattis;
From whom acquired by David Raymond, New York by 2002; [2]
From whom acquired by Cleveland Museum of Art through the John F. Severance Fund in 2007
Lender’s address: Cleveland Museum of Art, 11150 East Blvd, Cleveland, OH 44106, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala May 21-July 15, 2002
Dora Maar: Photographer, Dorsky Gallery, Long Island, USA April 25 – June 28, 2004
Forbidden Games: Surrealist and Modernist Photography. The Cleveland Museum of Art (organizer), October 19, 2014-January 11, 2015
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris, p. 66 [titled: Tourniquets decoratifs, dated c. 1930]
Maar, Dora. Dora Maar: Bataille, Picasso et les surreìalistes. [Marseille]: Museìes de Marseille, 2002, p.104, pl.74; mentioned: p.266 Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001, p.340, pl.219; mentioned: p.335
Johnson, Anabella and Marcello Marvelli, Dora Maar: Photographer, Dorsky Gallery, Long Island City, New York, 2004
Cleveland Museum of Art, Tom E. Hinson, Ian Walker, and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography: the David Raymond Collection in the Cleveland Museum of Art. 2014. Reproduced: p.114, no.72; mentioned: p.222 [NB. incorrectly referenced in backmatter as lot 032 in 19 November 1999 estate sale catalogue]
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, pl. 95, p. 106
This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled, 1935-6

X74086
Untitled

1935-6
on paper, print
Collage of photographs, gelatin silver prints, hand-coloured
unconfirmed: 399 x 297 mm mount: 400 x 298 mm frame: 525 x 475 x 30 mm
The Museum of Fine Arts, Houston, Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund, 97.83
Provenance:
The Artist;
from which acquired by Georges Bataille in 1936, d.1962;
by descent to Sylvia Bataille [b. 1908, d. 1993];
from whom acquired by The Collection Marvi, Monaco, August 1990;
from whom acquired by Jill Quasha Gallery (private dealer), New York in 1996;
from whom acquired by the current owner, Museum of Fine Arts, Houston in 1997.
Lender’s address: Museum of Fine Arts, Houston, 1001 Bissonnet St, Houston, TX 77005, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Modernism in a Century of Change: Cubism and the Heroic Years of Abstraction, The Museum of Fine Arts, Houston, October 1997–January 1998
Dora Maar - Pablo Picasso: A Dangerous Liaison, Haus der Kunst, Munich, October 12, 2001–January 13, 2002; La vielle Charite, Marseille, France, February 7–April 30, 2002
Utopia/ Dystopia: Construction and Destruction in Photography and Collage, Museum of Fine Arts, Houston, March 11–June 10, 2012.
Selected Literature:
Caws, Mary Ann, Dora Maar without and without Picasso. A Biography, Thames and Hudson Ltd, London, 2000. Reproduced p. 72
Centre Cultural Bancaixa. Dora Maar, fotógrafa: Centre Cultural Bancaixa, enero marzo 1995. Valencia: Bancaja, 1995, pl. 6
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001, pl. 181
Combalía Dexeus, Victoria and Musées de Marseille. Dora Maar: Bataille, Picasso et les surréalistes. Marseille: Musées de Marseille, 2002, cat. 136
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 130, p.121

This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Study for 29, rue d'Astorg), 1936, printed 1980s

X74119
Untitled (Study for 29, rue d'Astorg)

1936, printed 1980s
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 170 x 120 mm frame: 426 x 326 x 40 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 051 (one of four photographs);
Acquired by the current owner, a private collector
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: PIASA wet stamp DM 1999
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris p. 44, Illustrated p. 45
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Study for 29, rue d'Astorg), c.1936, printed 1980s

X74544
Untitled (Study for 29, rue d'Astorg)

c.1936, printed 1980s
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 100 x 160 mm frame: 400 x 300 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 051 (one of four photographs);
Acquired by the current owner, a private collector

Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: PIASA wet stamp DM 1999
Place of Manufacture: Paris, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris p. 44, Illustrated p. 45
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 119
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Danger), 1936

X74715
Untitled (Danger)

1936
on paper, print
Collage of photographs, gelatin silver prints
unconfirmed: 254 x 190 mm mount: 330.2 x 270 mm frame: 520.7 x 419 x 38 mm
Collection of Nion McEvoy
Provenance:
The artist;
Acquired by Christian Bouqueret, Paris, 2002;
By whom sold to Henry Buhl no later than 2012;
Sale A show of hands: Photographs from the collection of Henry Buhl, Sotheby's New York 12-13 Dec 2012, Lot 11;
Acquired by Shalom Shpliman, Israel;
Sale Collection Shalom Shpilman vendue au profit du Shpilman Institute for Photography, Christie’s Paris 13-20 Nov 2015, Sale 4041 Lot 205;
Acquired by the current owner, Collection of Nion McEvoy
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French

Identifying marks: none
Place of manufacture: France
Exhibition history:
Speaking with Hands: Photographs from The Buhl Collection, Guggenheim Museum, New York, June-September 2004, Guggenheim Museum, Bilbao, November 24 2005 – 26 March 2006, Museum Folkwang, Essen, May 20 – 30 July 2006 and The State Russian Museum, Saint Petersburg, September 21 – 31 October 2006
la mère la mer, McEvoy Foundation for the Arts, San Francisco, 28 October 2017 – 13 January 2018
Dora Maar, Centre Pompidou, Paris, France 05 June – 29 July 2019
Bibliography
Jennifer Blessing, Speaking with Hands: Photographs from The Buhl Collection, Guggenheim Foundation, 2004 pp.117 and 230;
Catalogue for the exhibition "Dora Maar, Picasso et les Surréalistes", Musees de Marseille, Centre de la Vieille Charité, 2002 p.146
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 122, p. 109
This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Pablo Picasso), 1936

X75348
Untitled (Pablo Picasso)

1936
on paper, unique
Pastel on paper
unconfirmed: 575 x 450 mm frame: 825 x 710 x 50 mm
Private Collection of Yann Panier courtesy Galerie Brame et Lorenceau
Provenance:
The Artist;
Collection Jean LOIZE et Robert MICHEL, Paris;
From whom acquired by the current owner, Collection Yann Panier in 1993

Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern

Nationality of the artist: French

Identifying marks: signed by the artist, lower right

Place of manufacture: France

Exhibition History:

Biennale des antiquaires, Galerie Brame et Lorenceau, Paris
Galerie Brame et Lorenceau at Park Avenue Armoy New York, 8-12 November 2012 Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019

Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 157, p.147
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dora Maar, Untitled (Portrait of Pablo Picasso), c. 1936

X75357
Untitled (Portrait of Pablo Picasso)

c. 1936
on paper, unique
Crayon and ink on paper
unconfirmed: 310 x 245 mm frame: 600 x 545 x 60 mm
The Sandor Family Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, lot 93;
Private collection, Paris;
Sale Sotheby's, Impressionist & Modern Art, Paris, Wednesday, June 1, 2011 [Lot 087]
The current owner, the Sandor Family Collection
Lender’s address: Private collection, c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: Signed bottom right, Dora Maar
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999, Hotel Drouot, p. 63
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p.146
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Study for 29, rue d'Astorg), 1936, printed 1980s

X76005
Untitled (Study for 29, rue d'Astorg)

1936, printed 1980s
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 240 x 180 mm frame: 462 x 326 x 40 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 051 (one of four photographs);
By sale to the current owner, a private collector.
Lender’s address: Private collection, c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: PIASA wet stamp "DM 1999"
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris p. 44, Illustrated p. 45
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 p. 118
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Double portrait), c. 1936

X76210
Untitled (Double portrait)

c. 1936
on paper, print
Photograph, gelatin silver print on paper (photomontage)
unconfirmed: 296 x 236 mm frame: 505 x 440 x 25 mm
Private Collection, Canada
Provenance:
The Artist;
From whom passed on to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 130 (one of two photographs);
Acquired by Edwynn Houk Gallery, New York;
From whom acquired by Howard Stein [d. 2011];
By whom donated to the Joy of Giving Something Foundation;
Sale The Odyssey of Collecting: Photographs from the Joy of Giving Something Foundation, 4 April 2017, New York, Lot 141;
Acquired by Edwynn Houk Gallery, New York;
From whom acquired by the current owner, a private collector in 2018
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: "DM 1998" estate stamp on verso
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p. 106, Illustrated p. 107

Caws, Mary Ann, Dora Maar without and without Picasso. A Biography, Thames and Hudson Ltd, London, 2000. Reproduced p. 18
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Pablo Picasso painting "Guernica" in the workshop at Grands Augustins, Paris), 1937

X74258
Untitled (Pablo Picasso painting "Guernica" in the workshop at Grands Augustins, Paris)

1937
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 160 x 240 mm mount: 405 x 530 mm frame: 460 x 585 x 30 mm
MP1998-200 Purchased 1998, previous collection of Dora Maar Musée national Picasso-Paris
Provenance:
The artist;
Thence by descent to the estate of Dora Maar [d. 1997];
Sale Les Picasso de Dora Maar, 27-28 October 1998, Paris, Lot 193 [1]
Acquired by the current owner Musée national Picasso-Paris, as pre-emptive buyer at the above sale
Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French
Identifying Marks:
Place of Manufacture: Paris, France
Exhibition History:

Selected Literature:
Reproduced in London Bulletin N°6, October 1938
[1] Picard Audap Solanet & Associés, Millon & Associés, Les Picasso de Dora Maar, 27 – 28 October 1998, Hotel Drouot, Paris, p. 52
This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Pablo Picasso painting "Guernica" in the workshop at Grands Augustins, Paris), 1937

X74675
Untitled (Pablo Picasso painting "Guernica" in the workshop at Grands Augustins, Paris)

1937
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 207 x 200 mm mount: 530 x 405 mm frame: 585 x 460 x 30 mm
MP1998-279 Purchased 1998, previous collection of Dora Maar Musée national Picasso-Paris
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d. 1997];
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 171 [1]
Acquired by the current owner Musée national Picasso-Paris, as pre-emptive buyer at the above sale
Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French
Identifying Marks:
Place of Manufacture: Paris, France

Exhibition history

Selected literature

[1] Picard Audap Solanet & Associés, Millon & Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p. 145
This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Pablo Picasso on the beach of Juan-les-Pins), 1937

X74720
Untitled (Pablo Picasso on the beach of Juan-les-Pins)

1937
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 368 x 280 mm frame: 390 x 305 x 30 mm
Private Collection
Provenance:
The Artist;

Sale Photographies, Tajan, Paris June 2 2003 Lot 0167;
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Richardson, John et al. Picasso and the Camera, Gagosian Gallery New York, 2014, p. 226
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, mentioned p.189
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dora Maar, Untitled (Pablo Picasso on a stool in front of "Guernica" in the workshop at Grands Augustins, Paris), 1937

X74728
Untitled (Pablo Picasso on a stool in front of "Guernica" in the workshop at Grands Augustins, Paris)

1937
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 205 x 193 mm mount: 530 x 405 mm frame: 585 x 460 x 30 mm
MP1998-222 Purchased 1998, previous collection of Dora Maar Musée national Picasso-Paris
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d. 1997];
Sale Les Picasso de Dora Maar, 27-28 October 1998, Paris, Lot 200;
Acquired by the current owner Musée national Picasso-Paris, as pre-emptive buyer at the above sale
Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French
Identifying Marks:
Place of Manufacture: Paris, France

Exhibition history

Selected literature

[1] Picard Audap Solanet & Associés, Millon & Associés, Les Picasso de Dora Maar, 27 – 28 October 1998, Hotel Drouot, Paris, [titled in French and English : Picasso dans son atelier des grands Augustins sur un Escabeau, Devant Guernica/Picasso in the Grands-Augustins Studio on a stepladder in front of Guernica]
This work has a complete provenance for the period 1933-1945.

Dora Maar, The Conversation, 1937

X76532
The Conversation

1937
painting
Oil paint on canvas
unconfirmed: 1620 x 1300 mm unconfirmed, frame: 1785 x 1462 x 70 mm
Fundación Almine and Bernard Ruiz-Picasso para el Arte, Madrid
Provenance:
The artist;
Thence by descent to the estate of Dora Maar [d. 1997];
Private Collection, Paris; [1]
Sale Tableaux, Sculptures XIXème, Modernes & Contemporains, Martin & Chausselat, Paris Sunday January 27 2008 Lot 063
Acquired by the current owner, Fundación Almine y Bernard Ruiz-Picasso para el Arte, Madrid

Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: label on verso inscribed with "Dora Maar, la conversation, Janvier 1937"
Place of Manufacture: France

Exhibition History
Picasso and the Camera, Gagosian Gallery, New York Oct 28 2014 – Jan 03 2015
Las mujeres artistas y el surrealismo, Fundacion Museo Picasso Malaga, Oct 10 2017 - Jan 28 2018
Selected Literature

[1] Martin & Chausselat, Tableaux, Sculptures XIXème, Modernes & Contemporains, 27 January 2008, Paris, p. 34
Richardson, John et al. Picasso and the Camera, Gagosian Gallery New York, 2014, p. 237
Las mujeres artistas y el surrealismo, Nova Era Publications, Barcelona, 2017, pl. 12, p. 69
This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Dolores Miró), c.1938

X74721
Untitled (Dolores Miró)

c.1938
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 240 x 180 mm frame: 530 x 405 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar [d.1997];
Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 148;
Acquired by Gerd Sander;
Sale Collection of Corbeau et Renard Assembled by Gerd Sander, Phillips de Pury & Company, London, May 17, 2008, lot 153;
Acquired by Deborah Bell Photographs;
From whom acquired by J. Paul Getty Museum in 2015
Lender’s address: J. Paul Getty Museum, 1200 Getty Center Dr, Los Angeles, CA 90049, USA
Nationality of the artist: French
Identifying Marks: none

Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Picard Audap Solanet & Associés, Millon & Associés, Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Hotel Drouot, Paris, p.120
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled (Nude), 1930s

X73918
Untitled (Nude)

1930s
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 300 x 240 mm frame: 640 x 560 x 40 mm
Collection Serge Bramly
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale "Les Photographies de Dora Maar, une dernière recontre", 19 November 1999, Paris, Lot 011
Likely acquired by Galerie Virginia Zabriskie;
From whom acquired by the current owner, a private collector in 1999;
Bought in at Sotheby’s sale "Photographs", 19 May 2016, London, Lot 035
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: Estate stamp "DM 1999"
Place of Manufacture: Paris, France
Exhibition History:
Galerie Michèle Chomette, Paris 1999
Dora Maar, Haus der Kunst, October 13, 2001-January 6, 2002; Centre d’Art Tecla Sala (May 21-July 15, 2002)
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris, p. 18, Illustrated p. 17
Combalia, Victoria and Gaßner, Huberstus Dora Maar, Haus der Kunst, Munich, 2001 pl. 153
This work has a complete provenance for the period 1933 – 1945.

Dora Maar, Untitled (Nude), 1930s

X73919
Untitled (Nude)

1930s
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 290 x 207 mm frame: 550 x 447 x 20 mm
Courtesy Bruce Silverstein Gallery, New York
Provenance:
The Artist;

From whom acquired by Galerie Dominique Weitz;
From whom acquired by Bruce Silverstein Gallery, 2012.
Lender’s address: Private Collection, c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: None
Place of Manufacture: Paris, France
Exhibition History:
The Photography Show, Bruce Silverstein, New York 4-7 April, 2019
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Dora Maar, Untitled (Series of portraits of Dora Maar), c. 1939

X76815
Untitled (Series of portraits of Dora Maar)

c. 1939
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 290 x 230 mm mount: 530 x 405 mm frame: 585 x 460 x 30 mm
APPH1383 Succession Picasso, 1992 Musée national Picasso-Paris
Provenance:
The Artist;
Thence by descent to the Estate of Pablo Picasso [d.1973];
By whom donated to the current owner, Musée Picasso, in 1991

Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French
Identifying Marks:
Place of Manufacture: Paris, France

Exhibition history

Selected literature

This work has a complete provenance for the period 1933-1945.

Dora Maar, Portrait of a Woman, 1939

X77565
Portrait of a Woman

1939
painting
Oil paint on wood
unconfirmed: 850 x 680 mm unconfirmed, frame: 1080 x 911 x 94 mm
Fundación Almine and Bernard Ruiz-Picasso para el Arte, Madrid
Provenance:
The artist;
Thence by descent to the estate of Pablo Picasso [d. 1973];
The current owner, Fundación Almine y Bernard Ruiz-Picasso para el Arte, Madrid

Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern

Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Royan, France

Exhibition History
Picasso and the Camera, Gagosian Gallery, New York Oct 28 2014 – Jan 03 2015

Las mujeres artistas y el surrealismo, Fundacion Museo Picasso Malaga, Oct 10 2017 - Jan 28 2018
Selected Literature

Richardson, John et al. Picasso and the Camera, Gagosian Gallery New York, 2014, p. 247
Las mujeres artistas y el surrealismo, Nova Era Publications, Barcelona, 2017, pl. 111, p. 275
This work has a complete provenance for the period 1933-1945.

Dora Maar, The Cage, 1943

X75349
The Cage

1943
painting
Oil paint on canvas
unconfirmed: 680 x 480 mm frame: 1275 x 1090 x 60 mm
Private Collection of Yann Panier courtesy Galerie Brame et Lorenceau
Provenance:
The Artist;
From whom acquired by Galerie Jeanne Bucher in 1944;
From whom acquired by Pierre Gastaud (b. 1920 – d.2009);
Thence by descent to the estate Pierre Gastaud;
Sale "Impressionist/Modern Art & Picasso Ceramics, Christie’s London 7 February 2014, Lot 055
From whom acquired by the current owner, Collection Yann Panier
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: Signé et daté au dos
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Vera Pagava, Galerie Jeanne Bucher, Paris, June 13–30 1944
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 172, p.165
This work has a complete provenance for the period 1933-1945.

