Tate St Ives

Meaning and Material in the 1950s Gallery Four

Level 3

© Tate

This room considers how modern artists working in St Ives re-engaged with Europe and North America

Some artists were exploring the visual effects of painting whilst others invested meaning in their improvised use of materials.

Venue

Tate St Ives
Porthmeor Beach
St Ives
Cornwall TR26 1TG
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Art in this room

Alberto Burri Sacking and Red

1954

Patrick Heron Azalea Garden : May 1956

1956

Karel Appel Amorous Dance

1955

Jean Dubuffet Large Black Landscape

1946

All rooms in this display