Edward Weston, Igor Stravinsky 1935 © 1981 Center for Creative Photography

Edward Weston Igor Stravinsky 1935 © 1981 Center for Creative Photography

Modernist portraiture harnessed photography’s capacity to render an accurate likeness in clear, sharp focus and detail. But at the same time, artists and sitters pushed the conventions of portraiture with innovations in pose, composition and cropping.

Many of the portraits in this room are of artists, writers and musicians, giving a cross section of key cultural players of the time. Issues of control and collaboration arise particularly when the subject is an artist, raising the question of who is responsible for conveying the sitter’s persona. The modernist period also saw a boom of the illustrated press. Magazines reproduced photographic portraits of well-known figures which were instrumental in shaping their public images.

They collect themselves. Carefully, as if tying a cravat, they compose their features. Insolent, serious and conscious of their looks they turn around to face the world.
From ‘Men before the Mirror’, published alongside portraits by Man Ray, 1934