Dora Maar, Untitled (Self-portrait), c.1945

X74696
Untitled (Self-portrait)

c.1945
painting
Oil paint and paper on board
unconfirmed: 305 x 183 mm frame: 705 x 570 x 55 mm
From the Gary and Melissa Oakland Colelction, Billings, MT USA
Provenance:
The Artist;
From whom gifted to the Docteur Baron, Paris (Baron is believed to be the artist's eye doctor at Hôpital Sainte-Anne, Paris around 1945);
Private Collection, France;
Sale Auktionshaus Lempertz, Cologne, at sale titled ‘Modern Art’ on 1 December 2017, Lot 436;
From whom acquired by Galerie Michael, Beverly Hills;
Acquired by the current owner, a Private Collection, in March 2018
Lender’s address: Private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: Signed and dedicated 'Pour le Docteur/Baron/avec l'amitié Dora Maar' in blue pen lower left
India ink and gouache painting verso. The card is embossed diagonally with 'MARCEL ROCHAS PARIS'
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 170, p.163
This work has a complete provenance for the period 1933-45.

Dora Maar, Untitled, c. 1957

X75918
Untitled

c. 1957
on paper, print
Ink on paper
unconfirmed: 240 x 320 mm frame: 353 x 460 x 30 mm
Collection Laura Pecheur
Provenance:
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d. 1997];
Sold as part of a lot within Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999, either lot 119, 125, 126, 129, or 130;
Acquired by the current owner, a private collector.
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 170, p.163
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot, mentioned p. 66-67 (not illustrated) This work has a complete provenance for the period 1933-45.
This work has a complete provenance for the period 1933-45.
 

Dora Maar, Untitled, c. 1957

X75919
Untitled

c. 1957
on paper, print
Ink on paper
unconfirmed: 240 x 320 mm frame: 380 x 460 x 30 mm
Collection Laura Pecheur
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d. 1997];
Sold as part of a lot within Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999, either lot 119, 125, 126, 129, or 130;
Acquired by the current owner, a private collector.
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 170, p.163
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot, mentioned p. 66-67 (not illustrated)
This work was made after the operative period 1933-45.
 

Dora Maar, The rain, 1957

X75923
The rain

[La Pluie] 1957
on paper, print
Ink on paper
unconfirmed: 240 x 318 mm frame: 380 x 458 x 30 mm
Collection Laura Pecheur
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d. 1997];
Sold as part of a lot within Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999, either lot 119, 125, 126, 129, or 130;
Acquired by the current owner, a private collector.
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 170, p.163
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot, mentioned p. 66-67 (not illustrated)
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1957

X75924
Untitled

c. 1957
on paper, print
Ink on paper
unconfirmed: 240 x 318 mm frame: 380 x 458 x 30 mm
Collection Laura Pecheur
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d. 1997];
Sold as part of a lot within Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999, either lot 119, 125, 126, 129, or 130;
Acquired by the current owner, a private collector.
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 170, p.163
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot, mentioned p. 66-67 (not illustrated)
This work was made after the operative period 1933-45.

Dora Maar, Untitled (Landscape), c. 1960

X78010
Untitled (Landscape)

c. 1960
on paper, unique
Oil paint on board
unconfirmed: 85 x 120 mm frame: 351 x 433 x 40 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet & Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1960

X78011
Untitled

c. 1960
on paper, unique
Oil paint on board
unconfirmed: 85 x 120 mm frame: 351 x 433 x 40 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet & Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1960

X78012
Untitled

c. 1960
on paper, unique
Oil paint on board
unconfirmed: 100 x 192 mm frame: 351 x 433 x 40 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1960

X78013
Untitled

c. 1960
on paper, unique
Oil paint on board
unconfirmed: 85 x 150 mm frame: 351 x 433 x 40 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1960

X78014
Untitled

c. 1960
on paper, unique
Oil paint on board
unconfirmed: 105 x 170 mm frame: 351 x 433 x 40 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1960

X78015
Untitled

c. 1960
on paper, unique
Oil paint on board
unconfirmed: 90 x 125 mm frame: 351 x 433 x 40 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1960

X78016
Untitled

c. 1960
on paper, unique
Oil paint on board
unconfirmed: 130 x 190 mm frame: 351 x 433 x 40 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1960

X78017
Untitled

c. 1960
on paper, unique
Oil paint on board
unconfirmed: 155 x 240 mm frame: 351 x 433 x 40 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1970

X78018
Untitled

c. 1970
on paper, unique
Watercolour on paper
unconfirmed: 150 x 240 mm frame: 353 x 293 x 40 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet & Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1970

X78019
Untitled

c. 1970
on paper, unique
Watercolour on paper
unconfirmed: 130 x 185 mm frame: 353 x 293 x 40 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1970

X78020
Untitled

c. 1970
on paper, unique
Watercolour on paper
unconfirmed: 150 x 120 mm frame: 353 x 293 x 40 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1970s

X78175
Untitled

c. 1970s
on paper, unique
Oil monotype on paper
unconfirmed: 210 x 260 mm unconfirmed, frame: 350 x 400 x 300 mm
Collection Laura Pecheur
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d. 1997];
Sold as part of a lot within Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999, either lot 119, 125, 126, 129, or 130;
Acquired by the current owner, a private collector.
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 170, p.163
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot, mentioned p. 66-67 (not illustrated)
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1970s

X78176
Untitled

c. 1970s
on paper, unique
Oil monotype on paper
unconfirmed: 210 x 260 mm unconfirmed, frame: 350 x 400 x 30 mm
Collection Laura Pecheur
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d. 1997];
Sold as part of a lot within Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999, either lot 119, 125, 126, 129, or 130;
Acquired by the current owner, a private collector.
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019
Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, plate 170, p.163
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot, mentionned p. 66-67 (not illustrated)

This work was made after the operative period 1933-45.

Dora Maar, Untitled (Abstract composition), 1970s

X78022
Untitled (Abstract composition)

1970s
on paper, unique
Oil monotype on paper
unconfirmed: 210 x 270 mm frame: 353 x 433 x 40 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar, Untitled (Abstract composition), 1970s

X78023
Untitled (Abstract composition)

1970s
on paper, unique
Oil monotype on paper
unconfirmed: 210 x 270 mm frame: 353 x 433 x 30 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar, Untitled (Abstract composition), 1970s

X78024
Untitled (Abstract composition)

1970s
on paper, unique
Oil monotype on paper
unconfirmed: 210 x 270 mm frame: 353 x 433 x 40 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c.1980

X74136
Untitled

c.1980
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 300 x 237 mm frame: 462.5 x 355 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar [d. 1997];
Sale 2017 through Galerie Michèle Chomette to the current owner, J. Paul Getty Museum
Lender’s address: J. Paul Getty Museum, 1200 Getty Center Drive, Los Angeles, CA 90049-1679, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019

Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, pl. 189, p. 177
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c.1980

X74137
Untitled

c.1980
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 235 x 174 mm frame: 530 x 405 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar [d. 1997];
Sale 2017 through Galerie Michèle Chomette to the current owner, J. Paul Getty Museum
Lender’s address: J. Paul Getty Museum, 1200 Getty Center Drive, Los Angeles, CA 90049-1679, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019

Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, pl. 187, p. 176
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c.1980

X74144
Untitled

c.1980
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 235 x 300 mm frame: 482.5 x 355 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar [d. 1997];
Sale 2017 through Galerie Michèle Chomette to the current owner, J. Paul Getty Museum
Lender’s address: J. Paul Getty Museum, 1200 Getty Center Drive, Los Angeles, CA 90049-1679, USA
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019

Selected Literature:
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019, pl. 182, p. 172
This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1980

X76446
Untitled

c. 1980
on paper, print
Gelatin silver print on paper
unconfirmed: 240 x 180 mm frame: 350 x 293 x 40 mm
Archives Dora Maar, courtesy ADD & Associés
Provenance:
The Artist;
Thence by descent to the heirs of Dora Maar [d. 1997];
ADD Associés, as representatives of the heirs of Dora Maar, by 1998

Lender’s address: Private collection, c/o Matthew Gale, Head of Displays Tate Modern

Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History:

Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected literature:

This work was made after the operative period 1933-45.

Dora Maar, Untitled, c. 1980

X78021
Untitled

c. 1980
on paper, unique
Watercolour on paper
unconfirmed: 170 x 125 mm frame: 353 x 293 x 40 mm
Dominique de Roquemaurel Galitzine
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d.1997];
As part of a lot within the Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 26-27 May 1999
Acquired by the current owner, a private collector
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Ménerbes, France
Exhibition History: Dora Maar, Centre Pompidou, Paris, 5 June – 29 July 2019

Selected Literature:
Sale Picard Audap Solanet and Associés, J.J. Mathias, Derniers souvenirs de Dora Maar, 27 May 1999, Hotel Drouot
This work was made after the operative period 1933-45.

Dora Maar
(1907-1997, born: Paris, died: Ménerbes)
Pablo Picasso
(1881-1973, born: Málaga, died: Mougins)

Dora Maar and Pablo Picasso, Portrait of Dora Maar, in profile, 1st state, 1936-7

X74227
Portrait of Dora Maar, in profile, 1st state

1936-7
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 300 x 237 mm mount: 530 x 405 mm frame: 585 x 460 x 30 mm
MP1998-323 Previous collection of Dora Maar, accepted in lieu of inheritance tax, 1998 Musée national Picasso-Paris
Provenance:
The artist;
Thence by descent to the estate of Dora Maar [d. 1997];
Bought in Sale Les Picasso de Dora Maar, 27-28 October 1998, Paris, Lot ‘D’ [1]
Accepted in lieu of inheritance tax by the state;
The current owner Musée national Picasso-Paris

Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French
Identifying Marks:
Place of Manufacture: Paris, France

Exhibition History:

Selected Literature
[1] Picard Audap Solanet & Associés, Millon & Associés, Les Picasso de Dora Maar, 27 – 28 October 1998, Hotel Drouot, Paris, p. 97
This work has a complete provenance for the period 1933-1945.

Dora Maar and Pablo Picasso, Portrait of Dora Maar, in profile, 6th state, 1936-7

X74228
Portrait of Dora Maar, in profile, 6th state

1936-7
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 300 x 240 mm mount: 530 x 405 mm frame: 580 x 460 x 30 mm
MP1998-319 Previous collection of Dora Maar, accepted in lieu of inheritance tax, 1998 Musée national Picasso-Paris
Provenance:
The artist, Dora Maar, until her death in 1997;
Accepted in lieu of inheritance tax by the state;
The current owner Musée Picasso

Lender’s address: 5 Rue de Thorigny, 75003 Paris, France
Nationality of the artist: French and Spanish
Identifying Marks:
Place of Manufacture: Paris, France
Exhibition History:

Picasso and the Camera, Gagosian Gallery, New York Oct 28 2014 – Jan 03 2015
Selected literature:
Richardson, John et al. Picasso and the Camera, Gagosian Gallery New York, 2014, p. 253
Amao, Damarice, Amanda Maddox and Karolina Ziebinksa-Lewandowska (eds.) Dora Maar, The J. Paul Getty Museum, Los Angeles and Tate Publishing, London, 2019 pl. 160, p. 149

This work has a complete provenance for the period 1933-1945.

Jean Moral
(1906-1999, born: Marchiennes)

Jean Moral, Untitled (Dora Maar), 1934

X74202
Untitled (Dora Maar)

1934
on paper, print
Photograph, gelatin silver print on paper
image: 190 x 140 mm frame: 410 x 355 x 200 mm
Private Collection
Provenance:
The Artist;
Thence by descent to the estate of Dora Maar;
Sale Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Paris, Lot 081 (one of eight photographs);
Acquired by the current owner, a private collector.
Lender’s address: Private Collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected Literature:
Picard Audap Solanet and Associés, Millon and Associés, Le Photographies de Dora Maar, une dernière recontre, 19 November 1999, Hotel Drouot, Paris, p.65
This work has a complete provenance for the period 1933-45.

Irving Penn
(1917-2009, born: Plainfield, died: Manhattan Island)

Irving Penn, Dora Maar, 1948, printed 2019

X77433
Dora Maar

1948, printed 2019
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 254 x 203 mm frame: 356 x 350 x 38 mm
Courtesy of The Irving Penn Foundation via Pace/MacGill Gallery
Provenance:

Provenance:
This is a contemporary print from an original negative. It has been printed by the Foundation representing the artist.
Lender’s address: The Irving Penn Foundation, New York

Nationality of the artist: American
Place of Manufacture: New York, USA

Pablo Picasso
(1881-1973, born: Málaga, died: Mougins)

Pablo Picasso, Portrait of Dora Maar with bun II, 1936

X74673
Portrait of Dora Maar with bun II

1936
on paper, unique
Drypoint on paper
unconfirmed: 449 x 343 mm
MP1990-120 Previous collection of Jacqueline Picasso, accepted in lieu of inheritance tax, 1990 Musée national Picasso-Paris
Provenance:
The artist [b.1881, d.1973];
Thence by descent to Jacqueline Picasso [b.1927, d.1986];
Accepted in lieu of inheritance tax by the current owner Musée national Picasso-Paris, in 1990

Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French
Identifying Marks:
Place of Manufacture: Paris, France
Exhibition history

Masterpieces from the Musée national Picasso, Paris: Seattle Art Museum, 08 Oct 2010-17 Jan 2011, Virginia Museum of Fine Arts, 19 Feb 2011-15 May 2011, Fine Arts Museums of San Francisco, 11 June 2011-11 Oct 2011, Art Gallery of New South Wales, 12 Nov 2011-25 Mar 2012, Art Gallery of Ontario, 23 April 2012-02 Sept 2012, Palazzo Reale, 19 Sept 2012-27 Jan 2013
Face à Picasso (Picasso-Méditerranée): Musée Mohammed VI, d'art moderne et contemporain, 18 April 2017-31 July 2017
Selected Literature

REGNIER, Gérard (dir.) [Exhibition Paris, Grand Palais. 1990-1991]. Picasso, une nouvelle dation. Catalogue d'exposition. Réunion des musées nationaux, 1990, p.254
BALDASSARI, Anne (dir.) [Exhibition Seattle, Seattle Art Museum, 2010-2011] Picasso : masterpieces from the Musée National Picasso, Paris. Catalogue d'exposition. Paris, Skira/Flammarion, RMN, 2010 p. 158

This work has a complete provenance for the period 1933-1945.

Pablo Picasso, Portrait of Dora Maar, forward facing, at Chateau de Boisgeloup, Gisors, in March 1936, 1936

X77561
Portrait of Dora Maar, forward facing, at Chateau de Boisgeloup, Gisors, in March 1936

1936
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 240 x 180 mm mount: 530 x 405 mm frame: 585 x 460 x 30 mm
APPH13880 Succession Picasso, 1992 Musée national Picasso-Paris
Provenance:
The artist;
Thence by descent to the Estate of Pablo Picasso [d.1973];
Donated by the Estate to current owner Musée national Picasso-Paris in 1992
Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French
Identifying Marks:
Place of Manufacture: Paris, France

Exhibition history

Selected literature

This work has a complete provenance for the period 1933-1945.

Pablo Picasso, Portrait of Dora Maar, 1937

X74240
Portrait of Dora Maar

1937
painting
Oil paint on canvas
unconfirmed: 553 x 463 mm frame: 810 x 660 x 90 mm
MP166 Previous collection of Pablo Picasso, accepted in lieu of inheritance tax, 1979 Musée national Picasso-Paris
Provenance:
The artist;
Given in lieu of Inheritance tax to Galeries nationales du Grand Palais by 1979, after the artist's death in 1973;
The current owner, Musée national Picasso-Paris, as part of the wider French cultural body Réunion des Musées Nationaux – Grand Palais;
Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French
Identifying Marks:
Place of Manufacture: Paris, France
Exhibition History:
Picasso. Oeuvres reçues en paiement des droits de succession, Galeries nationales du Grand Palais, France, Paris 11 Oct 1979-07 Jan 1980
Picasso 1881-1973. Exposicion antologica. Museo espagnol de arte contemporaneo, Spain Nov 1981- Dec 1981
Los Picassos de Picasso en Mexico. Una exposicion retrospectiva. Museo Tamayo, Mexico Nov 198 - Jan 1983
Picasso : Pékin National Art Museum of China, 02 May 1983-20 May 1983 and Shanghai Art Museum, 30 May 1983- 30 June 1983
The artist before nature : Auckland (Nouvelle-Zélande), Auckland Art Gallery Toi o Tamaki, 20 Sept 1989-12 Nov 1989
Picasso and the weeping woman : The Museum of Modern Art, New York 10 Feb 1994-01 May 1994 and Los Angeles County Museum of Art, 10 Feb 1994-01 May 1994
Picasso : Dora Maar 1935-1945 National Gallery of Victoria, Melbourne 28 Jun 2006-08 Oct 2006
Picasso Masterpieces from the Musée national Picasso, Paris Pavillon chinois de l'exposition universelle, Shanghai 18 Oct 2011-10 Jan 2012
Picasso.Mania Etablissement public de la Réunion des musées nationaux et du Grand Palais des Champs-Elysées, Paris 07 Oct 2015-29 Feb 2016
Picasso drawings inspiration : Jérusalem (Israël), The Israël Museum, 05 Jul 2016-19 Nov 2016
Selected Literature:
BOZO, Dominique (dir.), [Exposition. Paris, Grand Palais. 1979-1980]. Picasso : oeuvres reçues en paiement des droits de succession, Grand-Palais : 11 Oct 1979-7 Jan 1980. - Paris : Editions de la Réunion des musées nationaux , 1979. - 325 p. - Bibliogr. p. 322-325. illustrated p.184
DUPUIS-LABBE, Dominique, MICHEL, Odile, REGNIER, Gérard, SPIES, Werner, ... [Exposition. Berlin. Neue Nationalgalerie. 2005-2006]. Der private Picasso: le Musée Picasso à Berlin. Catalogue d'exposition. München Berlin London New York: Prestel, 2005, illustrated p.183
[Exposition. Paris, Musée Picasso. 2006]. Picasso-Dora Maar : il faisait tellement noir : [exposition], Paris, Musée Picasso, 14 février-22 mai 2006, Melbourne, National gallery of Victoria, 29 juin-8 octobre 2006. Réd. Anne Baldassari. - Paris : Flammarion : Réunion des musées nationaux, impr. 2006. - 1 vol. (317 p.): illustrated p.207
[Exposition. Paris, Musée national Picasso, 2008] Laboratoire Central: un accrochage de la collection. Catalogue d'exposition. Paris, Magazine Beaux-Art, Musée Picasso, 2008 illustrated p.48
[Exposition. Jerusalem, The Israel Museum. 2016]. Pablo Picasso: Drawing inspiration [exhibition, Jerusalem, The Israel Museum, July-November 2016] / Curated by Tanya Sirakovich. The Israel Museum, 2016. illustated p.104;43
This work has a complete provenance for the period 1933-1945.

