Philip Guston

1913–1980

Philip Guston, ‘Cornered’ 1971 — Cornered 1971
© The Estate of Philip Guston
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In Tate Liverpool

Constellations: Glenn Ligon

Free entry

In Tate Britain

Prints and Drawings Rooms

View by Appointment

Biography

Philip Guston (pronounced like "rust"), born Phillip Goldstein (June 27, 1913 – June 7, 1980), was a painter and printmaker in the New York School, an art movement that included many abstract expressionists like Jackson Pollock and Willem de Kooning. In the late 1960s Guston helped to lead a transition from abstract expressionism to neo-expressionism in painting, abandoning so-called "pure abstraction" in favor of more representational, cartoonish renderings of various personal situations, symbols and objects.

He is known for his cartoonish paintings of an existential, lugubrious nature that employed a limited palette and were created in the period after 1968. Moreover, he was a lecturer and teacher at a number of universities and so he is also regarded for his words and teachings, collected in the book Philip Guston: Collected Writings, Lectures, and Conversations (Documents of Twentieth-Century Art).

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Artworks

Philip Guston, ‘Cornered’ 1971

Philip Guston Cornered

1971

On display at Tate Liverpool part of Constellations T04885

Philip Guston, ‘Monument’ 1976

Philip Guston Monument

1976

T05870

Philip Guston, ‘Sea Group’ 1980

Philip Guston Sea Group

1980

View by appointment P11416

Philip Guston, ‘Group I’ 1968

Philip Guston Group I

1968

L02177

Philip Guston, ‘The Return’ 1956–8

Philip Guston The Return

1956–8

T00252

Philip Guston, ‘Black Sea’ 1977

Philip Guston Black Sea

1977

T03364

Philip Guston, ‘Head I’ 1965

Philip Guston Head I

1965

T07131

Philip Guston, ‘Painter’ 1980

Philip Guston Painter

1980

View by appointment P77009

Features

Paula Rego, ‘Nanny, Small Bears and Bogeyman’ 1982

Art Term

Neo-expressionism

Neo-expressionism acted as a major revival of painting in an expressionist manner in the 1980s and it occurred internationally

Basil Wolverton, Heap 1955 ink on paper

Tate Etc

Rudely transgressing the boundaries between the elevated and the profane: Etc. Essay: The grotesque

The notion of the grotesque in art has been around for centuries, but it is currently being re-imagined, often with ...

Howard Hodgkin, ‘Mr and Mrs Stephen Buckley’ 1974–6

Tate Etc

I've never painted an abstract picture in my life: Howard Hodgkin in conversation

He grew up in a home full of Omega Workshop objects, before being evacuated to New York during the Second ...

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