Helio Oiticica B30 Box Bólide 17 - Poem Box 1965-6

Room 1 in Performer and Participant

Lygia Clark and Hélio Oiticica

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Lygia Clark, Dialogue. Goggles  1968

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artworks in Lygia Clark and Hélio Oiticica

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Hélio Oiticica, Seja marginal, seja heroi (Be a Hero, Be an Outlaw)  1968

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artworks in Lygia Clark and Hélio Oiticica

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Lygia Clark, Pocket Bicho  1966

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Hélio Oiticica, P11 Parangolé Cape 7, Sex and Violence, That’s What I Like  1966

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Lygia Clark, Matchbox Structures  1964

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Lygia Clark, Obra Mole  1964

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artworks in Lygia Clark and Hélio Oiticica

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Lygia Clark, Matchbox Structures  1964

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Lygia Clark, Monument To All Situations  1964

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Hélio Oiticica, B30 Box Bólide 17 - Poem Box  1965–6

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Lygia Clark, Matchbox Structures  1964

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artworks in Lygia Clark and Hélio Oiticica

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Lygia Clark, Goggles  1968

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Lygia Clark, Matchbox Structures  1964

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artworks in Lygia Clark and Hélio Oiticica

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Lygia Clark, Matchbox Structures  1964

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artworks in Lygia Clark and Hélio Oiticica

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Lygia Clark, Matchbox Structures  1964

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Lygia Clark, Matchbox Structures  1964

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artworks in Lygia Clark and Hélio Oiticica

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Lygia Clark, Matchbox Structures  1964

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artworks in Lygia Clark and Hélio Oiticica

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Lygia Clark, Matchbox Structures  1964

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artworks in Lygia Clark and Hélio Oiticica

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Lygia Clark, Matchbox Structures  1964

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artworks in Lygia Clark and Hélio Oiticica

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Lygia Clark, Matchbox Structures  1964

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artworks in Lygia Clark and Hélio Oiticica

Art in this room

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Lygia Clark Dialogue. Goggles 1968

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Hélio Oiticica Seja marginal, seja heroi (Be a Hero, Be an Outlaw) 1968

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Lygia Clark Pocket Bicho 1966

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Hélio Oiticica P11 Parangolé Cape 7, Sex and Violence, That’s What I Like 1966

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Lygia Clark Matchbox Structures 1964

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Lygia Clark Obra Mole 1964

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