Pablo Picasso, Portrait of Dora Maar in profile, 1937

X74241
Portrait of Dora Maar in profile

1937
on paper, print
Dry point on paper
unconfirmed: 177 x 125 mm mount: 530 x 405 mm frame: 585 x 460 x 30 mm
MP1998-310 Previous collection of Dora Maar, accepted in lieu of inheritance tax, 1998 Musée national Picasso-Paris
Provenance:
The artist;
Bought in Sale Le Photographies de Dora Maar, une historie des ɶuvres, 20 November 1998, Paris, Lot 002 [1]
Accepted in lieu of inheritance tax by the state;
The current owner Musée national Picasso-Paris

Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French
Identifying Marks:
Place of Manufacture: Paris, France
Exhibition History:

Selected Literature:

Picard Audap Solanet & Associes, Millon & Associes, Les Picasso de Dora Maar, 27-28 October 1998, Hotel Drouot, Paris, p. 20, Illustrated p. 21

This work has a complete provenance for the period 1933-1945.

Pablo Picasso, Portrait of Dora Maar, forward facing, 1936-7

X77563
Portrait of Dora Maar, forward facing

[Portrait de Dora Maar, de face] 1936-7
on paper, print
Cliché verre
unconfirmed: 300 x 240 mm
MP1998-320 Previous collection of Dora Maar, accepted in lieu of inheritance tax, 1998 Musée national Picasso-Paris Musée national Picasso-Paris
Provenance:
The Artist;
In the possession of Dora Maar, until her death in 1997;
Accepted in lieu of inheritance tax by the current owner, Musée national Picasso-Paris in 1998
Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French
Identifying Marks:
Place of Manufacture: Paris, France

Exhibition history

Selected literature

This work has a complete provenance for the period 1933-1945.

Pablo Picasso
(1881-1973, born: Málaga, died: Mougins)
Dora Maar
(1907-1997, born: Paris, died: Ménerbes)

Pablo Picasso and Dora Maar, Portrait of Dora Maar, forward facing, 3rd state, 1936-7

X77560
Portrait of Dora Maar, forward facing, 3rd state

1936-7
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 300 x 240 mm mount: 530 x 405 mm frame: 585 x 460 x 30 mm
MP1998-332 Previous collection of Dora Maar, accepted in lieu of inheritance tax, 1998 Musée national Picasso-Paris Musée national Picasso-Paris
Provenance:
The artist, Dora Maar, until her death in 1997;
Accepted in lieu of inheritance tax by the state;
The current owner Musée national Picasso-Paris

Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French and Spanish
Identifying Marks:
Place of Manufacture: Paris, France

Exhibition history

Selected literature

This work has a complete provenance for the period 1933-1945.

Pablo Picasso and Dora Maar, Portrait of Dora Maar, in profile, 7th state, 1936-7

X77562
Portrait of Dora Maar, in profile, 7th state

1936-7
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 300 x 240 mm frame: 585 x 460 x 30 mm
MP1987-145 Purchased, 1987 Musée national Picasso-Paris
Provenance:
The Artists;
...
Collection of André Du Bouchet [b.1924, d.2001];
From whom purchased by the current owner, Musée Picasso, in 1987

Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artists: French and Spanish
Identifying Marks:
Place of Manufacture: Paris, France

Exhibition history

Selected literature
This work has an incomplete provenance for the period 1933-45, but consultation of appropriate sources give no indication of unlawful taking.

Unknown maker

Unknown maker, Untitled (Dora Maar), c. 1925

X76440
Untitled (Dora Maar)

c. 1925
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 60 x 90 mm frame: 413 x 313 x 40 mm
Archives Dora Maar, courtesy ADD & Associés
Provenance:
In the possession of the Artist until her death in 1997;
Thence by descent to the heirs of Dora Maar;
ADD Associés, as representatives of the heirs of Dora Maar, by 1998

Lender’s address: Private collection, c/o Matthew Gale, Head of Displays Tate Modern

Nationality of the artist: French
Identifying Marks: none
Place of Manufacture:unknown
Exhibition History:

Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected literature:

This work has a complete provenance for the period 1933-1945.

Unknown maker, Untitled (Dora Maar), 1925

X76441
Untitled (Dora Maar)

1925
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 90 x 130 mm frame: 413 x 313 x 40 mm
Archives Dora Maar, courtesy ADD & Associés
Provenance:
In the possession of the Artist until her death in 1997;
Thence by descent to the heirs of Dora Maar;
ADD Associés, as representatives of the heirs of Dora Maar, by 1998

Lender’s address: Private collection, c/o Matthew Gale, Head of Displays Tate Modern

Nationality of the artist: French
Identifying Marks:
Place of Manufacture:
Exhibition History:

Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected literature:


This work has a complete provenance for the period 1933-1945.

Unknown maker, Untitled (Reproduction of a 1900s photograph by C. Bonfort), c.1935

X76444
Untitled (Reproduction of a 1900s photograph by C. Bonfort)

c.1935
on paper, print
Photograph, gelatin silver print on paper
unconfirmed: 120 x 90 mm frame: 425 x 325 x 30 mm
Archives Dora Maar, courtesy ADD & Associés
Provenance:
Maker unknown;
Collected by the artist Dora Maar;
In the possession of the Artist until her death in 1997;
Thence by descent to the heirs of Dora Maar;
ADD Associés, as representatives of the heirs of Dora Maar, by 1998

Lender’s address: Private collection, c/o Matthew Gale, Head of Displays Tate Modern

Nationality of the artist: French
Identifying Marks:
Place of Manufacture:
Exhibition History:
Dora Maar, Centre Pompidou, Paris, France 05 June 2019 – 29 July 2019
Selected literature:

This work has a complete provenance for the period 1933-1945.

Unknown maker, Untitled (Dora Maar), c. 1935

X76626
Untitled (Dora Maar)

c. 1935
on paper, print
Photograph, gelatin silver print on paper. Verso: Graphite on paper
unconfirmed: 180 x 120 mm
MP1998-147(v) Purchased in 1998, previous collection of Dora Maar Musée national Picasso-Paris
Provenance:
The artist;
Thence by descent to the Estate of Dora Maar [d. 1997];
Acquired by the current owner, Musée national Picasso-Paris, as pre-emptive buyer before the Dora Maar estate sales of October-December 1998
Lender’s address: 5 Rue de Thorigny, 75003 Paris, France

Nationality of the artist: French
Identifying Marks: none
Place of Manufacture: Paris, France

Exhibition History:
Selected Literature:
This work has a complete provenance for the period 1933-1945.

Dóra Maurer

Tate Modern (London, UK) from 05 Aug 2019 until 05 Jul 2020.

Dóra Maurer
(born 1937, born: Budapest)

Dóra Maurer, What can one do with a paving stone?, 1971

X74276
What can one do with a paving stone?

1971
on paper, print
Photographs, gelatin silver prints mounted on canvas
unconfirmed: 445 x 1520 mm unconfirmed, frame: 470 x 1550 x 30 mm
Vintage Galéria
Provenance:
The artist through Vintage Galéria; Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer: Traces 1970-1980, Dominik Art Projects Foundation, Krakow 2011
Dóra Maurer: Fotómunkák/Photoworks 1971-1993, exhibition catalogue, Vintage Galéria, Budapest 2007
This work was completed after the operative period 1933-45.

Dóra Maurer, KV's 1st of May Parade on Artificial Ground, 1971

X75343
KV's 1st of May Parade on Artificial Ground

1971
on paper, unique
Photographs, silver gelatin prints mounted on canvas
unconfirmed: 185 x 1765 mm unconfirmed, frame: 210 x 1790 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: Traces 1970-1980, Dominik Art Projects Foundation, Krakow 2011
Printing / Leaving Traces – The Graphic Oeuvre of Dóra Maurer 1957–1981, exhibition catalogue, Hungarian University of Fine Art, Budapest 2017

This work was completed after the operative period 1933-45.

Dóra Maurer, Reversible & Changeable Phases of Movements No. 2, 1972

X74277
Reversible & Changeable Phases of Movements No. 2

1972
on paper, unique
Photographs, gelatin silver prints mounted on canvas
unconfirmed: 770 x 1030 mm unconfirmed, frame: 795 x 1050 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria; Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer: Traces 1970-1980, Dominik Art Projects Foundation, Krakow 2011
Dóra Maurer: Fotómunkák/Photoworks 1971-1993, exhibition catalogue, Vintage Galéria, Budapest 2007
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, Reversible & Changeable Phases of Movements No. 6, 1972

X74278
Reversible & Changeable Phases of Movements No. 6

1972
on paper, unique
Photographs, gelatin silver prints mounted on canvas
unconfirmed: 1000 x 700 mm unconfirmed, frame: 1020 x 720 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: 6 out of 5, exhibition catalogue, White Cube, London 2016
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer: Fotómunkák/Photoworks 1971-1993, exhibition catalogue, Vintage Galéria, Budapest 2007
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, Schautafel 4, 1972

X74279
Schautafel 4

1972
relief
Acrylic, ink, wood and graphite on board
unconfirmed: 910 x 630 mm
Private Collection
Provenance:
The artist;
Purchased from the above through Vintage Galéria by a private collector, Budapest, 2004
Lender’s address: private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was produced after the operative period 1933-45

Dóra Maurer, 5 out of 4, 1975

X74286
5 out of 4

1975
on paper, unique
5 works on paper, tempera
unconfirmed, each: 470 x 385 mm unconfirmed, frame: 480 x 395 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History: Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, (De)Formation 2-2, 1976

X74287
(De)Formation 2-2

1976
painting
Drypoint on canvas
unconfirmed: 1100 x 830 mm
Vintage Galéria
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Maurer Gáyor, exhibition catalogue, Az István király Múzeum közleményei, Székesfehérvár 1976

This work was completed after the operative period 1933-45.

Dóra Maurer, (De)Formation 2-1, 1976

X74288
(De)Formation 2-1

1976
painting
Drypoint on canvas
unconfirmed: 830 x 830 mm
Vintage Galéria
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Maurer Gáyor, exhibition catalogue, Az István király Múzeum közleményei, Székesfehérvár 1976

This work was completed after the operative period 1933-45.

Dóra Maurer, Hidden Structures 1, 1979

X74275
Hidden Structures 1

1979
on paper, unique
Graphite on paper
unconfirmed, each: 650 x 500 mm unconfirmed, frame: 700 x 550 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Printing / Leaving Traces – The Graphic Oeuvre of Dóra Maurer 1957–1981, exhibition catalogue, Hungarian University of Fine Art, Budapest 2017
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was completed after the operative period 1933-45.

Dóra Maurer, 5 out of 4, 1979

X74280
5 out of 4

1979
painting
Acrylic on wood
unconfirmed: 1900 x 2400 mm
Private collection
Provenance:
Purchased from the above through Vintage Galéria by a private collector, Budapest, 2003
Lender’s address: private collection c/o Matthew Gale, Head of Displays, Tate Modern
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer: Traces 1970-1980, Dominik Art Projects Foundation, Krakow 2011
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was produced after the operative period 1933-45.

Dóra Maurer, Sluices with Paper-Pulp, 1981

X74285
Sluices with Paper-Pulp

1981
relief
Paper, wood, glass
unconfirmed: 890 x 590 x 90 mm
Vintage Galéria
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary
Partial Exhibition History:
1984 Ernst Museum, Budapest
2001 Museum of Art, Győr
2008 Ludwig Museum, Budapest
This work was completed after the operative period 1933-45.

Dóra Maurer, Projected Quasi Image, 1988

X74283
Projected Quasi Image

1988
painting
3 paintings, acrylic on wood
unconfirmed, each: 1630 x 1300 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, Space Painting, 1984-1996

X74281
Space Painting

1984-1996
on paper, unique
Photographs, gelatin silver prints, gouache
unconfirmed, each: 1000 x 700 mm unconfirmed, frame: 1020 x 720 x 30 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History: Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was completed after the operative period 1933-45.

Dóra Maurer, Poplar, 1996

X74282
Poplar

1996
painting
Acrylic on wood
unconfirmed: 4400 x 950 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014

This work was completed after the operative period 1933-45.

Dóra Maurer, Relative Quasi Image 1, 1996

X74284
Relative Quasi Image 1

1996
painting
5 paintings, acrylic on canvas and wood
unconfirmed, each: 1000 x 1000 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:
Parallel Oeuvres, Maurer – Gáyor, exhibition catalogue, Városi Művészeti Múzeum, Győr 2002
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008

This work was completed after the operative period 1933-45.

Dóra Maurer, Overlappings 38, 2007

X74289
Overlappings 38

2007
painting
Acrylic on canvas and wood
unconfirmed: 910 x 2400 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary

Partial Publication History:Dóra Maurer: Snapshots, exhibition catalogue, Museum Ritter Marli Hoppe-Ritter-Stiftung zur Förderung der Kunst, Waldenbuch 2014
Dóra Maurer, exhibition catalogue, Ludwig Múzeum – Kortárs Mûvészeti Múzeum, Budapest 2008
This work was completed after the operative period 1933-45.

Dóra Maurer, Overlappings 45, 2010

X74290
Overlappings 45

2010
painting
Acrylic on canvas and wood
unconfirmed: 1230 x 1040 mm
Vintage Galéria
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary
Partial Exhibition History:
2010 Galeria Z, Bratislava
2014 Ritter Museum, Waldenbuch
2011 A22, Budapest
This work was completed after the operative period 1933-45.

Dóra Maurer, Overlappings 47 (Double-Double), 2012

X74291
Overlappings 47 (Double-Double)

2012
painting
Acrylic on canvas and wood
unconfirmed: 1170 x 1240 mm
Private collection
Provenance:
The artist through Vintage Galéria, Budapest
Nationality of artist: Hungarian
Identifying marks: None
Place of Manufacture: Budapest, Hungary
Partial Exhibition History:
2012 ArtMark Galerie, Vienna
2014 Ritter Museum, Waldenbuch
2015 Carl Kostyal, London
This work was completed after the operative period 1933-45.

TM 2019: 1973 Display

Tate Modern (London, UK) from 25 Nov 2019 until 18 Oct 2020.

John Dugger
(born 1948, born: Bellflower)

John Dugger, Chile Vencerá original maquette, 1974

X78112
Chile Vencerá original maquette

1974
sculpture
5 strip banner appliqued and embroidered fabric
support: 1351 x 943 mm
Private Collection
Provenance:

British Baroque: Power and Illusion

Tate Britain (London, UK) from 04 Feb 2020 until 19 Apr 2020.

