I wish you could see the place here – there is something so perfect about the mountains and the lake and the trees – Sometimes I want to tear it all to pieces – it seems so perfect – but it is really lovely.

The rural Northeast, through Lake George in upstate New York, as well as coastal Maine and Canada, contrasts both with New York City and, later, O’Keeffe’s travels to the Southwest. Lake George in particular, where the Stieglitz family had a summer home, enabled O’Keeffe to continue her investigation of abstraction from nature. O’Keeffe first visited Lake George as a student in 1908, but during her three-decade relationship with Stieglitz, she spent summer and autumn there. ‘Here I feel smothered with green’, she remarked, revealing her ambivalence towards the location. Nevertheless, the years she spent summering there were some of the most prolific of her career.

Lake George and the Northeast suggested a different palette to O’Keeffe. Her works made there range from soft blue and green to the red and purple of maple trees and the warm red of apples and autumn leaves. Like the images of New York, there are correlations between her works and Stieglitz’s photography – key motifs include the lake itself, trees, turbulent clouds, barns and still lifes of apples or leaves.