Edward Collier
(active 1662-1708, born: Breda, died: London)

Edward Collier, Trompe l'oeil with engraved portrait of Mary II,

X77645
Trompe l'oeil with engraved portrait of Mary II


painting
Oil paint on canvas
support: 590 x 430 mm frame: 609 x 445 x 35 mm
Paleis Het Loo, Apeldoorn, The Netherlands
Provenance:
Christie's, London, 10 July 1953, no.94; Charles Robertson,1953-2002; Christie's, London, 16 December 2002, no.43; thereafter Het Loo Palace, Apeldoorn, RL8434-1
Nationality of Artist: Dutch
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: Wahrman, D., 'Mr Collier's Letter Racks', Oxford University Press, 2012, fig.5.2, p.90

Edward Collier, Trompe l'oeil with engraving of William III,

X77648
Trompe l'oeil with engraving of William III


painting
Oil paint on canvas
support: 590 x 430 mm frame: 608 x 446 x 32 mm
Paleis Het Loo, Apeldoorn, The Netherlands
Provenance:
Christie's, London, 10 July 1953, no.94; Charles Robertson,1953-2002; Christie's, London, 16 December 2002, no.43; thereafter Het Loo Palace, Apeldoorn, RL8434-1
Nationality of Artist: Dutch
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: Wahrman, D., 'Mr Collier's Letter Racks', Oxford University Press, 2012, fig.5.2, p.90

Benedetto Gennari
(1633-1715, born: Cento, died: Bologna, active: Bologna, Paris, London, Saint-Germain-en-Laye)

Benedetto Gennari, The Annunciation, 1686

X76096
The Annunciation

1686
painting
Oil paint on canvas
support: 2553 x 2102 mm frame: 2718 x 2248 x 64 mm
Collection of The John and Mable Ringling Museum of Art, the State Art Museum of Florida, Florida State University, Sarasota, Florida.
Provenance:
Painted for James II (1638-1702), King of England, Whitehall Palace, London. (Leger Galleries, London); sold by 1931 to John Ringling (1866-1936), Sarasota, Florida; bequest in 1936 to the John and Mable Ringling Museum of Art, Sarasota, Florida
Nationality of artist: Italian
Identifying marks: None
Place of Manufacture: London, England
Catalogue Raisonné: Bagni, 'Benedetto Gennari e La Bottega del Guercino', Nuova Alfa Editoriale, Bologna, 1986, no.66

Sir Godfrey Kneller
(1646-1723, born: Lübeck, died: London)

Sir Godfrey Kneller, Oil Modello for an Equestrian Portrait of William III, c.1700

X76311
Oil Modello for an Equestrian Portrait of William III

c.1700
painting
Oil paint on canvas
support: 1030 x 915 mm frame: 1630 x 1300 x 80 mm
Paleis Het Loo, Apeldoorn, The Netherlands
Provenance:
probably T. Walker; Captain Stanley; Ray Livingston Murphy (1923-1953), New York; Dr. James Murphy, New York; Christie's London, 22 november 1985, no 78; thereafter Het Loo Palace Apeldoorn, inv.nr. RL2257
Nationality of artist: German / British
Identifying marks: none
Place of Manufacture: England
Catalogue Raisonné: J. Douglas Stewart, 'Sir Godfrey Kneller and the English Baroque Portrait', Oxford University Press, 1983, no.845

Aubrey Beardsley

Tate Britain (London, UK) from 04 Mar 2020 until 25 May 2020.

Aubrey Beardsley
(1872-1898, born: Brighton, died: Menton)

Aubrey Beardsley, Tannhäuser, 1891

X72106
Tannhäuser

1891
on paper, unique
Ink, wash and gouache on paper
image: 185 x 187 mm
National Gallery of Art, Washington, Rosenwald Collection, 1943 1943.3.1456
Provenance:
Presented by the artist to Dr Rowland Thurnam (1868-1941); Maggs Brothers, London bookseller, Catalogue 132 (no.215); … ; Charles J. Sawyer, London bookseller, 1929 (no.6); Charles Sessler (1854-1935), Philidelphia bookseller; bt. Lessing J. Rosenwald (1891-1979), Jenkintown PA, 13 September 1930; given to the National Gallery of Art, Washington DC, on 15 March 1943.

Nationality of artist: British
Identifying marks: Recto in ink, lower right: TANNHAVSER; Verso in graphite, lower right: RS 345
Place of Manufacture: Brighton, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.106-7 no.195, reproduced p.107

Aubrey Beardsley, Perseus, 1891

X72107
Perseus

1891
on paper, unique
Ink wash and gouache on paper
support: 539 x 244 mm frame: 660 x 374 x 25 mm
The Pierre and Tana Matisse Foundation
Provenance:
From the artist; Frederick H. Evans (1853-1943); Anderson Galleries, Evans sale, 20 March 1919 (lot 31); bt. A. S. W. Rosenbach (1876-1952); Rosenbach Galleries Catalogue 48 (lot 19); Dulau Catalogue 267 (lot 275); William West; Parke-Bernet William West sale, 27 January 1943 (lot 18); bt. J. Harlin O’Connell (1893-1955); by descent to Patricia O’Connell Kane (Mrs Pierre Matisse), 1955; bequeathed to Pierre Matisse, 1972; bequeathed to Maria-Gaetana von Spreti Matisse, 1989; given to the Pierre and Tana Matisse Foundation, 1995.

Nationality of artist: British
Identifying marks: Recto in ink: PERSEUS; Recto, below border: 2 2/6 / show both sides / finish back [?]; Verso in pencil: [?]rseus / 152
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.121-2 no.222R, reproduced p.121

Aubrey Beardsley, The Litany of Mary Magdalen, 1891

X72108
The Litany of Mary Magdalen

1891
on paper, unique
Graphite on paper
image: 227 x 169 mm
The Art Institute of Chicago, The Charles Deering Collection, 1927.2258
Provenance:
From the artist; William More Adey (1858-1942); Charles Deering (1852-1927), Chicago; by descent to his daughters, Mrs. Chauncey McCormick (née Marion Deering, 1886-1965), Chicago, and Mrs. Richard Ely Danielson (née Barbara Deering, 1885-1957), Chicago; given to the Art Institute of Chicago, 1927.

Nationality of artist: British
Identifying marks: Recto in pencil: THE LITANY OF MARY MAGDALEN; Verso in pencil: scrape off / mat on [?] / RS300
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, p.108 no.198, reproduced p.109

Aubrey Beardsley, Withered Spring, 1891

X72109
Withered Spring

1891
on paper, unique
Graphite, ink and gouache on paper
image: 392 x 223 mm support: 422 x 252 mm mount: 559 x 406 mm
National Gallery of Art, Washington, Rosenwald Collection, 1943 1943.3.1455
Provenance:
Presented by the artist to Dr Rowland Thurnam (1868-1941); Maggs Brothers, London bookseller, Catalogue 132 (no.216); Charles J. Sawyer, London bookseller, 1929 (no.7, sold with typescript of letter from Dr Thurnam with particulars of Beardsley’s first interview with Edward Burne-Jones); Charles Sessler (1854-1935), Philidelphia bookseller; bt. Lessing J. Rosenwald (1891-1979), Jenkintown PA, 2 May 1930; given to the National Gallery of Art, Washington DC, on 15 March 1943.

Nationality of artist: British
Identifying marks: Recto in ink, lower centre: WITHERED SPRING; Verso in graphite, centre: [?] Thurnam/ 2 [fl…?]/ 5h; Verso in graphite, lower right: RS 346
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.118-19 no.219, reproduced p.118

Aubrey Beardsley, Autograph letter to G. F. Scotson-Clark, 1891

X76960
Autograph letter to G. F. Scotson-Clark

1891
on paper, unique
Ink on paper
support: 384 x 290 mm mount: 508 x 406.4 mm frame: 533.4 x 431.8 mm
Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, MSL Coll 278
Provenance:
From the artist; George Frederick Scotson-Clark (1873-1927); Bayard Wyman; Anderson Galleries Bayard Wyman sale 18 December 1928 (lot.203); …; Mario Faggioli; Sotheby’s (London) sale 11 December 1997 (lot.386); bt. Mark Samuels Lasner.

Nationality of artist: British
Identifying marks: n/a
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.417-18 no. A10, reproduced p.417 & 418

Aubrey Beardsley, Incipit Vita Nova, 1892

X72111
Incipit Vita Nova

1892
on paper, unique
Graphite, ink and gouache on paper
support: 260 x 250 mm frame: 425 x 406 x 32 mm
Linda Gertner Zatlin
Provenance:
From the artist; William More Adey (1858-1942) by 1897; Carfax and Co., London art gallery (co-directed by William More Adey, 1901-08); Aleister Crowley (1875-1947, associate of Herbert J. Pollitt); … ; Dulau Catalogue 144, autumn 1926 (lot 1769); American Art Association- Anderson Galleries sale 16-17 December 1929 (lot 113); bt. Strassburger; Dr Matthew Wladimir Pickard; by descent to Dr Nicholas S. Pickard; by descent to Josephine Gordon; Christie’s South Kensington, sale 18 December 2008 (lot 94); bought by Linda Gertner Zatlin.

Nationality of artist: British
Identifying marks: Recto in ink: INCIPIT / VITA / NOVA; Verso: 4 exhibition labels from 1965 to 1967
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.139-41 no.243, reproduced p.140

Aubrey Beardsley, Wrapper design for part issues of 'Le Morte Darthur', 1892

X72974
Wrapper design for part issues of 'Le Morte Darthur'

1892
on paper, unique
Ink and gouache on paper
support: 325 x 262 mm mount: 508 x 406.4 mm unconfirmed, frame: 533.4 x 431.8 mm
Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, MSL Coll 292
Provenance:
From the artist; J. M. Dent (1849-1926); Sotheby’s (London) Dent Archives sale 17-19 June 1987 (lot.742); bt. Edberg; bt. Julian Hartnoll (art dealer) for private collector; Sotheby’s, London sale 30 October 1997 (lot.64); bt. Mark Samuels Lasner.

Nationality of artist: British
Identifying marks: Recto in ink, bottom left: Aubrey Beardsley
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.260-3 no.388A, reproduced p.261

Aubrey Beardsley, The Achieving of the Sangreal, 1892

X72975
The Achieving of the Sangreal

1892
on paper, unique
Ink and wash on paper
image: 389 x 310 mm frame: 609.6 x 533.4 mm
Private collection
Provenance:
From the artist; J. M. Dent (1849-1926); by descent to F. J. Martin Dent; Sotheby’s, Dent sale, 19 June 1987 (lot 741); bt. Sam Fogg, art dealer; bt. David Thomason; bt. John and Paul Herring; from whom acquired in 1993.

Nationality of artist: British
Identifying marks: Recto in ink, at the centre: artist’s emblem.
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, p.235 no.338, reproduced p.234

Aubrey Beardsley, La Femme incomprise, 1892

X73017
La Femme incomprise

1892
on paper, unique
Ink on paper
support: 450 x 185 mm frame: 880 x 405 mm
D. Cohen Collection
Provenance:
…; Cecil Sebag Montefiore (by 1908); Dulau, London booksellers, Catalogue 144, autumn 1926 (lot.1767); Anderson Galleries, New York, sale 25 November 1927 (lot.4); …; Felix Landau Gallery 1974; Allan Frumkin; bt. Piccadilly Gallery May 1979; bt. Nanourian Manoukian (Paris) in August 1979; …; William and Victoria Dailey (bookdealers) c.1979; …; Sotheby’s London sale 19 June 1990 (lot.72, listed under various properties); bt. Hazlitt, Gooden and Fox (London); Sotheby’s London sale 12 November 1992 (lot.189); bt. D. Cohen; by descent to current owner.

Nationality of artist: British
Identifying marks: Recto in ink: LA FEMME / INCOMPRISE
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.161-2 no.264, reproduced p.163

Aubrey Beardsley, Verso: sketch or pen scratchings, 1893

X72116
Verso: sketch or pen scratchings

1893
on paper, unique
Ink over graphite on paper
support: 284 x 223 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.682
Provenance:
From the artist; J. M. Dent (1849-1926); Frederick H. Evans (1853-1943); Anderson Galleries, New York, Frederick H. Evans sale, 20 March 1919 (lot 25); bt. Scofield Thayer (1889-1982); bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Recto in ink, lower left: HOW LA BEALE/ ISOVD NVRSED/ SIR TRISTRAM; Verso in crayon: J. M. Dent Esq/ Aldine House/ 69 Gt Eastern St/ EC
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.309-11 no.496, reproduced p.310

Aubrey Beardsley, How Sir Tristram Drank of the Love Drink, 1893

X72117
How Sir Tristram Drank of the Love Drink

1893
on paper, unique
Ink on paper
support: 283 x 221 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.681
Provenance:
From the artist; J. M. Dent (1849-1926); Frederick H. Evans (1853-1943); Anderson Galleries, New York, Frederick H. Evans sale, 20 March 1919 (lot 26); bt. Scofield Thayer (1889-1982); bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Recto in ink, lower left: HOW SIR TRISTRAM/ DRANK OF THE/ LOVE DRINK; Verso in graphite: 12 1/8 x 8 3/4
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, p.314 no.504, reproduced p.315

Aubrey Beardsley, Caricature of J.M. Whistler, 1893

X72122
Caricature of J.M. Whistler

1893
on paper, unique
Ink on paper
support: 211 x 118 mm
National Gallery of Art, Washington, Rosenwald Collection, 1943 1943.3.1454
Provenance:
Given by the artist to James Cralman (1859-1915), American war correspondent in London; bequeathed to Sir James Shannon (1862-1923), London; bt. Mrs C. Lewis Hind, London; C. S. Millard, Catalogue of Modern Books Number Six, spring 1922 (no.310); R. A. Walker (1886-1959) by 1923; Anderson Galleries, New York, Walker sale, 8 December 1925 (lot 308); Rosenbach Company, Philadelphia, by 1929; bt. by Lessing J. Rosenwald (1891-1979), Jenkintown PA, 1930; given to the National Gallery, Washington DC, on 15 March 1943.

Nationality of artist: British
Identifying marks: Verso in graphite, lower right: RS 347
Place of Manufacture: Paris, France
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.202-3 no.314, reproduced p.203

Aubrey Beardsley, Virgilius the Sorcerer, circa 1893

X72128
Virgilius the Sorcerer

circa 1893
on paper, unique
Ink over graphite on paper laid down on board
image: 233 x 143 mm
The Art Institute of Chicago, Gift of Robert Allerton, 1925.928
Provenance:
From the artist; David Nutt (publisher); …; Ernest Brown and Philips; bt. Robert Allerton (1873-1964); given to Art Institute of Chicago, 1925.

Nationality of artist: British
Identifying marks: Recto, lower left corner, in ink: artist’s signature device
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.216-7 no.330, reproduced p.217

Aubrey Beardsley, Enter Herodias, 1893

X72217
Enter Herodias

1893
on paper, unique
Ink on paper
support: 232 x 170 mm frame: 508 x 381 x 35 mm
Los Angeles County Museum of Art, Graphic Arts Council Fund, M.73-49
Provenance:
From the artist; John Lane (1854-1925); bt. Herbert J. Pollitt (1871-1942) by 1909; bt. Baillie Gallery, London, for private collector, 1909; Prince Lanz Keronski in 1920s; bt. W. D. Hutchinson; bequeathed to Mrs Else Thieme Hutchinson, Schloss Weissenstein, Austria; … ; T. Tyler Sweeney in 1948; … ; Hausewedell, Hamburg, 8 June 1972 (lot 132); bt. Robert M. Light, Boston, MA; bt. by the Graphic Arts Council Fund, Los Angeles, for the Los Angeles County Museum of Art in August 1973.

Nationality of artist: British
Identifying marks: Recto in ink, lower right: artist’s signature device; Verso in graphite: 15/ mount cu[tting: crossed out]/ Elkin Mathews/ 3 [crossed out] / [?]/ Mon/ Herodias
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.30-3 no.870, reproduced p.31

Aubrey Beardsley, White Peacock, inside back cover for score of Tristan und Isolde, 1893

X76287
White Peacock, inside back cover for score of Tristan und Isolde

1893
on paper, unique
Ink, gouache and watercolour over graphite on paper
image: 171 x 108 mm frame: 470 x 397 x 44 mm
Linda Gertner Zatlin
Provenance:
From the artist; Frederick H. Evans (1853-1943); bt. A. E. Gallatin (1881-1952); … ; Sotheby’s (London) sale 13 December 2007 (lot 248); bought by Linda Gertner Zatlin.

Nationality of artist: British
Identifying marks: Verso in ink: Original drawing by Aubrey Beardsley F. H. E.; verso of mat: Original water-colour drawing by Aubrey Beardsley / made on inside cover of the / pianoforte score of Wagner’s Tristan und Isolde / 2 other drawings therein, in black and white, / sold / Frederick H. Evans
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.1, New Haven and London, 2016, pp.207-8 no. 318, reproduced p.207

Aubrey Beardsley, The Slippers of Cinderella, 1894

X72268
The Slippers of Cinderella

1894
on paper, unique
Ink and watercolour on paper
image: 305 x 215 mm mount: 508 x 406.4 mm unconfirmed, frame: 533.4 x 431.8 mm
Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, MSL Coll 338
Provenance:
Given by the artist to Brandon Thomas (1856-1914); by descent to D. Dearnley; Sotheby’s (London) sale 2 June 1989 (lot.479); bt. in; Bonham’s sale 22 November 1989 (lot.143); bt. Max Rutherston (art dealer) for Mark Samuels Lasner.

Nationality of artist: British
Identifying marks: n/a
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.96-8 no.899, reproduced p.97

Aubrey Beardsley, The Scarlet Pastorale, 1894

X72283
The Scarlet Pastorale

1894
on paper, unique
Ink and graphite on paper
support: 271 x 188 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.675
Provenance:
… ; Dr Robert von Erdberg (1866-1929); bt. Scofield Thayer (1889-1982); bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Recto in ink: THE SCARLET/ PASTORALE; Verso in ink: 1357; Verso in graphite: 5" wide [scratched out]/ R/ EG [?] M/ Friday morning 10 am/ Reduce to/ 7 ½ inches in height [crossed out]/ Smithers/ Royal Arcade/ [matting and reduction measurements]/ Tuesday/ midday urgent/ [Two sketches with dimensions]; Verso in purple crayon: original by Aubrey Beardsley; Verso purple stamp: THE SKETCH/ ART DEPARTMENT/ 198 STRAND/ LONDON, W./ 6
Place of Manufacture: London, United Kingdom?
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.157-8 no.943, reproduced p.158

Aubrey Beardsley, Self-Portrait as Art Editor of 'The Yellow Book', 1894

X73267
Self-Portrait as Art Editor of 'The Yellow Book'

1894
on paper, unique
Graphite, charcoal and crayon on paper
support: 210 x 165 mm mount: 508 x 406.4 mm unconfirmed, frame: 533.4 x 431.8 mm
Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, MSL Coll 291
Provenance:
From the artist; John Lane (1854-1925); bequeathed to Annie Philippine Eichberg (Mrs John Lane, c.1956-1927); Anderson Galleries, John Lane sale 22 November 1926 (lot.21); bt. B. J. Beyer; Alvin W. Krech; his daughter, Angeline Krech Lindeberg; her son, R. Campbell James; Sotheby’s London sale 15 December 2011 (lot.122); bt. Mark Samuels Lasner.

Nationality of artist: British
Identifying marks: Verso: Portrait of Aubrey Beardsley / Original drawing by Aubrey Beardsley, / John Lane Sale, A[nderson] G[alleries], 11.22.26, No. 21. / Guaranteed by Guy Eglinton
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.68-9 no.883, reproduced p.69

Aubrey Beardsley, Black Coffee, 1895

X72285
Black Coffee

1895
on paper, unique
Ink, wash and graphite on paper
support: 157 x 159 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.673
Provenance:
From the artist; M. Jean Ruelle [Beardsley’s name for John Lane (1854-1925)]; Herbert J. Pollitt (1871-1942), 1909 (marked to indicate ownership but not dated, in iconography in his copy of Book of Fifty Drawings); Scott & Fowles, Commercial Art Gallery, New York (1905-1943); bt. Scofield Thayer (1889-1982), under the title Café Noir, on 4 November 1919; bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Verso in graphite: 6 Mar j m [illegible]/ ¾ N Reedy/ 10: Verso in ink: 6/23 / M. Jean Ruelle
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.123-6 no.922, reproduced p.125

Aubrey Beardsley, The Fruit Bearers, 1895

X72287
The Fruit Bearers

1895
on paper, unique
Ink and graphite on paper
support: 250 x 178 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.663
Provenance:
From the artist; Leonard Smithers (1861-1907); Christie’s, London, sale 12 January 1900 (lot 122); bt. Maggs Brothers, London bookseller; bt. Sir Gerald F. Kelly (1879-1972); ?Fritz Waerndorfer (1868-1939); ?Lily Waerndorfer (1874-1952) by 1911; Paul Graupe, Berlin bookseller, 1918 Catalogue (no.535); … ; Gilhofer and Ranschburg, Vienna art dealer; bt. Scofield Thayer (1889-1982) on 28 June 1922; bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Verso in graphite: 3/ 5370 [circled]/ reduce to 8/ inches in/ height [illegible]/ 12365 [underlined]/ 7 ¼ [crossed out]/ 8
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.260-2 no.1001, reproduced p.261

Aubrey Beardsley, Cover for the Prospectus of 'The Savoy', First Version, 1895

X72293
Cover for the Prospectus of 'The Savoy', First Version

1895
on paper, unique
Ink over graphite on paper
image: 218 x 159 mm mount: 406.4 x 508 mm unconfirmed, frame: 533.4 x 431.8 mm
Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, MSL Coll 293
Provenance:
From the artist; Leonard Smithers (1861-1907); John Lane (1854-1925); bequeathed to Annie Philippine Eichberg (Mrs John Lane, c.1956-1927); presented to A. J. Symons on 25 June 1926; Dulau Catalogue 161, Books from the Library of John Lane and Other Books of the Eighteen-Nineties (lot.1306); Dulau Catalogue 267 1938 (lot.273); Anderson Galleries sale 18 December 1928 (lot.208, reproduced without lettering); bt. Gabriel Wells (1861-1946), Bookseller; Jerome Kern (1885-1945); by descent to Betty Kern Miller (1913-1996); Sotheby’s (New York) sale 4 December 1996 (lot.22); bt. David J. Holmes (bookseller) for Mark Samuels Lasner.

Nationality of artist: British
Identifying marks: Recto in ink, bottom right, below border: AUBREY BEARDSLEY; Verso in pencil: 43 [circled and crossed out] / 11093 / Thursday / ½ size / [wavy line] / ex libris / Friday / 2536 / [lkflhi?]; in blue crayon: 57 [circled]
Place of Manufacture: Boscombe, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, p.239 no.987, reproduced p.240

Aubrey Beardsley, John Bull, Contents Page, The Savoy, 1895

X74740
John Bull, Contents Page, The Savoy

1895
on paper, unique
Ink and graphite on paper
support: 233 x 181 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.676
Provenance:
From the artist; Leonard Smithers (1861-1907); … ; ?Fritz Waerndorfer (1868-1939); ?Lily Waerndorfer (1874-1952) by 1911; Paul Graupe, Berlin bookseller, 1918 Catalogue (no.533); Gilhofer and Ranschburg, Vienna art dealer; Martin Birnbaum (1878-1970); bt. Scofield Thayer (1889-1982) in 1924; bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Recto in graphite, top right: pierce/ THE SAVOY/ NUMBER/ I/ DECEMBER/ 1895; Recto in graphite, bottom right: pierce/ LEONARD SMITHERS/ EFFINGHAM HOUSE/ ARUNDEL STREET/ STRAND LONDON.; Verso in graphite: reduce to 8 ¼ inches/ in length/ B/ 11957/ Smithers/ 1 Arundel Street/ W C
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.248-9 no.993, reproduced p.248

Aubrey Beardsley, Third Tableau of Das Rheingold, circa 1896

X72295
Third Tableau of Das Rheingold

circa 1896
on paper, unique
Ink on paper
image: 254 x 175 mm
Lent by Museum of Art, Rhode Island School of Design, Providence, Museum Appropriation Fund, 31.361
Provenance:
From the artist; Leonard Smithers (1861-1907) (April 1896?); bt. Sir Gerald F. Kelly (1879-1972); bt. Colnaghi (London) 18 September 1919; bt. Morton Sands on 10 October 1919; …; R. A. Walker (1886-1959) in 1923; acquired by Museum of Art, Rhode Island School of Design in 1931.

Nationality of artist: British
Identifying marks: Verso in ink: Das Rheingold / Leonard Smithers [?] / Effingham House / Arundel St / Strand / London / W C; in pencil: 13 / no. 47 / reduce to same size as the / one you have in hand now / no. 3 [2?] / OVUX / OHEX
Place of Manufacture: Brussels, Belgium
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.270-2 no.1006, reproduced p.271

Aubrey Beardsley, The Dream, 1896

X72301
The Dream

1896
on paper, unique
Ink over graphite on paper
image: 257 x 178 mm
The J. Paul Getty Museum, Los Angeles, 99.GA.18
Provenance:
From the artist; Leonard Smithers (1861-1907); bt. Laurence W. Hodson (1864-1933); … ; Scott & Fowles, Commercial Art Gallery, New York (1905-1943); bt. Mrs Helen Payne Whitney (1875-1944) by 1911; by descent to John Hay Whitney (1904-1982); bequeathed to Betsey Cushing (Mrs John Hay) Whitney (1908-1998); sold Sotheby’s, New York, Whitney sale, 23 April 1999 (lot 419); bt. by the J. Paul Getty Museum.

Nationality of artist: British
Identifying marks: none
Place of Manufacture: Paris, France?
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.211-3 no.977, reproduced p.212

Aubrey Beardsley, The Baron's Prayer, 1896

X72302
The Baron's Prayer

1896
on paper, unique
Ink and graphite on paper
support: 257 x 175 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.677
Provenance:
From the artist; Leonard Smithers (1861-1907); bt. Laurence W. Hodson (1864-1933) by 1904; bt. Herbert J. Pollitt (1871-1942) in 1907; bt. Professor Paul J. Sachs (1878-1965) in 1920; bt. Scott and Fowles, Commercial Art Gallery, New York (1905-1943); bt. Scofield Thayer (1889-1982) on 10 January 1921; bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Verso in ink: Leonard Smithers/ Effingham House/ Arundel St Strand/ London/ WC; Verso in graphite: Reduce to same size/ as the others/ 657/.5
Place of Manufacture: Paris, France
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.216-18 no.980, reproduced p.217

Aubrey Beardsley, The Cave of Spleen, 1896

X72303
The Cave of Spleen

1896
on paper, unique
Ink on paper
support: 255 x 173 mm
Museum of Fine Arts, Boston. William Sturgis Bigelow Collection, 27.61
Provenance:
From the artist; to his publisher, Leonard Smithers (1861-1907), in 1896; … ; bt. William Sturgis Bigelow (1850-1926), Boston; bequeathed to Boston Museum of Fine Arts 1927 (Accession date: 6 January 1927).

Nationality of artist: British
Identifying marks: Verso in ink: Leonard Smithers Eq./ Effingham House/ Arundel Street/ Strond/ London; Verso in graphite: reduce to same size as others
Place of Manufacture: Paris, France
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.222-4 no.983, reproduced p.223

Aubrey Beardsley, Ali Baba in the Wood, 1896

X72433
Ali Baba in the Wood

1896
on paper, unique
Ink and graphite on paper
support: 246 x 170 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.665
Provenance:
From the artist; Leonard Smithers (1861-1907); … ; A. E. Gallatin (1881-1952) in 1904; … ; Dr Robert von Erdberg (1866-1929); bt. Scofield Thayer (1889-1982) in 1922; bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Verso in graphite: [rectangle with reduction dimensions]
Place of Manufacture: Epsom, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.360-2 no.1056, reproduced p.361

Aubrey Beardsley, Autumn, 1896

X73268
Autumn

1896
on paper, unique
Ink on paper
support: 267 x 140 mm mount: 508 x 406.4 mm unconfirmed, frame: 533.4 x 431.8 mm
Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, MSL Coll 283
Provenance:
William Heinemann (1863-1920); …; Sotheby’s (London) sale 12 July 1961 (lot 50, listed under various properties); bt. Mrs H. V. Brunner; …; Sotheby’s (London) sale 29-30 November 1989 (lot.275); bt. Mark Samuels Lasner.

Nationality of artist: British
Identifying marks: n/a
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.357-8 no.1053, reproduced p.357

Aubrey Beardsley, Verso: Sketch of a Seated Woman, 1897

X72431
Verso: Sketch of a Seated Woman

1897
on paper, unique
Ink, wash and graphite on paper
support: 199 x 167 mm frame: 486 x 384 x 25 mm
Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer, 1986.669
Provenance:
From the artist; Leonard Smithers (1861-1907); … ; Amsler and Ruthardt, Berlin auction house; bt. Scofield Thayer (1889-1982) in 1921; bequeathed to the Fogg Museum, 1986.

Nationality of artist: British
Identifying marks: Recto in ink, lower left: A B monogram; Verso in graphite: 6 ¾ x 8/ 11 x 3 / [Sketch of a rectangle with reduction dimensions]
Place of Manufacture: Paris, France
Catalogue Raisonné: Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, vol.2, New Haven and London, 2016, pp.347-9 no.1049, reproduced p.348

Gustave Moreau
(1826 - 1898)

Gustave Moreau, The Apparition, 1874–1876

X72135
The Apparition

1874–1876
on paper, unique
Watercolour on paper
image: 1060 x 722 mm
Musée d'Orsay, Paris, gift of Charles Ayem, 1898, RF2130
Provenance:
Sold by the artist to Léon Gauchez (pseudonym Paul Leroi) for 8000 francs, 31 May 1876; Charles Hayem, 1879; donated to the Luxembourg Museum, Paris, 14 May 1898; transferred to the Louvre Museum, Paris, in 1929.

Nationality of artist: French
Identifying marks: Signed lower left, in gold letters, ‘-Gustave Moreau-‘
Place of Manufacture: Paris, France?
Catalogue Raisonné: Pierre-Louis Mathieu, Gustave Moreau sa vie, son oeuvre: catalogue raisonné de l’oeuvre achevé, Fribourg, Switzerland, 1976, p316, no.159, reproduced p.316

Pablo Picasso
(1881-1973, born: Málaga, died: Mougins)

Pablo Picasso, Portrait of Marie Derval, 1901

X77801
Portrait of Marie Derval

1901
on paper, unique
Ink over graphite on paper
support: 502 x 321 mm frame: 800 x 629 x 51 mm
The Morgan Library & Museum, New York. Thaw Collection, 2017.188
Provenance:
James Pendleton, California; Sotheby’s, 26 April 1972 (lot.50); Eugene V. and Clare E. Thaw, New York, before 1980; acquired by the Morgan Library, 2017.

Nationality of artist: Spanish
Identifying marks: Recto in ink, lower right: Ruiz; in graphite: Picasso / 1901
Place of Manufacture: Paris, France
Catalogue Raisonné: Alan Wofsy, ed., Picasso’s Paintings, Watercolors, Drawings & Sculpture: A Comprehensive Illustrated Catalogue, 1885-1973, vol.1, San Francisco, 1995-2016, no.495.
Online Catalogue Raisonné project, 1: 242.

Edward Tennyson Reed
(1860 - 1933, born: Greenwich)

Edward Tennyson Reed, Britannia à la Beardsley, 1894

X73271
Britannia à la Beardsley

1894
on paper, unique
Ink on paper
image: 298 x 248 mm mount: 508 x 406.4 mm unconfirmed, frame: 533.4 x 431.8 mm
Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, MSL Coll 4145
Provenance:
...; James Cummins, Bookseller, New York; bt. circa 1996 by Mark Samuels Lasner.

Nationality of artist: British
Identifying marks: n/a
Place of Manufacture: London, United Kingdom
Catalogue Raisonné: n/a

Andy Warhol

Tate Modern (London, UK) from 12 Mar 2020 until 06 Sep 2020.

Richard Avedon
(1923-2004, born: New York, died: San Antonio)
Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)

Richard Avedon and Andy Warhol, Andy Warhol, artist, New York, 20 August 1969, 1969, printed 1975

X76357
Andy Warhol, artist, New York, 20 August 1969

1969, printed 1975
on paper, print
Gelatin silver print on paper
image: 1475 x 1180 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to the Richard Avedon Foundation, 2004;
Acquired by Fraenkel Gallery;
Acquired by the current owner, New York 2008.

Nationality of Artist: American
Identifying marks: signed and titled on verso
Place of manufacture: USA, printed 1975
Bibliography: SHOOT! SHOOT! SHOOT!: Photographs from the 60s and 70s from the Nicola Erni Collection, exh. cat., Ludwig Galerie, Schloss Oberhausen, 21.01.2018 – 27.05.2018.

This work was made after the operative period 1933-45.

Stephen Shore
(born 1947, born: New York)

Stephen Shore, Paul Jasmine & Gino Piserchio, 1965–1967, printed c.2008

X76047
Paul Jasmine & Gino Piserchio

1965–1967, printed c.2008
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 518 x 689 x 35 mm
Nicola Erni Collection
Provenance:
The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.

Nationality of Artist: American
Identifying marks: unknown, number 2 in an edition of 8.
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Stephen Shore, Paul Morrissey & Edie Sedgwick, 1965–1967, printed c.2008

X76048
Paul Morrissey & Edie Sedgwick

1965–1967, printed c.2008
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 517 x 690 x 35 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.

Nationality of Artist: American
Identifying marks: unknown, number 3 in an edition of 8
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Stephen Shore, Benedetta Barzini, Julie Garfield, Andy Warhol, Lou Reed, Sterling Morrison, 1965–1967, printed c.2007

X76049
Benedetta Barzini, Julie Garfield, Andy Warhol, Lou Reed, Sterling Morrison

1965–1967, printed c.2007
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 518 x 689 x 35 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.

Nationality of Artist: American
Identifying marks: unknown, number 2 in an edition of 8
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Stephen Shore, Edie Sedgwick, 1965–1967, printed 2017

X76050
Edie Sedgwick

1965–1967, printed 2017
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 515 x 684 x 35 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.

Nationality of Artist: American
Identifying marks: unknown, number 4 in an edition of 8
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Stephen Shore, Andy Warhol, 1965–1967, printed 2017

X76051
Andy Warhol

1965–1967, printed 2017
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 516 x 684 x 35 mm
Nicola Erni Collection
Provenance:
The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.

Nationality of Artist: American
Identifying marks: unknown, number 1 in an edition of 8
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Stephen Shore, Edie Sedgwick & Ingrid Superstar, 1965–1967, printed 2017

X76052
Edie Sedgwick & Ingrid Superstar

1965–1967, printed 2017
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 515 x 684 x 35 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.

Nationality of Artist: American
Identifying marks: unknown, number 1 in an edition of 8
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Stephen Shore, Andy Warhol & Lou Reed, 1965–1967, printed 2017

X76053
Andy Warhol & Lou Reed

1965–1967, printed 2017
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 515 x 684 x 35 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.
Nationality of Artist: American
Identifying marks: unknown, number 1 in an edition of 8
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Stephen Shore, Edie Sedgwick, Andy Warhol, unidentified guests, 1965–1967, printed 2017

X76055
Edie Sedgwick, Andy Warhol, unidentified guests

1965–1967, printed 2017
on paper, print
Photograph, fiber-based silver gelatin print on paper
image: 324 x 483 mm frame: 516 x 684 x 37 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to Sprüth Magers by 2017;
Acquired by the current owner, 2017.

Nationality of Artist: American
Identifying marks: unknown, number 3 in an edition of 8.
Place of manufacture: USA
Bibliography: illustrated in Factory: Andy Warhol. Stephen Shore (2016), Phaidon Press Limited: London, New York

This work was made after the operative period 1933-45.

Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)
Paul Bochicchio

Andy Warhol and Paul Bochicchio, Wig box, n.d.

X79500
Wig box

n.d.
supporting material
Cardboard wrapped in coated paper
object: 267 x 203 x 108 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. T3105.1a-b
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Wig box, n.d.

X79503
Wig box

n.d.
supporting material
Cardboard wrapped in faux snakeskin paper
overall: 267 x 203 x 108 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. T3146.1a-b
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Unidentified Male, circa 1954

X71275
Unidentified Male

circa 1954
on paper, unique
Ink on paper
support: 425 x 356 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Leon Danielian, circa 1956

X71266
Leon Danielian

circa 1956
on paper, unique
Ballpoint ink on manila paper
support: 425 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Charles Lisanby, circa 1956

X71268
Charles Lisanby

circa 1956
on paper, unique
Ballpoint ink on manila paper
support: 425 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Unidentified Male, circa 1956

X71269
Unidentified Male

circa 1956
on paper, unique
Ballpoint ink on manila paper
support: 425 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Unidentified Male, circa 1956

X71270
Unidentified Male

circa 1956
on paper, unique
Ballpoint ink on tan paper
support: 432 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Unidentified Male, circa 1956

X71271
Unidentified Male

circa 1956
on paper, unique
Ballpoint ink on manila paper
support: 432 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Reclining Male, circa 1956

X71277
Reclining Male

circa 1956
on paper, unique
Ink on paper
support: 425 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Unidentified Female, circa 1956

X71283
Unidentified Female

circa 1956
on paper, unique
Ink on paper
support: 425 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Untitled [Head of a Man], 1956

X71288
Untitled [Head of a Man]

1956
on paper, unique
Ink, graphite and gold leaf on paper
support: 454 x 422 mm
Collection of John Cheim
Provenance:
The artist;
Acquired by Robert Miller Gallery;
Acquired by private collector;
Acquired from the above by the current owner by 1999.

Nationality of Artist: American
Identifying marks: N/A
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Unidentified Male, circa 1957

X71273
Unidentified Male

circa 1957
on paper, unique
Ballpoint ink on paper
support: 425 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Unidentified Male, circa 1957

X71274
Unidentified Male

circa 1957
on paper, unique
Ink on paper
support: 432 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Standing Male, circa 1957

X71279
Standing Male

circa 1957
on paper, unique
Ink on paper
support: 610 x 460 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Madame Helena Rubinstein, 1956-1957

X71280
Madame Helena Rubinstein

1956-1957
on paper, unique
Ink on paper
support: 432 x 355 mm
Cheim & Read, New York
Provenance:
The artist;
Transferred to The Andy Warhol Foundation, New York after 1987;
Acquired from the above by the current owner, January 2008.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Untitled [Head of a Male], 1957

X71289
Untitled [Head of a Male]

1957
on paper, unique
Ink and graphite on paper
support: 454 x 305 mm
Collection of John Cheim
Provenance:

The artist;
Acquired by Robert Miller Gallery;
Acquired by private collector;
Acquired from the above by the current owner by 1999.

Nationality of Artist: American
Identifying marks: N/A
Place of manufacture: USA

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Male Nude, 1956–1957

X78158
Male Nude

1956–1957
on paper, unique
Blue ballpoint pen on paper
support: 425 x 355 mm frame: 770 x 640 x 40 mm
Galerie des Modernes, Paris
Provenance:

The artist;
Transferred to The Andy Warhol Foundation for the Visual Arts, New York after 1987;
Acquired by the current owner, 16 October 2013.

Nationality of Artist: American
Identifying marks: Stamped on the back ‘The Estate of Andy Warhol - The Andy Warhol Foundation for the Visual Arts’ with ‘VF 205.012’
Place of manufacture: USA
Literature:
Andy Warhol Men, foreword by Alan Cumming, Chronicle Books, San Francisco, with The Andy Warhol Foundation for the Visual Arts, September 2004, reproduced in colour p. 131.
Will be reproduced in the The Andy Warhol Catalogue Raisonné being prepared by The Andy Warhol Foundation for the Visual Arts.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Kneeling Male Over Male Lower Torso, 1955–1957

X78159
Kneeling Male Over Male Lower Torso

1955–1957
on paper, unique
Blue ballpoint pen on paper
support: 427 x 353 mm frame: 770 x 640 x 40 mm
Galerie des Modernes, Paris
Provenance:

The artist;
Transferred to Leo Castelli gallery, New York;
Acquired by Lizardi Harp Gallery, Pasadena;
Acquired by Charles Grove and David Taborelli;
Acquired by the current owner, 22 May 2013.

Nationality of Artist: American
Identifying marks: Stamped on the back ‘Andy Warhol / Art Authentication / Board, Inc.’ and numbered ‘A129.981’
Place of manufacture: USA
Literature:
Will be reproduced in the The Andy Warhol Catalogue Raisonné being prepared by The Andy Warhol Foundation for the Visual Arts

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, A Gold Book, 1957

X78350
A Gold Book

1957
on paper, print
22 pages with 19 illustrations, offset lithograph and Dr. Martin’s Aniline dye on paper and coated metallic paper, with buckram board cover
displayed: 381 x 298 x 13 mm image, each: 362 x 286 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for Visual Arts, Inc.
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, $199 Television, 1961

X51580
$199 Television

1961
painting
Acrylic paint and oil stick on canvas
support: 1727 x 1327 mm
Whitney Museum of American Art, New York Gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President
Provenance:
The artist;
Acquired by Kimiko and John Powers;
Acquired by The American Contemporary Art Foundation, Inc.;
Gifted to the current owner

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: "To Mr. and Mrs. Powers Andy Warhol," top right stretcher, "Andy Warhol," left of canvas, verso I "Andy Warhol," right of canvas, verso
Catalogue Raisonné: Ed. George Frei and Neil Printz, Warhol 01 Paintings and Sculptures 1961-1963, London 2002, catalogue number 20, p.43;
Andy Warhol: Retrospective, exhibition catalogue, Museum of Modern Art New York, 1989, Centre Pompidou, 1990, p.130.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Before and After [3], 1961

X75797
Before and After [3]

1961
painting
Casein paint on linen
support: 1375 x 1784 mm
The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art
Provenance:

The artist;
Consigned to Martha Jackson Gallery, New York, June – August 1962;
Consigned to Stable Gallery, New York;
Consigned to Richard Feigen Gallery, New York;
Acquired by Kimiko and John Powers by 1993;
Acquired by Doris and Donald Fisher after 2002;
On loan to the San Francisco Museum of Modern Art.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Signed on verso ‘Andy Warhol 1962’, top left

Catalogue Raisonné: George Frei and Neil Printz (eds), Warhol 01 Paintings and Sculptures 1961-1963, London, 2002, catalogue number 008, p.26
Donna De Salvo, ‘“Subjects of the Artists”: Towards a Painting Without Ideals’, Hand Painted Pop, exhibition catalogue, The Museum of Contemporary Art, Los Angeles, 1993, p.89.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, 129 Die in Jet! (Plane Crash), 1962

X50081
129 Die in Jet! (Plane Crash)

1962
painting
Acrylic and graphite on canvas
support: 2545 x 1825 mm
Museum Ludwig, Cologne / Donation Ludwig Collection 1976
Provenance:
The artist;
Acquired by Henry Geldzahler, New York;
Acquired by Leo Castelli Gallery, New York;
Acquired by Peter and Irene Ludwig Collection;
Donated to the current owner from the above by 1976.

Nationality of Artist: American
Identifying marks: none
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1964-1969, vol. 02A, New York, 2004, no.199, p.180.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, 100 Campbell's Soup Cans, 1962

X58066
100 Campbell's Soup Cans

1962
painting
Casein, acrylic paint and graphite on canvas
support: 1829 x 1327 mm
MMK Museum für Moderne Kunst Frankfurt am Main, former collection of Karl Ströher, Darmstadt
Provenance:

The artist;
Presented to John Chamberlain, New York 1962;
Acquired by Leon Kraushar, 1960s;
Acquired by Karl Stroher, Darmstadt, before 1977;
Hence by descent to heirs of Karl Stroher, after 1977;
Acquired by the city of Frankfurt in 1981.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: inscribed ‘To John Chamberlain Andy Warhol/62’ on top left of canvas, verso
Catalogue Raisonné: Ed. George Frei and Neil Printz, Warhol 01 Paintings and Sculptures 1961-1963, London: Phaidon, 2002, no.78, p.93.

This work was made after the operative period 1933-45.

Partial Exhibition History:
Andy Warhol, Institute of Contemporary Art, Philadelphia, 1965;
Andy Warhol, Institute of Contemporary Art, Boston, 1966, no. 5 illustration;
Galerie Verein München, Neue Pinakothek, Haus der Kunst, Westflugel, Munich, Sammlung 1968
Karl Ströher, 1968, no. 138 colour;
Hessisches Landesmuseum, Darmstadt, Bildnerische Ausdruckslormen, 1960-1970, 1970, p. 441 colour;
Palais des Beaux-Arts, Brussels, Metamorphose de l'objet, April 22-June 6, 1971, p. 130 illustration; exhibited Museum Boymans-Van Beuningen, Rotterdam, June 25 - August 15, 1971; Nationalgalerie, Berlin, September 11 - November 7, 1971; Palazzo Reale, Milan, December 15, 1971 – February 10, 1972; Kunsthalle, Basel, March 4 - April 22, 1972; Musee des Arts Decoratives, Paris, May - June 1972;
Alte Oper, Frankfurt, Phoenix, September 19 – November 29, 1981, colour;
Deutsches Architekturmuseum, Frankfurt, Bilder tor Frankfurt, 1985, no. 122 illustration;
Padiglione d'Arte Contemporanea, Milan, Dalla Pop Art Americana alla Nova Figurazione, 1987, p. 59 colour;
Museum fur Moderne Kunst, Frankfurt am Main, Kunst in Frankfurt, 1994, p.88.
Literature:
"Products," Newsweek, volume 60, no. 20 (November 12, 1962): 94 illustration, detail;
D. Herzka, Pop Art One (New York, Institute of American Art, 1965), no. 27 colour;
John Rublowsky, Pop Art, 1965, colour;
Solomon Hudson, "Images of the Fine Arts," Penn Comment, volume 2, no. 2 (October 1965): 4-5, p. 5 illustration, detail;
Moderna Museet, Stockholm 1968, illustration on two consecutive pages;
Ellen Mandelbaum, "lsolable Units, Unity, and Difficulty," Art Journal, vol. 27, no. 3 (spring 1968): 256-61, fig. 7, "Campbell's Soup," collection cited incorrectly;
Kultermann, Neue Formen des Bildes, 1969, no. 195 illustration;
John Coplans 1970, p. 57 illustration, "100 Soup Cans";
Kenneth Frampton, "America, 1960-1970," Casabella, vol. 35, no. 359-60 (1971): 24-38, no. 13 illustration;
Tate Gallery, London, 1971, fig. 34.

Andy Warhol and Paul Bochicchio, Marilyn Monroe's Lips, 1962

X72626
Marilyn Monroe's Lips

1962
painting
Acrylic paint, silkscreen ink and graphite on canvas
support: 2102 x 2051 mm support: 2102 x 2092 mm
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972
Provenance:
Transferred to Dwan Gallery, Los Angeles, to 2 May 1967;
Purchased by Joseph H. Hirshhorn, New York, 2 May 1967
Gifted to Hirshhorn Museum and Sculpture Garden, Gift of Joseph H. Hirshhorn, 6 March 1972.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: two canvases
Catalogue Raisonné: Ed. George Frei and Neil Printz, Warhol 01 Paintings and Sculptures 1961-1963, London: Phaidon, 2002, np.285, p. 252.

Exhibited:
Dwan Gallery, Los Angeles, Arena of Love, 1965;
Smithsonian Institution Washington D.C., The Hirshhorn Museum and Sculpture Garden, 1975, nos. 964-65 colour;
Kunsthaus, Zurich, 1978, no. 38 illustration;
Museo del Palacio de Bellas Artes, Mexico, La Pintura de los Estados Unidos de Museos de la Ciudad de Washington, 1980-81, no.86 colour;
Palazzo Grassi, Venice, The Archimboldo Effect, 1987, pp. 338-39 colour;
Museum of Modern Art, New York, 1989, no. 203 colour, exh. Venice.

Literature:
Coplans, Andy Warhol, 1970, p. 74 illustration;
Crone, Andy Warhol, 1970, nos. 73-74 illustration;
Tate Gallery, London, 1971, fig. 4;
Wuppertal, Realitat-Realismus-Realitat, 1972, p. 107 illustration.

Andy Warhol and Paul Bochicchio, Green Coca-Cola Bottles, 1962

X73012
Green Coca-Cola Bottles

1962
painting
Acrylic paint, screenprint ink and graphite on canvas
support: 2102 x 1451 mm
Whitney Museum of American Art, New York; Purchase, with funds from the Friends of the Whitney Museum of American Art
Provenance:
The artist;
Consigned to Ileana Sonnabend, Paris;
Consigned to Leo Castelli Gallery, New York;
Acquired by Whitney Museum of American Art, New York by 1968.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Unknown
Catalogue Raisonné: Ed. George Frei and Neil Printz, Warhol 01 Paintings and Sculptures 1961-1963, London 2002, catalogue number 202, p.188

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, A Woman's Suicide, 1962

X75161
A Woman's Suicide

1962
painting
Silkscreen ink and graphite on linen
support: 3130 x 2110 mm
Kunstsammlung Nordheim-Westfalen, Dusseldorf
Provenance:

The artist;
Acquired by Bruno Bischofberger, Zurich, 1970;
Acquired by current owner from the above by 1972 (Recto examined 1995).

Nationality of Artist: American
Identifying marks: Inscribed on the lower edge of the envelope on the left, hidden by the frame bar: ‘Andy Warhol’
Place of manufacture: USA

Catalogue Raisonné: Ed. George Frei and Neil Printz, Warhol 01 Paintings and Sculptures 1961-1963, London: Phaidon, 2002, no.319, p.292.

This work was made after the operative period 1933-45.

Exhibitions:
Tate Gallery, London, Picasso to Lichtenstein, Oct. 2-Nov. 24, 1974, no. 140 illus.;
Kunstsammlung Nordrhein-Westfalen, Dusseldorf, American Art from USA after 1950, A didactic exhibition: pictures, photos, texts, October 28, 1977 – January 8, 1978, p. 39 illus.;
Neue Nationalgalerie, Berlin / Tate Modern, London, Andy Warhol Retrospective, 2001/2002.

Literature:
Crone 1972, no. 425a, illustration;
Kunstjahrbuch, no. 3 (1973): 315-46, p. 327 illustration, upside-down;
Geelhaar, "Zeit im Schaffen von Andy Warhol," Pantheon (Oct.-Nov.-Dec. 1974), no. 2 illustration;
Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Painting of the Twentieth century (Düsseldorf, 1975), no. 128 illustration;
Crone, Pictorial Work of Andy Warhol, 1976, no. 774;
Honisch and Jensen, American art from 1945 to the present, 1976, 182;
National Museum of Modern Art, Tokyo, Photography in Contemporary Art (Tokyo: National Museum of Modern Art, 1983), fig. 2;
Kunstsammlung Nordrhein-Vlestfalen, Düsseldorf, Images of the 20th century, 1986, no. 156 illustration; English ed., 1990;
Kunslverein, Hamburg 1987, p. 63 illustration;
Menil Collection, Houston, 1988, no. 3 illustration;
Werner Schmalenbach, The Kunstsammlung Nordrhein-Westfalen, Düsseldorf (Munich: Prestel, 1989), p. 113 illustration;
Shanes 1991, p. 73 illustration;
Theweleit, Buch der Könige, 1994, p. 479 illustration.

Andy Warhol and Paul Bochicchio, Round Marilyn, 1962

X76525
Round Marilyn

1962
painting
Silkscreen ink and metallic paint on canvas
support, circular: 452 x 452 mm
Udo and Anette Brandhorst Collection
Provenance:
The artist;
Gifted to Emily Tremaine, December 1962;
Transferred to Christie’s New York, 9 November 1988, no.11;
Acquired by Tom Eliasson, Stockholm by 1988;
Transferred to Christie’s New York, 18 November 1992, no.23;
Acquired by Thea Westreich, New York, 1992;
Acquired from the above by the current owner by 2000.

Nationality of Artist: American
Identifying marks: inscribed on right verso ‘to Emily Tremaine Andy Warhol Christmas/62 Marilyn’ Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1961–1963, vol. 01, New York, 2004, no.283, p.252.
This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Most Wanted Men No.10, Louis Joseph M., 1963

X01864
Most Wanted Men No.10, Louis Joseph M.

1963
painting
Silkscreen ink on canvas
support, each: 1240 x 1000 mm
Stadtisches Museum Abteiberg, Mönchengladbach
Provenance:
The artist (d.1987);
Leo Castelli Gallery, New York;
Ileana Sonnabend, Paris;
Rudolf Zwirner, Cologne;
Acquired from the above by Städtisches Museum Mönchengladbach, 1967 (now called Städtisches Museum Abteiberg) 1967 (Examined 1995).

Nationality of Artist: American
Identifying marks: two canvases
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1964-1969, vol. 02A, New York, 2004, no.561, pp. 50–1.

This work was made after the operative period 1933-45.

Exhibitions:
Sonnabend, Paris, 1967;
Zwirner, Cologne 1967;
Mönchengladbach, Beleg, 1968;
Kunsthalle, Darmstadt, Menschenbilder, 1968;
Nationalgalerie Berlin, New York in Europa, 1976;
Kunsthaus Zurich, 1978.

Literature:
Stadisches Museum Abteiberg, Mönchengladbach, Kunst der Gegenwart, 1988;
MoMA, New York, Andy Warhol: A Retrospective, 1989.

Andy Warhol and Paul Bochicchio, Pink Race Riot (Red Race Riot), 1963

X50083
Pink Race Riot (Red Race Riot)

1963
painting
Silkscreen ink and acrylic on linen
support: 3258 x 2108 mm
Museum Ludwig, Cologne / Donation Ludwig Collection 1976
Provenance:

The artist;
Acquired by Ileana Sonnabend, Paris;
Acquired by Robert A. Rowan, Pasadena;
Acquired by Rudolf Zwirner, Cologne;
Acquired by Peter and Irene Ludwig Collection;
Donated to the current owner from the above by 1976.

Nationality of Artist: American
Identifying marks: background colour made from cadmium red mixed with white
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1964-1969, vol. 02A, New York, 2004, no.421, p.382.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Black and White Disaster #4 (5 Deaths 17 Times in Black and White), 1963

X50236
Black and White Disaster #4 (5 Deaths 17 Times in Black and White)

1963
painting
Acrylic paint, silkscreen ink and graphite on canvas
support: 2619 x 2090 mm
Kunstmuseum Basel
Provenance:

The artist;
Acquired by the current owner from the above, Basel 1972 (Examined 1996).

Nationality of Artist: American
Identifying marks: Inscribed ‘Andy Warhol Andy Warhol’ on bottom overlap, left, inverted (canvas with images) and ‘Andy Warhol Andy Warhol’ on top overlap, right (monochrome canvas)
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1961-63, vol. 01, New York, 2002, no.346, p.329.

This work was made after the operative period 1933-45.

Exhibitions:
Davison Art Center, Middletown, CT, The New Art, March 1-22, 1964, no. 42;
Rose Art Museum, Waltham, MA, The Painter and the Photograph, Oct. 5-Nov. 2, 1964, no. 48 illus., image canvas only; exhibition travelled to: Museum of Art, Indiana University, Bloomington, Nov. 15-Dec. 20, 1964; Art Gallery, State University of Iowa, Iowa City, Jan. 3-Feb. 10, 1965; Isaac Delgado Museum of Art, New Orleans, Feb. 23-March 22, 1965; University Art Gallery, University of New Mexico, Albuquerque, April I-May 7, 1965: Santa Barbara Museum of Art, CA, May 19-June 21, 1965;
Institute of Contemporary Art, Philadelphia, Andy Warhol, 1965;
Philadelphia Museum of Art, Silkscreen. History of a Medium, 1971, no. 228;
Kunsthaus, Zurich, Andy Warhol, 1978, travelled to Louisiana Museum of Modern Art in Humlebaek 1978.

Literature:
Van Deren Coke, The Painter and the Photograph (Albuquerque: University of New Mexico, 1964; rev. and enl. ed., 1972), no. 489 illustration, without blank;
Alan R. Solomon, "The New American Art," Art International, vol. 8, no. 2 (March 1964): 50-55, p. 52 illustration, without blank;
Carl Belz, "Pop Art, New Humanism, and Death," Kulchur, vol. 5, no. 17 (spring 1965): 18-37, fig. 2, without blank;
Moderna Museet, Stockholm, 1968, illustration, on two consecutive pages, without blank, "Orange Disaster';
Coplans 1970, p 114 illustration, without blank, "Orange Disaster";
Crone 1970, no. 322 illustration, without blank;
Nicolas Ca las and Elena Ca las, Icons and Images of the Sixties (New York: E. P. Dutton, 1971), p. 112 illustration, without blank, "Orange Disaster";
Wuppertal, Realitiit-Realismus-Realitat, 1972, p. 81 illustration, without blank;
Geelhaar, "Zeit im Schaffen van Andy Warhol," Pantheon (Oct.-Nov.-Dec. 1974), no. 6 illustration
Crone 1976, no. 760;
Carol Ann Mahsun, Pop Art and the Critics (Ann Arbor and London: UMI Research Press, 1981, 1987), fig. 13, without blank;
Gendai Hanga Center, Tokyo, Andy Warhol, 1983, p. 70 illustration, without blank;
Museum of Art, Fort Lauderdale, FL, An American Renaissance, Jan. 12-March 30, 1986, fig. 55, without blank, "Orange Disaster";
Menil Collection, Houston, 1988, no. 10 illustration;
MoMA, NY, 1989, no. 265 illustration;
Shanes 1991, p. 77 illustration upside-down;
Solomon R. Guggenheim Museum, NY, Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline (New York: Solomon R. Guggenheim Museum, 1993), no. 224 illus.

The black monochrome canvas does not appear in reproductions of this work during the 1960s. It was probably added when the work was acquired directly from Warhol by the Kunstmuseum Basel in 1972. The secondary title comes from Crone.

Andy Warhol and Paul Bochicchio, Silver Liz (aka Liz Taylor), 1963

X72372
Silver Liz (aka Liz Taylor)

1963
painting
Aluminium paint and silkscreen ink on canvas
support: 1041 x 1079 mm
Private Collection
Provenance:
The artist;
Transferred to The Estate of Andy Warhol, New York, 1986;
Acquired by Thomas Ammann Fine Art, Zurich;
Acquired by the present owner.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Certified by Frederick W. Hughes on overlap. Numbered PA 55.004 in Estate Archives.
Catalogue Raisonné: Ed. George Frei and Neil Printz, Warhol 01 Paintings and Sculptures 1961-1963, London: Phaidon, 2002, no.444, p.42.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Elvis I and II, 1963; 1964 [?]

X01878
Elvis I and II

1963; 1964 [?]
painting
Silkscreen ink and spray paint [silver canvas]; silkscreen ink and acrylic paint [blue canvas] on linen
frame: 2135 x 4220 mm support, each: 2083 x 2083 mm
Collection Art Gallery of Ontario, Toronto. Gift from the Women's Committee Fund, 1966 65/35
Provenance:
The artist;
Acquired by Leo Castelli Gallery, NY (LC 2-3), by 1964;
Transferred to Jerrold Morris International Gallery, Toronto, by 1966;
Gift from the Women's Committee Fund to the current owner, Ontario 1966.

Nationality of Artist: American
Identifying marks: two canvases
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1961–1963, vol. 01, New York, 2004, no.420, p.379.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, White Brillo Boxes, 1964

X71486
White Brillo Boxes

1964
sculpture
Screenprint ink on wood
unconfirmed, each: 440 x 430 x 355 mm
Museum Ludwig, Cologne / Loan Peter and Irene Ludwig Foundation 1986
Provenance:

The artist;
Acquired by Leo Castelli Gallery, New York;
Consigned to Galerie Rudolf Zwirner, Cologne;
Acquired by Peter and Irene Ludwig (Ludwig Collection), 1976;
On long loan to Museum Ludwig since 1986.

Nationality of Artist: American
Identifying marks: each inscribed with ‘Andy Warhol’
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1964-1969, vol. 02A, New York, 2004, nos. 646–673; p.73.
From 197 to 1983, the boxes were on loan to the Centre George Pompidou, Paris.
Display of 12 out of 28 boxes.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Self-Portrait, 1964

X73817
Self-Portrait

1964
painting
Acrylic paint and silkscreen ink on canvas
support: 508 x 412 mm
Fondation Louis Vuitton, Paris
Provenance:

The artist;
Transferred to Stable Gallery, New York;
Acquired by Eva Lee Gallery, Great Neck, New York;
Acquired by Lang and O'Hara Gallery, New York;
Acquired by Jason McCoy, New York;
Acquired by Anthony D'Offay Gallery, London 1985;
Acquired from the above by the current owner by 2016.

Nationality of Artist: American
Identifying marks: Signed "Andy Warhol" on bottom tacking edge
Place of manufacture: USA
Catalogue Raisonné: N. Printz, Eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculptures, Vol. 02B, 1964-1969, New York 2004, p. 428, no. 492.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Flowers, 1964

X75867
Flowers

1964
painting
Fluorescent paint and silkscreen ink on linen
support: 2083 x 2083 mm
Private Collection
Provenance:
The artist;
Transferred to Leo Castelli Gallery, New York;
Acquired by Frederick R. Weisman, Los Angeles;
Acquired by Thomas Ammann Fine Art, Zurich;
Acquired by Top Search Investment Ltd., London;
Acquired by the current owner, Germany 1990.

Nationality of Artist: American
Identifying marks: Signed verso: 'Andy Warhol' and 'Andy Warhol 65' on the left overlap. [NOTE: Warhol often signed and dated works after they were stretched or sold.]
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1964-1969, vol. 02A, New York, 2004, p. 274 and 277, no. 1933.

Exhibited:
Leo Castelli Gallery, New York, 1964;
Louisiana Museum of Modern Art, Humblebak, 1990.

Literature:
Thomas Ammann Fine Art, Zurich, Major Works from the Weisman Collection and Other private Collections, 1990, no. 31 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Most Wanted Men No.1 John M., 1964

X75996
Most Wanted Men No.1 John M.

1964
painting
Screenprint ink on linen
support: 1245 x 959 mm
Collection of the Herbert F. Johnson Museum of Art, Cornell University. Acquired with funds provided by the National Endowment for the Arts, and through the generosity of individual donors
Provenance:

The artist;
Transferred to B. Michael "Mickey" Ruskin, between 1964 and 1969;
Loaned from the above to Cornell University’s A. D. White Museum of Art (now the Herbert F. Johnson Museum of Art) 1969;
Transferred to Seymour C. Kaback, New York City, 1974 or 1975, while on loan to the Herbert F. Johnson Museum;
Acquired by the current owner, 27 October 1976 (Examined 1996).
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1964-1969, vol. 02A, New York, 2004, no.549, p.49.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Exhibition announcement 'The Personality of the Artist', Stable Gallery advertisement in Art International, April 1964, 1964

X78145
Exhibition announcement 'The Personality of the Artist', Stable Gallery advertisement in Art International, April 1964

1964
painting
Offset lithograph on coated paper
unconfirmed: 340 x 241 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. TC5.61.2
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Norelco® audio cassette recorder, 1964

X78147
Norelco® audio cassette recorder

1964
supporting material
Audio cassette recorder, molded plastic with metal parts
object: 54 x 197 x 114 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. T499
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Jackie Frieze, 1964

X78294
Jackie Frieze

1964
painting
Screenprint, acrylic and metallic paint on linen
support: 508 x 3250 mm
Museum of Contemporary Art, Chicago. Gift of Beatriz Cummings Mayer 2007.32
Provenance:

The artist;
Consigned to Stable Gallery, New York, 1964;
Acquired by Mr Robert B. Mayer and Mrs Beatrice Cummings Mayer, Winnetka, IL, 7 May 1964;
Transferred to Beatrice Cummings Mayer upon the death of her husband, Chicago 1974;
Partially gifted to Museum of Contemporary Art Chicago, 2007;
Fully gifted to Museum of Contemporary Art Chicago, 2016.

Nationality of Artist: American
Identifying marks: Eight canvases
Place of manufacture: USA
Catalogue Raisonné (select): George Frei and Neil Printz (eds), Warhol 02A Paintings and Sculptures 1964-1969, London, 2004, catalogue number 947, p.120.
This work was on loan to the Milwaukee Art Museum between 1994 and 1996.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Double Marlon, 1966

X72903
Double Marlon

1966
painting
Silkscreen ink on unprimed linen
support: 2134 x 2430 mm frame: 2278 x 2586 x 114 mm
Yageo Foundation Collection Taiwan
Provenance:
The artist;
Acquired by Mayor Gallery, London;
Acquired by Paul Kantor, Los Angeles;
Transferred to Sotheby’s New York, November 9, 1983, lot 77;
Acquired by Saatchi Collection, London;
Acquired by Sotheby’s New York, November 17, 1992, lot 59;
Acquired by the current owner by 1992.

Nationality of Artist: American
Identifying marks: Inscribed ‘Andy Warhol 1966 Andy Warhol 1966’ right overlap. Signature later.
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1964-1969, vol. 02B, New York, 2004, p. 274 and 277, no. 1933.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Andy Warhol's Index (Book), 1967

X52233
Andy Warhol's Index (Book)

1967
supporting material
Black and white photographs, text, fold-out pages, colour pop-up images and various objects (folded cardboard, balloon, paper-disc record, band, metal) fixed between pages, stitch-bound, soft-cover
unconfirmed: 298 x 235 x 16 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. 1998.3.2457.4
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Notebook [foot fetishes], circa 1969

X78146
Notebook [foot fetishes]

circa 1969
on paper, unique
Ballpoint pen and felt-tip marker on notebook paper
unconfirmed: 178 x 108 x 16 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. TC21.3.1
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Interview - vol.1, no.1 (1969), 'First Issue Collector's Edition', 1969

X78352
Interview - vol.1, no.1 (1969), 'First Issue Collector's Edition'

1969
supporting material
Printed ink on newsprint
object: 419 x 295 mm (unfolded)
© 1969 by Poetry on Film, Inc., New York, NY. Published by Andy Warhol. The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. 1998.3.6318.1
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Mao, 1972

X72403
Mao

1972
painting
Acrylic paint and silkscreen ink on linen
support: 2083 x 1448 mm
Private collection
Provenance:
The artist;
Acquired by Bruno Bischofberger, Zurich;
Acquired by Galleria Galatea, Turin;
Acquired by Ursula Niggermann, Cologne;
Acquired by Private Collection, Cologne 1973;
Transferred to Sotheby’s London, June 26, 1996, lot 40;
Acquired by François Pinault, Paris 2006;
Transferred to Sotheby’s New York, November 11, 2015, lot 11;
Acquired by private collection 2015;
Acquired by current owner 2019.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: S. King-Nero and N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1970-1974, Vol. 03, New York, 2010, cat. no. 2277, p. 184, illustrated in colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Wilhelmina Ross), 1975

X71293
Ladies and Gentlemen (Wilhelmina Ross)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 3000 x 2000 mm
Italian private collection
Provenance:
The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2813, p.74.
Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Marsha P. Johnson), 1975

X71294
Ladies and Gentlemen (Marsha P. Johnson)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 1270 x 1016 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2840, p.105.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Lurdes), 1975

X71295
Ladies and Gentlemen (Lurdes)

1975
painting
Acrylic paint and silkscreen ink on paper
support: 1270 x 1016 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2834, p.104.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Alphanso Panell), 1975

X71297
Ladies and Gentlemen (Alphanso Panell)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 813 x 660 mm
Italian private collection
Provenance:
The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2890, p.126.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Alphanso Panell), 1975

X71298
Ladies and Gentlemen (Alphanso Panell)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 813 x 660 mm
Italian private collection
Provenance:
The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2891, p.126.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Alphanso Panell), 1975

X71299
Ladies and Gentlemen (Alphanso Panell)

1975
painting
Acrylic paint and silkscreen on canvas
support: 813 x 660 mm
Italian private collection
Provenance:
The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2892, p.126.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Wilhelmina Ross), 1975

X71300
Ladies and Gentlemen (Wilhelmina Ross)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 1270 x 1016 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2849, p.106.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Alphanso Panell), 1975

X71301
Ladies and Gentlemen (Alphanso Panell)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 813 x 660 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2870, p.124.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Alphanso Panell), 1975

X71302
Ladies and Gentlemen (Alphanso Panell)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 813 x 660 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2872, p.124.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Alphanso Panell), 1975

X71303
Ladies and Gentlemen (Alphanso Panell)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2919, p.175.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Alphanso Panell), 1975

X71304
Ladies and Gentlemen (Alphanso Panell)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2922, p.175.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71305
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2980, p.182.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71306
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2981, p.182.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71307
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2982, p.182.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71308
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2983, p.182.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Broadway), 1975

X71309
Ladies and Gentlemen (Broadway)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2927, p.176.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Helen/Harry Morales), 1975

X71310
Ladies and Gentlemen (Helen/Harry Morales)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2963, p.180.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Helen/Harry Morales), 1975

X71311
Ladies and Gentlemen (Helen/Harry Morales)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2964, p.180.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71312
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2967, p.180.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71313
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2970, p.181.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71314
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2971, p.181.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Iris), 1975

X71315
Ladies and Gentlemen (Iris)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2972, p.181.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Broadway), 1975

X73257
Ladies and Gentlemen (Broadway)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2929, p.176.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Broadway), 1975

X73258
Ladies and Gentlemen (Broadway)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2926, p.176.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Ladies and Gentlemen (Broadway), 1975

X73259
Ladies and Gentlemen (Broadway)

1975
painting
Acrylic paint and silkscreen ink on canvas
support: 356 x 279 mm
Italian private collection
Provenance:

The artist;
Transferred to Luciano Anselmino, 1975;
Acquired by Carlo Monzino, Milan/Venice 1975;
Hence by descent to the current owner, 1998.

Nationality of Artist: American
Identifying marks: inscribed ‘Andy Warhol 75’ right overlap, top
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1974-1976, vol. 04, New York, 2014, no.2924, p.176.

Exhibitions:
Ladies & Gentlemen, Palazzo di Diamente, Ferrara 1975;
Mazatto, Venice 1988, no. 2 colour;
Galleria Gottardo, Lugano, 1990, no. 26 colour.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Skull, 1976

X76101
Skull

1976
painting
Acrylic paint and silkscreen on canvas
support: 1842 x 2045 mm frame: 1924 x 2127 x 89 mm
Collection of Larry Gagosian
Provenance:
The artist;
Acquired by Dia Center for the Arts, New York, 1980;
Presented to The Andy Warhol Museum, Pittsburgh; Founding Collection, 2002;
Acquired by the present owner by 2016.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Signed and dated 1976 on the top overlap.
Catalogue Raisonné: Neil Printz, ed., The Andy Warhol Catalogue Raisonne: Paintings 1976 - 1978, vol. 05A, London, 2018, no.3424, p.70.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Skull, 1976

X76103
Skull

1976
painting
Acrylic paint and silkscreen on canvas
support: 1842 x 2045 mm frame: 1924 x 2127 x 89 mm
Collection of Larry Gagosian
Provenance:
The artist;
Acquired by The Honorable Joseph P. Carroll and Dr. Roberta Carroll, 1976;
Transferred to Sotheby Parke Bernet, Sale of Contemporary Paintings, Drawings and Sculpture, May 15, 1980;
Acquired by Dia Center for the Arts, New York, 1980;
Presented to The Andy Warhol Museum, Pittsburgh; Founding Collection, 2002;
Acquired by the current owner, 2016.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Signed and dated 1976 and dedicated to ‘Joe and Roberta Carroll with love’ on the top overlap.
Catalogue Raisonné: Neil Printz, ed., The Andy Warhol Catalogue Raisonne: Paintings 1976 - 1978, vol. 05A, London: Phaidon, 2018, no. 3428, p. 71.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Skull, 1976

X76104
Skull

1976
painting
Acrylic paint and silkscreen on canvas
support: 1829 x 2032 mm frame: 1924 x 2127 x 89 mm
Collection of Larry Gagosian
Provenance:
The artist;
Acquired by Dia Center for the Arts, New York, 1980;
Presented to The Andy Warhol Museum, Pittsburgh; Founding Collection, 2002;
Acquired by the present owner, 2016.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Signed on the top overlap.
Catalogue Raisonné: Neil Printz, ed., The Andy Warhol Catalogue Raisonne: Paintings 1976 - 1978, vol. 05A, London: Phaidon, 2018, no. 3423, p. 70.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Skull, 1976

X76105
Skull

1976
painting
Acrylic paint and silkscreen on canvas
support: 1829 x 2032 mm frame: 1924 x 2127 x 89 mm
Collection of Larry Gagosian
Provenance:
The artist;
Acquired by Dia Center for the Arts, New York, 1980;
Presented to The Andy Warhol Museum, Pittsburgh; Founding Collection, 2002;
Acquired by the present owner, 2016.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: N/A
Catalogue Raisonné: Neil Printz, ed., The Andy Warhol Catalogue Raisonne: Paintings 1976 - 1978, vol. 05A, London: Phaidon, 2018, no. 3429, p. 71.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Hammer and Sickle, 1976

X76526
Hammer and Sickle

1976
painting
Silkscreen ink and acrylic paint on canvas
image: 3050 x 4075 mm
Udo and Annette Brandhorst Collection
Provenance:
The artist;
Transferred to The Andy Warhol Foundation for the Visual Arts, Inc. New York, after 1987;
Acquired by Thomas Ammann Fine Art, Zurich after 1987;
Acquired by the current owner, Munich by 2015.
Nationality of Artist: American
Identifying marks: signed ‘Andy Warhol’ right overlap
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1976-78, vol. 05A, New York, 2018, no. 3516, p.106.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Torso, 1977

X78282
Torso

1977
painting
Silkscreen ink and acrylic paint on canvas
support: 1270 x 1067 mm frame: 1313 x 1113 x 50 mm
ZOYA Gallery, Slovakia
Provenance:
The artist;
Transferred to Ace Gallery (E-1);
Transferred to The Andy Warhol Foundation for the Visual Arts, Inc., New York (PA 79.020) after 1987;
Acquired by Robert Miller Gallery, New York, after 1987;
Acquired by private collector;
Acquired from the above by the current owner by 1999.

Nationality of Artist: American
Identifying marks: N/A
Place of manufacture: USA
Catalogue Raisonné: N. Printz, eds., The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1976-78, vol. 05B, New York, 2018, no. 3884, p.84.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Dolly Parton, 1985

X78248
Dolly Parton

1985
painting
Acrylic paint and screenprint on canvas
support: 1067 x 1067 mm
The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art
Provenance:
The artist;
Private collection;
Acquired by Doris and Donald Fisher;
On loan to the San Francisco Museum of Modern Art.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Unknown

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Dolly Parton, 1985

X78293
Dolly Parton

1985
painting
Acrylic paint and screenprint on canvas
support: 1067 x 1067 mm
The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art
Provenance:
The artist;
Private collection;
Acquired by Doris and Donald Fisher;
On loan to the San Francisco Museum of Modern Art.

Nationality of Artist: American
Place of manufacture: USA
Identifying marks: Unknown
Bibliography: Donna De Salvo, Andy Warhol: From A to B and Back Again, exhibition catalogue, Whitney Museum of American Art, New York, 2018, p.370–1.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Sixty Last Suppers, 1986

X71259
Sixty Last Suppers

1986
painting
Acrylic paint and silkscreen ink on canvas
unconfirmed: 2946 x 9982 mm
Nicola Erni Collection
Provenance:

The artist;
Transferred to The Andy Warhol Foundation for the Visual Arts, Inc. New York, after 1987;
Acquired by Ayn Foundation, New York;
Acquired by a private collector;
Transferred to Christie’s, Post-War & Contemporary Art Evening Sale, New York, 15 November 2017,
sale 14995, Lot 13 B;
Acquired by the present owner, 2017.

Nationality of Artist: American
Identifying marks: numbered twice 'PA82.020' (on the overlap); numbered again 'PA82.020' (on the stretcher)
Place of manufacture: USA

Bibliography:
Andy Warhol: A Retrospective, exh. cat., New York, Museum of Modern Art, 1989, p. 391, no. 446 (illustrated in color);
J. Beck, "Andy Warhol's Sixty Last Suppers," Gagosian Quarterly, Summer 2017, pp. 80-88 (illustrated in color).
Exhibition:
Andy Warhol, Leo Castelli Gallery, New York, June-July 1987;
The Last Supper Paintings, Dia Center for the Arts, New York, September 1994-June 1995;
Andy Warhol. The Last Supper, Bayerische Staatsgemaldesammlungen/Staatsgalerie moderner Kunst, Munich, May – September 1998;
Andy Warhol: The Last Supper, Guggenheim Museum SoHo, New York, June 1999 – Summer 2001;
RSTW: from the Private Collection of Larry Gagosian, Arts Abu Dhabi Gallery, Abu Dhabi, September 2010 – January 2011.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Lenin [red], 1986

X73810
Lenin [red]

1986
painting
Screenprint ink and acrylic paint on canvas
support: 2130 x 1780 mm
Städtische Galerie im Lenbachhaus und Kunstbau Munich
Provenance:

The artist;
Acquired by Gallery Bernd Klüser, Munich directly from the artist, 1986;
Acquired by the current owner, 1987.

Nationality of Artist: American
Identifying marks: unknown
Place of manufacture: USA
Bibliography: unknown

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Lenin [black], 1986

X73813
Lenin [black]

1986
painting
Screenprint ink and acrylic paint on canvas
support: 2130 x 1780 mm
Städtische Galerie im Lenbachhaus und Kunstbau Munich
Provenance:

The artist;
Acquired by Gallery Bernd Klüser, Munich directly from the artist, 1986;
Acquired by the current owner by 1988.

Nationality of Artist: American
Identifying marks: unknown
Place of manufacture: USA
Bibliography: Unknown

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Statue of Liberty (Fabis), 1986

X79198
Statue of Liberty (Fabis)

1986
painting
Synthetic polymer paint and silkscreen ink on canvas
support: 1830 x 1830 mm frame: 1880 x 1880 mm
Collection Thaddaeus Ropac, London, Paris, Salzburg
Provenance:

The artist;
Transferred to The Andy Warhol Foundation for the Visual Arts, Inc. New York, after 1987;
Acquired by the current owner, 1998.

Nationality of Artist: American
Identifying marks: signed unknown
Place of manufacture: USA
Bibliography: ‘Alvaro Barrington: Artists I Steal From’, Galerie Thaddaeus Ropac, London, 5 June – 9 August 2019, exh.cat., pp.106–7;
‘Lisa Dennison and Germano Celant’, Grimaldi Forum, Monaco, New York, 14 July – 10 September 2006, exh.cat., p.233, cat.no. 225.

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Wig (Blond and Brown), 1980s

X79501
Wig (Blond and Brown)

1980s
supporting material
Natural and synthetic hair on dyed cloth
overall: 318 x 292 x 25 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. T3105.2
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Wig (Blond and Brown), 1980s

X79502
Wig (Blond and Brown)

1980s
supporting material
Natural and synthetic hair on dyed cloth
overall: 356 x 292 x 25 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. T3105.3
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Paul Bochicchio, Wig (Silver and Brown), 1980s

X79504
Wig (Silver and Brown)

1980s
supporting material
Natural and synthetic hair on dyed cloth
overall: 292 x 248 x 25 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. T3146.2
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)
George Maciunas
Gerard Malanga
Jonas Mekas
(born 1922, born: Lithuania, active: New York)

Andy Warhol, George Maciunas, Gerard Malanga and Jonas Mekas, Film Culture No. 45 (Summer 1967), 1967

X78144
Film Culture No. 45 (Summer 1967)

1967
on paper, print
Magazine, printed ink on paper
unconfirmed: 267 x 210 x 3 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. TC-17.118
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)
Stephen Shore
(born 1947, born: New York)

Andy Warhol and Stephen Shore, Andy Warhol's Index (Book), 1967

X78142
Andy Warhol's Index (Book)

1967
on paper, print
Book, offset lithograph on paper, lenticular photograph on buckram board cover and printed ink on plastic bag
object: 286 x 222 x 16 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. 1998.3.2457.2a-b
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)
Stephen Shore
(born 1947, born: New York)
Billy Name
(1940 - 2016)
Kasper König

Andy Warhol, Stephen Shore, Billy Name and Kasper König, Andy Warhol, exhibition catalogue, Moderna Museet, Stockholm 1968, first edition, 1968

X78143
Andy Warhol, exhibition catalogue, Moderna Museet, Stockholm 1968, first edition

1968
on paper, print
Book, print on paper
object: 267 x 210 x 25 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. TC74.2.1.2
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)
The Velvet Underground
(1964 - 1973)

Andy Warhol and The Velvet Underground, The Velvet Underground & Nico, 1967

X72514
The Velvet Underground & Nico

1967
supporting material
Record cover, print on paper
support: 311 x 311 mm
Museum of Applied Arts Cologne / Collection Ulrich Reininghaus
Provenance:

Acquired by private collector;
On long loan to Museum für Angewandte Kunst (MAKK), August 2018.

Nationality of Artist: American
Identifying marks: unknown
Place of manufacture: USA
Bibliography: n/a

This work was made after the operative period 1933-45.

Andy Warhol and The Velvet Underground, The Velvet Underground & Nico, 1967

X78360
The Velvet Underground & Nico

1967
supporting material
Record cover, print on paper
support: 311 x 311 mm
Museum of Applied Arts Cologne / Collection Ulrich Reininghaus
Provenance:

Acquired by private collector;
On long loan to Museum für Angewandte Kunst (MAKK), August 2018.

Nationality of Artist: American
Identifying marks: unknown
Place of manufacture: USA
Bibliography: n/a

This work was made after the operative period 1933-45.

Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)
Julia Warhola
(1891 - 1972)

Andy Warhol and Julia Warhola, A Gold Book, 1957

X78151
A Gold Book

1957
on paper, print
Artist's book, offset lithograph and Dr. Martins Aniline dye on paper and coated metallic paper, with buckram board cover
object: 383 x 298 x 13 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Andy Warhol and Julia Warhola, A Gold Book, 1957

X78152
A Gold Book

1957
on paper, print
Artist book, offset lithograph and Dr. Martins Aniline dye on paper and coated metallic paper, with buckram board cover
object: 381 x 295 x 10 mm
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.
Provenance:
The artist until his death, 1987;
Transferred to Estate of Andy Warhol; The Andy Warhol Foundation for the Visual Arts, Inc., 1987.

Nationality of Artist: American
Identifying marks: nil
Place of manufacture: USA
Catalogue Raisonné: nil

This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye

Tate Britain (London, UK) from 19 May 2020 until 31 Aug 2020.

Lynette Yiadom-Boakye
(born 1977, born: London, active: London)

Lynette Yiadom-Boakye, Bird of Paradise, 2009

X77159
Bird of Paradise

2009
painting
Oil on canvas
support: 864 x 711 mm
Courtesy of Omer Tiroche Gallery, London
Provenance:
X77159
Bird of Paradise
2009
Painting
Oil on canvas
864 x 711 mm
Courtesy of Omer Tiroche Gallery, London
Provenance: The artist; Acquired by Faye Fleming and partner Geneva, Acquired by the current owner 2016
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions:n/a
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, Nightingale, 2009

X77160
Nightingale

2009
painting
Oil on canvas
unconfirmed: 1000 x 800 mm
Alex Hank
Provenance:
X77160
Nightingale
2009
Painting
Oil on canvas
1000 x 800 mm
Alex Hank
Provenance: The artist; Acquired by Steven Weiner and Doreen Remen 2009; Acquired by the current owner January 2019
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions:
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, Geranium Love Sonnet, 2010

X77165
Geranium Love Sonnet

2010
painting
Oil on canvas
support: 1800 x 1400 mm
Collection of David Madee
Provenance:
X77165
Geranium Love Sonnet
2010
Painting
Oil on canvas
1800 x 1400 mm
Collection of David Madee
Provenance: The artist; Acquired by the current owner April 2010
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions:
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, Further Pressure From Cannibals, 2010

X77166
Further Pressure From Cannibals

2010
painting
Oil on canvas
support: 549 x 450 mm frame: 590 x 495 x 54 mm
Joeonna Bellorado-Samuels, New York.
Provenance:
X77166
Further Pressure From Cannibals
2010
Painting
Oil on canvas
549 x 450 mm, 590 x 495 x 54 mm
Joeonna Bellorado-Samuels, New York
Provenance: The artist; Acquired by the current owner 2010
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions: Essays and Documents, Jack Shainman Gallery New York, 2010, Stranger! Museum of Contemporary Art, Cleveland, Ohio, 2016
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, Any Number of Preoccupations, 2010

X77168
Any Number of Preoccupations

2010
painting
Oil on canvas
support: 1524 x 2032 mm frame: 1816 x 2222 x 266 mm
Dr Kenneth Montague / The Wedge Collection, Toronto
Provenance:
X77168
Any Number of Preoccupations
2010
Painting
Oil on canvas
1524 x 2032 mm
Dr Kenneth Montague / The Wedge Collection, Toronto
Provenance: The artist; Acquired by the current owner 2010
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions:
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, Avalanche, 2011

X77172
Avalanche

2011
painting
Oil on canvas
support: 2000 x 1600 mm
Collection of Mr Brian Ruhl and Mr Ozgur Ozar
Provenance:
X77172
Avalanche
2011
Painting
Oil on canvas
2000 x 1600 x 50 mm
Collection of Mr Brian Ruhl and Mr Ozgur Ozar
Provenance: The artist; Acquired by the current owner December 2011
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions: 11th Lyon Biennial of Contemporary Art, Lyon France 2011
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, A Bounty Left Unpaid, 2011

X77173
A Bounty Left Unpaid

2011
painting
Oil on canvas
unconfirmed: 2000 x 1600 mm
Private Collection
Provenance:
X77173
A Bounty Left Unpaid
2011
Painting
Oil on canvas
2000 x 1600 x 40 mm
Private Collection
Provenance: The artist; Acquired by the current owner 2011
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions:
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, 6pm Madeira, 2011

X77570
6pm Madeira

2011
painting
Oil on canvas
support: 1800 x 1498 mm frame: 1847 x 1536 mm
Tracey and Phillip Riese
Provenance:
X77570
6pm Madeira
2011
Painting
Oil on canvas
1800 x 1498 mm, 1847 x 1536 mm
Tracey and Phillip Riese
Provenance: The artist; Acquired by the current owner 2011
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions: n/a
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, A Toast To The Health of A Heathen, 2014

X77206
A Toast To The Health of A Heathen

2014
painting
Oil on canvas
support: 2008 x 1301 mm frame: 2051 x 1346 x 64 mm
AC and Thelma Hudgins
Provenance:
X77206
A Toast To The Health of A Heathen
2014
Painting
Oil on canvas
2011 x 1302 x 41 mm, 2051 x 1346 x 64 mm
AC and Thelma Hudgins
Provenance: The artist; Acquired by the current owner 2014
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions: 2014 Jack Shainman Gallery
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, Tie The Temptress To The Trojan, 2016

X77215
Tie The Temptress To The Trojan

2016
painting
Oil on linen
support: 1200 x 1600 mm
Collection of Michael Bertrand, Toronto
Provenance:
X77215
Tie The Temptress To The Trojan
2016
Painting
Oil on linen
1200 x 1605 x 38 mm
Collection of Michael Bertrand, Toronto
Provenance: The artist; Acquired by the current owner 2016
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions: Making and Unmaking, Camden Arts Centre, London 2016
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, Parchment Flowers, 2017

X77232
Parchment Flowers

2017
painting
Oil on linen
support: 1400 x 850 mm frame: 1441 x 892 x 60 mm
The collection of Holly and Albert Baril
Provenance:
X77232
Parchment Flowers
2017
Painting
Oil on linen
1400 x 850 mm, 1441 x 892 x 60 mm
The collection of Holly and Albert Baril
Provenance: The artist; Acquired by the current owner May 2018
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions:
This work was made after the operative period 1933-45.

Lynette Yiadom-Boakye, Black Allegiance to the Cunning, 2018

X78286
Black Allegiance to the Cunning

2018
painting
Oil on linen
support: 2008 x 1505 mm
Sheldon Inwentash and Lynn Factor, Toronto
Provenance:
X78286
Black Allegiance to the Cunning
2018
Painting
Oil on linen
2008 x 1505 x 38 mm
Sheldon Inwentash and Lynn Factor, Toronto
Provenance: The artist; Acquired by the current owner 2019
Nationality of Artist: British
Identifying marks: none
Place of manufacture: England
Catalogue Raisonné: n/a
Exhibitions:
This work was made after the operative period 1933-45.